{"id":98,"date":"2025-06-14T09:06:43","date_gmt":"2025-06-14T13:06:43","guid":{"rendered":"https:\/\/sites.nd.edu\/wcawley\/?page_id=98"},"modified":"2025-06-14T09:06:43","modified_gmt":"2025-06-14T13:06:43","slug":"tintype","status":"publish","type":"page","link":"https:\/\/sites.nd.edu\/wcawley\/verse\/tintype\/","title":{"rendered":"Tintype"},"content":{"rendered":"<p>Kevin Cawley<\/p>\n<hr \/>\n<p>Convention recognizes only three<br \/>\ndimensions, namely depth and width and height,<br \/>\nwith time from time to time admitted last.<br \/>\nSimultaneous qualities don&#8217;t count:<br \/>\ncolor, smell, reflection, weight, and sound<br \/>\nall eliminated by the solid<br \/>\nplane of adolescent mathematics.<br \/>\nA painter might appreciate the shades<br \/>\nof silver in an image-bearing ball:<br \/>\nthey still don&#8217;t change the meaning of a sphere.<br \/>\nBy definition three-dimensional,<br \/>\nineffably abstracted, it excludes<br \/>\nuncountable characteristics of the plainest<br \/>\nbounce of matter from the over-mind.<br \/>\nBut has convention anything to do<br \/>\nwith casual reality? A face<br \/>\nuncovered by the nicotine of years<br \/>\nroughly convoluted as a brain<br \/>\nreveals a core of character that no<br \/>\nideal reduction ever apprehends.<br \/>\nYet all the so-called qualities of matter<br \/>\ndissolve in quantity once analyzed,<br \/>\nadditional dimensions of the real<br \/>\nappreciated as a curve of light,<br \/>\na wavy shape of magnetism, air&#8217;s<br \/>\nconcavity or convexity, the count<br \/>\nof particles, each a measurable amount.<br \/>\nI&#8217;m babbling again: forgive me. But<br \/>\nit happens when you give up teaching, tire;<br \/>\nretiring from your podium you find<br \/>\na choir of footnotes caroling in your loft.<br \/>\nAsh Wednesday. Lent. Mortality remembered.<br \/>\nMany reminders lately that I&#8217;m dying:<br \/>\na stitch in my back, a spasm in my calf<br \/>\npitched me over headfirst on the floor,<br \/>\na thought-provoking way of waking up.<br \/>\nIt caught me dreaming, brought me right around,<br \/>\nblackened my eye and almost broke my cheek.<br \/>\nPractical as ever, Doctor Mudd<br \/>\ntested me to death when I went in:<br \/>\ncholesterol now double what she wants.<br \/>\nThe secular and the sacred have agreed<br \/>\nto vex me with a regimen of fasting&#8211;<br \/>\nalthough the secular makes more severe<br \/>\ndevotions mandatory while the sacred<br \/>\nalmost apologetic only says<br \/>\nthat no one grows without a little pruning.<br \/>\nCut out bacon, sausage, pork chops, cheese,<br \/>\nbutter, fried potatoes, chicken skin.<br \/>\nDoctor&#8217;s orders: live on fish oil, oat bran,<br \/>\nmilk without the cream and margarine<br \/>\nmade only with unsaturated fat.<br \/>\nAnd don&#8217;t forget to exercise. Rely<br \/>\non science and survive. Until you die.<br \/>\nScience has little to do with daily life.<br \/>\nA mind made skeptical by observation<br \/>\ntakes as much on faith as any other,<br \/>\nwakes up and expects to feel a floor<br \/>\nsupportive underfoot, goes back to bed<br \/>\nignoring doubt, surrendering disorder.<br \/>\nBy rationing its rationality<br \/>\nit hedges bets with being, plays the field.<br \/>\nOne foible may emasculate its point<br \/>\nand fables turn out real. If only faith<br \/>\nin atheism could remove these doubts<br \/>\nhow faithfully we&#8217;d follow it! We swear<br \/>\nby God regardless, never all in vain,<br \/>\na bodily secretion of the soul.<br \/>\nProfanity intensified may bring<br \/>\nthe mannikin that mouths it back to life:<br \/>\na dummy&#8217;s blood swelling its clotted pump<br \/>\nto crumble the crust that hardened on its heart.