{"id":472,"date":"2022-07-23T11:32:11","date_gmt":"2022-07-23T15:32:11","guid":{"rendered":"https:\/\/sites.nd.edu\/artnow\/?page_id=472"},"modified":"2022-11-06T22:52:42","modified_gmt":"2022-11-07T03:52:42","slug":"karen-zacarias","status":"publish","type":"page","link":"https:\/\/sites.nd.edu\/artnow\/karen-zacarias\/","title":{"rendered":"Karen Zacar\u00edas"},"content":{"rendered":"\n<figure class=\"wp-block-image size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"567\" height=\"362\" src=\"https:\/\/sites.nd.edu\/artnow\/files\/2022\/11\/KZ-HeadShot.jpeg\" alt=\"\" class=\"wp-image-824\" srcset=\"https:\/\/sites.nd.edu\/artnow\/files\/2022\/11\/KZ-HeadShot.jpeg 567w, https:\/\/sites.nd.edu\/artnow\/files\/2022\/11\/KZ-HeadShot-300x192.jpeg 300w\" sizes=\"auto, (max-width: 567px) 100vw, 567px\" \/><figcaption>Karen Zacar\u00edas pictured from her website.<\/figcaption><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Biography<\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Karen Zacar\u00edas is one of the most produced U.S. Latinx playwrights. She is a Mexican American playwright from Washington D.C. Zacar\u00edas works include <em>THE SINS OF SOR JUANA<\/em> (1999), <em>THE BOOK CLUB PLAY<\/em> (2009), <em>LEGACY OF LIGHT<\/em> (2009), MARIELA IN THE DESERT (2005), <em>THE COPPER CHILDREN<\/em> (2020), <em>JUST LIKE US<\/em> (2013), and <em>HOW THE GARCIA GIRLS LOST THEIR ACCENTS<\/em> (2008). Her work has been developed and produced most notably at The John F. Kennedy Center for Performing Arts, The Goodman Theatre, Arena Stage, Round House Theatre, Denver Center for the Performing Arts, Guthrie Theater, and Cincinnati Playhouse in the Park. She received her BA from Stanford University and her MA in Creative Writing from Boston University. Zacar\u00edas is the founder of The Young Playwrights\u2019 Theatre which received a 2010 National Arts and Humanities Youth Program Award from the President\u2019s Committee on the Arts and Humanities. She also co-founded the Latinx Theatre Commons. Zacar\u00edas is the recipient of many awards such as the Helen Hayes Award for Outstanding New Play, the New Voices Award, and the National Latino Play Award.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Career Highlight<\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Zacar\u00edas is the first playwright-in-residence at Arena Stage in Washington D.C.&nbsp;Her award-winning theatre company, the Young Playwrights\u2019 Theatre, dedicated to teaching playwriting in public schools of the D.C. area, has one of the most innovative curriculums in the nation. Her curriculum, published on Amazon as \u201cWRITE TO DREAM\u201d is now being used in public schools across the country including New Orleans, Detroit, Virginia, Texas, and Maryland.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong><em>Native Gardens<\/em><\/strong><\/p>\n\n\n\n<ul class=\"wp-block-list\"><li>Breakdown:<ul><li>1W Latinx, 1W Anglo, 1M Latinx, 1M Anglo, 2 to 4 M or W ensemble: preferably Latinx<\/li><\/ul><\/li><\/ul>\n\n\n\n<ul class=\"wp-block-list\"><li>Synopsis:<ul><li>Tania, a PhD candidate and her husband Pablo, a successful lawyer hoping to make&nbsp;partner, move into their new home in an upscale area. Frank and Virginia Butley, their neighbors, although welcoming at first, become upset when Pablo and Tania claim the Butley\u2019s beloved garden goes beyond their property line. Border disputes, internalized racism, classism, and more are called into question in this hilarious comedy centered around disagreements with something familiar to most: disputes with one\u2019s