{"id":421,"date":"2020-09-22T10:26:51","date_gmt":"2020-09-22T14:26:51","guid":{"rendered":"https:\/\/sites.nd.edu\/theatre-chronology\/?page_id=421"},"modified":"2020-09-22T10:26:52","modified_gmt":"2020-09-22T14:26:52","slug":"1874-1875","status":"publish","type":"page","link":"https:\/\/sites.nd.edu\/theatre-chronology\/1874-1875\/","title":{"rendered":"1874-1875"},"content":{"rendered":"\n<h2 class=\"wp-block-heading\">17th St. Cecilia Exhibition, December 10, 1874<\/h2>\n\n\n\n<p class=\"wp-block-paragraph\">(postponed from November 22 due to deaths of Fathers Lemonnier and Gillespie)<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><em>Program<\/em><br><br><strong>Grand St. Cecilia March<\/strong>: N.D.U.C. Band<br><strong>Overture&#8211;&#8220;Fidelio&#8221; (Beethoven)<\/strong>: Orchestra<br><strong>Address&#8211;Salutatory<\/strong>: J. P. McHugh<br><strong>La Marseillaise<\/strong>: Vocal Class<br><strong>Ode to St. Cecilia<\/strong>: A. K. Schmidt<br><strong>Overture&#8211;&#8220;Fra Diavolo&#8221; (Auber)<\/strong>: Orchestra<br><strong>Prologue<\/strong>: D. J. O&#8217;Connell<br><br><em>Plays<\/em><\/p>\n\n\n\n<h3 class=\"wp-block-heading\">Play Title:&nbsp;<em>The Miser.<\/em><br>A Comedy in Three Acts.<\/h3>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Author<\/strong>: Moli\u00e8re (translated from the French)<br><strong>Dates Performed<\/strong>: Dec. 10, 1874<br><strong>Sponsoring\/Producing Organization<\/strong>: St Cecilia Philomathean Society<br><strong>Venue<\/strong>: Washington Hall<br><br><em>Cast List<\/em><br><br><strong>Harpagon&#8211;Father to Cleonte and Polyander<\/strong>: J. F. Beegan<br><strong>Cleonte<\/strong>: J. P. McHugh<br><strong>Polyander<\/strong>: A. K. Schmidt<br><strong>Lapierre&#8211;Steward to Harpagon<\/strong>: J. F. Soule<br><strong>Lafleche&#8211;Valet to Cleonte<\/strong>: D. J. O&#8217;Connell<br><strong>Orontes&#8211;Citizen&#8211;Neighbor to Harpagon<\/strong>: J. E. Wood<br><strong>Anselm, a Rich Notary<\/strong>: L. P. Best<br><strong>Ma\u00eetre Jacques&#8211;Cook and Coachman to Harpagon<\/strong>: W. S. Meyer<br><strong>Orville&#8211;A Commisarry<\/strong>: T. McNamara<br><strong>Lamerluche, an Attendant<\/strong>: J. W. Minton<br><strong>Brindavoine, an Attendant<\/strong>: J. L. Perea<br><strong>Antoine, an Attendant<\/strong>: J. F. Dore<br><strong>Music&#8211;Waltz&#8211;(After Act First)<\/strong>: N.D.U.C. Band<br><strong>Overture&#8211;&#8220;Der Freisch\u00fctz&#8221; (Von Weber)<\/strong>: Profs. Paul and Mayr, and Messrs. Walters and Otto<br><br>To Conclude with<\/p>\n\n\n\n<h3 class=\"wp-block-heading\"><em>A Cure For Dumbness<\/em>&nbsp;or&nbsp;<em>Doctor Nolens<\/em><\/h3>\n\n\n\n<p class=\"wp-block-paragraph\">A Farce in One Act.<br><br><strong>Gregory&#8211;Doctor Nolens<\/strong>: R. J. Downey<br><strong>Dion&#8211;Brother to Gregory<\/strong>: H. D. Faxon<br><strong>Sir Jasper Credulous<\/strong>: L. P. Best<br><strong>Squire Robert&#8211;Very unassuming<\/strong>: T. J. Solon<br><strong>James, an Attendant<\/strong>: J. D. McIntyre<br><strong>Harry, an Attendant<\/strong>: F. G. Palmer<br><strong>Closing Remarks<\/strong>: Fathers General and Cooney<br><strong>March&#8211;&#8220;You may retire,&#8221;<\/strong>: N.D.U.C. Band<br><br><strong>Source<\/strong>:&nbsp;<em>Scholastic<\/em>&nbsp;8:13, Dec.19, 1874, 169.<\/p>\n\n\n\n<hr class=\"wp-block-separator\" \/>\n\n\n\n<h2 class=\"wp-block-heading\">Washington&#8217;s Birthday Exhibition<\/h2>\n\n\n\n<p class=\"wp-block-paragraph\">Tuesday, February 23, 1875, 7 P.M.