{"id":444,"date":"2022-07-23T11:00:10","date_gmt":"2022-07-23T15:00:10","guid":{"rendered":"https:\/\/sites.nd.edu\/artnow\/?page_id=444"},"modified":"2022-11-06T22:22:53","modified_gmt":"2022-11-07T03:22:53","slug":"mike-lew","status":"publish","type":"page","link":"https:\/\/sites.nd.edu\/artnow\/mike-lew\/","title":{"rendered":"Mike Lew"},"content":{"rendered":"\n<figure class=\"wp-block-image size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"721\" height=\"721\" src=\"https:\/\/sites.nd.edu\/artnow\/files\/2022\/07\/MIKE-LEW-0-00-00-00.jpg\" alt=\"\" class=\"wp-image-578\" srcset=\"https:\/\/sites.nd.edu\/artnow\/files\/2022\/07\/MIKE-LEW-0-00-00-00.jpg 721w, https:\/\/sites.nd.edu\/artnow\/files\/2022\/07\/MIKE-LEW-0-00-00-00-300x300.jpg 300w, https:\/\/sites.nd.edu\/artnow\/files\/2022\/07\/MIKE-LEW-0-00-00-00-150x150.jpg 150w, https:\/\/sites.nd.edu\/artnow\/files\/2022\/07\/MIKE-LEW-0-00-00-00-100x100.jpg 100w\" sizes=\"auto, (max-width: 721px) 100vw, 721px\" \/><\/figure>\n\n\n\n<p><strong>Biography<\/strong><\/p>\n\n\n\n<p>Mike Lew is a Brooklyn-based Chinese American playwright. His plays include <em>Teenage Dick<\/em>, <em>Tiger Style!<\/em>, <em>microcrisis<\/em>, and <em>Moustache Guys<\/em>. His work has been developed and produced at Wooly Mammoth, Huntington Theatre, Donmar Warehouse, Olney Theatre, Ma-Yi Theatre Company at the Public Theatre, and La Jolla Playhouse. He is a Tony voter, a member of the Dramatists Guild Council, and a resident of the New Dramatists. He is a Mellon Foundation Playwright in Residence at Ma-Yi as well as a former La Jolla Playhouse Artist-in-Residence. His honors include Lark Venturous and NYFA fellowships and the Kleban, PEN Emerging Playwright, Lanford Wilson, Helen Merrill, Heideman, and Kendeda awards. He is also the former co-director of Ma-Yi Writers Lab, the largest collective of Asian-American playwrights in the country. He received his B.A. at Yale University, double majoring in Theater (director) and English (writing), then received his artist diploma in playwriting at the Juilliard school.<\/p>\n\n\n\n<p><strong>Career Highlight<\/strong><\/p>\n\n\n\n<p><a href=\"https:\/\/www.gf.org\/fellows\/all-fellows\/mike-lew\/\" target=\"_blank\" rel=\"noreferrer noopener\">Mike Lew was selected to be a recipient of the Guggenheim Fellowship in 2021 for Drama and Performance Art.<\/a><\/p>\n\n\n\n<p><em><strong>Teenage Dick<\/strong><\/em><\/p>\n\n\n\n<ul class=\"wp-block-list\"><li>Breakdown:<ul><li>3W, 3M (1 M actor with cerebral palsy and 1 W actor is wheelchair user, Lew also states a preference to cast racially and gender diverse actors and actresses)<\/li><\/ul><\/li><\/ul>\n\n\n\n<ul class=\"wp-block-list\"><li>Synopsis:<ul><li>A modern day retelling of Shakespeare\u2019s <em>Richard III<\/em>, Mike Lew\u2019s <em>Teenage Dick<\/em> follows Richard who is a 16 year old in high school that is bullied for his cerebral palsy and his tendency to speak in a Shakespearean way. Discontent with his lot in life, he plots his revenge to gain power and become senior class president and is willing to do so by any means necessary. However, in his rise to power, he spirals deeper and deeper into manipulation and greed culminating in a dark conclusion that calls us to question our biases and relationship with the disabled.