{"id":78,"date":"2025-06-14T08:32:10","date_gmt":"2025-06-14T12:32:10","guid":{"rendered":"https:\/\/sites.nd.edu\/wcawley\/?page_id=78"},"modified":"2025-06-14T08:44:28","modified_gmt":"2025-06-14T12:44:28","slug":"susquehanna-quarters","status":"publish","type":"page","link":"https:\/\/sites.nd.edu\/wcawley\/verse\/susquehanna-quarters\/","title":{"rendered":"Susquehanna Quarters"},"content":{"rendered":"<p>Kevin Cawley<\/p>\n<hr \/>\n<p>&nbsp;<\/p>\n<p><strong>Brown Wolf<\/strong><\/p>\n<p>Does it matter in the story of a dog<br \/>\nif only the dog has character, if humans<br \/>\nbehave as fatefully as weather systems?<br \/>\nThe dog rejects their California doctrine,<\/p>\n<p>chews his rope and strikes out for the Klondike.<br \/>\nAgain and again the tag around his neck<br \/>\ndelivers him in a cage to their discretion.<br \/>\nThey make him sleep indoors. He howls at night.<\/p>\n<p>At last they let him choose, and for a while<br \/>\nhe chooses to remain. But in the end<br \/>\nhe hears the call again, and California<\/p>\n<p>fails to overcome it. With a most<br \/>\napologetic look he moves along,<br \/>\nchews his ties and strikes out for the north.<\/p>\n<p>&nbsp;<\/p>\n<p><strong>Darkening Ages<\/strong><\/p>\n<p>An overlay of surface dirt obscures<br \/>\npaintings in oil, Baroque and Renaissance.<br \/>\nTypical, how dinginess endures<br \/>\nbeyond the term of light &#8212; how all our wants<\/p>\n<p>however bright they look will turn the corner<br \/>\ndown this alley brown with lowering grime.<br \/>\nAnd yet from evidence like this we garner<br \/>\nauthoritative summaries of time.<\/p>\n<p>Considering my particular bazaar<br \/>\nI can&#8217;t imagine how it used to look &#8212;<br \/>\nbillowy silks, lamps gaudier than gold.<\/p>\n<p>Centuries of Brownian motion mar<br \/>\nperception so discreetly I mistook<br \/>\nthese new lamps on the peddler&#8217;s cart for old.<\/p>\n<p>&nbsp;<\/p>\n<p><strong>The Walk<\/strong><\/p>\n<p>Flame in the tree-top:<br \/>\nlame on the tongue<br \/>\ntalk never touches what<br \/>\nwalking discovers.<\/p>\n<p>Leaves gone to red-orange<br \/>\ngrieve at the frost:<br \/>\nwords only fracture what<br \/>\nbirds fly away from.<\/p>\n<p>Ice on the ditch-water:<br \/>\nnice cloud of vapor<br \/>\nflies from the mouth as it<br \/>\ntries to describe it.<\/p>\n<p>Crow in the tree-top<br \/>\nknows not to bother:<br \/>\ncaws to the walker what<br \/>\nlaws please a lizard.<\/p>\n<p>&nbsp;<\/p>\n<p><strong>Stop Action<\/strong><\/p>\n<p>A spider web with coats of frost<br \/>\nproviding extra emphasis<br \/>\nhangs like macrame across<br \/>\nthe corner of the shed. And this<\/p>\n<p>delectable inconsequence,<br \/>\nat large when practicality<br \/>\ndeclines, calls up uncommon sense.<br \/>\nWhich looks a while. And lets things be.<\/p>\n<p>&nbsp;<\/p>\n<p><strong>The Misfortune of Having Missed out on Pessimism<\/strong><\/p>\n<p>A man sits in the Cleveland Public Library.<br \/>\nHe never heard of Schopenhauer. Marble<br \/>\nbanisters guide him when he climbs the stairs.<br \/>\nBut usually he takes the elevator.