{"id":175,"date":"2020-08-05T12:36:20","date_gmt":"2020-08-05T16:36:20","guid":{"rendered":"https:\/\/sites.nd.edu\/theatre-chronology\/?page_id=175"},"modified":"2020-08-05T12:36:20","modified_gmt":"2020-08-05T16:36:20","slug":"1986-1987","status":"publish","type":"page","link":"https:\/\/sites.nd.edu\/theatre-chronology\/1986-1987\/","title":{"rendered":"1986-1987"},"content":{"rendered":"<h3>Play:\u00a0<i>Krapp&#8217;s Last Tape<\/i><\/h3>\n<p><b>Author:<\/b>\u00a0Samuel Beckett<br \/>\n<b>Dates Performed:<\/b>\u00a0Sept. 24 &#8211; 26, 1986<br \/>\n<b>Venue:<\/b>\u00a0Washington Hall<br \/>\n<b>Director:<\/b>\u00a0Samuel Beckett<br \/>\n<b>Scenic and Lighting Design by:<\/b>\u00a0Willard Neuert<br \/>\n<b>Costumes by:<\/b>\u00a0Teresita Garcia Suro (wife of Cluchey)<br \/>\n<b>Producing Organization:<\/b>\u00a0Notre Dame Communication and Theatre in a San Quentin Players Production<\/p>\n<p><i>Cast<\/i><\/p>\n<p><b>Krapp:<\/b>\u00a0Rick Cluchey (co-founder of the San Quentin Drama Workshop)<\/p>\n<p><i>Production Staff<\/i><\/p>\n<p><b>Scenic Crew:<\/b>\u00a0Mark Gugel, Maria Micale, Lucy Baraquio, Mary Gordon, Tom Mc Sweeney, Joe Keller, Mark Baumgartner, Brian Loeffler<br \/>\n<b>Lighting Crew:<\/b>\u00a0Steve Kempinger, Helene Mengert, Marty Tracey<\/p>\n<p><b>Note:<\/b>\u00a0<em>Krapp&#8217;s Last Tape<\/em>\u00a0premiered in London in 1958 as a curtain raiser for\u00a0<em>Endgame<\/em>. This production was made possible at Notre Dame by a grant from the Exxon Corporation.<\/p>\n<p><b>Source:<\/b>\u00a0Program, Notre Dame Communication and Theatre<\/p>\n<hr \/>\n<h3>Play:\u00a0<i>Crimes of the Heart<\/i><\/h3>\n<p><b>Author:<\/b>\u00a0Beth Henley<br \/>\n<b>Dates Performed:<\/b>\u00a0Oct. 8-12, 1986<br \/>\n<b>Venue:<\/b>\u00a0O&#8217;Laughlin Auditorium<br \/>\n<b>Director:<\/b>\u00a0Julie Jensen<br \/>\n<b>Producing Organization:<\/b>\u00a0Saint Mary&#8217;s Communication and Theatre in a Notre Dame\/Saint Mary&#8217;s Theatre production<\/p>\n<p><b>Notes:<\/b><\/p>\n<p><b>Source:<\/b>\u00a0University of Notre Dame Department of Communication and Theatre<\/p>\n<hr align=\"JUSTIFY\" \/>\n<h3>Play:\u00a0<i>Good<\/i><\/h3>\n<p><img decoding=\"async\" title=\"Maurice (Jack Blakey) confronts Halder (Michael Grant)\" src=\"http:\/\/archives.nd.edu\/search\/theatre\/image117.jpg\" align=\"right\" \/><b>Author:<\/b>\u00a0C. P. Taylor<br \/>\n<b>Dates Performed:<\/b>\u00a0Dec. 3-7, 1986<br \/>\n<b>Venue:<\/b>\u00a0Washington Hall<br \/>\n<b>Producing Organization:<\/b>\u00a0Notre Dame Communication and Theatre<\/p>\n<p><i>Artistic Staff<\/i><\/p>\n<p><b>Director:<\/b>\u00a0Mark Pilkinton<br \/>\n<b>Stage Manager:<\/b>\u00a0Rachel N. Durkin<br \/>\n<b>Production Designer:<\/b>\u00a0Willard Neuert<br \/>\n<b>Musical Director:<\/b>\u00a0Eli Coats<br \/>\n<b>Publicity:<\/b>\u00a0Nancy O&#8217;Connor<br \/>\n<b>Production Manager:<\/b>\u00a0William Wilson<br \/>\n<b>Asst. Stage Manager:<\/b>\u00a0Kevin Russell<br \/>\n<b>Costumes:<\/b>\u00a0Elizabeth Tucker, Michelina O&#8217;Day<\/p>\n<p><i>Cast List<\/i><\/p>\n<p><b>John Halder:<\/b>\u00a0Michael Grant<br \/>\n<b>Bouller\/Eichmann:<\/b>\u00a0Brian Loeffler<br \/>\n<b>Maurice:<\/b>\u00a0Jack Blakey<br \/>\n<b>Major\/Freddie:<\/b>\u00a0Thomas Booker<br \/>\n<b>Helen:<\/b>\u00a0Laurie Shea<br \/>\n<b>Anne:<\/b>\u00a0Mary Louisa Meehan<br \/>\n<b>Mother:<\/b>\u00a0Karen Carbone<br \/>\n<b>Doctor:<\/b>\u00a0Mark Costanzi<br \/>\n<b>Nurse\/Elizabeth:<\/b>\u00a0Amy Costantini<br \/>\n<b>Hitler\/ Bok:<\/b>\u00a0Eli Coats<br \/>\n<b>Pianist:<\/b>\u00a0Walter Tambor<br \/>\n<b>Flautists:<\/b>\u00a0Amy Moore, Amy Costantini<\/p>\n<p><i>Production Staff<\/i><\/p>\n<p><b>Production Manager:<\/b>\u00a0William L. Wilson<br \/>\n<b>Assistant Stage Manager:<\/b>\u00a0Kevin Russell<br \/>\n<b>Poster Designer:<\/b>\u00a0Marty Schalm<br \/>\n<b>Publicity Coordinator:<\/b>\u00a0Nancy O&#8217;Connor<br \/>\n<b>Publicity:<\/b>\u00a0Robin Dvorak, Lisa Favre, Lisa Herb, Denise Tolatta, Amy Wright<br \/>\n<b>Master Carpenter:<\/b>\u00a0Mark Gugel<br \/>\n<b>Stage Carpenters:<\/b>\u00a0Jill Coakley, Timothy Dierks, Andy Gray, Mary Gordon, Joe Keller, Kevin Kennedy, Greg Klostermann, Brian Loeffler, John Mc Mahon, Helene Mengert, Scott Moore, Mark Ridgeway<br \/>\n<b>Master Electricians:<\/b>\u00a0Mark Ridgeway, Timothy Dierks, Scott Moore,<br \/>\n<b>Property Master:<\/b>\u00a0Jill Coakley<\/p>\n<p><b>Notes:<\/b>\u00a0<i>Good<\/i>\u00a0was first staged in London in 1981.<\/p>\n<p><b>Source:<\/b>\u00a0<a href=\"http:\/\/archives.nd.edu\/search\/theatre\/Good_program_plays117_optimized.pdf\">Program<\/a>, courtesy of Mark Pilkinton<\/p>\n<hr \/>\n<h3>Play:\u00a0<i>Approaching Lavendar<\/i><\/h3>\n<p class=\"mainbody\" align=\"justify\">Directing Class Finals<br \/>\n<b>Author:<\/b>\u00a0Julie Beckett Crutcher<br \/>\n<b>Dates Performed:<\/b>\u00a0Fall, 1986<br \/>\n<b>Director:<\/b>\u00a0Jack Blakey<br \/>\n<b>Stage Manager:<\/b>\u00a0Amy Costantini<br \/>\n<b>Producing Organization:<\/b>\u00a0Notre Dame Communication and Theatre<\/p>\n<p><i>Cast List<\/i><\/p>\n<p><b>Jeff:<\/b>\u00a0Mark Costanzi<br \/>\n<b>Wren:<\/b>\u00a0Karen Carbone<br \/>\n<b>Abigail:<\/b>\u00a0Laurie Shea<br \/>\n<b>Drunk:<\/b>\u00a0Dave O&#8217;Brien<\/p>\n<p><b>Notes:<\/b>\u00a0Offered as partial fulfillment of the requirements for COTH 374, Directing I.