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><em>Program<\/em><br><br>Part First.<br><br><strong>Grand March<\/strong>: N.D.U.C. Band<br><strong>Overture (&#8220;Moren, Mittag, und Abend&#8221;&#8211;Supp\u00e9)<\/strong>: Orchestra<br><strong>Song and Chorus&#8211;&#8220;Hark! Hark!&#8221;&#8211;Bishop)<\/strong>: Gillespie C[horal]. Union<br><strong>Oration of the Day<\/strong>: E. J. McLaughlin<br><strong>Music<\/strong>: N.D.U.C. Band<br><br>Part Second.<\/p>\n\n\n\n<h3 class=\"wp-block-heading\">Play Title:&nbsp;<em>The Brigand<\/em>, A Romantic Drama in Two Acts.<br>&#8211;Remodelled for the Occasion<\/h3>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Author<\/strong>: Unknown<br><br><strong>Director<\/strong>: Prof. J. A. Lyons<br><strong>Dates Performed<\/strong>: February 23, 1875<br><strong>Sponsoring\/Producing Organization<\/strong>: Thespian Association<br><br><strong>Characters<\/strong>:<br><br><strong>Allesandro Massaroni<\/strong>: R. S. Staley<br><strong>Prince Bianchi<\/strong>: J. J. Gillen<br><strong>Nicolo<\/strong>: E. J. McLaughlin<br><strong>Albert<\/strong>: T. J. Murphy<br><strong>Theodore<\/strong>: J. E. Kelly<br><strong>Pietro<\/strong>: J. G. Ewing<br><strong>Octavio<\/strong>: W. Ball<br><strong>Count Carrafa<\/strong>: E. J. Graves<br><strong>Fabio and Corbini<\/strong>: T. H. Grier<br><strong>Rubaldo<\/strong>: B. Euans<br><strong>Spoleto<\/strong>: J. F. Rudge<br><strong>Carlotte<\/strong>: C.M. Proctor<br><strong>Yager<\/strong>: J. F. Rudge<br><br>Guests, Servants, Brigands, etc.<br><br><strong>Music (&#8220;Pot-Pouri&#8221;&#8211;Supp\u00e9)<\/strong>: Orchestra<br><strong>Declamation<\/strong>: Jos. P. McHugh<br><strong>Song&#8211;&#8220;Angel so Fair&#8221;<\/strong>: T. M. O&#8217;Leary<br><br>To Conclude with the Farce Entitled<\/p>\n\n\n\n<h3 class=\"wp-block-heading\">Cherry Bounce.<\/h3>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Mr. Oldrents<\/strong>: E. J. McLaughlin<br><strong>Gregory Homespun<\/strong>: R. W. Staley<br><strong>Gammon<\/strong>: B. Euans<br><strong>Spinage<\/strong>: T. Grier<br><strong>Old Homespun<\/strong>: E. J. Graves<br><strong>Doctor&#8217;s Boy<\/strong>: F. B. Devoto<br><strong>Closing Remarks<\/strong>: Rev. Fr. Colovin<br><strong>Music<\/strong>: N.D.U.C. Band<br><br><strong>Source<\/strong>:&nbsp;<em>Scholastic<\/em>&nbsp;8:22, Feb. 20, 1875, 316; 8:23, Feb. 27, 1875, 329-30.<\/p>\n\n\n\n<hr class=\"wp-block-separator\" \/>\n\n\n\n<h2 class=\"wp-block-heading\">St. Patrick&#8217;s Day Exhibition<\/h2>\n\n\n\n<p class=\"wp-block-paragraph\">(March 16, 1875&#8211;the evening before St. Patrick&#8217;s Day)<\/p>\n\n\n\n<h3 class=\"wp-block-heading\">Play Title:&nbsp;<em>White Horse of the Peppers<\/em><\/h3>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Author<\/strong>: Samuel Lover (1797-1868)<br><strong>Dates Performed<\/strong>: March 16, 1875<br><strong>Sponsoring\/Producing Organization<\/strong>: Columbian Literary and Debating Club<br><\/p>\n\n\n\n<h3 class=\"wp-block-heading\">Play Title:&nbsp;<em>The Smoked Miser (<\/em>a farce)<\/h3>\n\n\n\n<p class=\"wp-block-paragraph\">[cast list goes here]<br><br><strong>Source<\/strong>:&nbsp;<em>Scholastic<\/em>&nbsp;8:26, March 20, 1875, 377.<\/p>\n\n\n\n<hr class=\"wp-block-separator\" \/>\n\n\n\n<h2 class=\"wp-block-heading\">17th Annual Summer Exercises, 1875<\/h2>\n\n\n\n<p class=\"wp-block-paragraph\">on the occasion of the Celebration of the patronal festival of the Very Rev. Alexis Granger, C.S.C.