<br \/>\nThis afternoon he reads a mystery.<br \/>\nThe grey that passes for sunshine in that region<br \/>\ngives way to the grey that passes for twilight. Pigeons<br \/>\nin grey plumage pay no attention to tourists.<br \/>\nSightseers wait for a bus and watch the pigeons,<br \/>\nhaving nothing better to do at the moment.<br \/>\nLater they plan to visit Garfield&#8217;s tomb.<br \/>\nEarlier they toured the Public Library,<br \/>\nthe largest in the country to allow<br \/>\nthe poor to wander through its open stacks.<br \/>\nTherefore the man could someday possibly<br \/>\nhappen upon Spinoza. Schopenhauer,<br \/>\nmentioned on page nineteen of the mystery,<br \/>\nhas made no great impression. Nevertheless,<br \/>\nno longer can we class the man as one<br \/>\nwho never heard of Schopenhauer. Instead<br \/>\nwe must content ourselves to say: He never<br \/>\nstudied Spinoza, though someday he might.<\/p>\n<p>&nbsp;<\/p>\n<p><strong>Ongoing<\/strong><\/p>\n<p>Rust flakes off the maple tree<br \/>\ncover half our Autumn lawn<br \/>\nSummer having come and gone<br \/>\nwithout the slightest help from me.<\/p>\n<p>Preoccupied with marriage plans<br \/>\nI look at flowers sold in stores<br \/>\nnot at blooming weeds outdoors.<br \/>\nI drink my colors out of cans.<\/p>\n<p>Nature nevertheless occurs<br \/>\nno matter what occurs to me.<br \/>\nRust flakes off the maple tree.<br \/>\nSquirrels grow their winter furs.<\/p>\n<p>&nbsp;<\/p>\n<p><strong>Bleach<\/strong><\/p>\n<p>Wife of one day<br \/>\nshe bleached his grey socks.<br \/>\nShe washed her own watch.<br \/>\nWhat will he say?<\/p>\n<p>He&#8217;s taken the batteries<br \/>\nout of her clocks.<br \/>\nHe&#8217;s never used bleach.<br \/>\n(He says, &#8220;what&#8217;s the matter?&#8221;)<\/p>\n<p>Not even on whites.<br \/>\nHe seldom locks locks.<br \/>\nHe hates ticking clocks.<br \/>\nThey haven&#8217;t had fights<\/p>\n<p>but they do disagree.<br \/>\n(She says, &#8220;Come and see.&#8221;)<br \/>\nMarried one day.<br \/>\nWhat will he say?<\/p>\n<p>&nbsp;<\/p>\n<p><strong>A Preference in Weather<\/strong><\/p>\n<p>However thick-headed it makes me feel,<br \/>\nI have nothing against drizzle: I rather enjoy<br \/>\ngloom in the skylight, runnels, drops<br \/>\nin progress down a sloping glass.<br \/>\nThis animation of the glaze<br \/>\npromises and delivers change:<br \/>\nsmall change accumulating makes<br \/>\nfor major currency. The window&#8217;s<br \/>\nshedding freshets now. I breathe<br \/>\nrelief, unfurl my folded gills.<br \/>\nI&#8217;ve had my gasp of brilliance<br \/>\nin the dry domain of men:<br \/>\nmy attic&#8217;s under water;<br \/>\nI&#8217;m amphibious again.<\/p>\n<p>&nbsp;<\/p>\n<p><strong>The Big Idea<\/strong><\/p>\n<p>Whats have roots and branches<br \/>\ntendrils cracking fire:<br \/>\nan earth composed of answers<br \/>\ninvites them to inquire.<\/p>\n<p>Downward, outward, upward<br \/>\nthey split rock, split the sky:<br \/>\nlapping up their supper<br \/>\nthey push away the why.