Program<\/p>\n\n\n\n
PART I.<\/p>\n\n\n\n
Music–“night and Morning”: F. R. Webb; N[otre]. D[ame]. U[niversity]. C[ornet]. B[and].
Address from the Minims: W. McPhee, L. Scherrer, Elmo Barry
Song and Chorus: Orpheonics
Address from the Juniors: F Hagenbarth
Address from the Seniors: Neal H. Ewing
Overture–“Lustspiel”: Keller Bela; N.D.U. Orchestra<\/p>\n\n\n\n
PART II.<\/p>\n\n\n\n
Introductory Address: D. C. Saviers<\/p>\n\n\n\n
Play: <\/strong> Une Cause C\u00e9l\u00e8bre<\/em><\/strong>, a melodrama in six acts, founded on an incident of “The Battle of Fontenoy” [May 11, 1745, major engagement and French victory in the War of the Austrian Succession]<\/p>\n\n\n\n Dates<\/strong>: October 12, 1884 [Eve of St. Edward’s Day], 7:00 P.M.<\/p>\n\n\n\n Venue:<\/strong> Music Hall [likely Washington Hall]<\/p>\n\n\n\n Director<\/strong>: Unknown<\/p>\n\n\n\n Sponsor\/Producer<\/strong>: Euglossian Association<\/p>\n\n\n\n Cast List to follow<\/p>\n\n\n\n Interval between second and third act: Master Oxnard’s piano solo Mendelssohn’s “A Midsummer Night’s Dream”<\/p>\n\n\n\n TABLEAUX.<\/p>\n\n\n\n Closing Remarks: omitted due “to the lateness of the hour.” Source: <\/strong>Scholastic<\/em> 18:6, Oct. 11, 1884, 94; 18:7, Oct. 18, 1884, 104-5.<\/p>\n\n\n\n Dates:<\/strong> Saturday, Nov. 22, 1884, 7:30 P.M.<\/p>\n\n\n\n Venue:<\/strong> Academy of Music [Washington Hall]<\/p>\n\n\n\n Programme:<\/p>\n\n\n\n Music–“Golden Leaf”: F. Keller; N. D. U. C. Band<\/p>\n\n\n\n Address–“St. Cecilia Society”: F. Hagenbarth<\/p>\n\n\n\n Selections “From the Minims’ Musical Repertoire<\/em>“: F. Crotty, W. McPhee, E. Berry, L. Scherrer, J. Piero, F. Cobbs, T. Mahon, F. Peck<\/p>\n\n\n\n Dialogue–“The Pledge”: W. Mulkern, G. Tarrant<\/p>\n\n\n\n Declamation–“The Toast”: A. Hoye<\/p>\n\n\n\n “The Agitation Bull” (O’Connell): J. Ancheta<\/p>\n\n\n\n “The Spread Eagle”: P. Mullane<\/p>\n\n\n\n Music–“Overture to the Siege of Paris” (W. S. Ripley<\/em>): N. D. U. Orchestra<\/p>\n\n\n\n “The Soldier’s Pardon”: T. Callaghan<\/p>\n\n\n\n “Erin’s Flag” (Father Ryan<\/em>): J. Monschein<\/p>\n\n\n\n “The Captive”: H. A. Steis<\/p>\n\n\n\n “The Ship of Fate”: C. Mason<\/p>\n\n\n\n Duo–“What are the Wild Waves Saying?” (Glover<\/em>): W. E. Ramsay and R. Stephens<\/p>\n\n\n\n “The Gladiator”: J. J. Conway<\/p>\n\n\n\n “Wolsey’s Farewell”: J. Kleiber<\/p>\n\n\n\n “How to Attend Conflagrations”: A. Willard<\/p>\n\n\n\n Selection from Henry IV: F. W. Dexter<\/p>\n\n\n\n Musical Selection (piano and violin) Mendelssohn’s A Midsummer Night’s Dream<\/em>: Prof. Paul (violin), R. Oxnard (musical prodigy on the piano)<\/p>\n\n\n\n “McLaur’s Child”: C. Harris<\/p>\n\n\n\n “The Mariner”: J. J. Garrity<\/p>\n\n\n\n “Phenological Examination”: T. Mathers<\/p>\n\n\n\n Selection from Mrs. Heman’s works”: W. E. Ramsay<\/p>\n\n\n\n La Foi<\/em>–Trio (Rossini<\/em>): W. E. Ramsay, R. Stephens, G. O’Kane, A. Marion, E. Crawford, A. Smith<\/p>\n\n\n\n Serenade (Keller<\/em>): N. D. U. C. Band<\/p>\n\n\n\n Note.