{"id":6779,"date":"2021-09-13T09:00:00","date_gmt":"2021-09-13T13:00:00","guid":{"rendered":"https:\/\/sites.nd.edu\/rbsc\/?p=6779"},"modified":"2026-07-08T15:53:50","modified_gmt":"2026-07-08T19:53:50","slug":"medieval-manuscripts-from-the-ferrell-collection-on-exhibit","status":"publish","type":"post","link":"https:\/\/sites.nd.edu\/rbsc\/medieval-manuscripts-from-the-ferrell-collection-on-exhibit\/","title":{"rendered":"Medieval Manuscripts from the Ferrell Collection on Exhibit"},"content":{"rendered":"\n

by David T. Gura, Ph.D., Curator, Ancient and Medieval Manuscripts<\/em><\/a><\/p>\n\n\n

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In October 2017, six medieval manuscripts were donated to the University of Notre Dame from the private collection of James E. and Elizabeth J. Ferrell. The manuscripts have been accessioned into their own fond: \u201cFerrell Manuscripts.\u201d Through Mr. and Mrs. Ferrell’s generosity, the breadth of the University’s collection of medieval and renaissance manuscripts has been augmented significantly. <\/p>\n\n\n\n

The collection’s best examples of Northern High and Late Medieval illumination now come from the Ferrell fond: a fully historiated, complete Parisian Bible from the Vie de St. Denis <\/em>Atelier (Ferrell MS 1),  a masterfully painted Book of hours in Grisailles from the “Betremieu Group” (Ferrell MS 2), and a miniature of the Trinity (Ferrell MS 3) from the “Master of the First Prayer Book of Maximilian”\u2014the collection’s sole example of trompe l’oeil <\/em> borders, which were perfected in Dutch manuscript painting. <\/p>\n\n\n\n

Likewise, the gift also constitutes the collection’s most illustrative examples of Late Medieval Italian illumination: a cutting of John the Baptist painted by “The Second Master of the Antiphonary M of San Giorgio Maggiore” (Ferrell MS 4), and a leaf from an Office Book illuminated by the Franciscan friar, Fra Antonio da Monza (Ferrell MS 6). In addition to these examples of Italian painting, a tarot card depicting the biscione<\/em> (serpent) of  the Visconti-Sforza family of Milan (Ferrell MS 5) provides a rare example of Trionfi<\/em> cards popular among the Italian elite. <\/p>\n\n\n\n

The Ferrell Collection is on exhibit for the Fall Semester 2021 in Rare Books and Special Collections and is also available digitally<\/a>.<\/p>\n\n\n\n

The Ferrell Bible<\/strong> (Ferrell MS 1)<\/h5>\n\n\n
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The Ferrell Bible was illuminated by the artisans of the Vie de St. Denis<\/em> Atelier in Paris, ca. 1240. The Vie de St. Denis<\/em> Atelier was among the most active paintshops from 1230\u20131250, to which over forty different manuscripts have been attributed. The atelier painted small and large Bibles, liturgical and devotional manuscripts, civil and canon law books, and institutional volumes such as the privileges of St.-Martin des Champs and the Libellus<\/em> of St.-Denis. A diverse clientele acquired books from the atelier, which included local patrons like the cathedral, St.-Denis, St.-Martin des Champs, St.-Maur de Foss\u00e9s, and a Carthusian house in Paris. Regionally, clients from Copmi\u00e8gne, Rouen, Sens, and Ch\u00e2lon-sur-Marne also visited the atelier for books.<\/figcaption><\/figure>\n<\/div>\n\n\n

View the entire Ferrell Bible<\/a>.<\/p>\n\n\n\n

The Ferrell Hours<\/strong> (Ferrell MS 2)<\/h5>\n\n\n
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The Ferrell Hours was produced in French Flanders in the later fifteenth century. The manuscript forms part of the “Betremieu” Group, a small group of books of hours which were made in Hainaut ca. 1460-1470. All miniatures in the Ferrell Hours were painted using the Grisaille technique. Quite rare and luxurious, the Grisaille technique uses only hues of gray.<\/figcaption><\/figure>\n<\/div>\n\n\n