<\/p>\n<p><b>Source:<\/b>\u00a0University of Notre Dame Department of Communication and Theatre<\/p>\n<hr align=\"JUSTIFY\" \/>\n<h3 class=\"mainbody\" align=\"justify\">Play:\u00a0<i>Graceland<\/i><\/h3>\n<p class=\"mainbody\" align=\"justify\">Directing Class Finals<br \/>\n<b>Author:<\/b>\u00a0Ellen Byron<br \/>\n<b>Dates Performed:<\/b>\u00a0Fall, 1986<br \/>\n<b>Director:<\/b>\u00a0Tom Booker<br \/>\n<b>Producing Organization:<\/b>\u00a0Notre Dame Communication and Theatre<\/p>\n<p><i>Cast List<\/i><\/p>\n<p><b>Bev Davies:<\/b>\u00a0Nancy O&#8217;Connor<br \/>\n<b>Elvis:<\/b>\u00a0Brian Loeffler<br \/>\n<b>Rootie Mallert:<\/b>\u00a0Beth Worley<br \/>\n<b>Reflection:<\/b>\u00a0Sarah Rauh<\/p>\n<p><b>Notes:<\/b>\u00a0Offered as partial fulfillment of the requirements of COTH 374, Directing I.<\/p>\n<p>Source(s) Notre Dame Communication and Theatre Dept. Files<\/p>\n<hr align=\"JUSTIFY\" \/>\n<h3 class=\"mainbody\" align=\"justify\">Play:\u00a0<i>Minnesota Moon<\/i><\/h3>\n<p class=\"mainbody\" align=\"justify\">Directing Class Finals<br \/>\n<b>Author:<\/b>\u00a0John Olive<br \/>\n<b>Dates Performed:<\/b>\u00a0Fall, 1986<br \/>\n<b>Director:<\/b>\u00a0Michael Grant<br \/>\n<b>Producing Organization:<\/b>\u00a0Notre Dame Communication and Theatre<\/p>\n<p><i>Cast List<\/i><\/p>\n<p><b>Larry:<\/b>\u00a0Kevin Kennedy<br \/>\n<b>Alan:<\/b>\u00a0Joseph Keller<\/p>\n<p><b>Notes:<\/b>\u00a0Offered as partial fulfillment of the requirements of COTH 374, Directing I.<\/p>\n<p>Source(s) Notre Dame Communication and Theatre Dept. Files<\/p>\n<hr align=\"JUSTIFY\" \/>\n<h3 class=\"mainbody\" align=\"justify\">Play:\u00a0<i>Stretching for Freedom<\/i><\/h3>\n<p class=\"mainbody\" align=\"justify\">Directing Class Finals<br \/>\n<b>Author:<\/b>\u00a0Roberto Garza<br \/>\n<b>Dates Performed:<\/b>\u00a0Fall, 1986<br \/>\n<b>Director:<\/b>\u00a0Rafael Benavente<br \/>\n<b>Stage Manager:<\/b>\u00a0John Swain<br \/>\n<b>Producing Organization:<\/b>\u00a0Notre Dame Communication and Theatre<\/p>\n<p><i>Cast List<\/i><\/p>\n<p><b>College Student:<\/b>\u00a0Gregort J. Plate<br \/>\n<b>Teco:<\/b>\u00a0Daniel J. Meixner<br \/>\n<b>Woman Soldier:<\/b>\u00a0Maureen Farley<br \/>\n<b>Gordo:<\/b>\u00a0Richard C. Reynolds<br \/>\n<b>General:<\/b>\u00a0John Swain<br \/>\n<b>Guard:<\/b>\u00a0Paul Laughlin<\/p>\n<p><b>Notes:<\/b>\u00a0Offered as partial fulfillment of the requirements of COTH 374, Directing I.<\/p>\n<p>Source(s) Notre Dame Communication and Theatre Dept. Files<\/p>\n<hr \/>\n<h3>Play:\u00a0<i>Silence<\/i><\/h3>\n<p>Directing Class Finals<br \/>\n<b>Author:<\/b>\u00a0Harold Pinter<br \/>\n<b>Dates Performed:<\/b>\u00a0February, 1987<br \/>\n<b>Director:<\/b>\u00a0Ted Manier<br \/>\n<b>Stage Manager:<\/b>\u00a0?<br \/>\n<b>Producing Organization:<\/b>\u00a0Notre Dame Communication and Theatre<br \/>\n<b>Venue:<\/b>\u00a0Washington Hall Lab Theatre<\/p>\n<p><i>Cast List<\/i><\/p>\n<p><b>Ellen (a Woman in her Twenties):<\/b>\u00a0Robin Dvorak<br \/>\n<b>Rumsey (A Man of Forty):<\/b>\u00a0Dan Gore<br \/>\n<b>Bates (a Man in his Middle Thirties):<\/b>\u00a0George Perry<\/p>\n<p><b>Note:<\/b>\u00a0Presented in partial fulfillment of the requirements of COTH 374, Directing I.