<\/li><\/ul><\/li><\/ul>\n\n\n\n<ul class=\"wp-block-list\"><li>Development\/Production History:<ul><li><em>Teenage Dick<\/em> was commissioned and developed by Apothetae theater company, a company that serves to present and explore plays that illustrate the \u201cdisabled experience\u201d. The play was first presented as a workshop production in 2016, and premiered at the Public Theater in June 2018. It then went on to be produced by the Wooly Mammoth, Donmar Warehouse, and Huntington Theatre.<\/li><\/ul><\/li><\/ul>\n\n\n\n<ul class=\"wp-block-list\"><li><a href=\"https:\/\/www.dramatists.com\/cgi-bin\/db\/single.asp?key=5924&amp;keysearch=&amp;options=&amp;limitResult=&amp;limitResult1=&amp;total=all&amp;male=all&amp;female=all&amp;limitFull=&amp;limitShort=&amp;limitMusical=&amp;limit1Drama=&amp;limit1Comedy=&amp;melodrama=&amp;romantic=&amp;tragedy=&amp;dark=&amp;farce=&amp;satire=&amp;mystery=&amp;thriller=&amp;historical=\" target=\"_blank\" rel=\"noreferrer noopener\"><em>Teenage Dick<\/em> is available for purchase by the Dramatists Play Service.<\/a><\/li><\/ul>\n\n\n\n<ul class=\"wp-block-list\"><li>Photos:<\/li><\/ul>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"819\" height=\"1024\" src=\"https:\/\/sites.nd.edu\/artnow\/files\/2022\/07\/PROD-PHOTO-1-0-00-00-00-819x1024.jpg\" alt=\"\" class=\"wp-image-588\" srcset=\"https:\/\/sites.nd.edu\/artnow\/files\/2022\/07\/PROD-PHOTO-1-0-00-00-00-819x1024.jpg 819w, https:\/\/sites.nd.edu\/artnow\/files\/2022\/07\/PROD-PHOTO-1-0-00-00-00-240x300.jpg 240w, https:\/\/sites.nd.edu\/artnow\/files\/2022\/07\/PROD-PHOTO-1-0-00-00-00-768x960.jpg 768w, https:\/\/sites.nd.edu\/artnow\/files\/2022\/07\/PROD-PHOTO-1-0-00-00-00.jpg 840w\" sizes=\"auto, (max-width: 706px) 89vw, (max-width: 767px) 82vw, 740px\" \/><figcaption><strong><em>Teenage Dick<\/em>, Huntington Theatre, 2021.<\/strong><br>Photo: Teresa Castracane<\/figcaption><\/figure>\n\n\n\n<figure class=\"wp-block-image size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"840\" height=\"559\" src=\"https:\/\/sites.nd.edu\/artnow\/files\/2022\/07\/PROD-PHOTO-2-0-00-00-00.jpg\" alt=\"\" class=\"wp-image-589\" srcset=\"https:\/\/sites.nd.edu\/artnow\/files\/2022\/07\/PROD-PHOTO-2-0-00-00-00.jpg 840w, https:\/\/sites.nd.edu\/artnow\/files\/2022\/07\/PROD-PHOTO-2-0-00-00-00-300x200.jpg 300w, https:\/\/sites.nd.edu\/artnow\/files\/2022\/07\/PROD-PHOTO-2-0-00-00-00-768x511.jpg 768w\" sizes=\"auto, (max-width: 706px) 89vw, (max-width: 767px) 82vw, 740px\" \/><figcaption><strong><em>Teenage Dick<\/em>, Huntington Theatre, 2021.<\/strong><br>Photo: Teresa Castracane<\/figcaption><\/figure>\n\n\n\n<figure class=\"wp-block-image size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"957\" height=\"494\" src=\"https:\/\/sites.nd.edu\/artnow\/files\/2022\/07\/PROD-PHOTO-3.jpeg\" alt=\"\" class=\"wp-image-590\" srcset=\"https:\/\/sites.nd.edu\/artnow\/files\/2022\/07\/PROD-PHOTO-3.jpeg 957w, https:\/\/sites.nd.edu\/artnow\/files\/2022\/07\/PROD-PHOTO-3-300x155.jpeg 300w, https:\/\/sites.nd.edu\/artnow\/files\/2022\/07\/PROD-PHOTO-3-768x396.jpeg 768w\" sizes=\"auto, (max-width: 706px) 89vw, (max-width: 767px) 82vw, 740px\" \/><figcaption><strong><em>Teenage Dick<\/em>, Woolly Mammoth Theatre Company, 2021.