<br \/>\nMy tape recorder can&#8217;t take in the pauses.<br \/>\nI keep on stopping and the tape stops too<br \/>\nand when I turn it back and listen to it<br \/>\nmy many silences have disappeared<br \/>\nand one great incoherent dissertation<br \/>\nruns along, a voice from the asylum,<br \/>\nuntil it suddenly says nothing more<br \/>\nand still the tape continues, silence widens,<br \/>\na man who talked and talked until he died.<br \/>\nTalking with a tape recorder helps.<br \/>\nThe mockery it makes of self esteem<br \/>\nundermines complacency. The voice:<br \/>\nI wonder when I listen to the tape<br \/>\nwhere it could have come from, blurry drawl<br \/>\nof carefully articulated notions<br \/>\nnothing like the notes I had in mind.<br \/>\nAnother me might almost have composed them,<br \/>\na senile me, a drivel that meanders.<br \/>\nI mean to plot my memoirs but I find<br \/>\nthe habits of a lecturer take over<br \/>\ngrab the lectern from the storyteller.<br \/>\nAppropriate for such an age of critics<br \/>\ndoping out the universal text<br \/>\nwith gnostic deconstruction. For a Christian<br \/>\npossibilities remain. A story<br \/>\ntells no disembodied secrets. If they<br \/>\nkill it with a cute interpretation<br \/>\nit rises from the deadly to invite<br \/>\nthe wise to stick their fingers in its wounds.<br \/>\nBut now I find it hard to tell a story.<br \/>\nHow can I hold back the commentary<br \/>\nclamoring to have the microphone?<br \/>\nDamn philosophy has no respect<br \/>\nfor anything particular: it wants<br \/>\nthe benefit of theory to restrain<br \/>\nthe pleasure in a memory, the pain.<br \/>\nAn odd grape makes the cluster. Motley members<br \/>\nbrought together constitute the bunch.<br \/>\nBy living the changeable vine produces fruit<br \/>\nand even the most peculiar fruit contributes.<br \/>\nA dove came down to offer me a motto:<br \/>\nbeloved sons may sometimes prove displeasing.<br \/>\nApprove or disapprove, but love each other &#8212;<br \/>\nuva uvam videndo varia fit.<br \/>\nI found a job. Too tired to retire<br \/>\nI sounded out the college archivist,<br \/>\nagreed to put my weariness to work.<br \/>\nI read the mail of dead men now, dead women,<br \/>\nsummarize their messages on cards<br \/>\nmumbling commentary if I find<br \/>\nan item to incorporate &#8212; imagine<br \/>\nwriting something, maybe not my memoirs,<br \/>\nmaybe a book of letters from the dead.<br \/>\nI play the tape to hear the incoherence,<br \/>\npatchwork comforter of correspondence<br \/>\npassionate and businesslike and wise.<br \/>\nI&#8217;m sleeping better lately: no more planning.<br \/>\nI keep my hope well focused on the present.<br \/>\nAnd so to bed embodying the words<br \/>\nGive no thought for tomorrow. Up and early<br \/>\noff to work among the lucid dead.<br \/>\nThey offer me their presents from the past.<br \/>\nI list their mortal thoughts and make them last.<br \/>\nToo sick to seek a remedy, too weak<br \/>\nto walk around the corner to the store,<br \/>\nI rock myself to waking as I watch<br \/>\nthe cock-eyed clock propped up against my wall.<br \/>\nPupal humans, caterpillar kids<br \/>\nstupid with a stupor they outgrow<br \/>\nonly by dying, spin the silk of worms,<br \/>\ncones of mucous, excretory coffins.<br \/>\nCoughing as I ruminate, my cud<br \/>\na coffee-flavored benefit of phlegm,<br \/>\ncatarrh my instrument, I love to practice<br \/>\nborrowed lyrics in a minor mode.<br \/>\nWe often sing about what moths we&#8217;ll make<br \/>\nwith lofty verses fit for butterflies &#8212;<br \/>\nmonarchs ultimately, we imagine.<br \/>\nDon we now our dubious apparel.