View the complete\u00a0Ferrell Hours<\/a>.<\/p>\n\n\n\n

Miniature of the Holy Trinity <\/strong>(Ferrell MS 3)<\/h5>\n\n\n
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This miniature of the Trinity belongs to a group of manuscripts associated with the “Master of the First Prayer Book of Maximilian,” who was active ca. 1475-1515. The recto side was originally blank as the miniature was painted on the verso and imported\u2013one of the hallmarks of Flemish origin. The borders are extremely well executed examples of the trompe l’oeil <\/em>technique, which was perfected in Dutch manuscript painting. Ferrell MS 3 is Notre Dame’s only example of trompe l’oeil<\/em> in a medieval manuscript.<\/figcaption><\/figure>\n<\/div>\n\n\n
Cutting from a choirbook <\/strong>(Ferrell MS 4)<\/h5>\n\n\n
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The painter of this historiated initial featuring John the Baptist is known as “The Second Master of the Antiphonary M of San Giorgio Maggiore.” The long sobriquet derives from an antiphonary illuminated for San Giorgio Maggiore by Belbella da Pavia c. 1467\u20131470, to which our painter contributed four initials. “The Second Master of the Antiphonary M of San Giorgio Maggiore” was active in the Veneto and also contributed paintings to a well-known set of choirbooks for the Benedictine Abbey of San Sisto in Piacenza. <\/figcaption><\/figure>\n<\/div>\n\n\n
Visconti-Sforza Tarot Card<\/strong> (Ferrell MS 5)<\/h5>\n\n\n
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This tarot card depicts the biscione<\/em>\u2014a heraldic crowned serpent shown consuming a human child. The biscione<\/em> was first associated with the Visconti of Milan (1277\u20131477). The motif became emblematic of the Duchy of Milan, and was then used in the heraldry of the Sforza family. The Sforzas ruled the Duchy of Milan (1450\u20131535) after the Visconti family.<\/figcaption><\/figure>\n<\/div>\n\n\n
Fragment of an Office Book illuminated by Fra Antonio da Monza<\/strong> (Ferrell MS 6)<\/h5>\n\n\n
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Fra Antonio da Monza was a Franciscan friar and manuscript illuminator who was active in Italy ca. 1480-1505. Several liturgical books and miniatures have been attributed to him since he was identified, including this manuscript which had previously been attributed to Giovan Pietro Birago (ca. 1480-1490).<\/figcaption><\/figure>\n<\/div>","protected":false},"excerpt":{"rendered":"

In October 2017, six medieval manuscripts were donated to the University of Notre Dame from the private collection of James E. and Elizabeth J. Ferrell. The manuscripts have been accessioned into their own fond: \u201cFerrell Manuscripts.\u201d Through Mr. and Mrs. Ferrell’s generosity, the breadth of the University’s collection of medieval and renaissance manuscripts has been augmented significantly. The collection’s best … Continue reading Medieval Manuscripts from the Ferrell Collection on Exhibit<\/span><\/a><\/p>\n","protected":false},"author":1936,"featured_media":6797,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_monsterinsights_skip_tracking":false,"footnotes":""},"categories":[75050,75060],"tags":[73938,5072],"class_list":["post-6779","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-exhibits","category-medieval-renaissance","tag-manuscripts","tag-spotlight"],"_links":{"self":[{"href":"https:\/\/sites.nd.edu\/rbsc\/wp-json\/wp\/v2\/posts\/6779","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/sites.nd.edu\/rbsc\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/sites.nd.edu\/rbsc\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/sites.nd.edu\/rbsc\/wp-json\/wp\/v2\/users\/1936"}],"replies":[{"embeddable":true,"href":"https:\/\/sites.nd.edu\/rbsc\/wp-json\/wp\/v2\/comments?post=6779"}],"version-history":[{"count":19,"href":"https:\/\/sites.nd.edu\/rbsc\/wp-json\/wp\/v2\/posts\/6779\/revisions"}],"predecessor-version":[{"id":12207,"href":"https:\/\/sites.nd.edu\/rbsc\/wp-json\/wp\/v2\/posts\/6779\/revisions\/12207"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/sites.nd.edu\/rbsc\/wp-json\/wp\/v2\/media\/6797"}],"wp:attachment":[{"href":"https:\/\/sites.nd.edu\/rbsc\/wp-json\/wp\/v2\/media?parent=6779"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/sites.nd.edu\/rbsc\/wp-json\/wp\/v2\/categories?post=6779"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/sites.nd.edu\/rbsc\/wp-json\/wp\/v2\/tags?post=6779"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}