<br>Tuesday Evening, June 8, 1875.<\/p>\n\n\n\n<h3 class=\"wp-block-heading\">Play Title:&nbsp;<em>The Malediction<\/em><br>A drama in three acts, translated from the French<\/h3>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Author<\/strong>: Unknown<br><strong>Dates Performed<\/strong>: June 8, 1875<br><strong>Producing Organization<\/strong>: St. Cecilia Philomathean Association<br><strong>Venue<\/strong>: Washington Hall<br><br>[Cast List goes here]<br><br><strong>Closing Remarks<\/strong>: Very Rev. Father Granger<br><br><strong>Source<\/strong>:&nbsp;<em>Scholastic<\/em>&nbsp;8:38, June 12, 1875, 569-70.<\/p>\n\n\n\n<hr class=\"wp-block-separator\" \/>\n\n\n\n<h2 class=\"wp-block-heading\">Commencement Exhibition 1875<\/h2>\n\n\n\n<h3 class=\"wp-block-heading\">Play Title: Vildac<br>a drama in three acts translated from the French<\/h3>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Author<\/strong>: C. T. P. Leveque<br><strong>Dates Performed<\/strong>: June 22, 1875 (related to Commencement)<br><strong>Sponsoring\/Producing Organization<\/strong>: Thespian Society<br><br><strong>Director<\/strong>: Prof. J. A. Lyons<br><strong>Venue<\/strong>: Washington Hall<br><br><em>Cast List<\/em><br><br><strong>Count Vildac<\/strong>: E. J. McLaughlin<br>[more cast needed here]<\/p>\n\n\n\n<h3 class=\"wp-block-heading\">Play Title: End of the Tether, or a Legend of the Patent-Office (a farce)<\/h3>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Author<\/strong>: Unknown<br><strong>Dates<\/strong>: June 22, 1875<br>Thespian Society<br><br><strong>Director<\/strong>: Prof. J. A. Lyons<br><strong>Venue<\/strong>: Washington Hall<br><br><em>Cast List<\/em>:<br><br><strong>Mr. Bland Smyle (Bubble Company Promoter and Finance Agent)<\/strong>: J. Murphy<br>[more cast needed here]<br><br><strong>Source<\/strong>:&nbsp;<em>Scholastic<\/em>&nbsp;8-39, June 23, 1875, 533-34.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>17th St. Cecilia Exhibition, December 10, 1874 (postponed from November 22 due to deaths of Fathers Lemonnier and Gillespie) Program Grand St. Cecilia March: N.D.U.C. BandOverture&#8211;&#8220;Fidelio&#8221; (Beethoven): OrchestraAddress&#8211;Salutatory: J. P. McHughLa Marseillaise: Vocal ClassOde to St. Cecilia: A. K. SchmidtOverture&#8211;&#8220;Fra Diavolo&#8221; (Auber): OrchestraPrologue: D. J. O&#8217;Connell Plays Play Title:&nbsp;The Miser.A Comedy in Three Acts. Author: [&hellip;]<\/p>\n","protected":false},"author":3793,"featured_media":0,"parent":0,"menu_order":-1874,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-421","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/sites.nd.edu\/theatre-chronology\/wp-json\/wp\/v2\/pages\/421","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/sites.nd.edu\/theatre-chronology\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/sites.nd.edu\/theatre-chronology\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/sites.nd.edu\/theatre-chronology\/wp-json\/wp\/v2\/users\/3793"}],"replies":[{"embeddable":true,"href":"https:\/\/sites.nd.edu\/theatre-chronology\/wp-json\/wp\/v2\/comments?post=421"}],"version-history":[{"count":1,"href":"https:\/\/sites.nd.edu\/theatre-chronology\/wp-json\/wp\/v2\/pages\/421\/revisions"}],"predecessor-version":[{"id":422,"href":"https:\/\/sites.nd.edu\/theatre-chronology\/wp-json\/wp\/v2\/pages\/421\/revisions\/422"}],"wp:attachment":[{"href":"https:\/\/sites.nd.edu\/theatre-chronology\/wp-json\/wp\/v2\/media?parent=421"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}