neighbors. &nbsp;<\/li><\/ul><\/li><\/ul>\n\n\n\n<ul class=\"wp-block-list\"><li>Development\/Production History:<ul><li>Commissioned by the Cincinnati Playhouse in the Park, 2016<\/li><li>Guthrie Theatre, 2017<\/li><li>Victory Gardens, 2017<\/li><li>Arena Stage, 2017<\/li><li>Old Globe Theatre, 2018<\/li><li>Denver Center for the Performing Arts, 2018<\/li><li>Trinity Repertory Theatre, 2018<\/li><li>Orlando Shakespeare Theatre, 2018<\/li><li>Florida Studio Stage, 2018<\/li><li>Vermont Stage, 2017<\/li><li>WaterTower Theatre, 2017<\/li><\/ul><\/li><\/ul>\n\n\n\n<ul class=\"wp-block-list\"><li><a href=\"https:\/\/www.concordtheatricals.com\/s\/64330\/native-gardens\" target=\"_blank\" rel=\"noreferrer noopener\">Weblink to purchase play from publisher<\/a><\/li><\/ul>\n\n\n\n<ul class=\"wp-block-list\"><li>Photos:<\/li><\/ul>\n\n\n\n<figure class=\"wp-block-image size-full is-resized\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/sites.nd.edu\/artnow\/files\/2022\/08\/Native-Gardens-1.jpg\" alt=\"\" class=\"wp-image-665\" width=\"550\" height=\"307\" \/><figcaption><strong>Paul DeBoy as Frank Butley, Anne-Marie Cusson as Virginia Butley, and Monica Rae Summers Gonzalez as Tania Del Valle in Native Gardens.&nbsp;<br><\/strong>(<em>Native Gardens<\/em>, Syracuse Stage, 2018)<br>Photo by Michael Davis.<\/figcaption><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"576\" src=\"https:\/\/sites.nd.edu\/artnow\/files\/2022\/08\/Native-Gardens-2-1024x576.jpg\" alt=\"\" class=\"wp-image-666\" srcset=\"https:\/\/sites.nd.edu\/artnow\/files\/2022\/08\/Native-Gardens-2-1024x576.jpg 1024w, https:\/\/sites.nd.edu\/artnow\/files\/2022\/08\/Native-Gardens-2-300x169.jpg 300w, https:\/\/sites.nd.edu\/artnow\/files\/2022\/08\/Native-Gardens-2-768x432.jpg 768w, https:\/\/sites.nd.edu\/artnow\/files\/2022\/08\/Native-Gardens-2.jpg 1040w\" sizes=\"auto, (max-width: 706px) 89vw, (max-width: 767px) 82vw, 740px\" \/><figcaption><strong>Jacqueline Correa as Tania Del Valle, Dan Domingues as Pablo Del Valle, Sally Wingert as Virginia Butley, and Steve Hendrickson as Frank Butley in&nbsp;<em>Native Gardens<\/em>.&nbsp;<br><\/strong>(Native Gardens, The Guthrie Theatre, 2017)&nbsp;<br>Photo by Dan Norman.<\/figcaption><\/figure>\n\n\n\n<figure class=\"wp-block-image size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"864\" height=\"576\" src=\"https:\/\/sites.nd.edu\/artnow\/files\/2022\/08\/Native-Gardens-3.jpg\" alt=\"\" class=\"wp-image-667\" srcset=\"https:\/\/sites.nd.edu\/artnow\/files\/2022\/08\/Native-Gardens-3.jpg 864w, https:\/\/sites.nd.edu\/artnow\/files\/2022\/08\/Native-Gardens-3-300x200.jpg 300w, https:\/\/sites.nd.edu\/artnow\/files\/2022\/08\/Native-Gardens-3-768x512.jpg 768w\" sizes=\"auto, (max-width: 706px) 89vw, (max-width: 767px) 82vw, 740px\" \/><figcaption><strong>Kimberli Flores as Tania Del Valle, Eddie Martinez as Pablo Del Valle, Peri Gilipin as Virginia Butley, and Mark Pinter as Frank Butley in <em>Native Gardens<\/em>.&nbsp;<br><\/strong>(<em>Native Gardens<\/em>, The Old Globe, 2018)<br>Photo by Jim Cox.<\/figcaption><\/figure>\n\n\n\n<ul class=\"wp-block-list\"><li><strong>Plays<\/strong><ul><li><em>The Sins of Sor Juana<\/em>&nbsp;(1999)<\/li><li><em>Mariela in the Desert<\/em>&nbsp;(2005)<\/li><li><em>How the Garcia Girls Lost Their Accents<\/em>&nbsp;(2008)<\/li><li><em>The Book Club Play<\/em>&nbsp;(2009)<\/li><li><em>Legacy of Light<\/em>&nbsp;(2009)<\/li><li><em>Just Like Us<\/em>&nbsp;(2013)<\/li><li><em>Our War<\/em>&nbsp;(2014)<\/li><li><em>Destiny of Desire: A Brechtian Telenovela<\/em>&nbsp;(2015)<\/li><li><em>Into the Beautiful