<\/p>\n<p>&nbsp;<\/p>\n<p><strong>De Light<\/strong><\/p>\n<p>The middle of nowhere&#8217;s somewhere once<br \/>\na body builds a cabin there:<br \/>\nwrapped up in light, delighted under<br \/>\nlate October maples, I<br \/>\ninterrogate enlightenment:<br \/>\nhere the roads have potholes: rain<br \/>\nhas made them all reflecting pools:<br \/>\nthe literal-minded take my point:<br \/>\nlight overhead, light underfoot,<br \/>\nleft, right, left: ahead, behind:<br \/>\nan easy yoke, my burden light:<br \/>\nresponse ability in sight.<\/p>\n<p><strong>Super Market<\/strong><\/p>\n<p>Rose moon at sundown<br \/>\nme with my groceries<br \/>\ntaking a breather<br \/>\nfinding it strange:<br \/>\nround as the coin<br \/>\nin my pocket, token<br \/>\nhardly worth carrying,<br \/>\neunuch of change.<\/p>\n<p>Change keeps coming<br \/>\nvalued or not<br \/>\nthe moon waxes<br \/>\nthe moon wanes<br \/>\nonce in a while<br \/>\nthe moon wears rouge<br \/>\nand gleans a few glances<br \/>\nfor all her pains.<\/p>\n<p>&nbsp;<\/p>\n<p><strong>Rip<\/strong><\/p>\n<p>Pulled over by the littoral<br \/>\nmy figurative bent<br \/>\ncatches a rip that takes me out<br \/>\nbeyond the currency of route<br \/>\nbeyond the beggary of gulls<br \/>\ninto the deeply meant.<\/p>\n<p>The best advice from those ashore<br \/>\nsays never to resist<br \/>\nbut ride it out beyond the bar<br \/>\nwhere currents end and chances are<br \/>\nthe best can make it back to shore &#8212;<br \/>\nwhere chances are the best.<\/p>\n<p>Those who try to swim against<br \/>\nthe current always drown:<br \/>\nthe strongest swimmers end up dead &#8212;<br \/>\nthey stroke but fail to get ahead,<br \/>\ntheir headstrong lifeguards&#8217; confidence<br \/>\ntoo dense to come around.<\/p>\n<p>&nbsp;<\/p>\n<p><strong>Robert Forst<\/strong><\/p>\n<p>Preposterous thing to do with a pen &#8212;<br \/>\nsigning my name again and again<br \/>\nuntil I fumble and get it wrong:<br \/>\nthe fallible hand that framed the song<br \/>\nnumb with a dream that cramps its style.<br \/>\nA while to go? Too long a while.<\/p>\n<p>What mockery of original thought &#8212;<br \/>\nso much admired it has me caught<br \/>\nmired in a repetitious act<br \/>\nwriting reduced to meaningless fact<br \/>\nthe spelling of my taken name<br \/>\nalways (or almost) always the same.<\/p>\n<p>And what will they do with the one mistake?<br \/>\nOne of a kind. Wouldn&#8217;t it make<br \/>\nan autograph vampire lust even more<br \/>\nquiver to own at the quisling core<br \/>\nthis bug this antigen of song<br \/>\nstupidly written and written wrong?<\/p>\n<p>&nbsp;<\/p>\n<p><strong>Beyond Rubies<\/strong><\/p>\n<p>I never wear apparel<br \/>\nand hardly ever pose<br \/>\nin anything as daring<br \/>\nas negligee or hose.<\/p>\n<p>Because the gate is narrow<br \/>\nand nosy heaven knows<br \/>\nI never wear apparel<br \/>\njust ordinary clothes.<\/p>\n<p>&nbsp;<\/p>\n<p><strong>Fly Paper<\/strong><\/p>\n<p>Why we call a fly-leaf<br \/>\nwhat we call it I can&#8217;t say:<br \/>\na moment ago an insect<br \/>\nlanded on this trap<br \/>\nwhich had no glue to hold it.<\/p>\n<p>Nor does it hold me.<br \/>\nSo I turn the page and study<br \/>\nmore attractive tracts.<br \/>\nBut do the phrases stick<br \/>\nor do I stick to them?