{"id":507,"date":"2023-02-28T12:28:36","date_gmt":"2023-02-28T17:28:36","guid":{"rendered":"https:\/\/sites.nd.edu\/theatre-chronology\/?page_id=507"},"modified":"2023-05-16T11:55:53","modified_gmt":"2023-05-16T15:55:53","slug":"2022-2023","status":"publish","type":"page","link":"https:\/\/sites.nd.edu\/theatre-chronology\/2022-2023\/","title":{"rendered":"2022-2023"},"content":{"rendered":"\n<p class=\"wp-block-paragraph\"><strong>Department of Film, Television, and Theatre<\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Faculty<\/strong>:&nbsp; Pamela Robertson Wojcik (Chair), Kevin Dreyer (Director of Theatre), Pedro Aguilera-Mellado, Ted Barron, Scott Barton, Christine Becker, Terrance Brown, Tarryn Chun, C. Kenneth Cole, Jim Collins, William Collins Donahue, William Donaruma, La Donna Forsgren, Anne Garc\u00eda-Romero, Susan Harris, Matt Hawkins, Ricky Herbst, Berthold Hoeckner, Peter Holland, Anton Juan,  Michael Kackman, Mary Celeste Kearney, Carys Kresny, Charles Leavitt, Ted Mandell, Olivier Morel, Susan Ohmer, Mary Pergola Parent, Matthew Payne, Jason Ruiz, Siiri Scott, Tetyana Shlikhar, Marcus Stephens, Stacey Stewart, Nicole Woods<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Emeriti<\/strong>: Reginald Bain, Donald Crafton, Richard E. Donnelly, Jill Godmilow, Mark Pilkinton<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Staff<\/strong>: Lori Butchko, Lynn Holbrook, Jo Ann Norris, Stacey Stewart<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>2022-2023 Theatre Events<\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Play:&nbsp;<em>Steel Magnolias<\/em><\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Author<\/strong>: Robert Harling<br><strong>Date<\/strong>: November 10-13, 2022<br><strong>Producing Organization<\/strong>: Notre Dame Film, Television, and Theatre<br><strong>Venue<\/strong>: Patricia George Decio Theatre, DeBartolo Performing Arts Center<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>From the Archives<\/strong><br>Robert Harling\u2019s <em>Steel Magnolias<\/em> was originally produced in 1987 and adapted into a film two years later. This is FTT\u2019s first departmental production of the play, but it has been produced at least one other time on the Notre Dame campus. The producing organization was Lewis Hall, and the production was staged in Hesburgh Library\u2019s Carey Auditorium during the 1991-1992 academic year.<br><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Cast<\/strong><br>Truvy Jones: Ms. Mollie Griesedieck*<br>Annelle Dupuy-Desoto: Ms. Emily DeFazio*<br>Clairee Belcher: Ms. Danuta Sikora*<br>Shelby Eatenton-Latcherie: Ms. Kate Turner*<br>M\u2019Lynn Eatenton: Ms. Callie Chaney<br>Ouiser Boudreaux: Ms. Maya Nyachae*<br>DJ: Mr. Gabe Ozaki*<br><br><strong>Production<\/strong><br>Producer: Kevin Dreyer<br>Director: Carys Kresny<br>Costume Designer\/Costume Shop Manager: Lynn Holbrook<br>Set Designer: Marcus Stephens<br>Lighting Designer: Kevin Dreyer<br>Sound Designer: Carys Kresny<br>Stage Manager: Sam Grocock*<br>Technical Director: C. Kenneth Cole<br>Assistant Stage Managers: Carolyn Dell, Sydney Shoemaker<br>Lead Dresser: Deborah Mayers<br>Dressers: Irene Cornett<em>, <\/em>Angelina McKimson, Lilly Odiome, Lee Springman <br>Wig Designer: Stephanie Perrin <br>Stitcher: Kathleen Werner <br>Light Board Operator: Grace Osoteo <br>Sound Board Operator: Karla Guerra <br>Graphic Designer: Quin Earley<br>Dialect Coach: Siiri Scott<br>Music Curator: Nora Hayes<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Costume Shop