{"id":23,"date":"2020-08-03T18:19:11","date_gmt":"2020-08-03T22:19:11","guid":{"rendered":"https:\/\/sites.nd.edu\/theatre-chronology\/?page_id=23"},"modified":"2020-08-04T12:49:56","modified_gmt":"2020-08-04T16:49:56","slug":"2013-2014","status":"publish","type":"page","link":"https:\/\/sites.nd.edu\/theatre-chronology\/2013-2014\/","title":{"rendered":"2013-2014"},"content":{"rendered":"<p class=\"headline\"><b>Department of Film, Television, and Theatre<\/b><\/p>\n<p><strong>Faculty:<\/strong>\u00a0James Collins (Chair), Ted Barron, Christine Becker, Christine Burgess, C. Kenneth Cole, Donald Crafton, William Donaruma, Richard E. Donnelly, Kevin Dreyer (Director of Theatre), Anne Garc\u00eda-Romero, Karen Heisler, Peter Holland, Scott Jackson, Anton Juan, Michael Kackman, Mary Celeste Kearney, Carys Kresny, Ted Mandell, Olivier Morel, Grant Mudge, Susan Ohmer, Mark Pilkinton, Yael Prizant, Siiri Scott, Gary Sieber, Jeffrey Spoonhower, Marcus Stephens, Pamela Robertson Wojcik<\/p>\n<p><strong>Emeriti:<\/strong>\u00a0Reginald Bain, Jill Godmilow<\/p>\n<p><strong>Staff:<\/strong>\u00a0Geoffrey Carter, Lynn Holbrook, Jo Ann Norris, Stacey Stewart<\/p>\n<p>The 2013-2014 theatre season is dedicated to the memory of\u00a0<a href=\"http:\/\/archives.nd.edu\/search\/theatre\/Syburg_143.pdf\">Frederic Winkler Syburg<\/a>.<\/p>\n<p><strong>Shakespeare at Notre Dame<\/strong><\/p>\n<p><strong>McMeel Family Chair in Shakespeare Studies:<\/strong>\u00a0Peter Holland<br \/>\n<strong>Executive Director:<\/strong>\u00a0Scott Jackson<br \/>\n<strong>Ryan Producing Artistic Diretor:<\/strong>\u00a0Grant Mudge<br \/>\n<strong>Company Manager:<\/strong>\u00a0Debra Gasper<br \/>\n<strong>Audience Development Program Manager:<\/strong>\u00a0Aaron Nichols<\/p>\n<p><strong>Notre Dame Shakespeare Festival<\/strong><\/p>\n<p><strong>Dates:<\/strong>\u00a0July 20-September 20, 2013<\/p>\n<p><strong>Play:\u00a0Selected Scenes (ShakeScenes)<\/strong><\/p>\n<p><strong>Author:<\/strong>\u00a0William Shakespeare<br \/>\n<strong>Dates:<\/strong>\u00a0Saturday &amp; Sunday, July 20 &amp; 21, 2013, at 2:00 P.M.<br \/>\n<strong>Venue:<\/strong>\u00a0Leighton Concert Hall, DeBartolo Performing Arts Center<br \/>\n<strong>Coordinating Director:<\/strong>\u00a0Christy Burgess<\/p>\n<p><strong>Play:\u00a0<em>The Comedy of Errors<\/em><\/strong><\/p>\n<p><strong>Author:<\/strong>\u00a0William Shakespeare<br \/>\n<strong>Dates:<\/strong>\u00a0Sunday, July 21, through Monday, August 26, 2013, at 7:00 P.M.<br \/>\n<strong>Producing Organization:<\/strong>\u00a0The Young Company<br \/>\n<strong>Venue:<\/strong>\u00a0Various, around the community<br \/>\n<strong>Director:<\/strong>\u00a0Kevin Asselin<\/p>\n<p><strong>Play:\u00a0<em>Richard III<\/em><\/strong><\/p>\n<p><strong>Author:<\/strong>\u00a0William Shakespeare<br \/>\n<strong>Dates:<\/strong>\u00a0Tuesday, August 20, at 7:30, through Sunday, September 1, 2013, at 2:00 P.M.