North<\/em>&nbsp;(2016)<\/li><li><em>Native Gardens<\/em>&nbsp;(2019)<\/li><li><em>The Copper Children<\/em>&nbsp;(2020)<\/li><\/ul><\/li><\/ul>\n\n\n\n<ul class=\"wp-block-list\"><li><strong><em>Musicals, in collaboration with composer Deborah Wicks La Puma<\/em><\/strong><ul><li><em>Ferdinand the Bull (2000)<\/em><\/li><li><em>The Magical Pi\u00f1ata <\/em>(2001)<\/li><li><em>Einstein is a Dummy (2004)<\/em><\/li><li><em>Cinderella Eats Rice and Beans <\/em>(2008)<\/li><li><em>Chasing George Washington: A White House Adventure <\/em>(2008)<\/li><li><em>Frida Libre (2011)<\/em><\/li><li><em>Jane of the Jungle (2012)<\/em><\/li><li><em>Looking for Roberto Clemente <\/em>(2013)<\/li><li><em>Ella Enchanted (2016)<\/em><\/li><li><em>OLIV\u00c9Rio: A Brazilian Twist <\/em>(2018)<\/li><\/ul><\/li><\/ul>\n\n\n\n<ul class=\"wp-block-list\"><li><strong>Bibliography<\/strong><ul><li>Feeney, Steve. \u201cTheater Review: &#8216;Native Gardens&#8217; Will Quickly Grow on You.\u201d <em>Press Herald<\/em>, 9 Mar. 2020, <a rel=\"noreferrer noopener\" href=\"https:\/\/www.pressherald.com\/2020\/03\/05\/theater-review-native-gardens-will-quickly-grow-on-you\/\" target=\"_blank\">https:\/\/www.pressherald.com\/2020\/03\/05\/theater-review-native-gardens-will-quickly-grow-on-you\/<\/a>.<\/li><li>Gilroy, Maggie. \u201c&#8217;Native Gardens&#8217;: Building the (Botanical) Wall.\u201d <em>AMERICAN THEATRE<\/em>, 15 May 2019, <a href=\"https:\/\/www.americantheatre.org\/2019\/04\/08\/native-gardens-building-the-botanical-wall\/\" target=\"_blank\" rel=\"noreferrer noopener\">https:\/\/www.americantheatre.org\/2019\/04\/08\/native-gardens-building-the-botanical-wall\/<\/a><\/li><li>Jones, Chris. \u201cWhat&#8217;s in a Property Line? &#8216;Native Gardens&#8217; Takes on a Lot of Issues.\u201d <em>Chicagotribune.com<\/em>, Chicago Tribune, 2 July 2019, <a href=\"https:\/\/www.chicagotribune.com\/entertainment\/theater\/ct-native-gardens-review-ent-0614-20170613-column.html\" target=\"_blank\" rel=\"noreferrer noopener\">https:\/\/www.chicagotribune.com\/entertainment\/theater\/ct-native-gardens-review-ent-0614-20170613-column.html<\/a>.<\/li><li>\u201cReview: In &#8216;Native Gardens,&#8217; Bad Fences Make for a Fun, Formulaic Comedy about Bickering Neighbors.\u201d <em>Los Angeles Times<\/em>, Los Angeles Times, 12 Sept. 2018, <a href=\"https:\/\/www.latimes.com\/entertainment\/arts\/theater\/reviews\/la-et-cm-native-gardens-review-20180912-story.html\" target=\"_blank\" rel=\"noreferrer noopener\">https:\/\/www.latimes.com\/entertainment\/arts\/theater\/reviews\/la-et-cm-native-gardens-review-20180912-story.html<\/a>.<\/li><\/ul><\/li><\/ul>\n\n\n\n<ul class=\"wp-block-list\"><li><strong>Web Resources<\/strong><ul><li>TEDx Talk, <a href=\"https:\/\/www.youtube.com\/watch?v=5p13ZW7nhsg\" target=\"_blank\" rel=\"noreferrer noopener\">The Green Tailed Monkey Story<\/a><\/li><li><a href=\"https:\/\/youtu.be\/eNt2k8UgCHk\" target=\"_blank\" rel=\"noreferrer noopener\">Interview<\/a> with Karen Zacar\u00edas on <em>Native Gardens<\/em><\/li><\/ul><ul><li><a href=\"http:\/\/www.karenzacarias.com\/\" target=\"_blank\" rel=\"noreferrer noopener\">Karen Zacar\u00edas Website<\/a><\/li><li><a href=\"https:\/\/www.youngplaywrightstheater.org\/\" target=\"_blank\" rel=\"noreferrer noopener\">Young Playwrights&#8217; Theatre<\/a> : Highly recommend visiting sections \u2018Anti Racism\u2019 and \u2018About Us\u2019<\/li><li><a href=\"https:\/\/howlround.com\/theory-change\" target=\"_blank\" rel=\"noreferrer noopener\">LatinX Theatre Commons: Theory of