{"id":26,"date":"2022-09-11T17:18:00","date_gmt":"2022-09-11T21:18:00","guid":{"rendered":"https:\/\/sites.nd.edu\/blacknoir\/?p=26"},"modified":"2022-09-11T19:16:58","modified_gmt":"2022-09-11T23:16:58","slug":"the-strange-foreigners","status":"publish","type":"post","link":"https:\/\/sites.nd.edu\/blacknoir\/2022\/09\/11\/the-strange-foreigners\/","title":{"rendered":"The Strange Foreigners"},"content":{"rendered":"\n<p>Real life is a myriad of grays that rarely fall into the binary of black and white. Contrasting from \u201cThe Maltese Falcon,\u201d&nbsp; \u201cFarewell My Lovely\u201d dives much deeper into the underbelly of real life, and the inherent biases of the white middle class in the wake of the wave of immigrants coming to the United States for a better life. We talked about the opening scene of the book with the complete depersonification of the black boy thrown out of the bar by Moose Malloy. Instead of a \u201che\u201d, the boy is described as an \u201cit\u201d even though the only thing different about him from the neighborhood of the past is the color of his skin. The issue of race goes deeper than simply the color of your skin. Simply because the receptionist on the phone has a thick accent, Marlowe feels the need to belittle her by spelling everything he says over the phone, even when unnecessary. The assumption of lesser education and language proficiency is an inherent racial bias. Similarly, when Marlowe visits Amthor, the psychic, he is completely occupied with the smell of the Indian bodyguard who picks him up. While the smell may be something he is not familiar or comfortable with, Marlowe solely characterizes the man by the smell that follows him around in pure Chandler fashion. The \u201coccasional whiff of his personality,\u201d drifts unpleasantly around Marlowe, but Amthor recognizes his value saying, he is \u201crare\u201d like diamonds and \u201clike diamonds, sometimes found in dirty places\u201d (Chandler 144, 150).&nbsp; Amthor\u2019s race is unclear from his description, but it is clear he lives on the fringes of the acceptable allowing him to see past the unfamiliar smell, whereas Marlowe is consumed with the foreign odor. Marlowe is the status quo of the grizzled white man, while Amthor is delicate and beautiful, which is the antithesis of what a man should be in the 1930\u2019s. This earns him a place with the misfits, ostracized for Western society because they do not fit the mold. The world becomes a tiny place when society decides the world is only made for a select few. In order to cope with being strangers in the white world, the identity of the \u201cother\u201d forms, and we can begin seeing this camaraderie between people in the pages of the book as Marlowe dives deeper into the case of the missing Fei Tsung Jade.&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Real life is a myriad of grays that rarely fall into the binary of black and white. Contrasting from \u201cThe Maltese Falcon,\u201d&nbsp; \u201cFarewell My Lovely\u201d dives much deeper into the underbelly of real life, and the inherent biases of the white middle class in the wake of the wave of immigrants coming to the United &hellip; <a href=\"https:\/\/sites.nd.edu\/blacknoir\/2022\/09\/11\/the-strange-foreigners\/\" class=\"more-link\">Continue reading<span class=\"screen-reader-text\"> &#8220;The Strange Foreigners&#8221;<\/span><\/a><\/p>\n","protected":false},"author":4159,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1],"tags":[],"class_list":["post-26","post","type-post","status-publish","format-standard","hentry","category-uncategorized"],"_links":{"self":[{"href":"https:\/\/sites.nd.edu\/blacknoir\/wp-json\/wp\/v2\/posts\/26","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/sites.nd.edu\/blacknoir\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/sites.nd.edu\/blacknoir\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/sites.nd.edu\/blacknoir\/wp-json\/wp\/v2\/users\/4159"}],"replies":[{"embeddable":true,"href":"https:\/\/sites.nd.edu\/blacknoir\/wp-json\/wp\/v2\/comments?post=26"}],"version-history":[{"count":2,"href":"https:\/\/sites.nd.edu\/blacknoir\/wp-json\/wp\/v2\/posts\/26\/revisions"}],"predecessor-version":[{"id":40,"href":"https:\/\/sites.nd.edu\/blacknoir\/wp-json\/wp\/v2\/posts\/26\/revisions\/40"}],"wp:attachment":[{"href":"https:\/\/sites.nd.edu\/blacknoir\/wp-json\/wp\/v2\/media?parent=26"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/sites.nd.edu\/blacknoir\/wp-json\/wp\/v2\/categories?post=26"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/sites.nd.edu\/blacknoir\/wp-json\/wp\/v2\/tags?post=26"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}