<\/p>\n<p><b>Source:<\/b>\u00a0Program, Fred Syburg Collection<\/p>\n<hr \/>\n<h3 class=\"mainbody\" align=\"justify\">Play:\u00a0<i>The Fifth Sun<\/i><\/h3>\n<p class=\"mainbody\" align=\"justify\"><b>Author:<\/b>\u00a0Nicholas A. Patricca<br \/>\n<b>Dates Performed:<\/b>\u00a0Feb 25-28, 1987<br \/>\n<b>Venue:<\/b>\u00a0Washington Hall<br \/>\n<b>Producing Organization:<\/b>\u00a0Notre Dame Communication and Theatre in a Notre Dame\/Saint Mary&#8217;s Theatre production<\/p>\n<p><i>Artistic Staff<\/i><\/p>\n<p><b>Director:<\/b>\u00a0Fred Syburg<br \/>\n<b>Stage Manager:<\/b>\u00a0John Devine<br \/>\n<b>Set andCostume Designer:<\/b>\u00a0Willard Neuert<br \/>\n<b>Costumer:<\/b>\u00a0Betty Tucker<br \/>\n<b>Lightening Designer:<\/b>\u00a0Mark Ridgeway<br \/>\n<b>Design Assistant:<\/b>\u00a0William Wilson<br \/>\n<b>Assistant Stage Manager:<\/b>\u00a0Brant R. Beckett<br \/>\n<b>Graphic Designer:<\/b>\u00a0Paul Wieber<\/p>\n<p><i>Cast List<\/i><\/p>\n<p><b>The Narrator:<\/b>\u00a0Karen Carbone<br \/>\n<b>Archbishop Romero:<\/b>\u00a0David Scheidler<br \/>\n<b>Kukulcan:<\/b>\u00a0Sean Killian Evers<br \/>\n<b>Sr. Anne Dunn:<\/b>\u00a0Maureen Farley<br \/>\n<b>Chac:<\/b>\u00a0Susan Foley<br \/>\n<b>Fr. Hector Navarez:<\/b>\u00a0Matt Nash<br \/>\n<b>Ahpuch:<\/b>\u00a0Kevin Kennedy<br \/>\n<b>Fr. Rutilio Grande:<\/b>\u00a0Jack Langenberg III<br \/>\n<b>Ghanan:<\/b>\u00a0Eric Hunter<br \/>\n<b>The Colonel:<\/b>\u00a0Daniel Meixner<br \/>\n<b>The Nuncio:<\/b>\u00a0Joseph Medel<\/p>\n<p><i>Production Staff<\/i><\/p>\n<p><b>Design Assistant:<\/b>\u00a0William Wilson<br \/>\n<b>Asst. Stage Manager:<\/b>\u00a0Brant R. Beckett<br \/>\n<b>Poster Designer:<\/b>\u00a0Paul Wieber<br \/>\n<b>Costumer:<\/b>\u00a0Betty Tucker<br \/>\n<b>Lighting Crew:<\/b>\u00a0P.J. Gibbons, Marika Krech, Tim Sutton<br \/>\n<b>Carpentry Crew:<\/b>\u00a0Scott Moore, Joseph Keller, Brian Loeffler<\/p>\n<p><b>Notes:<\/b><i>The Fifth Sun<\/i>, a dramatization of the murder of San Salvador Archbishop Romero in 1980, premiered at the Vistory Gardens Theater in Chicago in 1984.<\/p>\n<p><b>Source:<\/b>\u00a0Program, Notre Dame Communication and Theatre<\/p>\n<hr align=\"JUSTIFY\" \/>\n<h3 class=\"mainbody\" align=\"justify\">Play:\u00a0<i>To Dance!<\/i><\/h3>\n<p class=\"mainbody\" align=\"justify\"><b>Choreographer:<\/b>\u00a0Indi Dieckgrafe<br \/>\n<b>Dates:<\/b>\u00a0March 4-8, 1987<br \/>\n<b>Venue:<\/b>\u00a0O&#8217;Laughlin Auditorium<br \/>\n<b>Producing Organization:<\/b>\u00a0Saint Mary&#8217;s College Communication and Theatre in a Notre Dame\/Saint Mary&#8217;s Theatre production<\/p>\n<p><i>Cast to follow<\/i><\/p>\n<p><b>Notes:<\/b><\/p>\n<p><b>Source:<\/b>\u00a0Notre Dame Communication and Theatre<\/p>\n<hr align=\"JUSTIFY\" \/>\n<h3 class=\"mainbody\" align=\"justify\">Play:\u00a0<i>Macbeth<\/i><\/h3>\n<p class=\"mainbody\" align=\"justify\"><b>Author:<\/b>\u00a0William