<\/p>\n<p>Flies immobilized<br \/>\non the paper in my brain<br \/>\nwiggle a while and die:<br \/>\nor I myself a fly<br \/>\nwalking a tacky way.<\/p>\n<p>&nbsp;<\/p>\n<p><strong>Lounge<\/strong><\/p>\n<p>A long chaise in the sunroom would do nicely;<br \/>\nfurnish it the way you would the lawn.<br \/>\nI&#8217;ll sit there in the morning with my coffee.<\/p>\n<p>In winter, when its draftiness betrays<br \/>\nthe inefficiency of single windows<br \/>\nI&#8217;ll wrap my feet in blankets &#8212; and my shoulders.<\/p>\n<p>I like the way the floor creaks when I walk.<br \/>\nI feel the give flow through me, sole to scalp.<br \/>\nI like the coloration of the carpet.<\/p>\n<p>Once a monotonous solid, it faded, bled,<br \/>\nsuccumbed to floods and sunlight, wore away<br \/>\na pattern, record of its mammal&#8217;s habits.<\/p>\n<p>The old mock torso and its pedestal<br \/>\ncan stay. Perhaps I&#8217;ll make my friend a dress.<br \/>\nI&#8217;ve always liked the company of scarecrows.<\/p>\n<p>&nbsp;<\/p>\n<p><strong>Stalling<\/strong><\/p>\n<p>All those years I wore<br \/>\nno footwear whatsoever:<br \/>\nbarefoot in the shower!<br \/>\nBut now I&#8217;ve promised never<br \/>\nto jog another stall<br \/>\nwithout my running shoes<br \/>\nto keep me on my toes.<br \/>\nThe fallen pay their dues.<br \/>\nNevertheless in time<br \/>\nI&#8217;ll falter and repeat<br \/>\nmy unoriginal trope,<br \/>\ntrippingly tongue defeat.<\/p>\n<p>&nbsp;<\/p>\n<p><strong>Lobster Subservient<\/strong><\/p>\n<p>To comfort a lobster<br \/>\none has to get wet;<br \/>\nshe does not in fact<br \/>\nmake a very good pet.<\/p>\n<p>Won&#8217;t come when you call her,<br \/>\nwon&#8217;t beg or play dead,<br \/>\nwon&#8217;t purr when you pet her<br \/>\nor mew to get fed.<\/p>\n<p>You want an admirer,<br \/>\nwant to play god &#8212;<br \/>\na creature to worship you,<br \/>\ngive you the nod.<\/p>\n<p>Lobster won&#8217;t go for it.<br \/>\nLacking a head,<br \/>\nbest she can manage:<br \/>\nget boiled, turn red.<\/p>\n<p>&nbsp;<\/p>\n<p><strong>Focus<\/strong><\/p>\n<p>We pray continually as commanded<br \/>\nby the force of Natural Law. We can&#8217;t<br \/>\npause for a moment. Every gripe goes up<br \/>\nto heaven like a helium balloon.<br \/>\nEvery yelp of pleasure, every curse<br \/>\ncourses away. Concentric waves of will<br \/>\nrebound from every pebble we release<br \/>\nuntil a formless turbulence prevails.<\/p>\n<p>Occasionally an individual learns<br \/>\nto calm that surface, still that stormy business,<br \/>\nthrow over all throwing over for a while.<br \/>\nImagine a pond flat as a plate glass table:<br \/>\nthe child above it listens for a moment,<br \/>\nleans on a balanced boulder, tips it in.<\/p>\n<p>&nbsp;<\/p>\n<p><strong>100% Natural<\/strong><\/p>\n<p>Geese go their way, I go mine.<br \/>\nPrattle about the Natural<br \/>\npreoccupies the party line<br \/>\nmy children use to shoot the bull.<\/p>\n<p>Out the window as I wait<br \/>\nimpatient for the phone to clear<br \/>\na flock of Canadas in flight<br \/>\npoints out the flaw in what I hear.