{"id":426,"date":"2022-07-23T10:36:24","date_gmt":"2022-07-23T14:36:24","guid":{"rendered":"https:\/\/sites.nd.edu\/artnow\/?page_id=426"},"modified":"2022-11-06T21:57:03","modified_gmt":"2022-11-07T02:57:03","slug":"leila-buck","status":"publish","type":"page","link":"https:\/\/sites.nd.edu\/artnow\/leila-buck\/","title":{"rendered":"Leila Buck"},"content":{"rendered":"\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"768\" src=\"https:\/\/sites.nd.edu\/artnow\/files\/2022\/07\/leila-buck-1024x768.jpeg\" alt=\"\" class=\"wp-image-429\" srcset=\"https:\/\/sites.nd.edu\/artnow\/files\/2022\/07\/leila-buck-1024x768.jpeg 1024w, https:\/\/sites.nd.edu\/artnow\/files\/2022\/07\/leila-buck-300x225.jpeg 300w, https:\/\/sites.nd.edu\/artnow\/files\/2022\/07\/leila-buck-768x576.jpeg 768w, https:\/\/sites.nd.edu\/artnow\/files\/2022\/07\/leila-buck.jpeg 1480w\" sizes=\"auto, (max-width: 706px) 89vw, (max-width: 767px) 82vw, 740px\" \/><\/figure>\n\n\n\n<p><strong>Biography<\/strong><\/p>\n\n\n\n<p>Leila Buck is a Lebanese American playwright actor, facilitator and educator. She has written numerous plays and has taught in more than 20 Arab and European countries and throughout the US. Some of her key plays include <em>American Dreams<\/em>, <em>In the Crossing<\/em>, and <em>Arabian Nights<\/em>, <em>Hkeelee: Talk to Me<\/em>, <em>Mix &amp; Match<\/em>, and <em>1001 Nights (A Retelling)<\/em>. Buck\u2019s work has been widely produced and developed in theaters such as the Public Theater, Round House Theater, The Working Theater, Hartford Stage, Cleveland Public Theater, the New York Theater Workshop, and the BRIC Lab. She received her BA from Wesleyan University and her M.A. in Theatre for Cross Cultural Education from New York University, where she now teaches Participatory Performance and Civic Engagement and Creation and Representation in U.S. Theater. As the recipient of the Wesleyan University\u2019s Doris Duke Foundation Building Bridges artist-in-residence grant, she dedicated much of her time to producing interactive work with students that would focus primarily on the misrepresentation of Muslims in the U.S., as is reflected in much of her work. She is the recipient of the Edgar Beckham Social Justice Award (2015), the 2020 Fox Foundation Resident Actor Fellow, the Barrymore Award (at Wilma Theater) recipient, Special Jury Prize from Middle Eastern American Grant.<\/p>\n\n\n\n<p><strong>Career Highlight<\/strong><\/p>\n\n\n\n<p>Leila Buck\u2019s first play, <em>ISite<\/em> (1999), is an award-winning one-woman show about growing up between the U.S. and the Arab world. For over ten years the play has toured the U.S., Europe and China and has been published in <a href=\"https:\/\/www.amazon.com\/Four-Arab-American-Plays-Lameece\/dp\/0786474866\" data-type=\"URL\" data-id=\"https:\/\/www.amazon.com\/Four-Arab-American-Plays-Lameece\/dp\/0786474866\" target=\"_blank\" rel=\"noreferrer noopener\"><em>Four Arab American Plays<\/em> (McFarland Press)<\/a>.<\/p>\n\n\n\n<p><em><strong>American Dreams<\/strong><\/em><\/p>\n\n\n\n<ul class=\"wp-block-list\"><li>Breakdown:<ul><li>1M Indian, 1M White, 1M Palestinian\/Irish, 1M Latino, 1W Lebanese American, 2W African American<\/li><\/ul><\/li><\/ul>\n\n\n\n<ul class=\"wp-block-list\"><li>Synopsis:<ul><li><em>American Dreams<\/em> is an interactive play in the form of a game show where the audience decides the outcome of the plot. The show presents the backgrounds of three immigrants hoping to become citizens of the United States. As they proceed through the gameshow, each contestant is quizzed on American trivia, asked about his own \u201cAmerican dream\u201d, tested on his talents, and finally are put on a \u201chot seat\u201d to answer hot button questions about their pasts. In the end, the audience chooses a winner, who is then awarded citizenship to the \u201cgreatest country on earth.