<br \/>\nAn absent otherwise, a missing if,<br \/>\nwould trap us in our worminess. We&#8217;d rather<br \/>\nbank on immaturity. God knows<br \/>\nwe think like children bent on adolescence.<br \/>\nAlmost Easter. In the resurrection<br \/>\nfollowing the precedent of nature<br \/>\nwe hope to grow from ugliness to beauty,<br \/>\nto grope our way from awkwardness to grace<br \/>\nwith parables to make our future present.<br \/>\nWe bury one another as we bleed<br \/>\ninternally to sprout the mustard seed.<br \/>\nWhat gorgeous gloom! By morning I felt better,<br \/>\nrecorded what I&#8217;d written hoping tape<br \/>\nmight help elucidate my hieroglyphics.<br \/>\nSeldom bothers me to babble now.<br \/>\nI&#8217;ve lost my old self-consciousness. Who cares<br \/>\nwhat awesomely irrelevant remarks<br \/>\nI make to make the microphone kick on?<br \/>\nTake as many pictures as you like<br \/>\nbut don&#8217;t expect a forthright man to smile.<br \/>\nI won&#8217;t say cheese unless I&#8217;m really hungry.<br \/>\nA man boxed up and sharp as Christmas cheddar &#8212;<br \/>\nno candied fruit: instead a candid curdle.<br \/>\nTintypes have the attitude I like.<br \/>\nWhat grin can make it through a long exposure?<br \/>\nAn honesty implicit in repose<br \/>\nconjures a communion with the dead,<br \/>\nfaces that keep the character of pain<br \/>\nlaced into the fabric of their features.<br \/>\nLove them in their suffering. The land<br \/>\nthey gave their lives to gives us livelihood<br \/>\ntoday. Their pickle-faced composure has<br \/>\na flavor to it, preservation dill.<br \/>\nNo salesmanship &#8212; the power of negative thinking.<br \/>\nFrailty I recognize becomes<br \/>\nthe truest element of my reflection.<br \/>\nThe beauty of it lies in its being so.<br \/>\nWill I disguise it? Not on your tintype. No.<br \/>\nI&#8217;m losing things. My elderly umbrella,<br \/>\nnews that comes on earlier at night,<br \/>\nthe pen I use to pay my bills, the other<br \/>\npen I use to write infrequent letters.<br \/>\nThe time has changed. It&#8217;s raining. I could write<br \/>\na sonnet on a checkstub on the rain<br \/>\nif only I could find my missing checkbook.<br \/>\nWould honesty compel me to explain<br \/>\nthe unexpected episode of snow<br \/>\nthat lasted till an hour after noon?<br \/>\nIt passed as quickly as it came, and now<br \/>\nwith weather in the fifties and a sky<br \/>\nanother story typical of April<br \/>\nmy recollection of the ashen flakes<br \/>\ndark against the lighter dark of vapor<br \/>\nwould mark me as a bleak philosopher,<br \/>\na sick one maybe, always talking death.<br \/>\nTo live as one already dead: a motto<br \/>\ngiven Jesuits by Benedictines &#8212;<br \/>\nnot a bad one either. Saint Jerome,<br \/>\ndepicted often with a human skull,<br \/>\nmemento mori, would have understood.<br \/>\nDonne the Anglican slept in his coffin,<br \/>\na nightly unmistakable reminder.<br \/>\nThe plight of every failure: it will pass.<br \/>\nAll flesh grows up and withers like the grass.<br \/>\n&#8220;The dusk of life descends on me already.&#8221;<br \/>\nMichaelangelo begins a sonnet.<br \/>\nIvan Mestrovic in time continues:<br \/>\n&#8220;Nevertheless I never give up hope.&#8221;<br \/>\nRelief, a paradoxical technique,<br \/>\nthe chief progenitor of sonnets, cuts<br \/>\naway support to figure out a form<br \/>\nthat makes a personality emerge.<br \/>\nI remember &#8212; petrified in background &#8212;<br \/>\ncrying about the damage of erosion;<br \/>\nmeanwhile those chiselers the elements<br \/>\nweaned me from the rockiness around me.<br \/>\n&#8220;We whose bones you crush will dance to praise you.&#8221;<br \/>\nWoes have ways of crumbling into joys.