{"id":258,"date":"2020-08-19T14:49:09","date_gmt":"2020-08-19T18:49:09","guid":{"rendered":"https:\/\/sites.nd.edu\/theatre-chronology\/?page_id=258"},"modified":"2020-08-19T14:49:10","modified_gmt":"2020-08-19T18:49:10","slug":"1948-1949","status":"publish","type":"page","link":"https:\/\/sites.nd.edu\/theatre-chronology\/1948-1949\/","title":{"rendered":"1948-1949"},"content":{"rendered":"\n<p class=\"wp-block-paragraph\"><strong>N. D. Dramatic Tradition Revitalized<br>As University Theater Plans Big Year<\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">&nbsp;&nbsp;&#8220;In a well-conceived attempt to rebuild tradition at Notre Dame,&#8221; the University appointed William J. Elsen director of of the University Theater on September 15, 1948. Elsen, an instructor in the Department of Speech, succeeded Rev. Matthew A. Coyle, C.S.C. who became assistant chaplain at Saint Mary&#8217;s College (<em>Scholastic<\/em>&nbsp;90:3, Oct. 8, 1948, 9).<\/p>\n\n\n\n<hr class=\"wp-block-separator\" \/>\n\n\n\n<h3 class=\"wp-block-heading\">Play:&nbsp;<em>Mediaeval Mystery<\/em>, a dramatic adaptation of the Annunciation<\/h3>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Author:<\/strong>&nbsp;anonymous (based on Karl Young&#8217;s edition)<br><strong>Date:<\/strong>&nbsp;Monday, Oct. 25, 1948, 8:15 P.M.<br><strong>Producing Organizations:<\/strong>&nbsp;Notre Dame and Saint Mary&#8217;s Glee Clubs<br><strong>Venue:<\/strong>&nbsp;Washington Hall<br><br><em>Artistic Staff<\/em><br><br><strong>Adapted for chorus and organ by:<\/strong>&nbsp;Father Joseph Gallagher<br><br><em>Cast<\/em><br>featuring 50-60 singers, with a musical interlude on the organ and piano. Roles include:<br><strong>Mary (soprano):<\/strong>Dorothy Biro<br><strong>the Archangel Gabriel (tenor):<\/strong>&nbsp;Joseph Sarka<br><strong>King Achaz (baritone):<\/strong>&nbsp;John Brocerick<br><strong>Elizabeth, cousin of Mary (contralto):<\/strong>&nbsp;Evelyn Sabol<br><strong>On the Podium:<\/strong>&nbsp;Father William McAuliffe, director of the Moreau Seminary Choir<br><strong>At the Organ Console:<\/strong>&nbsp;Carl Mathes<br><strong>On the Piano:<\/strong>&nbsp;Father Gallagher<br><br><strong>Notes:<\/strong>&nbsp;We do not know how the organ was set up in Washington Hall.<br><br><strong>Source:<\/strong>&nbsp;<em>Scholastic<\/em>&nbsp;90:5, Oct. 22, 1948, 10; 90:6, Oct. 29, 1948, 13.<\/p>\n\n\n\n<hr class=\"wp-block-separator\" \/>\n\n\n\n<h3 class=\"wp-block-heading\">Play:&nbsp;<em>The Milky Way<\/em><\/h3>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Author:<\/strong>&nbsp;Lynn Root and Harry Clark<br><strong>Dates:<\/strong>&nbsp;November 28-December 2, 1948<br><strong>Producing Organization:<\/strong>&nbsp;University Theatre<br><strong>Venue:<\/strong>&nbsp;Washington Hall<br><br><em>Artistic Staff<\/em><br><br><strong>Director:<\/strong>&nbsp;Leonard Sommer<br><br><em>Cast List<\/em><br><br><strong>Spider:<\/strong>&nbsp;Louis Garripo<br><strong>Speed McFarland:<\/strong>&nbsp;Dan Caulfield, Jack Powell<br><strong>Anne Westley:<\/strong>&nbsp;Martha Jo Harper<br><strong>Gabby Sloan:<\/strong>&nbsp;Ed Goerner<br><strong>Burleigh Sullivan:<\/strong>&nbsp;Pat McAteer<br><strong>Jane Sullivan:<\/strong>&nbsp;Agnes Anthony<br><strong>Eddie:<\/strong>&nbsp;Richard Blume<br><strong>Willard:<\/strong>&nbsp;Jack Keane<br><strong>Wilbur Austin:<\/strong>&nbsp;James Beymer<br><strong>Dog [quadruped]:<\/strong>&nbsp;a &#8220;beautiful St. Bernard that stopped the show twice&#8221;<br><br><em>Production Staff<\/em><br><br><strong>Stage Manager:<\/strong>&nbsp;James Beymer<br><strong>Master Electrician:<\/strong>&nbsp;Robert Schmid<br><strong>Properties:<\/strong>&nbsp;Leonard