<\/p>\n<p>Their honking made me think of hounds<br \/>\nabout to tree a trite raccoon &#8212;<br \/>\nassociating sight and sound<br \/>\nI catch them as they cross the moon.<\/p>\n<p>With Nature&#8217;s creatures in the dark<br \/>\nbeyond a barrier of glass<br \/>\nwe tell each other how things work<br \/>\nand miss them when they come to pass.<\/p>\n<p>&nbsp;<\/p>\n<p><strong>Reluctance<\/strong><\/p>\n<p>The way a cat will linger at the door<br \/>\npace and scratch until you open it<br \/>\nand let the night air nip, the way a cat<br \/>\nwill linger there as you impatiently<\/p>\n<p>nudge her with your toe, the way a cat<br \/>\nwill hump up like a caterpillar then,<br \/>\nwalk halfway out and all the way back in,<br \/>\nthe way a cat will linger at the door<\/p>\n<p>reminds me of myself in my approach<br \/>\nto evening and its promises, my wad<br \/>\nfattening the wallet in my pocket,<\/p>\n<p>wealth to an uncomfortable degree &#8212;<br \/>\nand I with plans to dance and do some drinking<br \/>\nlogy-legged pause inside the door.<\/p>\n<p>&nbsp;<\/p>\n<p><strong>Tribute<\/strong><\/p>\n<p>Beauty in uniform, Truth in drag,<br \/>\nand Good in a hooded monastic rag<br \/>\nappeared at my door one Halloween,<br \/>\nthe oldest children I&#8217;d ever seen.<\/p>\n<p>I knew if I told them to go away<br \/>\nthey&#8217;d make me sick with the tricks they&#8217;d play,<br \/>\nbut since I consented to pay their tax<br \/>\nthey thanked me blankly and turned their backs.<\/p>\n<p>&nbsp;<\/p>\n<p><strong>The Difference of Indifference<\/strong><\/p>\n<p>Nature does not disdain as we do.<br \/>\nIt likes brown leaves as well as green.<br \/>\nIt has no word for weed or freedom.<br \/>\nWe can&#8217;t say what its signals mean.<\/p>\n<p>We sense its contradictions, given<br \/>\nopposites by which we live.<br \/>\nDenials of death by which we&#8217;re driven<br \/>\nknow it in the negative.<\/p>\n<p>Death does not dismay it: lively<br \/>\ndialectic to survive<br \/>\ndepends on death, on strife, on striving<br \/>\nmortals deadly while alive.<\/p>\n<p>Placid as dust around a seed<br \/>\nthrough drought and storm, in brown and green,<br \/>\nit writes a weed: to call it freedom<br \/>\ndwells on what it doesn&#8217;t mean.<\/p>\n<p>&nbsp;<\/p>\n<p><strong>Photons for an Exhibition<\/strong><\/p>\n<p>Spun honey spread<br \/>\non whole grain bread<\/p>\n<p>the lawn alive<br \/>\nwith mourning doves<\/p>\n<p>birds the grey<br \/>\nof shaley scree<\/p>\n<p>an undertone<br \/>\nof bygone green<\/p>\n<p>and leaves the shade<br \/>\nof unstained wood<\/p>\n<p>half overhead<br \/>\nhalf of them spread<\/p>\n<p>from picket fence<br \/>\nto picket fence<\/p>\n<p>a gloss as bland<br \/>\nas common sense.<\/p>\n<p>My kitchen window<br \/>\ntakes it in<\/p>\n<p>the fence, the shed<br \/>\nsquare in its grid<\/p>\n<p>boxes around<br \/>\nbright boughs, bright ground<\/p>\n<p>a patch of mind<br \/>\na camera blind<\/p>\n<p>squares of color<br \/>\nstanding still<\/p>\n<p>squares of time<br \/>\nin wooden frames<\/p>\n<p>reflections passing<br \/>\npanes of glass<\/p>\n<p>already missing<br \/>\nwhat they&#8217;ve passed.