Assistants<\/strong><br>Delna Balsara<br>Irene Cornett*<br>Lindsay Goldschmidt*<br>Jessica Hutfless<br>Elizabeth Maroshick*<br>Angelina McKimson<br>Macy Owen<br>Beri Tangka<br><br><strong>Scene Shop Assistants<\/strong><br>Karla Guerra<br>Nicolas Gutierrez<br>Megan McNelis<br>Grace Osoteo<br>Minsub Song<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">*denotes FTT major<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Musical: <em>Dawn&#8217;s Early Light<\/em><\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Author<\/strong>: Solomon Duane &#8217;24<br><strong>Date<\/strong>: February 23 &#8211; March 5, 2023<br><strong>Producing Organization<\/strong>: Notre Dame Film, Television, and Theatre<br><strong>Venue<\/strong>: Philbin Studio Theatre, DeBartolo Performing Arts Center<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>From the Archives<\/strong><br><em>Dawn\u2019s Early Light <\/em>is the third student-written musical to emerge from the New Works Lab, a program that curates, workshops, and produces new musicals. Led by Matt Hawkins, who also directs this production, the New Works Lab has previously workshopped and produced <em>An Old Family Recipe<\/em> (2021) by Veronica Mansour \u201921, and <em>Stupid Humans<\/em> (2019) by Jorge \u201cJay\u201d Rivera-Herrans \u201920, now revised and titled <em>My Heart Says Go<\/em>.<br><br><strong>Cast<\/strong><br>Val: Nick Buranicz+<br>Tommy: Tommy O\u2019Brien+<br>Lucy: Theresa Thomas*<br>Reagan: Libby White<br>Jack: Christian Dunne<br>Rosalin: Olivia Seymour*<em>+ <\/em><br>Frank: Timothy Merkle*+<br>Donna: Mary Kate Temple*+<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Ensemble<\/strong><br>Evelyn Berry (Ethel, dancer)<br>Marcus Braun+ (Park Doctor, Officer Lee)<br>Jack Duncan* (Philip, Park Boy, FBI, Jacobs)<br>Joe Golden*+ (Hugo, Park Son, Mailman, FBI) <br>Macy Gunnell (Anne, Park Schoolgirl, dancer, janitor) <br>Camila Holden (Park Mom, dancer, Helen) <br>Harry Larson (Park Rob, Messenger, FBI officer) <br>Liz Maroshick*+ (Louise, dancer)<br>Kate Turner*+ (Martha, dancer) <br><br><strong>Band <\/strong><br>Drums: David Finnell <br>Flute: Sara Nelson <br>Clarinet, Saxophone: Madi Vacko <br>Clarinet, Saxophone: Nico Dinglasa <br>Bass: Matthew LaCapra <br>Trumpet: Matthew Baumstark <br>Trombone: Noah Sim <br>Piano: Dror Baitel <\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Production <\/strong><br>Producer: Kevin Dreyer <br>Director: Matt Hawkins <br>Music Director: Dror Baitel <br>Choreographer: Theresa Thomas*<br>Orchestrators: Sean Ford and Emily Kane<br>Costume Designer\/Costume Shop Manager: Lynn Holbrook<br>Set Designer: Marcus Stephens<br>Lighting Designer: Kevin Dreyer<br>Stage Manager: Sam Grocock*<br>Technical Director: C. Kenneth Cole<br>Dramaturg: Timothy Merkle*<em>+ <\/em><br>Assistant Dramaturgs: Abby Urban*+, Marcus Braun+<br>Production Advisor: Deb Gasper<br>Lead Carpenter\/Scenic Artist: Jeff Szymanowski<br>Master Electrician: Jason Swift<br>Assistant Stage Managers: Lily Deng+, Dawson Yang<br>Associate Director: Isa Ruiz Maiz*<br>Associate Costume Designer: Jessica Hutfless<br>Associate Choreographer: Mary Kate Godfrey+<br>Social Media Manager: Kelly Harris+<br>Promo Video: Maggie Murray<br>Production Assistant: Caroline Doyal*<br>Dressers: Deborah Mayers, Carolyn Dell, Emily Gesino, Lee Springman<br>Stitcher: Kathleen Werner<br>Light Board Operator: Grace Osoteo<br>Sound: Brandon Waggy and Martin Leachman (Eventsys)<br><em>Dawn\u2019s Early Light<\/em> artwork: Evelyn Berry<br>Dialect Coach: Siiri