<br \/>\n<strong>Venue:<\/strong>\u00a0Decio Mainstage Theatre, DeBartolo Performing Arts Center<br \/>\n<strong>Director:<\/strong>\u00a0Laura Gordon<\/p>\n<p><strong>Play:\u00a0<em>Othello<\/em><\/strong><\/p>\n<p><strong>Author:<\/strong>\u00a0William Shakespeare<br \/>\n<strong>Dates:<\/strong>\u00a0Wednesday-Friday, September 18-20, 2013, at 7:30 P.M.<br \/>\n<strong>Producing Organization:<\/strong>\u00a0Actors From the London Stage (AFTLS)<br \/>\n<strong>Venue:<\/strong>\u00a0Washington Hall<br \/>\n<strong>Director:<\/strong>\u00a0Co-directed by the five actors<\/p>\n<p><strong>Play:\u00a0<em>On The Verge<\/em>\u00a0or\u00a0<em>The Geography of Yearning<\/em><\/strong><\/p>\n<p><strong>Author:\u00a0<\/strong>Eric Overmyer<br \/>\n<strong>Dates:\u00a0<\/strong>Thursday, October 3&#8211;Sunday, October 6, 2013 &amp; Tuesday, October 8&#8211;Sunday, October 13<br \/>\n<strong>Producing Organization:\u00a0<\/strong>Department of Film, Television, and Theatre<br \/>\n<strong>Venue:\u00a0<\/strong>Philbin Studio Theatre, DeBartolo Performing Arts Center<\/p>\n<p><strong>Director<\/strong>: Ren\u00e9e Roden*<br \/>\n<strong>Lighting Designers<\/strong>: Matt Gervais &amp; Patrick Fagan<br \/>\n<strong>Set Designer<\/strong>: Samantha Schubert*<br \/>\n<strong>Costume Designer<\/strong>: Karen Gilmore<br \/>\n<strong>Sound Designer<\/strong>: Chau-Ly Phan<br \/>\n<strong>Props<\/strong>: Kathleen Clark<br \/>\n<strong>Dramaturg<\/strong>: Katherine Dudas*<br \/>\n<strong>Stage Manager<\/strong>: Erin McMannon<br \/>\n<strong>Technical Director<\/strong>: C. Kenneth Cole<br \/>\n<strong>Costume Shop Manager<\/strong>: Lynn Holbrook<br \/>\n<strong>Assistant Stage Manager<\/strong>: Emma Kusters<br \/>\n<strong>Light Board Operator<\/strong>: Amanda Bartolini<br \/>\n<strong>Sound Board Operator<\/strong>: Yomara Acevedo<br \/>\n<strong>Wardrobe Run Crew<\/strong>: Malaika Lund &amp; Caitlin Geary<\/p>\n<p><em>Cast<\/em><\/p>\n<p><strong>Fanny<\/strong>: Elizabeth Charles<br \/>\n<strong>Alex<\/strong>: Emily Dauer*<br \/>\n<strong>Mary<\/strong>: Katie Mullins*<br \/>\n<strong>Alphonse\/Yeti\/Grover\/et al<\/strong>.: David D\u00edaz*<\/p>\n<p><strong>Costume Shop Assistants<\/strong>: Alex Ciesla, Regina Gilmour, Elizabeth Konicek, Samantha Schubert*<br \/>\n<strong>Scene Shop Assistants<\/strong>: Dasuni Baptist, Alexander Bogunki-Baran, Michael Burns, Melissa Flynn*, Matthew Gervais, Moises Martinez, Samantha Schubert*, Kimberly Springstead, William Woodley<\/p>\n<p><strong>Scenery, Props, and Lighting Crew<\/strong>: Kendrick Asril Lee, Victoria Babcock, Monica Barboza, Heather Bartlow, Amanda Bartolini, Ranford Bivin, Ryan Busk, Anna Busse, Jose Sanchez Bustillo, Ye Lim Choo, Timothy Coen, Mary Connolly, Christopher DeGrave, Dayton Flannery, Omar Hunter, Trevor Hurley, Megan