Change<\/a><\/li><\/ul><\/li><\/ul>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Reflection on Contribution to Anti-Racist Theatre<\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Karen Zacar\u00edas is a leader in anti-racist and Latinx theatre. Her willingness to challenge social norms and call for change are inspirational and powerful for not only those within the Latinx community, but also the whole country. She provides a huge source of self-reflection and a call to action. Karen Zacar\u00edas&#8217;&nbsp;works<em> <\/em>excel in taking a unique approach to comment and critique themes, including identity, class, race, education, and immigration. In works such as <em>Native Gardens<\/em>, Zacar\u00edas questions our perceptions and opinions on these themes through a seemingly innocuous dispute and explores the discord amongst and outside the Latinx community.&nbsp;Zacar\u00edas can root out the everyday racism that comes from white privilege and the foundations of this country.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Zacar\u00edas\u2019 love for helping others is very prevalent in not only her works but also her contributions in the Young Playwrights\u2019 Theatre\u2019s efforts and the Latinx Theatre Commons, which is a national effort to transform the narrative of the American Theatre, to amplify the visibility of Latinx performance making, and to champion equity through advocacy, art making, convening, and scholarship. The efforts of both organizations center around making anti-racist theater accessible to everyone in this country.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Further, Zacar\u00edas has greatly contributed to cultural explorations, particularly in the Latinx and Mexican American communities. Her use of Spanish in her dialogue, her creation of narratives that explore the discord in the Latinx community, and the respect she gives to each character create a space for knowledge, empathy, and unity.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Compiled by Isabel Ruiz Maiz, FTT and Psychology, Graduation date: May 2023<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Biography Karen Zacar\u00edas is one of the most produced U.S. Latinx playwrights. She is a Mexican American playwright from Washington D.C. Zacar\u00edas works include THE SINS OF SOR JUANA (1999), THE BOOK CLUB PLAY (2009), LEGACY OF LIGHT (2009), MARIELA IN THE DESERT (2005), THE COPPER CHILDREN (2020), JUST LIKE US (2013), and HOW THE &hellip; <\/p>\n<p class=\"link-more\"><a href=\"https:\/\/sites.nd.edu\/artnow\/karen-zacarias\/\" class=\"more-link\">Continue reading<span class=\"screen-reader-text\"> &#8220;Karen Zacar\u00edas&#8221;<\/span><\/a><\/p>\n","protected":false},"author":4149,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-472","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/sites.nd.edu\/artnow\/wp-json\/wp\/v2\/pages\/472","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/sites.nd.edu\/artnow\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/sites.nd.edu\/artnow\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/sites.nd.edu\/artnow\/wp-json\/wp\/v2\/users\/4149"}],"replies":[{"embeddable":true,"href":"https:\/\/sites.nd.edu\/artnow\/wp-json\/wp\/v2\/comments?post=472"}],"version-history":[{"count":20,"href":"https:\/\/sites.nd.edu\/artnow\/wp-json\/wp\/v2\/pages\/472\/revisions"}],"predecessor-version":[{"id":825,"href":"https:\/\/sites.nd.edu\/artnow\/wp-json\/wp\/v2\/pages\/472\/revisions\/825"}],"wp:attachment":[{"href":"https:\/\/sites.nd.edu\/artnow\/wp-json\/wp\/v2\/media?parent=472"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}