<\/strong><br>Photo: Teresa Castracane<\/figcaption><\/figure>\n\n\n\n<ul class=\"wp-block-list\"><li><strong>Plays<\/strong><ul><li><em>People\u2019s Park<\/em> (2008)<\/li><li><em>Stockton <\/em>(2008)<\/li><li><em>microcrisis<\/em> (2010)<\/li><li><em>Bike America<\/em> (2013)<\/li><li><em>Tiger Style!<\/em> (2015)<\/li><li><em>The Colonialism Project <\/em>(2018)<\/li><li><em>Teenage Dick<\/em> (2018)<\/li><\/ul><\/li><\/ul>\n\n\n\n<ul class=\"wp-block-list\"><li><strong>Bibliography<\/strong><ul><li>Green, Jesse. \u201cReview: In a Teenage Take on &#8216;Richard III,&#8217; Now Is the Prom of Our Discontent.\u201d <em>The New York Times<\/em>, The New York Times, 21 June 2018, <a href=\"https:\/\/www.nytimes.com\/2018\/06\/20\/theater\/teenage-dick-review.html\" target=\"_blank\" rel=\"noreferrer noopener\">https:\/\/www.nytimes.com\/2018\/06\/20\/theater\/teenage-dick-review.html<\/a>.<\/li><li>Ignacio, Daniella. \u201cOn the Road with &#8216;Teenage Dick&#8217;.\u201d <em>AMERICAN THEATRE<\/em>, 27 Oct. 2021, <a href=\"https:\/\/www.americantheatre.org\/2021\/10\/27\/on-the-road-with-teenage-dick\/\" target=\"_blank\" rel=\"noreferrer noopener\">https:\/\/www.americantheatre.org\/2021\/10\/27\/on-the-road-with-teenage-dick\/<\/a>.<\/li><li>\u201cReview: &#8216;Teenage Dick,&#8217; a High School-Set Riff on &#8216;Richard III,&#8217; Treats Disability Sensitively without Sentimentality.\u201d <em>Los Angeles Times<\/em>, Los Angeles Times, 4 Feb. 2022, <a href=\"https:\/\/www.latimes.com\/review-teenage-dick-play-pasadena-playhouse-streaming\" target=\"_blank\" rel=\"noreferrer noopener\">https:\/\/www.latimes.com\/review-teenage-dick-play-pasadena-playhouse-streaming<\/a>.<\/li><li>Theater, Author: New York. \u201cTeenage Dick Review. Theater Wit Brings Mike Lew&#8217;s Updated Richard III Streaming to the Nation.\u201d <em>New York Theater<\/em>, 27 Mar. 2020, <a href=\"https:\/\/newyorktheater.me\/2020\/03\/24\/teenage-dick-review-theater-wit-brings-mike-lews-updated-richard-iii-streaming-to-the-nation\/\" target=\"_blank\" rel=\"noreferrer noopener\">https:\/\/newyorktheater.me\/2020\/03\/24\/teenage-dick-review-theater-wit-brings-mike-lews-updated-richard-iii-streaming-to-the-nation\/<\/a>.<\/li><\/ul><\/li><\/ul>\n\n\n\n<ul class=\"wp-block-list\"><li><strong>Web Resources<\/strong><ul><li><a href=\"https:\/\/www.youtube.com\/watch?v=HWRuPPul4VM\" data-type=\"URL\" data-id=\"https:\/\/www.youtube.com\/watch?v=HWRuPPul4VM\" target=\"_blank\" rel=\"noreferrer noopener\">Interview with Mike Lew and Gregg Mozgala \u201cI\u201dm Just a Teenage Dick, Baby\u201d<\/a><\/li><li><a href=\"https:\/\/www.youtube.com\/watch?v=8rAGrFJAED0\" target=\"_blank\" rel=\"noreferrer noopener\">Mike Lew Short Interview at Ma-Yi Theater Company<\/a><\/li><li><a href=\"https:\/\/www.youtube.com\/watch?v=zvDzDnxA0oA\" target=\"_blank\" rel=\"noreferrer noopener\">Huntington Theatre\u2019s <em>Teenage Dick<\/em> Trailer<\/a><\/li><li><a href=\"https:\/\/www.mikelew.com\/\" target=\"_blank\" rel=\"noreferrer noopener\">Lew\u2019s website<\/a><\/li><li><a href=\"https:\/\/twitter.com\/mikelew4\" target=\"_blank\" rel=\"noreferrer noopener\">Lew\u2019s twitter<\/a><\/li><li><a