\u201d<\/li><\/ul><\/li><\/ul>\n\n\n\n<ul class=\"wp-block-list\"><li>Development\/Production History:<ul><li>2016 &#8211; 1st developmental reading at Queens College<\/li><li>2017 &#8211; Rough Draft Festival at LaGuardia PAC<\/li><li>2017 &#8211; Kilroy\u2019s List Honorable Mention\u200b<\/li><li>2018 &#8211; World Premiere at Cleveland Public Theatre<\/li><li>2020 &#8211; JKW Foundation support to retool as an interactive online show<\/li><li>2020 &#8211; National Online Tour<\/li><li>2021 &#8211; Nominated for DRAMA LEAGUE AWARD &#8211; Outstanding Interactive Theatre<\/li><\/ul><\/li><\/ul>\n\n\n\n<ul class=\"wp-block-list\"><li><em>American Dreams<\/em> is available to purchase <a rel=\"noreferrer noopener\" href=\"http:\/\/www.leilabuck.com\" data-type=\"URL\" data-id=\"http:\/\/www.leilabuck.com\" target=\"_blank\">through the playwright<\/a>.<\/li><\/ul>\n\n\n\n<ul class=\"wp-block-list\"><li>Photos:<\/li><\/ul>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full is-resized\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/sites.nd.edu\/artnow\/files\/2022\/07\/american-dreams-zoom11-.jpeg\" alt=\"\" class=\"wp-image-502\" width=\"675\" height=\"375\" srcset=\"https:\/\/sites.nd.edu\/artnow\/files\/2022\/07\/american-dreams-zoom11-.jpeg 620w, https:\/\/sites.nd.edu\/artnow\/files\/2022\/07\/american-dreams-zoom11--300x166.jpeg 300w\" sizes=\"auto, (max-width: 675px) 100vw, 675px\" \/><figcaption><em>American Dreams<\/em>, Zoom, 2020.<\/figcaption><\/figure>\n<\/div>\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"800\" height=\"606\" src=\"https:\/\/sites.nd.edu\/artnow\/files\/2022\/07\/american-dreams-2.jpeg\" alt=\"\" class=\"wp-image-501\" srcset=\"https:\/\/sites.nd.edu\/artnow\/files\/2022\/07\/american-dreams-2.jpeg 800w, https:\/\/sites.nd.edu\/artnow\/files\/2022\/07\/american-dreams-2-300x227.jpeg 300w, https:\/\/sites.nd.edu\/artnow\/files\/2022\/07\/american-dreams-2-768x582.jpeg 768w\" sizes=\"auto, (max-width: 706px) 89vw, (max-width: 767px) 82vw, 740px\" \/><figcaption><em>American Dreams<\/em>, Cleveland Public Theater, 2018.<\/figcaption><\/figure>\n<\/div>\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"569\" src=\"https:\/\/sites.nd.edu\/artnow\/files\/2022\/07\/american-dreams-zooom-min-1024x569.jpeg\" alt=\"\" class=\"wp-image-506\" srcset=\"https:\/\/sites.nd.edu\/artnow\/files\/2022\/07\/american-dreams-zooom-min-1024x569.jpeg 1024w, https:\/\/sites.nd.edu\/artnow\/files\/2022\/07\/american-dreams-zooom-min-300x167.jpeg 300w, https:\/\/sites.nd.edu\/artnow\/files\/2022\/07\/american-dreams-zooom-min-768x427.jpeg 768w, https:\/\/sites.nd.edu\/artnow\/files\/2022\/07\/american-dreams-zooom-min-1536x853.jpeg 1536w, https:\/\/sites.nd.edu\/artnow\/files\/2022\/07\/american-dreams-zooom-min-2048x1138.jpeg 2048w\" sizes=\"auto, (max-width: 706px) 89vw, (max-width: 767px) 82vw, 740px\" \/><figcaption><em>American Dreams<\/em>, Zoom, 2020.<\/figcaption><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"682\" src=\"https:\/\/sites.nd.edu\/artnow\/files\/2022\/07\/american-dreams-pic-1024x682.jpeg\" alt=\"\" class=\"wp-image-505\" srcset=\"https:\/\/sites.nd.edu\/artnow\/files\/2022\/07\/american-dreams-pic-1024x682.jpeg 1024w, https:\/\/sites.nd.edu\/artnow\/files\/2022\/07\/american-dreams-pic-300x200.jpeg 300w, https:\/\/sites.nd.edu\/artnow\/files\/2022\/07\/american-dreams-pic-768x512.jpeg 768w, https:\/\/sites.nd.edu\/artnow\/files\/2022\/07\/american-dreams-pic-1536x1024.jpeg 1536w, https:\/\/sites.nd.edu\/artnow\/files\/2022\/07\/american-dreams-pic.jpeg 2000w\" sizes=\"auto, (max-width: 706px) 89vw, (max-width: 767px) 82vw, 740px\" \/><figcaption><em>American Dreams<\/em>, Cleveland Public Theater, 2018.