Scott<br>Vocal Coach: Deborah Mayer<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Costume Shop Assistants<\/strong><br>Delna Balsara<br>Irene Cornett*+<br>Carolyn Dell<br>Liz Maroshick*+<br>Angelina McKimson<br>Macy Owen<br>Beri Tangka<br><br><strong>Scene Shop Assistants<\/strong><br>Karla Guerra<br>Nicolas Gutierrez<br>Megan McNelis<br>Grace Osoteo<br>Minsub Song<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Musical Theatre Lab Class, Fall 2022<\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Lucy Barron*<br>Malia Bissen+<br>Marcus Braun+<br>Solomon Duane+<br>Joe Golden<em>+ <\/em><br>Emily Kane <br>Liz Maroshick*+<br>Mark Mehochko+<br>Nic Meringolo+<br>Timothy Merkle*+<br>Tommy O\u2019Brien+<br>Isabel Ruiz Maiz*<br>Christina Sayut+<br>Delaney Schroeder+<br>Mary Kate Temple*<em>+ <\/em><br>Theresa Thomas*<br>Kate Turner*<em>+<\/em><br>Abby Urban*+<br>Dawson Yang<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">*denotes FTT major<br>+denotes Musical Theatre minor<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Play:\u00a0<em>TUKO! TUKO! Or Princess of the Lizard Moon<\/em><\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Author<\/strong>: Anton Juan<br><strong>Date<\/strong>: April 19-23, 2023<br><strong>Producing Organization<\/strong>: Notre Dame Film, Television, and Theatre<br><strong>Venue<\/strong>: Philbin Studio Theatre, DeBartolo Performing Arts Center<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>From the Archives<\/strong><br>Dr. Anton Juan was hired as a full professor in the Department of Film, Television and Theatre in 2005. He will retire in December 2023 after 18 years of distinguished university service. As a Filipino playwright, director, filmmaker and educator, Dr. Juan is a global leader in creating award-winning plays and films that highlight narratives of social justice. He has written and directed works across the world that educate audiences about injustice in his native Philippines, as well as other nations, through considering topics of migration, trauma, cultural loss, colonialism, erasure, memory, gender, sexuality and environmentalism, among many others. At Notre Dame, Dr. Juan has guided students to analyze and generate vibrant theatrical works that examine social injustice in their lives, in their communities and around the world.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Dr. Juan has directed many stunning productions at Notre Dame, including <em>Antigona Furiosa<\/em> by Griselda Gambaro, an homage to Argentina\u2019s desaparecidos (disappeared) as well as his play, <em>Shadows of the Reef<\/em>, which explores a Filipina woman who wants to be crucified for sending her son to the illegal muro-ami fishing where he meets his death among the fish. Dr. Juan previously directed the Spanish-language premiere of <em>Tuko! Tuko! or Princess of the Lizard Moon<\/em> while teaching for a semester at the Pontifical Catholic University of Chile Theatre School.<br><br>Over the past six years, I have co-taught three classes with Dr. Juan. In all three courses, I marveled at his capacity to guide our students to explore the intersections of theatre and social justice and to create their own characters and narratives that experiment with theatrical forms in order to generate new compelling works of theatre. As a colleague and collaborator, I have witnessed the many marvelous ways that Dr. Juan has indefatigably worked to empower students and colleagues to employ theatre and film as important tools to seek social justice.