{"id":441,"date":"2022-07-23T10:58:09","date_gmt":"2022-07-23T14:58:09","guid":{"rendered":"https:\/\/sites.nd.edu\/artnow\/?page_id=441"},"modified":"2022-11-06T22:43:16","modified_gmt":"2022-11-07T03:43:16","slug":"sunil-kuruvilla","status":"publish","type":"page","link":"https:\/\/sites.nd.edu\/artnow\/sunil-kuruvilla\/","title":{"rendered":"Sunil Kuruvilla"},"content":{"rendered":"\n<figure class=\"wp-block-image size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"306\" height=\"383\" src=\"https:\/\/sites.nd.edu\/artnow\/files\/2022\/07\/APSunilKuruvilla.jpeg\" alt=\"\" class=\"wp-image-568\" srcset=\"https:\/\/sites.nd.edu\/artnow\/files\/2022\/07\/APSunilKuruvilla.jpeg 306w, https:\/\/sites.nd.edu\/artnow\/files\/2022\/07\/APSunilKuruvilla-240x300.jpeg 240w\" sizes=\"auto, (max-width: 306px) 100vw, 306px\" \/><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Biography<\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">A Canadian of east Indian descent, playwright Sunil Kuruvilla began writing as a child, winning two United Nations&#8217; literary awards for his short stories. His plays include <em>BULLDOGS AND FIRETRUCKS<\/em> (1994), <em>EARS TO GLASS, GLASS TO GROUND<\/em> (1996), <em>FIGHTING WORDS<\/em> (2003), <em>MINUS 1<\/em> (2001), <em>SNAPSHOT<\/em>, AND <em>NIGHTOUT<\/em>. He is most noted for his play <em>Rice Boy<\/em>, which was a shortlisted finalist for the Governor General&#8217;s Award for English-language drama at the 2003 Governor General&#8217;s Awards. His work has been developed and produced most notably at The Yale Repertory Theatre, The Actor\u2019s Gang, Factory Theater, Canadian Stage, Stratford Festival, and Toronto Fringe Festival. He is most noted for his play <em>Rice Boy<\/em>, which was shortlisted finalist for the Governor\u2019s General\u2019s Award for English-Language drama at the 2003 Governor General\u2019s Awards. He also received two duMaurier Arts awards recognizing Canada\u2019s best one act plays. He received his M.A from The University of Windsor and a M.F.A degree from Yale University.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Career Highlight<\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Winner of Shaw Festival competition with his play <em>Fight of The Century<\/em><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><em><strong><em>Rice Boy<\/em><\/strong><\/em><\/p>\n\n\n\n<ul class=\"wp-block-list\"><li>Breakdown:<ul><li>6M Indian<\/li><li>1M Canadian-Indian<\/li><li>1M German&nbsp;&nbsp;<\/li><li>One actor can play Fish Seller, Clerk, Umbrella Man, and Nut Seller<\/li><li>One actor can can play Mr. Harris and Mennonite Farmer<\/li><\/ul><\/li><\/ul>\n\n\n\n<ul class=\"wp-block-list\"><li>Synopsis:<ul><li><em>Rice Boy<\/em> looks at the experience of Tommy, a 12 year old who was born to Indian parents who immigrated to Canada where he grew up. Tommy struggles to adjust to every aspect of Indian culture when he visits his extended family and only finds comfort in his friendship with his cousin Tina. Tommy questions every aspect of his heritage, identity, relationship with family, and is left feeling lonely and confused.<\/li><\/ul><\/li><\/ul>\n\n\n\n<ul class=\"wp-block-list\"><li>Development\/Production History:<ul><li><em>Rice Boy<\/em> was first staged by the Yale Repertory Theater in 2000 while Kuruvilla was a student there, and received a production in Los Angeles by The Actors&#8217; Gang in 2001.<\/li><\/ul><\/li><\/ul>\n\n\n\n<ul class=\"wp-block-list\"><li>Purchase play <a href=\"https:\/\/www.amazon.com\/Rice-Boy-Second-Sunil-Kuruvilla\/dp\/0887549012\" target=\"_blank\" rel=\"noreferrer noopener\">here<\/a>.