Recent Acquisition in the Architecture Library’s Ryan Rare Book Room

by Viveca Pattison Robichaud, Special Collections Librarian, Architecture Library & Institute for Latino Studies

Falda's Nuovo Teatro delle Fabriche, et Edificii, in Prospettiva di Roma Moderna
Falda, Giovanni Battista, Giovanni Giacomo de Rossi, et al. Nuovo Teatro delle Fabriche, et Edificii, in Prospettiva di Roma Moderna, Rome (Date in Luce da Gio. Iacomo Rossi dale sue Stampe in Roma), 1665.

The Architecture Library, with the support of Italian Studies, Art, Art History & Design, and Humanities funding, is pleased to announce our newest addition to the collection, Giovanni Battista Falda’s Nuovo Teatro della Fabriche from 1665. This volume consists of the first three books in the series, bound together, which are a collection of engravings detailing the contemporary architecture of Rome. The volume, in its present form, is incredibly rare with only twelve copies housed in American collections.

The illustrations contained in the volume are of the Renaissance and Baroque architecture of Rome, and include general views, facades, interiors, and details of churches, monasteries, palazzi, public buildings, monuments, piazzas, as well as other sites of interest in the city. This volume, important in itself because of its study of Rome, also complements the current holdings of the Ryan Rare Book Room, which houses Falda’s Palazzi di Roma, a counterpart to Il Nuovo Teatro delle Fabriche, and together these books present a more complete picture of Renaissance and Baroque Rome.

This volume is also an important acquisition for the expansion of our SPQR-ND mobile application (available for iPad and iPhone) and other digitization projects we have underway in the Architecture Library. This work provides the reader with a snapshot of Rome in the seventeenth century and, in the words of Professor Carroll William Westfall, this book “sharpens one’s understanding of Rome as a place where change is constant and each era has important things to teach.” Cities are not static places and each new project leaves its mark. This work documents Rome in one of its most noteworthy periods.

 


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