Shakespeare<br \/>\n<b>Dates Performed:<\/b>\u00a0April 20 &#8211; May 3, 1987<br \/>\n<b>Venue:<\/b>\u00a0Washington Hall<br \/>\n<b>Producing Organization:<\/b>\u00a0Notre Dame Communication and Theatre in a Notre Dame\/Saint Mary&#8217;s Theatre production<\/p>\n<p><i>Artistic Staff<\/i><\/p>\n<p><b>Director:<\/b>\u00a0Reginald Bain<br \/>\n<b>Stage Manager:<\/b>\u00a0Daniel Gore<br \/>\n<b>Set and Lighting Designer:<\/b>\u00a0Willard Neuert<br \/>\n<b>Costume Designer:<\/b>\u00a0Jayne L. Jaynes<br \/>\n<b>Musical Score:<\/b>\u00a0Reg Bain Jr.<br \/>\n<b>Mask Designer:<\/b>\u00a0Matt Kovatch<br \/>\n<b>Fight Master:<\/b>\u00a0A.L. Soens<br \/>\n<b>Vocal Coach:<\/b>\u00a0Kate Burke<br \/>\n<b>Dramaturg:<\/b>\u00a0Paul Rathburn<br \/>\n<b>Make-up Consultant:<\/b>\u00a0Edwin Swigart<\/p>\n<p><i>Cast List<\/i><\/p>\n<p><b>First Witch:<\/b>\u00a0Laurie Shea<br \/>\n<b>Duncan:<\/b>\u00a0David Scheidler<br \/>\n<b>Second Witch:<\/b>\u00a0Kimberly Brown<br \/>\n<b>Malcolm:<\/b>\u00a0Joseph Medel<br \/>\n<b>Third Witch:<\/b>\u00a0Mary Louisa Meehan<br \/>\n<b>Donalbain:<\/b>\u00a0Brian C. Shea<br \/>\n<b>A Captain:<\/b>\u00a0Kevin Kennedy<br \/>\n<b>Ross:<\/b>\u00a0Mark Costanzi<br \/>\n<b>Lennox:<\/b>\u00a0Eli Coats, Jr.<br \/>\n<b>Angus:<\/b>\u00a0Rich Goode<br \/>\n<b>Macbeth:<\/b>\u00a0Edward Manier, Jr.<br \/>\n<b>Banquo:<\/b>\u00a0Joseph Zonies<br \/>\n<b>Lady Macbeth:<\/b>\u00a0Maureen Farley<br \/>\n<b>Gentlewoman:<\/b>\u00a0Robin Dvorak<br \/>\n<b>Porter:<\/b>\u00a0Michael Grant<br \/>\n<b>Fleance:<\/b>\u00a0Kevin Orpurt<br \/>\n<b>Macduff:<\/b>\u00a0Duane DiFranco<br \/>\n<b>Seyton:<\/b>\u00a0Elie Kerrigan<br \/>\n<b>Old Man:<\/b>\u00a0Tom Booker<br \/>\n<b>First Murderer:<\/b>\u00a0Joseph Keller<br \/>\n<b>Caithness:<\/b>\u00a0Sean Killian Evers<br \/>\n<b>Second Murderer:<\/b>\u00a0Joseph Keller<br \/>\n<b>Menteith:<\/b>\u00a0Kevin Kennedy<br \/>\n<b>Lady Macduff:<\/b>\u00a0K. Lynn Berry<br \/>\n<b>Doctor:<\/b>\u00a0Marty Tracey<br \/>\n<b>Young Macduff:<\/b>\u00a0Robert Taylor<br \/>\n<b>Siward:<\/b>\u00a0David Scheidler<br \/>\n<b>Young Siward:<\/b>\u00a0Jack Langenberg III<\/p>\n<p><i>Production Staff<\/i><\/p>\n<p><b>Producer:<\/b>\u00a0Mark Pilkinton<br \/>\n<b>Graphic Designer:<\/b>\u00a0Paul Wieber<br \/>\n<b>Publicity Crew:<\/b>\u00a0Robin Dvorak, Nancy O&#8217;Connor<br \/>\n<b>Assistant Director:<\/b>\u00a0K. Lynn Berry:<br \/>\n<b>Assistant Stage Managers:<\/b>\u00a0Sharon Dow, Nancy O&#8217;Connor<br \/>\n<b>Design Assistants:<\/b>\u00a0Willliam Wilson, Mark Ridgeway<br \/>\n<b>Costumer:<\/b>\u00a0Betty Tucker<br \/>\n<b>Master Carpenter:<\/b>\u00a0Scott Moore<br \/>\n<b>Master Electrician:<\/b>\u00a0J.P. Gibbons<br \/>\n<b>Prop Master:<\/b>\u00a0Carlie Schubert<br \/>\n<b>Make-up:<\/b>\u00a0Kristen Tweedell<\/p>\n<p><b>Notes:<\/b><\/p>\n<p><b>Source:<\/b>\u00a0Program, Notre Dame Communication and Theatre<\/p>\n<hr align=\"JUSTIFY\" \/>\n<h3 class=\"mainbody\" align=\"justify\">Play:\u00a0<i>Interview<\/i><\/h3>\n<p class=\"mainbody\" align=\"justify\"><b>Author:<\/b>\u00a0Jean-Claude van Italie<br \/>\n<b>Dates Performed:<\/b>\u00a0Spring, 1987<br \/>\n<b>Venue:<\/b>\u00a0Laboratory Theatre<br \/>\n<b>Director:<\/b>\u00a0Eli Coats, Jr.