<\/p>\n<p>&nbsp;<\/p>\n<p><strong>Pigs<\/strong><\/p>\n<p>We people corrupted the pigs.<br \/>\nThey never used to wallow.<br \/>\nThe wild boar, a fellow<br \/>\ncareful of his digs,<\/p>\n<p>had dignity to bristle,<br \/>\nwit to take offense,<br \/>\nmuscle fit to tense<br \/>\ntough tendon, able gristle.<\/p>\n<p>A fat man whose disaster<br \/>\nhas taught him to grow lean<br \/>\nand shrunk his clothing clean<br \/>\nhas studied with a master.<\/p>\n<p>And pigs that get away<br \/>\nrun grunting through the woods<br \/>\ndeprived of earthly goods<br \/>\nbut given back to play.<\/p>\n<p>&nbsp;<\/p>\n<p><strong>Aunt Alien<\/strong><\/p>\n<p>Family faces in a baby&#8217;s face<br \/>\nframed in an heirloom spiderweb of lace,<br \/>\ngenes of immigrants in dingy ships<br \/>\napparent in a parody of lips,<\/p>\n<p>wrinkle of rage, angle of angry chin,<br \/>\ncomplexion more than texture of the skin<br \/>\ndeclaring independence as if cast<br \/>\nin plastic from some sculpture of the past:<\/p>\n<p>an icon of implicit criticism<br \/>\namalgamating in a human prism<br \/>\nelders with their disapproving glares,<\/p>\n<p>their appetites, their petty princely airs,<br \/>\nand something else, a well-remembered grin &#8212;<br \/>\nAunt Alien when she called the children in.<\/p>\n<p>&nbsp;<\/p>\n<p><strong>Vapor<\/strong><\/p>\n<p>I pour myself a bowl of steam,<br \/>\nvapor to clear the phlegm away.<br \/>\nThe word translated vanity,<br \/>\nthe Hebrew word Ecclesiastes<br \/>\nuses, means more literally<\/p>\n<p>vapor, breath, the smoke a mouth<br \/>\nexpresses in the winter air.<br \/>\nNot bad at all: we all need breath<br \/>\nand moisture in the mix of ether,<br \/>\nvapor not too dry to breathe.<\/p>\n<p>It comes to pass: the fate of steam<br \/>\ninevitably to drift away &#8212;<br \/>\ndissolve, disintegrate, as we,<br \/>\nlike personalities of gas,<br \/>\ndissolve ourselves in going free.<\/p>\n<p>&nbsp;<\/p>\n<p><strong>Devil&#8217;s Food<\/strong><\/p>\n<p>Giving your devils their due<br \/>\nwe nevertheless observe<br \/>\nthe bone chips in their gluey stew,<br \/>\ntheir nourishment of nerve.<\/p>\n<p>Have they a right to eat?<br \/>\nEnlightened appetite<br \/>\nfinds brain and testicle both sweet,<br \/>\nlikes cheese gone blue with blight.<\/p>\n<p>Human brains taste best.<br \/>\nHuman testicles<br \/>\nmake oysters that surpass the rest<br \/>\nand pickle well in dill.<\/p>\n<p>You advocates must find us<br \/>\nnarrow-minded, dense.<br \/>\nYou say they want to serve mankind.<br \/>\nWe wonder in what sense.<\/p>\n<p>&nbsp;<\/p>\n<p><strong>On Meeting Adam in the Afterlife<\/strong><\/p>\n<p>We mumble and seem somewhat hard of hearing.<br \/>\nWhatever you&#8217;ve been saying, I say &#8220;What?&#8221;<br \/>\nWhatever I&#8217;ve been saying, you say &#8220;Pardon?&#8221;<br \/>\nBodily limitations undercut<br \/>\nthe wit we might no longer need to mutter<br \/>\nif Michael let us burgle Adam&#8217;s garden.