<br><br>-Anne Garc\u00eda-Romero, Associate Professor, Department of Film, Television, and Theatre<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Director\u2019s Note<\/strong><br>My first acting role was the angel during the Easter rites of the Mater Dolorosa in a black mourning veil meeting the Resurrected Christ. Harnessed onto a tall cross I was to descend and unveil the Blessed Virgin as a symbol of the Resurrection\u2026It has been my assigned role and task, since then, as a writer and director, through the expressions of theatre and the other arts to resurrect the voices of the marginalized, voices muted and buried because of dominant powers, oppression, dictatorships, and states of cruelty. Nineteen years ago, I was asked by the provost what my philosophy of \u201ceducation\u201d was: \u201cEx Ducere\u201d is where the word comes from &#8211; to lead students and audiences into other realities and other worlds. I thank the University of Notre Dame, and my esteemed colleagues at the Department of Film, Television, and Theatre particularly, who had the faith in hiring and embracing me as a tenured professor. I thank the Provost and Provost\u2019s Office of Research, Kellogg Institute for International Studies, the Liu<br>Institute for Asia and Asian Studies, the Nanovic Institute for European Studies, the ISLA, the Notre Dame International, our staff, and our students, for all their support in helping me create works that carry the University of Notre Dame du Lac\u2019s mission of social justice.<br><br>And now, it\u2019s time once again to descend into the Global South, lift the veil of the<br>Blessed Virgin, and reveal her wounds of Seven Swords, where ghosts are waiting for their histories to be revealed.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Anton Juan, April 2023<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><br><strong>Cast<\/strong><br>Okamura\/Ensemble (Musician\/Butoh Student): Ayden Kowalski*<br>Master\/Taka\/Ensemble (Soldier #3\/Puppeteer Priest): Brian Crooker*<br>Ensemble (Soldier #1\/Puppeteer Priest\/Butoh Student\/Club Customer): Eli Gay<br>Ensemble (Soldier #2\/Puppeteer Priest\/Butoh Student\/Club Customer): Erik Kaiser*<br>Perla\/Ensemble (Puppeteer Acolyte &amp; Tuko\/Butoh Student): Grace Osoteo<em>+ <\/em><br>Sister Martha (Puppeteer Acolyte &amp; Tuko\/Butoh Student): Irene Cornett+<br>Fujio\/Ensemble (Musician\/Villager): Jacob Moniz<br>Erika\/Ensemble (Musician): James Mahedy<br>Akito\/Ensemble (Butoh Student): Jiaxin Xu<br>Ensemble (Butoh Student): Jimmy Grammig<br>Jurori Bunraku Chanter\/Ensemble (Club Customer): Kieran Cantwell*<br>Ghost of Cherry: Jovie Calma<br>Mulawin: Timothy Merkle<em>+ <\/em><br>Celia\/Ensemble (Puppeteer Acolyte &amp; Tuko\/Butoh Student): Xiyun Wu<br>The Comfort Woman\/Delia\/Ensemble (Villager\/Butoh Student): Yining (Elena) Zhang<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Production<\/strong><br>Producer: Kevin Dreyer<br>Director: Anton Juan<br>Costume Designer\/Costume Shop Manager: Lynn Holbrook<br>Set Designer: Marcus Stephens<br>Lighting Designer: Kevin Dreyer<br>Stage Manager: Carolyn Dell*<br>Technical Director: C. Kenneth Cole<br>Assistant Stage Manager: Jimmy Grammig<br>Assistant Costume Designers: Delna Balsara, Beri Tangka*<br>Make-Up: Beri Tangka<br>Stitchers: Kathleen Werner, Amalie Zarp-Karshott<br>Dressers: Deborah Mayer<br>Light Board Operator: Karla Guerra\/Luke Valentino<br>Graphic Designer: Quin Earley*<br>Video Editor: Franz Sorilla IV<br>Sound\/Projections: Minsub Song<br>Lead Carpenter\/Scenic Artist: Jeff