<br \/>\n<b>Sound:<\/b>\u00a0P. J. Gibbons<br \/>\n<b>Producing Organization:<\/b>\u00a0Notre Dame Communication and Theatre<\/p>\n<p><i>Cast<\/i><\/p>\n<p><b>First Interviewer:<\/b>\u00a0Susan Foley<br \/>\n<b>First Applicant:<\/b>\u00a0Tom Booker<br \/>\n<b>Second Interviewer:<\/b>\u00a0Kevin Kennedy<br \/>\n<b>Second Applicant:<\/b>\u00a0Nancy E. O&#8217;Connor<br \/>\n<b>Third Interviewer:<\/b>\u00a0Mary Louisa Meehan<br \/>\n<b>Third Applicant:<\/b>\u00a0Miki Schadek<br \/>\n<b>Fourth Interviewer:<\/b>\u00a0Mike Murphy<br \/>\n<b>Fourth Applicant:<\/b>\u00a0Laurie Shea<\/p>\n<p><b>Notes:<\/b>\u00a0Offered in partial fulfillment of the requirements of COTH 484, Directing II.<\/p>\n<p><b>Source:<\/b>\u00a0Program, Notre Dame Communication and Theatre<\/p>\n<hr \/>\n<p><i>last edited by MCP, October 4, 2016<\/i><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Play:\u00a0Krapp&#8217;s Last Tape Author:\u00a0Samuel Beckett Dates Performed:\u00a0Sept. 24 &#8211; 26, 1986 Venue:\u00a0Washington Hall Director:\u00a0Samuel Beckett Scenic and Lighting Design by:\u00a0Willard Neuert Costumes by:\u00a0Teresita Garcia Suro (wife of Cluchey) Producing Organization:\u00a0Notre Dame Communication and Theatre in a San Quentin Players Production Cast Krapp:\u00a0Rick Cluchey (co-founder of the San Quentin Drama Workshop) Production Staff Scenic Crew:\u00a0Mark Gugel, [&hellip;]<\/p>\n","protected":false},"author":3793,"featured_media":0,"parent":0,"menu_order":-1986,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-175","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/sites.nd.edu\/theatre-chronology\/wp-json\/wp\/v2\/pages\/175","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/sites.nd.edu\/theatre-chronology\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/sites.nd.edu\/theatre-chronology\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/sites.nd.edu\/theatre-chronology\/wp-json\/wp\/v2\/users\/3793"}],"replies":[{"embeddable":true,"href":"https:\/\/sites.nd.edu\/theatre-chronology\/wp-json\/wp\/v2\/comments?post=175"}],"version-history":[{"count":1,"href":"https:\/\/sites.nd.edu\/theatre-chronology\/wp-json\/wp\/v2\/pages\/175\/revisions"}],"predecessor-version":[{"id":176,"href":"https:\/\/sites.nd.edu\/theatre-chronology\/wp-json\/wp\/v2\/pages\/175\/revisions\/176"}],"wp:attachment":[{"href":"https:\/\/sites.nd.edu\/theatre-chronology\/wp-json\/wp\/v2\/media?parent=175"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}