href=\"https:\/\/en.wikipedia.org\/wiki\/Michael_Lew_(playwright)\" target=\"_blank\" rel=\"noreferrer noopener\">Lew\u2019s Wikipedia page<\/a><\/li><\/ul><\/li><\/ul>\n\n\n\n<p><strong>Reflection on Contribution to Anti-Racist Theatre<\/strong><\/p>\n\n\n\n<p>What I find most shocking about Mike Lew\u2019s <em>Teenage Dick <\/em>isn\u2019t the fact that it\u2019s a modern day retelling of Shakespeare\u2019s Richard III set in a high school or even the fact that two of the leads are characters with disabilities (the play also calls for a casting of actors with disabilities). The most shocking aspect about this dark comedy is the fact that its lead character Richard, a high school teenager with cerebral palsy, isn\u2019t made out to be a hero by the end of the play. Lew shatters all expectations of what we expect from a story dealing with a historically underrepresented group. As a review from the Los Angeles Times states, \u201cthe play\u2019s originality lies in the way disability is treated sensitively but without sentimentality.\u201d By the end of the play, Richard isn\u2019t given a redemption arc and, in fact, wrecks just about everyone around him. In this way, Lew asks us to reconsider our relationship towards the disabled. By treating the disabled with pity or sympathy, we place them on a different level that, although well-intentioned, ultimately dehumanizes them. Lew\u2019s innovative approach instead allows for a humanization that accounts for all the flaws and differences we see among the disabled\u2013 no longer treating them as above or below us, but fairly and humanely.<\/p>\n\n\n\n<p>Ivan Skvaril; Film, Television, and Theater Major, Theology Supplemental Major; Class of 2022<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Biography Mike Lew is a Brooklyn-based Chinese American playwright. His plays include Teenage Dick, Tiger Style!, microcrisis, and Moustache Guys. His work has been developed and produced at Wooly Mammoth, Huntington Theatre, Donmar Warehouse, Olney Theatre, Ma-Yi Theatre Company at the Public Theatre, and La Jolla Playhouse. He is a Tony voter, a member of &hellip; <\/p>\n<p class=\"link-more\"><a href=\"https:\/\/sites.nd.edu\/artnow\/mike-lew\/\" class=\"more-link\">Continue reading<span class=\"screen-reader-text\"> &#8220;Mike Lew&#8221;<\/span><\/a><\/p>\n","protected":false},"author":4149,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-444","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/sites.nd.edu\/artnow\/wp-json\/wp\/v2\/pages\/444","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/sites.nd.edu\/artnow\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/sites.nd.edu\/artnow\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/sites.nd.edu\/artnow\/wp-json\/wp\/v2\/users\/4149"}],"replies":[{"embeddable":true,"href":"https:\/\/sites.nd.edu\/artnow\/wp-json\/wp\/v2\/comments?post=444"}],"version-history":[{"count":7,"href":"https:\/\/sites.nd.edu\/artnow\/wp-json\/wp\/v2\/pages\/444\/revisions"}],"predecessor-version":[{"id":816,"href":"https:\/\/sites.nd.edu\/artnow\/wp-json\/wp\/v2\/pages\/444\/revisions\/816"}],"wp:attachment":[{"href":"https:\/\/sites.nd.edu\/artnow\/wp-json\/wp\/v2\/media?parent=444"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}