Kilbride, Kyle Kozak, Caroline Kurtz, Kelly Laco, Paul Lipari, Alexandra Lowery, Jewell Loyd, Nathan Luong, Mary Katherine Marino, Bruno Mediate, Christian Metzler, Alexander Meyer, Bethany Pacheco, Mary Patano, Kristen Ringwall, Nidia Ruelas, Kenneth Sabacinski, Ryan Sakowich, Joseph Salvi, Ricardo Sanchez, Elijah Shumate, Brian Talcott, Sienna Wdowik, William Woodley, Julia Zanotelli, Jacqueline Zink<\/p>\n<p><strong>Note:<\/strong>\u00a0Notre Dame first produced\u00a0<em>On the Verge<\/em>\u00a0in April 1996 as an advanced directing project of student Ruth Diemer under the supervision of Professor Reg Bain. This is the first production of Overmyer&#8217;s play as part of the regular season.<\/p>\n<p><strong>Source:<\/strong>\u00a0<a href=\"http:\/\/archives.nd.edu\/search\/theatre\/On_The_Verge_f2013.pdf\">Program<\/a>, Department of Film, Television, &amp; Theatre<\/p>\n<p><strong><br \/>\nPlay:\u00a0<em>Cabaret<\/em><\/strong><\/p>\n<p><strong>Authors:\u00a0<\/strong>book by Joe Masteroff; based on the play by John Van Druten and stories by Christopher Isherwood; music by John Kander; lyrics by Fred Ebb; Broadway production directed by Harold Prince; produced for the Broadway Stage by Harold Prince.<br \/>\n<strong>Dates:\u00a0<\/strong>Wednesday, November 13 through Sunday, November 17, 2013<br \/>\n<strong>Producing Organization:\u00a0<\/strong>Department of Film, Television, and Theatre<br \/>\n<strong>Venue:\u00a0<\/strong>Decio Mainstage Theatre, DeBartolo Performing Arts Center<\/p>\n<p><em>Production<\/em><\/p>\n<p><strong>Director\/Choreographer:\u00a0<\/strong>Nathan Halvorson<br \/>\n<strong>Music Director:\u00a0<\/strong>Dan Stowe<br \/>\n<strong>Costume Designer:\u00a0<\/strong>Richard E. Donnelly<br \/>\n<strong>Lighting Designer:\u00a0<\/strong>Kevin Dreyer<br \/>\n<strong>Scenic Designer:\u00a0<\/strong>Marcus Stephens<br \/>\n<strong>Wig Master and Makeup Designer:\u00a0<\/strong>Cynthia L. McCourt<br \/>\n<strong>Assistant Director\/Choreographer:\u00a0<\/strong>Shannon Kirk*<br \/>\n<strong>Assistant Music Director:\u00a0<\/strong>Emma Kusters<br \/>\n<strong>Producer:\u00a0<\/strong>Kevin Dreyer<br \/>\n<strong>Stage Manager<\/strong>: Melissa Flynn*<br \/>\n<strong>Technical Director<\/strong>: C. Kenneth Cole<br \/>\n<strong>Costume Shop Manager<\/strong>: Lynn Holbrook<br \/>\n<strong>Stitchers<\/strong>: Kathleen Werner and Michele Jackson<br \/>\n<strong>Assistant Stage Managers<\/strong>: Kyle Aggarwal, Michael Burns*, Caitlin Schlehuber*<br \/>\n<strong>Light Board Operator<\/strong>: Bryce Wood*<br \/>\n<strong>Wardrobe Crew Head<\/strong>: Samantha Schubert*<br \/>\n<strong>Wardrobe Run Crew<\/strong>: Elizabeth Buckman, Alex Ciesla, Veronica Feliz, Regina Gilmour<br \/>\n<strong>Sound Board Operator<\/strong>: William Woodley<br \/>\n<strong>Sound Crew<\/strong>: Patrick Fagan<br \/>\n<strong>Stage Hands<\/strong>: Amanda Bartolini, Bethany Pachero<br \/>\n<strong>Follow Spots<\/strong>: Ye Lim Choo, Monika Kress<br \/>\n<strong>Scenic Artist<\/strong>: Jeff Szymanowski<\/p>\n<p><em>Cast<br \/>\n<\/em><br \/>\nEmcee: Anthony Murphy<br \/>\nSally Bowles: Brigid Clary<br \/>\nCliff Bradshaw: Chris Siemann<br \/>\nFraulein Schneider: Mary Wheaton<br \/>\nHerr Schultz: Brian Scully<br \/>\nErnst Ludwig: Samuel Evola<br \/>\nFraulein Kost: Alexa Monn<\/p>\n<p><strong>Kit Kat Girls:<\/strong><br \/>\nRosie: Patricia Fern\u00e1ndez de Castro S\u00e1mano*<br \/>\nLulu: Marissa Vos* [dance captain]<br \/>\nFrenchie: Alex Joyce<br \/>\nHelga: Jackie Winsch<br \/>\nTexas: Yana Jones*<br \/>\n<strong>Kit Kat Boys:<\/strong><br \/>\nBobby: Joseph Binzer*<br \/>\nVictor: John Corr*<br \/>\nHans: Quint Mediate*<br \/>\nCustoms Officer\/Max\/Sailor 3: Jack Hensler<br \/>\nSailor 1\/Club Patron\/Nazi Guard: James O\u2019Connor<br \/>\nSailor 2\/Club Patron\/Nazi Guard: Carlos Torres<br \/>\nKit Kat Pianist: Alec Sievern<\/p>\n<p><em>Orchestra<\/em><\/p>\n<p><strong>Violin<\/strong><strong>: <\/strong>Jen Ho, concertmaster, Alexa Rakoski, co-concertmaster; Leo Xu, Amity Wipson, Michelle Kim, Tony Stedge, Emily Campagna, Theresa Puhr, Kevin Lee, Zach Horne, Anna Bosler, Jessica Carter<\/p>\n<p><strong>Viola<\/strong>: Minh Nguyen, Emily Punzalan, Natalie Wozniak<br \/>\n<strong>Cello<\/strong><em>: <\/em>Gavin Hsu, Petra Rantanen, Elena Gacek<br \/>\n<strong>Bass<\/strong>: Ray Heberer<br \/>\n<strong>Guitar<\/strong>: Michael Thompson<br \/>\n<strong>Flute\/Piccolo<\/strong><em>:<\/em> Jessica Meaux, Kaleigh Ellis<br \/>\n<strong>Oboe\/English Horn<\/strong>: Stephen High<br \/>\n<strong>Horn<\/strong>: Keaton Bloom, Julia Steines-Berkemeier<br \/>\n<strong>Bassoon<\/strong><em>:<\/em> Mike Reinsvold<br \/>\n<strong>Clarinet\/Sax<\/strong><em>:<\/em> John McCready, Nicole Mariani, Mike Reinsvold, Sonia Urquidi, Beatrix Weil<br \/>\n<strong>Piano<\/strong><em>:<\/em> Alec Sievern<br \/>\n<strong>Trumpet<\/strong><em>:<\/em> Adam Henderson, Madelyn Nelson<br \/>\n<strong>Trombone<\/strong><em>: <\/em>Candace Castillo, Kurt Frey<br \/>\n<strong>Percussion<\/strong><em>:<\/em> Michael Gregory, Nick Munsen<\/p>\n<p><strong>Costume Shop Assistants<\/strong>: Alex Ciesla, Karen Gilmore, Regina Gilmour, Elizabeth Konicek, Samantha Schubert*<br \/>\n<strong>Scene Shop Assistants<\/strong>: Dasuni Baptist, Alexander Bogunki-Baran, Michael Burns*, Melissa Flynn*, Matthew Gervais*, Moises Martinez, Samantha Schubert*, Kimberly Springstead*, William Woodley<\/p>\n<p><strong>Scenery, Props, and Lighting Crew<\/strong>: Kendrick Asril Lee, Victoria Babcock, Monica Barboza, Heather Bartlow, Amanda Bartolini, Ranford Bivin, Ryan Busk, Anna Busse, Jose Sanchez Bustillo, Ye Lim Choo, Timothy Coen, Mary Connolly, Christopher DeGrave, Dayton Flannery, Omar Hunter, Trevor Hurley, Megan