Szymanowski<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><br><strong>Costume Shop Assistants<br><\/strong>Delna Balsara<br>Irene Cornett<em>+ <\/em><br>Patrick Hsaio <br>Elizabeth Maroshick+<br>Angelina McKimson<br>Macy Owen<br>Beri Tangka<br><br><strong>Scene Shop Assistants<\/strong><br>Karla Guerra<br>Nicolas Gutierrez<br>Megan McNelis<br>Grace Osoteo<br>Minsub Song<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">*denotes FTT major<br>+denotes Musical Theatre minor<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Play:\u00a0<em>This Is Our Youth<\/em><\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Author<\/strong>: Kenneth Lonergan<br><strong>Date<\/strong>: April 28-30, 2023<br><strong>Producing Organization<\/strong>: Notre Dame Film, Television, and Theatre<br><strong>Venue<\/strong>: Philbin Studio Theatre, DeBartolo Performing Arts Center<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Cast<\/strong><br>Dennis Ziegler: Gabe Ozaki*<br>Warren Straub: Tommy O\u2019Brien+<br>Jessica Goldman: Lucy Barron*<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Production<\/strong><br>Directors: Lucy Barron<em>, <\/em>Tommy O\u2019Brien, Gabe Ozaki<br>Executive Producer: Lucy Barron*<br>Stage Manager: Sam Grocock*<br>Graphic Designer: Quin Earley*<br>Sound Technician: Karla Guerra<br>Technical Assistant: Quin Earley*<br><br><strong>Faculty Advisors<\/strong><br>Siiri Scott<br>Kevin Dreyer<br>C. Kenneth Cole<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">A senior theatre production by Lucy Barron, Tommy O\u2019Brien, and Gabe Ozaki, <em>This Is Our Youth<\/em> began as a class project in Professor Siiri Scott\u2019s Acting: Text and Technique class, a course that was developed to help students make the transition from scene study into rehearsal and performance. The students work on the material in class, perform the scenes for one another, and receive feedback \u2013 then later perform the material in a full production.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Department of Film, Television, and Theatre Faculty:&nbsp; Pamela Robertson Wojcik (Chair), Kevin Dreyer (Director of Theatre), Pedro Aguilera-Mellado, Ted Barron, Scott Barton, Christine Becker, Terrance Brown, Tarryn Chun, C. Kenneth Cole, Jim Collins, William Collins Donahue, William Donaruma, La Donna Forsgren, Anne Garc\u00eda-Romero, Susan Harris, Matt Hawkins, Ricky Herbst, Berthold Hoeckner, Peter Holland, Anton Juan, [&hellip;]<\/p>\n","protected":false},"author":3793,"featured_media":0,"parent":0,"menu_order":-2022,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-507","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/sites.nd.edu\/theatre-chronology\/wp-json\/wp\/v2\/pages\/507","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/sites.nd.edu\/theatre-chronology\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/sites.nd.edu\/theatre-chronology\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/sites.nd.edu\/theatre-chronology\/wp-json\/wp\/v2\/users\/3793"}],"replies":[{"embeddable":true,"href":"https:\/\/sites.nd.edu\/theatre-chronology\/wp-json\/wp\/v2\/comments?post=507"}],"version-history":[{"count":6,"href":"https:\/\/sites.nd.edu\/theatre-chronology\/wp-json\/wp\/v2\/pages\/507\/revisions"}],"predecessor-version":[{"id":540,"href":"https:\/\/sites.nd.edu\/theatre-chronology\/wp-json\/wp\/v2\/pages\/507\/revisions\/540"}],"wp:attachment":[{"href":"https:\/\/sites.nd.edu\/theatre-chronology\/wp-json\/wp\/v2\/media?parent=507"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}