<\/li><\/ul>\n\n\n\n<ul class=\"wp-block-list\"><li>Photos:<\/li><\/ul>\n\n\n\n<figure class=\"wp-block-image size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"731\" src=\"https:\/\/sites.nd.edu\/artnow\/files\/2022\/07\/1.jpg\" alt=\"\" class=\"wp-image-571\" srcset=\"https:\/\/sites.nd.edu\/artnow\/files\/2022\/07\/1.jpg 1024w, https:\/\/sites.nd.edu\/artnow\/files\/2022\/07\/1-300x214.jpg 300w, https:\/\/sites.nd.edu\/artnow\/files\/2022\/07\/1-768x548.jpg 768w\" sizes=\"auto, (max-width: 706px) 89vw, (max-width: 767px) 82vw, 740px\" \/><figcaption>Photo from <em>Rice Boy<\/em> world premiere at The Yale Repertory Theater in 2000<\/figcaption><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"731\" src=\"https:\/\/sites.nd.edu\/artnow\/files\/2022\/07\/2-min-1-1024x731.jpg\" alt=\"\" class=\"wp-image-572\" srcset=\"https:\/\/sites.nd.edu\/artnow\/files\/2022\/07\/2-min-1-1024x731.jpg 1024w, https:\/\/sites.nd.edu\/artnow\/files\/2022\/07\/2-min-1-300x214.jpg 300w, https:\/\/sites.nd.edu\/artnow\/files\/2022\/07\/2-min-1-768x548.jpg 768w, https:\/\/sites.nd.edu\/artnow\/files\/2022\/07\/2-min-1-1536x1097.jpg 1536w, https:\/\/sites.nd.edu\/artnow\/files\/2022\/07\/2-min-1.jpg 1920w\" sizes=\"auto, (max-width: 706px) 89vw, (max-width: 767px) 82vw, 740px\" \/><figcaption>Photo from <em>Rice Boy<\/em> world premiere at The Yale Repertory Theater in 2000<\/figcaption><\/figure>\n\n\n\n<ul class=\"wp-block-list\"><li><strong>Plays<\/strong><ul><li><em>Bulldogs and Firetrucks<\/em> (1994)<\/li><li><em>Ears to Glass, Glass to Ground <\/em>(1996)<\/li><li><em>Rice Boy<\/em> (2000)<\/li><li><em>Minus 1<\/em> (2001)<\/li><li><em>Fighting Words<\/em> (2003)<\/li><li><em>Snapshot<\/em> (2002)<\/li><li><em>NightOut<\/em> (2007)<\/li><\/ul><\/li><\/ul>\n\n\n\n<ul class=\"wp-block-list\"><li><strong>Bibliography<\/strong><ul><li>Jones, Kenneth. \u201cRice Boy, a Play about \u2018Cultural Inheritance,&#8221; Opens at Stratford Festival.\u201d <em>Playbill<\/em>, 22 Aug. 2009, <a rel=\"noreferrer noopener\" href=\"https:\/\/www.playbill.com\/article\/rice-boy-a-play-about-cultural-inheritance-opens-at-stratford-festival-com-163755\" target=\"_blank\">https:\/\/www.playbill.com\/article\/rice-boy-a-play-about-cultural-inheritance-opens-at-stratford-festival-com-163755<\/a>.<\/li><li>Taylor, Markland. \u201cRiceboy.\u201d <em>Variety<\/em>, Variety, 26 Oct. 2000, <a rel=\"noreferrer noopener\" href=\"https:\/\/variety.com\/2000\/legit\/reviews\/riceboy-1200464584\/\" target=\"_blank\">https:\/\/variety.com\/2000\/legit\/reviews\/riceboy-1200464584\/<\/a>.<\/li><li>Critic, MALCOLM JOHNSON; Courant Theater. \u201cFragmented `Rice Boy&#8217; Drifts Too Far.\u201d <em>Hartford Courant<\/em>, 2 Sept. 2021, <a href=\"https:\/\/www.courant.com\/news\/connecticut\/hc-xpm-2000-10-27-0010270920-story.html\" data-type=\"URL\" data-id=\"https:\/\/www.courant.com\/news\/connecticut\/hc-xpm-2000-10-27-0010270920-story.html\" target=\"_blank\" rel=\"noreferrer noopener\">https:\/\/www.courant.com\/news\/connecticut\/hc-xpm-2000-10-27-0010270920-story.html<\/a>.<\/li><li>&#8221; Contemporary Authors. . Encyclopedia.com. 25 Apr. 2022 .\u201d <em>Encyclopedia.com<\/em>, Encyclopedia.com, 26 Apr. 2022, <a href=\"https:\/\/www.encyclopedia.com\/arts\/educational-magazines\/kuruvilla-sunil\" target=\"_blank\" rel=\"noreferrer noopener\">https:\/\/www.encyclopedia.com\/arts\/educational-magazines\/kuruvilla-sunil<\/a>.