Costantini<br><strong>Makeup Coordination:<\/strong>&nbsp;James Beymer<br><strong>Program Cover and Posters:<\/strong>&nbsp;Charles O&#8217;Brien<br><strong>Photography:<\/strong>&nbsp;James Ferstel<br><strong>Business Manager:<\/strong>&nbsp;Edwin Kempf<br><strong>Assistant Business Manager:<\/strong>&nbsp;William Doyle<br><strong>Crew:<\/strong>&nbsp;Roger Vorce, Leo Stepanian, Lee Sheridan, Ed Jasta, Harry Oderman, Ed Kane<br><strong>House Manager:<\/strong>&nbsp;Frank Finn<br><strong>Head Ushers:<\/strong>&nbsp;The Blue Circle (founded in 1922 as the Boosters and named the Blue Circle by 1924, this service club was inactive 1931-46. See&nbsp;<em>Scholastic<\/em>&nbsp;90:3, Oct. 8, 1948, 16.<br><br><strong>Notes:<\/strong><br><br><strong>Source:<\/strong>&nbsp;<em>Scholastic<\/em>&nbsp;90:10, Dec. 3, 1948, 20;&nbsp;<em>Dome<\/em>&nbsp;1949, 354; Program, University of Notre Dame Archives.<\/p>\n\n\n\n<hr class=\"wp-block-separator\" \/>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>A bill of three one-act plays<\/strong><br><strong>Dates:<\/strong>&nbsp;March 14, 15, 1949, 8:00 P.M.<br><strong>Producing Organization:<\/strong>&nbsp;University Theatre<br><strong>Venue:<\/strong>&nbsp;Washington Hall, with a new black velvet cyclorama curtain (replacing a twenty-five-year-old lavender backdrop<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><em>Artistic Staff<\/em><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Director:<\/strong>&nbsp;Francis J. Hanley<br><strong>Producer:<\/strong>&nbsp;William J. Elsen<br><strong>Lighting and Special Effects:<\/strong>&nbsp;James Beymer<\/p>\n\n\n\n<h3 class=\"wp-block-heading\">Play:&nbsp;<em>The Rising of the Moon<\/em><\/h3>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Author:<\/strong>&nbsp;Lady Gregory<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><em>Cast<\/em><strong>Sergeant:<\/strong>&nbsp;Maurice Mahon<br><strong>The Ragged Man:<\/strong>&nbsp;Jack Powell<br><strong>Policeman B:<\/strong>&nbsp;James Maher<br><strong>Policeman X:<\/strong>&nbsp;Donald Curran<\/p>\n\n\n\n<h3 class=\"wp-block-heading\">Play:&nbsp;<em>Dust of the Road<\/em><\/h3>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Author:<\/strong>&nbsp;Kenneth Sawyer Goodman<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><em>Cast<\/em><strong>Peter Steele:<\/strong>&nbsp;Lawrence Lopina<br><strong>Prudence Steele:<\/strong>&nbsp;Jean Richard<br><strong>Old Man:<\/strong>&nbsp;James Carrig<br><strong>Judas:<\/strong>&nbsp;Stephan Hauser<\/p>\n\n\n\n<h3 class=\"wp-block-heading\">Play:&nbsp;<em>Monsignor&#8217;s Hour<\/em><\/h3>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Author:<\/strong>&nbsp;Emmet Lavery<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><em>Cast<\/em><strong>Guide:<\/strong>&nbsp;Lou Garripo<br><strong>Professor:<\/strong>&nbsp;Pat McAteer<br><strong>Labor Leader:<\/strong>&nbsp;George Kashmer<br><strong>Dowager:<\/strong>&nbsp;Jean Richard<br><strong>Lawyer:<\/strong>&nbsp;Maurice Mahon<br><strong>Artist:<\/strong>&nbsp;Helen Hearn<br><strong>Gabriel Raphael Pagnani:<\/strong>&nbsp;Vernon Buckhart<br><strong>Cardinal Perez:<\/strong>&nbsp;Lawrence Lopina<br><strong>Monsignor Amato:<\/strong>&nbsp;James Beymer<br><strong>&#8220;His Eminence&#8221;:<\/strong>&nbsp;Stephen Hauser<br><strong>Rt. Rev. Monsignor Michael Carey:<\/strong>&nbsp;William Owen<br><strong>Monks:<\/strong>&nbsp;Frank Malzone, Robert Nickodem<br><strong>Swiss Guards:<\/strong>&nbsp;Richard Fitzgibbons, Leo Blaber<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Notes:<\/strong><br>Eugene Rossi painted&nbsp;<em>The Key of Heaven<\/em>&nbsp;for this production.