{"id":2076,"date":"2017-06-12T09:00:44","date_gmt":"2017-06-12T13:00:44","guid":{"rendered":"http:\/\/sites.nd.edu\/rbsc\/?p=2076"},"modified":"2017-06-16T14:26:41","modified_gmt":"2017-06-16T18:26:41","slug":"constable-ms4","status":"publish","type":"post","link":"https:\/\/sites.nd.edu\/rbsc\/constable-ms4\/","title":{"rendered":"Constable MS 4: a leaf from the so-called \u201cWilton Processional\u201d"},"content":{"rendered":"<p>by\u00a0<a href=\"https:\/\/library.nd.edu\/directory\/employees\/dgura\" target=\"_blank\" rel=\"noopener noreferrer\">David T. Gura,\u00a0<em>Curator, Ancient and Medieval Manuscripts<\/em><\/a><\/p>\n<p>In August 2015, Giles Constable donated a small collection of fragments and charters in memory of his daughter, Olivia Remie Constable (1960-2014), who had been the Robert M. Conway Director of the Medieval Institute at the University of Notre Dame. The gift included a thirteenth-century leaf from a processional, later shown to be at Wilton Abbey, a women\u2019s Benedictine house, until 1860. The parent manuscript was broken by Cleveland biblioclast, Otto F. Ege (1888-1951), who included leaves from it in his portfolio, <em>Fifty Original Leaves from Medieval Manuscript<\/em>. It was Leaf no. 8. Leaves from the processional were disseminated widely through Ege\u2019s portfolios as well as from later dealers, and now are part of many American and Canadian collections. Processionals contain the antiphons and rubrics pertaining to the processions themselves. For example, Palm Sunday and the <em>Visitatio sepulchri<\/em> are included.<\/p>\n<p><a href=\"https:\/\/sites.nd.edu\/rbsc\/files\/2017\/06\/ConstableMS_04-001r-blk.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-large wp-image-2084\" src=\"https:\/\/sites.nd.edu\/rbsc\/files\/2017\/06\/ConstableMS_04-001r-blk-704x1024.jpg\" alt=\"\" width=\"660\" height=\"960\" srcset=\"https:\/\/sites.nd.edu\/rbsc\/files\/2017\/06\/ConstableMS_04-001r-blk-704x1024.jpg 704w, https:\/\/sites.nd.edu\/rbsc\/files\/2017\/06\/ConstableMS_04-001r-blk-206x300.jpg 206w, https:\/\/sites.nd.edu\/rbsc\/files\/2017\/06\/ConstableMS_04-001r-blk-768x1117.jpg 768w, https:\/\/sites.nd.edu\/rbsc\/files\/2017\/06\/ConstableMS_04-001r-blk.jpg 1650w\" sizes=\"auto, (max-width: 660px) 100vw, 660px\" \/><\/a><\/p>\n<p>Constable MS 4 contains part of the procession for Palm Sunday. Of great interest, and rarity, is the use of feminine forms in the rubrics (e.g., &#8216;cantrix&#8217;). This shows intentional customization for a female religious community, whereas many other manuscripts often transmit the masculine forms even though they were used by women.<\/p>\n<p>&nbsp;<\/p>\n<h6>Bibliography<\/h6>\n<p>Alison Altstatt, \u201cRe-membering the Wilton Processional,\u201d <em>Notes <\/em>72 (2016): 690-732.<\/p>\n<p>David T. Gura, <em>A Descriptive Catalogue of the Medieval and Renaissance Manuscripts of the University of Notre Dame and Saint Mary\u2019s College<\/em>\u00a0(Notre Dame, IN: University of Notre Dame Press, 2016), pp. 480-482.<\/p>\n<p>Scott Gwara, <em>Otto Ege\u2019s Manuscripts<\/em> (Cayce, SC: De Brailes, 2013).<\/p>\n<p>&nbsp;<\/p>\n<hr \/>\n<p><span style=\"font-size: .8em\"><a href=\"http:\/\/creativecommons.org\/licenses\/by\/4.0\/\" rel=\"license\"><img decoding=\"async\" class=\"alignleft\" style=\"border-width: 0\" src=\"https:\/\/i.creativecommons.org\/l\/by\/4.0\/88x31.png\" alt=\"Creative Commons License\" \/><\/a> <em>This work is licensed under a <a href=\"http:\/\/creativecommons.org\/licenses\/by\/4.0\/\" rel=\"license\">Creative Commons Attribution 4.0 International License<\/a>.<\/em><\/span><\/p>\n","protected":false},"excerpt":{"rendered":"<p>by\u00a0David T. Gura,\u00a0Curator, Ancient and Medieval Manuscripts In August 2015, Giles Constable donated a small collection of fragments and charters in memory of his daughter, Olivia Remie Constable (1960-2014), who had been the Robert M. Conway Director of the Medieval Institute at the University of Notre Dame. The gift included a thirteenth-century leaf from a &hellip; <a href=\"https:\/\/sites.nd.edu\/rbsc\/constable-ms4\/\" class=\"more-link\">Continue reading <span class=\"screen-reader-text\">Constable MS 4: a leaf from the so-called \u201cWilton Processional\u201d<\/span><\/a><\/p>\n","protected":false},"author":1936,"featured_media":2085,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"footnotes":""},"categories":[75060],"tags":[73938,12614,75749],"class_list":["post-2076","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-medieval-renaissance","tag-manuscripts","tag-music","tag-recent-acquisitions"],"_links":{"self":[{"href":"https:\/\/sites.nd.edu\/rbsc\/wp-json\/wp\/v2\/posts\/2076","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/sites.nd.edu\/rbsc\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/sites.nd.edu\/rbsc\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/sites.nd.edu\/rbsc\/wp-json\/wp\/v2\/users\/1936"}],"replies":[{"embeddable":true,"href":"https:\/\/sites.nd.edu\/rbsc\/wp-json\/wp\/v2\/comments?post=2076"}],"version-history":[{"count":8,"href":"https:\/\/sites.nd.edu\/rbsc\/wp-json\/wp\/v2\/posts\/2076\/revisions"}],"predecessor-version":[{"id":2087,"href":"https:\/\/sites.nd.edu\/rbsc\/wp-json\/wp\/v2\/posts\/2076\/revisions\/2087"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/sites.nd.edu\/rbsc\/wp-json\/wp\/v2\/media\/2085"}],"wp:attachment":[{"href":"https:\/\/sites.nd.edu\/rbsc\/wp-json\/wp\/v2\/media?parent=2076"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/sites.nd.edu\/rbsc\/wp-json\/wp\/v2\/categories?post=2076"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/sites.nd.edu\/rbsc\/wp-json\/wp\/v2\/tags?post=2076"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}