–Should time permit, and the entertainment take place in the Exhibition Hall, Act V, Scene 1 of “Hamlet” will be given by Masters Monschein and Mason as 1st and 2d Grave-Diggers, B. Wiley as “Hamlet,” and R. Stephens as “Horatio” [omitted]<\/p>\n\n\n\n Closing Remarks: President Walsh<\/p>\n\n\n\n Director:<\/strong> Joseph A. Lyons, assisted by Prof. Paul and Bro. Anselm “for the musical part”<\/p>\n\n\n\n Sponsors:<\/strong> St. Cecilia Philoathean and Euglossian SocietiesPlay:<\/strong> Scene from Hamlet<\/em> omitted due to time, but many events.<\/p>\n\n\n\n Source:<\/strong>Scholastic<\/em> 18:12, Nov. 22, 1884, 190; 18:13, Nov. 29, 1884 , 201-2<\/p>\n\n\n\n Dates:<\/strong> Wednesday, December 17, 1884, 6:30 P.M.<\/p>\n\n\n\n Sponsor:<\/strong> St. Cecilian Philomathean Association<\/p>\n\n\n\n Venue:<\/strong> Washington Hall<\/p>\n\n\n\n Program Grand St. Cecilia March: N. D. U. C. B. Play: Author: Father Lemonnier<\/p>\n\n\n\n Director: J. A. Lyons<\/p>\n\n\n\n Dramatis Personae.<\/em><\/p>\n\n\n\n Duke of Spoleto: F. J. Hagenbarth TABLEAU.<\/p>\n\n\n\n Epilogue: Joseph Garrity Closing remarks by Rev. Pres. Walsh<\/p>\n\n\n\n Note: special thanks to Rev. Mr. Regan, Bros. Lawrence and Anselm, Profs. Edwards, Hoynes, McCormack, Paul, and Ackerman.<\/p>\n\n\n\n Dates: Wednesday last before January 10, 1885 (check dates)<\/p>\n\n\n\n Sponsor: Euglossian Association<\/p>\n\n\n\n Venue: Washington Hall<\/p>\n\n\n\n Play: “an impromptu affair”<\/p>\n\n\n\n credit to Messrs. Ramsay and Otisprobably the same as:<\/p>\n\n\n\n Sponsor: Home Dramatic Club<\/p>\n\n\n\n Dates: last Wednesday (before January January 10, 1885)<\/p>\n\n\n\n Play: Disturbed Repose<\/em><\/p>\n\n\n\n Cast List to follow<\/p>\n\n\n\n Play: The Quarrel Scene of the Fourth Act from “Mike Beth’s Julius Sneezer”<\/em>, Remodelled for the Occasion<\/p>\n\n\n\n Cast List to follow<\/p>\n\n\n\n Source: Scholastic<\/em> 18:18, Jan. 10, 1885, 290.<\/p>\n\n\n\n Dates: Saturday, Feb. 21, 1885, 6:30 P.M.<\/p>\n\n\n\n Venue: Washington Hall “the large auditorium of the Music Hall”<\/p>\n\n\n\n Play: Falsely Accused<\/em>, or Waiting for the Verdict<\/em>, a domestic drama in three Acts. Remodelled for the Thespian Association.<\/p>\n\n\n\n Director: J. A. Lyons<\/p>\n\n\n\n Cast list to follow<\/p>\n\n\n\n Sponsor: Thespian Association<\/p>\n\n\n\n Source: Scholastic<\/em> 18:24, Feb. 21, 1885, 386.<\/p>\n\n\n\n Play: Robert Emmet<\/em><\/p>\n\n\n\n Sponsor: ColumbiansSource: Scholastic<\/em> 18:28, March 21, 1885, 449-50<\/p>\n\n\n\n Date: April 29, 1885<\/p>\n\n\n\n Sponsor: <\/em>Euglossian AssociationPlays: The Merchant of Venice<\/em>, Act 4 Source: Scholastic<\/em> 18:34, May 2, 1885, 545-46.<\/p>\n\n\n\n Play: The Triumph of Justice<\/em>; [omitted: Generosity<\/em>; Excitement on the St. Joe Valley R. R.<\/em>]<\/p>\n\n\n\n Date: May 27, 1885<\/p>\n\n\n\n Source: Scholastic<\/em> 18:38, May 30, 1885, 610.<\/p>\n\n\n\n Sponsor: St. Cecilia Philomathean Society<\/p>\n\n\n\n Dates: Saturday evening last before June 13, 1885<\/p>\n\n\n\n Play: Major Andr\u00e9<\/em>, modified and arranged by Prof. Lyons<\/p>\n\n\n\n Source: Scholastic<\/em> 18:40, June 13, 1885, 641-42.<\/p>\n\n\n\n Dates: June 22-24, 1885<\/p>\n\n\n\n Play: Scenes from Julius Caesar<\/em><\/p>\n\n\n\n Venue: Washington Hall<\/p>\n\n\n\n Source: Scholastic<\/em> 18:42, June 24, 1885, 675-76.