<\/figcaption><\/figure>\n\n\n\n<ul class=\"wp-block-list\"><li><strong>Plays<\/strong><ul><li><em>ISite<\/em>, 1999<\/li><li><em>In the Crossing<\/em>, 2006<\/li><\/ul><ul><li><em>Hkeelee: Talk to Me<\/em>, 2016<\/li><li><em>American Dreams<\/em>, 2018<\/li><\/ul><\/li><\/ul>\n\n\n\n<ul class=\"wp-block-list\"><li><strong>Bibliography<\/strong><ul><li>Vincentelli, Elisabeth. \u201c\u2018American Dreams\u2019 Review: In This Game, Citizenship Is the Prize.\u201d <em>The New York Times<\/em>, 2020. Accessed 2022.<ul><li><a rel=\"noreferrer noopener\" href=\"https:\/\/www.nytimes.com\/2020\/10\/06\/theater\/american-dreams-review.html\" target=\"_blank\">https:\/\/www.nytimes.com\/2020\/10\/06\/theater\/american-dreams-review.html<\/a><\/li><\/ul><\/li><li>Wren, Celia. <em>The Audience Helps Decide the Outcome in This Zoom Play about Immigration<\/em>, 2020. Accessed 2022.<ul><li><a rel=\"noreferrer noopener\" href=\"https:\/\/www.washingtonpost.com\/entertainment\/theater_dance\/american-dreams-review-round-house-theatre\/2020\/10\/08\/f3494228-07e6-11eb-9be6-cf25fb429f1a_story.html\" target=\"_blank\">https:\/\/www.washingtonpost.com\/entertainment\/theater_dance\/american-dreams-review-round-house-theatre\/2020\/10\/08\/f3494228-07e6-11eb-9be6-cf25fb429f1a_story.html<\/a><\/li><\/ul><\/li><li>Gans, Andrew. \u201cWorking Theater Partners with 9 Theatres around the Country on American Dreams.\u201d <em>Playbill<\/em>, 2020.<ul><li><a rel=\"noreferrer noopener\" href=\"https:\/\/playbill.com\/article\/working-theater-partners-with-9-theatres-around-the-country-on-american-dreams\" target=\"_blank\">https:\/\/playbill.com\/article\/working-theater-partners-with-9-theatres-around-the-country-on-american-dreams<\/a><\/li><\/ul><\/li><li>\u201cStay Connected, Informed, and Inspired.\u201d <em>Audible.com<\/em>.<ul><li><a rel=\"noreferrer noopener\" href=\"https:\/\/www.audible.in\/search?searchNarrator=Leila%2BBuck\" target=\"_blank\">https:\/\/www.audible.in\/search?searchNarrator=Leila%2BBuck<\/a><\/li><\/ul><\/li><li>Michael, Najjar. \u201cTa Department of Theatre Arts.\u201d <em>Professor Michael Najjar Publishes Anthology | Department of Theatre Arts<\/em>, 2014.<ul><li><a href=\"https:\/\/theatre.uoregon.edu\/2014\/10\/21\/professor-michael-najjar-publishes-anthology\/\" target=\"_blank\" rel=\"noreferrer noopener\">https:\/\/theatre.uoregon.edu\/2014\/10\/21\/professor-michael-najjar-publishes-anthology\/<\/a><\/li><\/ul><\/li><\/ul><\/li><\/ul>\n\n\n\n<ul class=\"wp-block-list\"><li><strong>Web Resources<\/strong><ul><li><a href=\"https:\/\/www.youtube.com\/watch?v=UvErExMDo0U\" target=\"_blank\" rel=\"noreferrer noopener\">Leila Buck Interview on Women Center Stage Festival 2011<\/a><\/li><li><a href=\"https:\/\/www.youtube.com\/watch?v=98rFZrrHxdo\" target=\"_blank\" rel=\"noreferrer noopener\">Leila Buck Interview on SCORCHED<\/a><\/li><li><a href=\"https:\/\/www.youtube.com\/watch?v=sm5uDcbyiqU\" target=\"_blank\" rel=\"noreferrer noopener\">Virtual Production Discussion With Leila Buck and Tamila Woodard<\/a><\/li><li><a href=\"https:\/\/www.youtube.com\/watch?v=DUo2DKKkwmY\" target=\"_blank\" rel=\"noreferrer noopener\">Salt Lake Acting Company Trailer<\/a><\/li><li><a rel=\"noreferrer