Kilbride, Kyle Kozak, Caroline Kurtz, Kelly Laco, Paul Lipari, Alexandra Lowery, Jewell Loyd*, Nathan Luong, Mary Katherine Marino, Quint Mediate*, Christian Metzler, Alexander Meyer, Bethany Pacheco, Mary Patano, Kristen Ringwall, Nidia Ruelas, Kenneth Sabacinski, Ryan Sakowich<\/p>\n<p><strong>Note:<\/strong>\u00a0With this premiere production of\u00a0<em>Cabaret<\/em>\u00a0at Notre Dame, first produced on Broadway in 1966, the department returns to its long tradition of producing musicals. While musically oriented reviews and exhibitions at Notre Dame date from the 1860s, plays we today call &#8220;musicals&#8221; apparently first appeared on the Washington Hall stage with hugely popular Gilbert and Sullivan operettas and original student-written efforts of the 1940s.\u00a0<em>Kiss Me Kate<\/em>\u00a0in December 1953, directed by John Tumpane, seems to have been the first departmental production of a &#8220;Broadway&#8221; musical on campus.<\/p>\n<p>Before\u00a0<em>The Threepenny Opera<\/em>\u00a0in 2007, directed by Anton Juan, the department produced\u00a0<em>West Side Story<\/em>\u00a0in 1986 in O\u2019Laughlin Auditorium as part of the Notre Dame\/Saint Mary\u2019s Theatre season. For the preceding two decades, regular musicals occurred on the Saint Mary\u2019s College campus under this arrangement, including\u00a0<em>How to Succeed in Business Without Really Trying<\/em>\u00a0(1967),\u00a0<em>Guys and Dolls<\/em>\u00a0(1968),\u00a0<em>Camelot<\/em>\u00a0(1969),\u00a0<em>Oliver<\/em>\u00a0(1971),\u00a0<em>Showboat<\/em>\u00a0(1972),\u00a0<em>You\u2019re a Good Man, Charlie Brown<\/em>\u00a0(1973),\u00a0<em>The Fantasticks<\/em>\u00a0(1973),\u00a0<em>Man of La Mancha<\/em>\u00a0(1975),\u00a0<em>I Do! I Do!<\/em>\u00a0(1975),\u00a0<em>Fiddler on the Roof<\/em>\u00a0(1977),\u00a0<em>Kiss Me Kate<\/em>\u00a0(1977),<em>\u00a0The Mikado<\/em>\u00a0(1978),\u00a0<em>Damn Yankees<\/em>\u00a0(1979),\u00a0<em>Cowardy Custard<\/em>\u00a0(1980), and\u00a0<em>Godspell<\/em>\u00a0(1984).<\/p>\n<p>Although the department produced\u00a0<em>Godspell<\/em>\u00a0in 1976 in the Stepan Center on the Notre Dame campus, the last departmental musical in Washington Hall was\u00a0<em>The Medium<\/em>\u00a0in 1966 directed by Fred Syburg, in whose memory we have dedicated this 2013-2014 theatre season. In his long and illustrious career at Notre Dame, Fred directed\u00a0<em>The Threepenny Opera<\/em>\u00a0(1965) and\u00a0<em>The Beggar\u2019s Opera<\/em>\u00a0(1974) and held artistic, technical, and administrative roles in departmental productions in Washington Hall of\u00a0<em>Seventeen<\/em>\u00a0(1955),\u00a0<em>Finian\u2019s Rainbow<\/em>\u00a0(1956),\u00a0<em>Good News<\/em>\u00a0(1957),\u00a0<em>Oklahoma!<\/em>\u00a0(1958),\u00a0<em>A Hatful of Rain<\/em>\u00a0(1958),\u00a0<em>The Boy Friend<\/em>\u00a0(1959),\u00a0<em>Babes in Arms<\/em>\u00a0(1961),\u00a0<em>South Pacific<\/em>\u00a0(1962),\u00a0<em>The Fantasticks<\/em>\u00a0(1963), and\u00a0<em>My Fair Lady<\/em>\u00a0(1964).