Who I am and what I do

My official title is Electronic Resources & Collection Metadata Management (ERCMM) Unit Head, and I work in the Metadata Services Program, (if you’re not from the Hesburgh Libraries, programs are what we call departments here). My professional goal is to facilitate making Library resources available through automated, semi-automated, and manual processes by transforming descriptive metadata and batch-loading bibliographic records (which happen by design, to consist largely of electronic resources) to the catalog and discovery layer. Collectively, these systems (along with a couple of others) are known as…the Collection, hence the name of my unit.

My scholarly interests have included the relatively contemporary “Boyer model” of scholarship, and its interpretive disconnect with the scholarship of teaching and learning (SoTL). I have also been engaged in scholarship focused on most of my professional areas of work, topics have included: cataloging, metadata, web design, user experience, information practices, information overload, information literacy and instructional efficacy, and most recently, electronic resources. I am also very plugged-into book art and book history topics, like botanical illustration, marbleizing paper, typography (especially headpieces, initials, and tailpieces) and early Venetian printing–especially during the incunabula period.

I’m also riveted by the notion of archetypes, especially as they find expression in the historical conception of humours and temperaments–one of the principal Western proto-scientific psychosomatic theories; wind-heads, the anthropomorphized compass points characterizing wind-driven weather patterns in a region; and, recurring symbols/characters in games–from card games and board games to lotteries, and of course, I would be remiss if I didn’t mention European folklore, folk tales, and fairy tales–especially Italian, French, and German.

Also, if you’ve been to my office, you know that I collect stuff. The most obvious is Italian maiolica (majolica, maioliche). Many of my pieces represent the evolution of the modern Raffaellesco pattern, beginning with its more abstract baroque form of grotesques, to its baroque formulation, to its contemporary anthropomorphic grotesque manifestation. I collect other patterns as well: gallo (red, green, and blue) and arabesco (polychrome, blue, and red) and certain “one off” patterns that have caught my eye, especially from well-known houses in Deruta, Faenza, Pesaro, and Castelli.

Finally, I also like coffee.

The best way to get in touch with me is via email, but I have been on campus since July 1, 2021, and beginning May 5, 2023 I am in a new office on the “inaccessible” fourth floor :

Doug Wayman
417 Hesburgh Library
University of Notre Dame
Notre Dame, IN 46556

Though I love the idea of the ORCID identifiers, many of my published contributions have been via Web pages, blogs, and social media over the years to informally disseminate my intellectual property and interact with others worldwide since the mid-1990’s. Only recently have I chosen to contribute to formal venues, (for a variety of reasons [ask me]), and please feel free to check out my accounts on these services:

• LibraryThing – What does a personal library say about the person who curates it? Quite a lot, I’d argue–and it turns out, so would Umberto Eco in How to Justify a Personal Library, from the collection of essays “How to Travel with a Salmon,” and you may view the bibliographical info for my collection there.
• Twitter [X] – My only active social media account. Like many, I began with Facebook, but after a very short amount of time, I made the switch to Twitter and never looked back…even despite more recent changes.
• OCLC WorldCat – Yes, I’ve also used WorldCat to collect some interesting literary encounters–including some of my favorite libraries, worldwide.

Even though I have not historically sought formal venues for my intellectual property, I do have a high regard for scholarship…. In fact, I encourage faculty librarians to engage in scholarly activities and one of the best examples I know of is the professional development summer seminars and institutes put on by the NEH for higher education faculty. See my article in the ACRL publication C&RL News (February 2023).

By the way, my use of the handle “Pentweazle” for social media is pure whimsy. It was one of the noms de plume of the English poet Christopher Smart or “Kit” Smart, author of Jubilate Agno, which contains a notable section devoted to his cat Jeoffry:

For I will consider my Cat Jeoffry.
For he is the servant of the Living God duly and daily serving him.
For at the first glance of the glory of God in the East he worships in his way.
For this is done by wreathing his body seven times round with elegant quickness.
For then he leaps up to catch the musk, which is the blessing of God upon his prayer.
For he rolls upon prank to work it in.
For having done duty and received blessing he begins to consider himself.

…. (see more at the Poetry Foundation)

Cats have been a source of pleasure throughout my life, so adopting the pen name of an 18th century poet who thought enough of his cat to write a lengthy section, in an even lengthier poem with a religious theme, was a natural fit….