<\/p>\n<p>If Adam met us in the afterlife<br \/>\nhow well would we communicate? What English<br \/>\ncould a couple on the ball, never<br \/>\nso much the souls of wit as now, our tongues<br \/>\nturned into flame, our speech made into song,<br \/>\nemploy with one who found himself too clever?<\/p>\n<p>&nbsp;<\/p>\n<p><strong>Enlightenment<\/strong><\/p>\n<p>At 13 months my daughter<br \/>\ntook notice of the birds<br \/>\nlighting on their feeder.<br \/>\nAt a loss for words<\/p>\n<p>she pointed at them, made her<br \/>\nnoises of delight.<br \/>\nShe didn&#8217;t have their number:<br \/>\nshe couldn&#8217;t count to eight.<\/p>\n<p>Uncountable and nameless,<br \/>\na tale she&#8217;d never tell:<br \/>\nthe melting veil of sameness,<br \/>\na woman at the well.<\/p>\n<p>&nbsp;<\/p>\n<p><strong>Free Fall<\/strong><\/p>\n<p>Tree-borne trash has now completely<br \/>\ntarred and feathered my dead car:<br \/>\nall organic, healthy fallout,<br \/>\nmaple-scrap adhesive tape,<br \/>\nglops of pasty rock-dove dropping,<br \/>\nstorm-wrack twigs that scratch and scar.<\/p>\n<p>Inert for half a year. A certain<br \/>\nseasonable dignity<br \/>\naccumulates in time, a rumor<br \/>\nof November. And I love<br \/>\nthe solitude implied by fall,<br \/>\nwith me on foot and far from company.<\/p>\n<p>Success requires engines, vessels,<br \/>\nsingle-minded voyagings.<br \/>\nFailure lets a person bail<br \/>\nout. Fall free. I have no doubt<br \/>\nachieved a failure here &#8212; by leaving<br \/>\nthings alone to do their things.<\/p>\n<p>Tempted, sometimes, to attempt<br \/>\nto charge the battery and start<br \/>\nthe motor just to hear it go,<br \/>\nI settle for some running water,<br \/>\na nuzzle with a hose nozzle.<br \/>\nMy garden ornament, my work of art.<\/p>\n<p>&nbsp;<\/p>\n<p><strong>Religious Perspectives<\/strong><\/p>\n<p>Heisenberg imagined he had found<br \/>\na final answer in uncertainty,<br \/>\nboasted on a book jacket sounding<br \/>\nmore pedantic than some parody.<\/p>\n<p>Heidegger complained that we are still<br \/>\nnot thinking; his most thought-provoking thought<br \/>\nimplied however that our children will<br \/>\nbecause they will have savored what he taught.<\/p>\n<p>I knew a man with cancer who had read<br \/>\nboth Heisenberg and Heidegger. He died<br \/>\nbefore the age of forty in a bed<br \/>\nsurrounded by the scripture he denied.<\/p>\n<p>He&#8217;d made his living criticizing critics.<br \/>\nDying made him cranky. Over tea<br \/>\nhe taught his seminar the place of pity.<br \/>\nSuperstition. Ancient history.<\/p>\n<p>&nbsp;<\/p>\n<p><em>from<\/em>\u00a0<strong>Father of Pearl<\/strong><\/p>\n<p>One might\u00a0suppose the animals<br \/>\nwould shy away from human trails<br \/>\ntest the oddly stunted tracks<br \/>\npause to nose them, smell the smells.<\/p>\n<p>The rabbit I imagine here<br \/>\ninhabiting this patch of trees<br \/>\nwould vanish in the undergrowth<br \/>\nrenounce the human dream of ease.<\/p>\n<p>A path made broad by traffic, flat<br \/>\nby athletes on their morning run<br \/>\nmade white by freshly fallen snow &#8212;<br \/>\nand I arrive before the sun<\/p>\n<p>to walk it in my gum-soled shoes,<br \/>\nto walk to work, the same old news.