<\/p>\n<p><strong>Source:<\/strong>\u00a0<a href=\"http:\/\/archives.nd.edu\/search\/theatre\/Cabaret_f2013.pdf\">Program<\/a>, Department of Film, Television, &amp; Theatre<\/p>\n<p><strong><br \/>\nPlay:\u00a0<em>As You Like It<\/em><\/strong><\/p>\n<p><strong>Author:<\/strong>\u00a0William Shakespeare<br \/>\n<strong>Dates:<\/strong>\u00a0Wednesday-Friday, February 5-7, 2014, at 7:30 P.M.<br \/>\n<strong>Producing Organization:<\/strong>\u00a0Actors From the London Stage (AFTLS), Shakespeare at Notre Dame<br \/>\n<strong>Venue:<\/strong>\u00a0Washington Hall<br \/>\n<strong>Director:<\/strong>\u00a0Co-directed by the five actors<br \/>\n<strong>Production Stage Manager:<\/strong>\u00a0Ryan Stutzman<\/p>\n<p><em>Cast<\/em><\/p>\n<p><strong>Rosalind, Amiens, Audrey, Lord:<\/strong>\u00a0Jennifer Higham<br \/>\n<strong>Duke Frederick, Oliver, Touchstone, Duke Senior:<\/strong>\u00a0Patrick Miller<br \/>\n<strong>Adam, Le Beau, Jaques, Silvium, Hymen:<\/strong>\u00a0Robert Mountford<br \/>\n<strong>Celia, Phebe, Sir Oliver Martext, Lord:<\/strong>\u00a0Joannah Tincey<br \/>\n<strong>Orlando, Charles, Corin, William, Jaques de Boys:<\/strong>\u00a0Dan Winter<\/p>\n<p><strong>Play:\u00a0<em>Clybourne Park<\/em><\/strong><\/p>\n<p><strong>Author:\u00a0<\/strong>Bruce Norris<br \/>\n<strong>Dates:\u00a0<\/strong>Wednesday, February 21&#8211;Sunday, March 3, 2014<br \/>\n<strong>Producing Organization:\u00a0<\/strong>Department of Film, Television, and Theatre<br \/>\n<strong>Venue:\u00a0<\/strong>Philbin Studio Theatre, DeBartolo Performing Arts Center<\/p>\n<p><em>Artistic Staff<\/em><br \/>\n<strong>Director:\u00a0<\/strong>Grant Mudge<br \/>\n<strong>Lighting Designer:<\/strong>\u00a0Kevin Dreyer<br \/>\n<strong>Costume Designer:<\/strong>\u00a0Richard E. Donnelly<br \/>\n<strong>Set Designer:<\/strong>\u00a0Marcus Stephens<br \/>\n<strong>Wig and Hair Designer:<\/strong>\u00a0Lana McKinnon<\/p>\n<p><em>Cast<\/em><br \/>\n<strong>Russ\/Dan:\u00a0<\/strong>John Corr*<br \/>\n<strong>Betsy\/Lindsey:<\/strong>\u00a0Sienna Wdowik<br \/>\n<strong>Bev\/Lindsey:\u00a0<\/strong>Ren\u00e9e Roden*<br \/>\n<strong>Karl\/Steve:<\/strong>\u00a0Joey Doyle*<br \/>\n<strong>Francine\/Lena:\u00a0<\/strong>Zuri Eshun*<br \/>\n<strong>Jim\/Tom\/Kenneth:\u00a0<\/strong>Jonathan Walker<br \/>\n<strong>Albert\/Kevin:\u00a0<\/strong>Bryce Wood* (Feb 20-26, Mar 2)<br \/>\n<strong>Albert\/Kevin:\u00a0<\/strong>Troy Lewis (Feb 27, Mar 1)<\/p>\n<p><em>Production Staff:<\/em>\u00a0to follow<\/p>\n<p><strong>Note:<\/strong>\u00a0This is the premiere production at Notre Dame of Bruce Norris&#8217;s 2011 Pulitzer Prize winning play which debuted at Playwrights Horizons Theater in New York City in February 2010. Other recent productions of Pulitzer Prize winning plays in FTT&#8217;s mainstage season include Wendy Wasserstein&#8217;s\u00a0<em>The Heidi Chronicles<\/em>\u00a0(February 1993), Paula Vogel&#8217;s\u00a0<em>How I Learned to Drive<\/em>\u00a0(November 2002), and David Auburn&#8217;s\u00a0<em>Proof<\/em>\u00a0(February 2011).