<\/p>\n","protected":false},"excerpt":{"rendered":" Exhibition: Founder’s Day at Notre Dame [St. Edward’s Day, October 13] Program PART I. Music–“night and Morning”: F. R. Webb; N[otre]. D[ame]. U[niversity]. C[ornet]. B[and].Address from the Minims: W. McPhee, L. Scherrer, Elmo BarrySong and Chorus: OrpheonicsAddress from the Juniors: F HagenbarthAddress from the Seniors: Neal H. EwingOverture–“Lustspiel”: Keller Bela; N.D.U. Orchestra PART II. Introductory […]<\/p>\n","protected":false},"author":3793,"featured_media":0,"parent":0,"menu_order":-1884,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-401","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/sites.nd.edu\/theatre-chronology\/wp-json\/wp\/v2\/pages\/401","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/sites.nd.edu\/theatre-chronology\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/sites.nd.edu\/theatre-chronology\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/sites.nd.edu\/theatre-chronology\/wp-json\/wp\/v2\/users\/3793"}],"replies":[{"embeddable":true,"href":"https:\/\/sites.nd.edu\/theatre-chronology\/wp-json\/wp\/v2\/comments?post=401"}],"version-history":[{"count":1,"href":"https:\/\/sites.nd.edu\/theatre-chronology\/wp-json\/wp\/v2\/pages\/401\/revisions"}],"predecessor-version":[{"id":402,"href":"https:\/\/sites.nd.edu\/theatre-chronology\/wp-json\/wp\/v2\/pages\/401\/revisions\/402"}],"wp:attachment":[{"href":"https:\/\/sites.nd.edu\/theatre-chronology\/wp-json\/wp\/v2\/media?parent=401"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}
Grand march for Retiring: N. D. U. C. B.<\/p>\n\n\n\n
\n\n\n\nExhibition: St. Cecilia’s Day<\/h3>\n\n\n\n
\n\n\n\nExhibition: Annual Winter Exercises [aka 27th Annual Christmas Exercises]<\/h3>\n\n\n\n
(a bit early because of students being “dispersed for the holidays” by the Reverend Father Walsh’s patronal festival, St. Thomas the apostle, Dec. 21)<\/h3>\n\n\n\n
Part I:<\/p>\n\n\n\n
Address–Minim Department: G. Berry, L. Scherrer, C. Mooney
Address–Senior Department: J. W. Guthrie
Duet: W. E. Ramsay, R. Stephens
Address–St. Cecilia Society: F. J. Hagenbarth
Overture: Orchestra “The Siege of Paris”
Prologue: T. J. Cleary
<\/strong>Part II.<\/p>\n\n\n\n
The Recognition<\/em> [published in Lyons’s The American Elocutionist<\/em>], a drama of the 15th century in four acts<\/p>\n\n\n\n
. . . . [more here]
Almeno 2d citizen: C. Reynolds
Soldiers, citizens, guards, and attendants.<\/p>\n\n\n\n
Music: N. D. U. C. B.<\/p>\n\n\n\n
\n\n\n\nExhibition: Close of Holiday Season Exhibition<\/h3>\n\n\n\n
\n\n\n\nExhibition: Washington’s Birthday, 41st annual celebration<\/h3>\n\n\n\n
\n\n\n\nExhibition: St. Patrick’s Day, March 17, 1885<\/h3>\n\n\n\n
\n\n\n\nExhibition: Shakespeare at Notre Dame, aka, Shakespeare Entertainment<\/h3>\n\n\n\n
Julius Caesar<\/em>, Acts 1, 3, and 4.
Richard III<\/em>, Act I
Hamlet<\/em>, 3.1
Macbeth<\/em>, 1.1, 1.2<\/p>\n\n\n\n
\n\n\n\nExhibition: Thirteenth Annual Entertainment of the St. Stanislaus’ Philopatrian Society, comlimentary to Very Rev. A. Granger, C.S.C.<\/h3>\n\n\n\n
\n\n\n\nExhibition: Summer Entertainment, 27th annual<\/h3>\n\n\n\n
\n\n\n\nExhibition: Commencement, 41st annual<\/h3>\n\n\n\n