<\/li><\/ul><\/li><\/ul>\n\n\n\n<ul class=\"wp-block-list\"><li><strong>Web Resources<\/strong><ul><li>Interview with Playwright (<a href=\"https:\/\/www.youtube.com\/watch?v=dP6LYDR8MEs\" target=\"_blank\" rel=\"noreferrer noopener\">Stratford Festival Interview<\/a>)<\/li><li>Sunil Kuruvilla\u2019s author page on Encylopedia.com (<a href=\"https:\/\/www.encyclopedia.com\/arts\/educational-magazines\/kuruvilla-sunil\" target=\"_blank\" rel=\"noreferrer noopener\">Weblink<\/a>)<\/li><li><a href=\"https:\/\/en.wikipedia.org\/wiki\/Sunil_Kuruvilla\" target=\"_blank\" rel=\"noreferrer noopener\">Sunil Kuruvilla Wikipedia<\/a><\/li><li><a href=\"https:\/\/issuu.com\/yalerep\/docs\/yrt_rice_boy?fr=sYTVkZTE3NDg1Mjc\" target=\"_blank\" rel=\"noreferrer noopener\">Play production Website<\/a><\/li><\/ul><\/li><\/ul>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Reflection on Contribution to Anti-Racist Theatre<\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Playwright Sunil Kurvilla does an incredible job of using characters, language, and story in his play <em>Rice Boy <\/em>to create a theatrical world that expands our understanding of those sandwiched between two different cultures. <em>Rice Boy <\/em>takes its audience on a journey to Canada and India through a series of fleeting moments exploring the intense challenges the main character Tommy faces in trying to make sense of it all where he fits in. The play sheds light on various interesting aspects of Indian culture such as food, relationship between parents and children, superstitions, and how challenging it could be for an individual to immerse themselves in such an environment hailing from a different background. Sunil Kuruvilla puts the audience in the driving seat and makes them contemplate how they would adapt to such an unfamiliar environment. <em>Rice Boy<\/em> inspires people to understand and empathize with people who are different from them, especially when they are adjusting to a new environment.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Vaibhav Mopidev, Business Analytics and Film, Television &amp; Theater, Class of 2022<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Biography A Canadian of east Indian descent, playwright Sunil Kuruvilla began writing as a child, winning two United Nations&#8217; literary awards for his short stories. His plays include BULLDOGS AND FIRETRUCKS (1994), EARS TO GLASS, GLASS TO GROUND (1996), FIGHTING WORDS (2003), MINUS 1 (2001), SNAPSHOT, AND NIGHTOUT. He is most noted for his play &hellip; <\/p>\n<p class=\"link-more\"><a href=\"https:\/\/sites.nd.edu\/artnow\/sunil-kuruvilla\/\" class=\"more-link\">Continue reading<span class=\"screen-reader-text\"> &#8220;Sunil Kuruvilla&#8221;<\/span><\/a><\/p>\n","protected":false},"author":4149,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-441","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/sites.nd.edu\/artnow\/wp-json\/wp\/v2\/pages\/441","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/sites.nd.edu\/artnow\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/sites.nd.edu\/artnow\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/sites.nd.edu\/artnow\/wp-json\/wp\/v2\/users\/4149"}],"replies":[{"embeddable":true,"href":"https:\/\/sites.nd.edu\/artnow\/wp-json\/wp\/v2\/comments?post=441"}],"version-history":[{"count":11,"href":"https:\/\/sites.nd.edu\/artnow\/wp-json\/wp\/v2\/pages\/441\/revisions"}],"predecessor-version":[{"id":821,"href":"https:\/\/sites.nd.edu\/artnow\/wp-json\/wp\/v2\/pages\/441\/revisions\/821"}],"wp:attachment":[{"href":"https:\/\/sites.nd.edu\/artnow\/wp-json\/wp\/v2\/media?parent=441"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}