\u00a0<em>Clybourne Park<\/em>\u00a0owes its plot line, of course, to Lorraine Hansberry&#8217;s,\u00a0<em>A Raisin in the Sun<\/em>\u00a0(1959), which was most recently produced by the Department in Washington Hall in February 1994. The 1972 Notre Dame yearbook, the\u00a0<em>Dome<\/em>, cryptically suggests a production, probably by a touring company, and in 1984 notes that Ruby Dee and Ossie Davis read scenes from\u00a0<em>A Raisin in the Sun<\/em>\u00a0for Notre Dame&#8217;s Black Cultural Arts Festival.<\/p>\n<p><strong>Source:<\/strong>\u00a0<a href=\"http:\/\/archives.nd.edu\/search\/theatre\/Clybourne_Park_s2014.pdf\">Program<\/a>, Department of Film, Television, &amp; Theatre<\/p>\n<p><strong>Play:\u00a0<em>Blood Wedding<\/em><\/strong><\/p>\n<p><strong>Author:\u00a0<\/strong>Federico Garc\u00eda Lorca<br \/>\n<strong>Dates:\u00a0<\/strong>Wednesday, April 9&#8211;Sunday, April 13, 2014<br \/>\n<strong>Producing Organization:\u00a0<\/strong>The Department of Film, Television, and Theatre<br \/>\n<strong>Venue:\u00a0<\/strong>Decio Mainstage Theatre, DeBartolo Performing Arts Center<\/p>\n<p><em>Artistic Staff:<\/em><br \/>\n<strong>Director:\u00a0<\/strong>Anton Juan<br \/>\n<strong>Lighting Designer:<\/strong>\u00a0Kevin Dreyer<br \/>\n<strong>Costume Designer:\u00a0<\/strong>Richard E. Donnelly<br \/>\n<strong>Set Designer:\u00a0<\/strong>Marcus Stephens<br \/>\n<strong>Sound Designer:\u00a0<\/strong>Chau-Ly Phan<br \/>\n<strong>Assistant Director:\u00a0<\/strong>William Pinkham*<br \/>\n<strong>Dramaturg:<\/strong>\u00a0Gabriela Nu\u00f1ez<br \/>\n<strong>Dramaturgy Advisor:<\/strong>\u00a0Anne Garc\u00eda-Romero<\/p>\n<p><em>Production Staff<\/em><br \/>\n<strong>Producer:<\/strong>\u00a0Kevin Dreyer<br \/>\n<strong>Stage Manager:<\/strong>\u00a0Joseph (Tre) Haskins*<br \/>\n<strong>Technical Director:\u00a0<\/strong>C. Kenneth Cole<br \/>\n<strong>Costume Shop Manager:\u00a0<\/strong>Lynn Holbrook<br \/>\n<strong>Professional Stitcher:<\/strong>\u00a0Katherine Werner<br \/>\n<strong>Assistant Stage Managers:\u00a0<\/strong>Virginia Coyne, Sara Gbadamosi*, Samantha Squeri*<br \/>\n<strong>Scenic Charge Artist:\u00a0<\/strong>Samantha Schubert*<br \/>\n<strong>Makeup and Hair Designer:\u00a0<\/strong>Brock Switzer*<br \/>\n<strong>Acting and Dialect Coach:\u00a0<\/strong>Siiri Scott<\/p>\n<p><em>Cast:<\/em><br \/>\nMother: Natalia Cuevas*<br \/>\nGroom: Guillermo Alonso*<br \/>\nMoon, Woodcutter #2, Young Man #1: Jacob Schrimpf*<br \/>\nBeggar, Woodcutter #1, Young Man #2: David D\u00edaz*<br \/>\nYoung Woman #3: Victoria