noopener\" href=\"http:\/\/www.leilabuck.com\" target=\"_blank\">Leila Buck Website<\/a><\/li><li><a rel=\"noreferrer noopener\" href=\"https:\/\/www.americandreamsplay.com\" data-type=\"URL\" data-id=\"https:\/\/www.americandreamsplay.com\" target=\"_blank\">American Dreams Website<\/a><\/li><\/ul><\/li><\/ul>\n\n\n\n<p><strong>Reflection on Contribution to Anti-Racist Theatre<\/strong><\/p>\n\n\n\n<p><em>American Dreams<\/em> blatantly draws attention to the difficult process of becoming a citizen in the United States. Not only do we see the extensive background check that is done on each potential candidate, but clear unfair questioning towards each contestant is extremely evident in \u201cthe hot seat\u201d segment. The \u201chot seat\u201d is essentially just a glorified interrogation process used to expose the contestants. They are put in uncomfortable positions through a series of invasive questions and judged by their most questionable moments in their past. These questions are used as a tool to give the audience less reason to feel sympathetic when two of the contestants are not chosen to receive citizenship.<\/p>\n\n\n\n<p>Leila Buck uses the gameshow hosts\u2019 subtle interjections to highlight the inherent prejudice in the system directed towards immigrants looking to become citizens. Their commentary starts out quite subtle but increases as the game show continues. For example, when Adil is making the food for his talent segment, he uses a metaphor, saying \u201clemon is our secret weapon-\u201d (31). Sherry then quickly interjects with \u201c&#8211;ingredient!\u201d (31). Any potentially loaded or triggering words or phrases the hosts try to cover up immediately. This recurrence draws attention towards the intrinsic racism by automatically associating trigger words like \u201cgun\u201d or \u201cweapon\u201d with someone of Middle Eastern descent. Buck underscores this emphasis very precisely, and instead of telling the audience her antiracist message, she powerfully shows them.<\/p>\n\n\n\n<p>Compiled by Grace Thomas. Film, Television, and Theatre. Class of 2022.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Biography Leila Buck is a Lebanese American playwright actor, facilitator and educator. She has written numerous plays and has taught in more than 20 Arab and European countries and throughout the US. Some of her key plays include American Dreams, In the Crossing, and Arabian Nights, Hkeelee: Talk to Me, Mix &amp; Match, and 1001 &hellip; <\/p>\n<p class=\"link-more\"><a href=\"https:\/\/sites.nd.edu\/artnow\/leila-buck\/\" class=\"more-link\">Continue reading<span class=\"screen-reader-text\"> &#8220;Leila Buck&#8221;<\/span><\/a><\/p>\n","protected":false},"author":4149,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-426","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/sites.nd.edu\/artnow\/wp-json\/wp\/v2\/pages\/426","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/sites.nd.edu\/artnow\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/sites.nd.edu\/artnow\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/sites.nd.edu\/artnow\/wp-json\/wp\/v2\/users\/4149"}],"replies":[{"embeddable":true,"href":"https:\/\/sites.nd.edu\/artnow\/wp-json\/wp\/v2\/comments?post=426"}],"version-history":[{"count":17,"href":"https:\/\/sites.nd.edu\/artnow\/wp-json\/wp\/v2\/pages\/426\/revisions"}],"predecessor-version":[{"id":807,"href":"https:\/\/sites.nd.edu\/artnow\/wp-json\/wp\/v2\/pages\/426\/revisions\/807"}],"wp:attachment":[{"href":"https:\/\/sites.nd.edu\/artnow\/wp-json\/wp\/v2\/media?parent=426"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}