<br \/>\nBut look! Fresh tracks of rabbit show<br \/>\none took the way I mean to go.<\/p>\n<p>* * * *<br \/>\nThe window\u00a0by my desk at work<br \/>\nmakes splendid days look bleak to me:<br \/>\na milky way between the panes<br \/>\nwelcomes the milky way I see.<\/p>\n<p>Eyes that make for life-long fog<br \/>\ntry to peer through cloudy glass,<br \/>\ninhale a cloudless afternoon<br \/>\nthrough veils of vapor, solid gas.<\/p>\n<p>But as the afternoon wears on<br \/>\nby passing down and out the sun<br \/>\nenters the purview of my panes<br \/>\nto interview me one on one.<\/p>\n<p>Blinded by this repartee<br \/>\nblindly I begin to say<br \/>\nI see. Because of course I don&#8217;t.<br \/>\nBut feel I might now, not I won&#8217;t.<\/p>\n<p>* * * *<br \/>\nWhen solitude\u00a0involves a soul,<br \/>\nhollow full of hollow, how<br \/>\ncan loneliness solidify?<br \/>\nOnly an empty question now.<\/p>\n<p>Appointments having lead to dis-<br \/>\nappointments, as they often do,<br \/>\nalone means loneliness again,<br \/>\na bone to gnaw, a haunting Who?<\/p>\n<p>* * * *<br \/>\nA rosary\u00a0of resentments: as<br \/>\nshe dozes in bed she tells her beads,<br \/>\nticks off the things that tick her off<br \/>\nplucking them out like garden weeds.<\/p>\n<p>A psychological device<br \/>\nmaking religion obsolete.<br \/>\nAs Cupid to her Psyche once<br \/>\n(how stupid) I agreed to meet.<\/p>\n<p>A marriage of impediments.<br \/>\nCarefully we kept things dark,<br \/>\nshut bushel baskets, loads of light,<br \/>\nput curiosity in park.<\/p>\n<p>But thanks to the lamp of therapy<br \/>\n(thank God) she got the best of me:<br \/>\nthey frightened her, peculiar things,<br \/>\nmy light, my easy yoke of wings.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Kevin Cawley &nbsp; Brown Wolf Does it matter in the story of a dog if only the dog has character, if humans behave as fatefully as weather systems? The dog rejects their California doctrine, chews his rope and strikes out for the Klondike. Again and again the tag around his neck delivers him in a [&hellip;]<\/p>\n","protected":false},"author":5084,"featured_media":0,"parent":41,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-78","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/sites.nd.edu\/wcawley\/wp-json\/wp\/v2\/pages\/78","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/sites.nd.edu\/wcawley\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/sites.nd.edu\/wcawley\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/sites.nd.edu\/wcawley\/wp-json\/wp\/v2\/users\/5084"}],"replies":[{"embeddable":true,"href":"https:\/\/sites.nd.edu\/wcawley\/wp-json\/wp\/v2\/comments?post=78"}],"version-history":[{"count":8,"href":"https:\/\/sites.nd.edu\/wcawley\/wp-json\/wp\/v2\/pages\/78\/revisions"}],"predecessor-version":[{"id":87,"href":"https:\/\/sites.nd.edu\/wcawley\/wp-json\/wp\/v2\/pages\/78\/revisions\/87"}],"up":[{"embeddable":true,"href":"https:\/\/sites.nd.edu\/wcawley\/wp-json\/wp\/v2\/pages\/41"}],"wp:attachment":[{"href":"https:\/\/sites.nd.edu\/wcawley\/wp-json\/wp\/v2\/media?parent=78"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}