Velasquez<br \/>\nFather of the Bride, Woodcutter #3: Christopher Brandt*<br \/>\nYoung Woman #1: Mary Patano*<br \/>\nLeonardo: Adel Nehmeh<br \/>\nLeonardo\u2019s wife: Patricia Fern\u00e1ndez de Castro*<br \/>\nMother-in-Law: Danielle Dorrego*<br \/>\nNeighbor, Young Woman #2: Kate Sanders<br \/>\nYoung Girl: Anna Sch\u00e4ffer<br \/>\nMaid: Alexa Monn<br \/>\nBride: Catherine Baker*<br \/>\nGarc\u00eda Lorca: Nino de los Reyes**<\/p>\n<p><strong>Scenery, Props, Lighting, and Costume Construction Crew:<\/strong>\u00a0<em>to follow<\/em><br \/>\n<strong>Costume Shop Assistants:<\/strong>\u00a0<em>to follow<\/em><\/p>\n<p><strong>Note:<\/strong>\u00a0Although Notre Dame\/Saint Mary&#8217;s Theatre produced\u00a0<em>The House of Bernarda Alba<\/em>\u00a0just over thirty years ago in spring 1984 in O&#8217;Laughlin Auditorium, this production of\u00a0<em>Blood Wedding<\/em>\u00a0appears to be the first time the Department has produced a play by Federico Garcia Lorca (1898-1936) as part of the mainstage theatre season on the Notre Dame campus.<\/p>\n<p><strong>Source:<\/strong>\u00a0<a href=\"http:\/\/archives.nd.edu\/search\/theatre\/Blood_Wedding_s2014.pdf\">Program<\/a>, Department of Film, Television, &amp; Theatre<\/p>\n<p>* Film, Television, and Theatre major<\/p>\n<p>** Guest Artist<\/p>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Department of Film, Television, and Theatre Faculty:\u00a0James Collins (Chair), Ted Barron, Christine Becker, Christine Burgess, C. Kenneth Cole, Donald Crafton, William Donaruma, Richard E. Donnelly, Kevin Dreyer (Director of Theatre), Anne Garc\u00eda-Romero, Karen Heisler, Peter Holland, Scott Jackson, Anton Juan, Michael Kackman, Mary Celeste Kearney, Carys Kresny, Ted Mandell, Olivier Morel, Grant Mudge, Susan Ohmer, [&hellip;]<\/p>\n","protected":false},"author":229,"featured_media":0,"parent":0,"menu_order":-2013,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-23","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/sites.nd.edu\/theatre-chronology\/wp-json\/wp\/v2\/pages\/23","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/sites.nd.edu\/theatre-chronology\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/sites.nd.edu\/theatre-chronology\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/sites.nd.edu\/theatre-chronology\/wp-json\/wp\/v2\/users\/229"}],"replies":[{"embeddable":true,"href":"https:\/\/sites.nd.edu\/theatre-chronology\/wp-json\/wp\/v2\/comments?post=23"}],"version-history":[{"count":4,"href":"https:\/\/sites.nd.edu\/theatre-chronology\/wp-json\/wp\/v2\/pages\/23\/revisions"}],"predecessor-version":[{"id":124,"href":"https:\/\/sites.nd.edu\/theatre-chronology\/wp-json\/wp\/v2\/pages\/23\/revisions\/124"}],"wp:attachment":[{"href":"https:\/\/sites.nd.edu\/theatre-chronology\/wp-json\/wp\/v2\/media?parent=23"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}