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Source:<\/strong>&nbsp;Program, University of Notre Dame Archives;&nbsp;<em>Scholastic<\/em>&nbsp;90:19, March 11, 1949, 9, 12; 90:20, March 18, 1949, 12.<\/p>\n\n\n\n<hr class=\"wp-block-separator\" \/>\n\n\n\n<h3 class=\"wp-block-heading\">Play:&nbsp;<em>Shadow and Substance<\/em><\/h3>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Author:<\/strong>&nbsp;Paul Vincent Carroll<br><strong>Dates:<\/strong>&nbsp;May 11, 12, 13, 1949, 8:15 P.M.<br><strong>Producing Organization:<\/strong>&nbsp;University Theatre<br><strong>Venue:<\/strong>&nbsp;Washington Hall<br><br><em>Artistic Staff<\/em><br><br><strong>Director:<\/strong>&nbsp;Francis J. Hanley<br><strong>Set Design:<\/strong>&nbsp;Francis J. Hanley<br><br><em>Cast List<\/em><br><br><strong>Brigid:<\/strong>&nbsp;June Anderson<br><strong>Dermot F. O&#8217;Flingsley:<\/strong>&nbsp;Jack Powell<br><strong>Thomasina Concannon:<\/strong>&nbsp;Mary Jo Cowger<br><strong>Father Carr:<\/strong>&nbsp;Leo Blaber<br><strong>Father Kirwan:<\/strong>&nbsp;James Maher<br><strong>Rev. Thomas Canon Skerritt:<\/strong>&nbsp;Stephen Hauser<br><strong>Miss Jemima Cooney:<\/strong>&nbsp;Jean Richard<br><strong>Francis Ignatius O&#8217;Connor:<\/strong>&nbsp;William McShane<br><strong>Martin Mullahone:<\/strong>&nbsp;Charles Perrin<br><strong>Rosey Violet:<\/strong>&nbsp;Hildegarde Vargyas<br><br><em>Production Staff<\/em><br><br><strong>Assistant Director:<\/strong>&nbsp;James Beymer<br><strong>Stage Manager:<\/strong>&nbsp;Pat McAteer<br><strong>Set Construction &amp; Painting:<\/strong>&nbsp;Francis J. Hanley<br><strong>Costumes:<\/strong>&nbsp;Francis J. Hanley<br><strong>House Manager:<\/strong>&nbsp;William Doyle<br><strong>Head Ushers:<\/strong>&nbsp;Blue Circle<br><br>Notes<br><br><strong>Source:<\/strong>&nbsp;Program, University of Notre Dame Archives;&nbsp;<em>Scholastic<\/em>&nbsp;90:26, May 13, 1949, 9; 90:27, May 20, 1949, 10;&nbsp;<em>Dome<\/em>&nbsp;1949, 339.<\/p>\n\n\n\n<hr class=\"wp-block-separator\" \/>\n\n\n\n<p class=\"wp-block-paragraph\"><em>last edited by Mark Pilkinton April 14, 2011<\/em><\/p>\n","protected":false},"excerpt":{"rendered":"<p>N. D. Dramatic Tradition RevitalizedAs University Theater Plans Big Year &nbsp;&nbsp;&#8220;In a well-conceived attempt to rebuild tradition at Notre Dame,&#8221; the University appointed William J. Elsen director of of the University Theater on September 15, 1948. Elsen, an instructor in the Department of Speech, succeeded Rev. Matthew A. Coyle, C.S.C. who became assistant chaplain at [&hellip;]<\/p>\n","protected":false},"author":3793,"featured_media":0,"parent":0,"menu_order":-1948,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-258","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/sites.nd.edu\/theatre-chronology\/wp-json\/wp\/v2\/pages\/258","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/sites.nd.edu\/theatre-chronology\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/sites.nd.edu\/theatre-chronology\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/sites.nd.edu\/theatre-chronology\/wp-json\/wp\/v2\/users\/3793"}],"replies":[{"embeddable":true,"href":"https:\/\/sites.nd.edu\/theatre-chronology\/wp-json\/wp\/v2\/comments?post=258"}],"version-history":[{"count":1,"href":"https:\/\/sites.nd.edu\/theatre-chronology\/wp-json\/wp\/v2\/pages\/258\/revisions"}],"predecessor-version":[{"id":259,"href":"https:\/\/sites.nd.edu\/theatre-chronology\/wp-json\/wp\/v2\/pages\/258\/revisions\/259"}],"wp:attachment":[{"href":"https:\/\/sites.nd.edu\/theatre-chronology\/wp-json\/wp\/v2\/media?parent=258"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}