<br \/>\nRe leaf, a memo. Here we go again.<br \/>\nA brief exchange of radiance and rain<br \/>\nand out they come. The underground of winter<br \/>\nrouts its forces: everywhere flamboyance<br \/>\novercomes the uniforms, the greys.<br \/>\nMy graveyard&#8217;s blooming dandelion wisecracks.<br \/>\nTerritory once preoccupied<br \/>\nwith beer to souse the Germans now returns<br \/>\nto vintage bottles hidden in its cellars,<br \/>\nwine to satisfy a multitude.<br \/>\nThe bread I bake this morning has a flavor<br \/>\nheady beyond the physics of its fact.<br \/>\nIt takes me in. I catch it in the act.<br \/>\nYesterday my ceiling sprang a leak.<br \/>\nBest we can do, my landlord told me, Monday.<br \/>\nSpaghetti boiler under the bathroom fan<br \/>\nis letting only a little bit escape.<br \/>\nThe water in the kitchen seems to come<br \/>\nanother way, between the walls and out<br \/>\nunder the cupboards under the steel sink.<br \/>\nTill Monday I&#8217;ll have towels on my floor<br \/>\nto minimize the damage to the tile.<br \/>\nBut in the end I&#8217;ll only have the smell<br \/>\nin memory of a fleeting tribulation,<br \/>\ntemporary metaphor, good grief.<br \/>\nHumility? She wondered what it meant.<br \/>\nAbility to receive and not resent.<br \/>\nAs pride prevented me from letting her<br \/>\nchide me for not demanding something more,<br \/>\nit stopped me also from accepting help<br \/>\nwith mopping up the water on my floor.<br \/>\nSome fifty years ago she left me there<br \/>\nshifting leakage, shifting for myself.<br \/>\nToday another leak has brought her back<br \/>\nto say her bit again and disappear,<br \/>\na cameo performance in the minor<br \/>\ndrama of my undramatic past.<br \/>\nWould anybody stay until the end?<br \/>\nAnd when the audience has gone away<br \/>\nwhy should the last remaining actor stay?<br \/>\nEven odds I make it through the year.<br \/>\nGiven a guarantee of death, I&#8217;m gambling<br \/>\nonly on the accident of when.<br \/>\nMeanwhile keep on going to the dentist.<br \/>\nOddly enough, I haven&#8217;t lost my teeth.<br \/>\nSad to think what happens in the grave,<br \/>\nhair grown out unfashionably long.<br \/>\nScary to think of fingernails flowing.<br \/>\nNo more six-month checkups, no more flossing,<br \/>\nand so as plaque takes over gingivitis<br \/>\nplagues the gums and tooth decay sets in.<br \/>\nVague assailants, acid germs attack<br \/>\nthe long-preserved virginity of molars.<br \/>\nWrong! The plaque subsides; the teeth survive.<br \/>\nEnamel triumphs, practically intact.<br \/>\nBut am I suffering a loss of bone?<br \/>\nMy periodontist tells me that I am,<br \/>\na very significant loss. And in the grave<br \/>\nwill I experience a loss of bone<br \/>\nand find at last the fact it signifies?<br \/>\nOr will no I remain to say I see?<br \/>\nSilly to wonder, odd to guess the odds &#8212;<br \/>\nno comfort in the wager of Pascal<br \/>\nwho gambled life against the everlasting,<br \/>\nbliss to win and possible extinction,<br \/>\na loss he&#8217;d never suffer having lost<br \/>\nthe talent he would need to pay the cost.<br \/>\nFirecracker corpses in the grass:<br \/>\nwire and bits of paper, last remains<br \/>\nof energetic noises half the night,<br \/>\nmental pleasure, physical explosion.<br \/>\nFeeble really by comparison<br \/>\nwith deeper thunder, ordinary thunder &#8212;<br \/>\nthe lonely clap of human independence,<br \/>\nour own idea of a wise reply.<br \/>\nGive me a storm instead, the natural noise<br \/>\nof live electrons joining grace to ground,<br \/>\na bridge of rage reminding me of heaven,<br \/>\nrage a passage in the myth of rain.<br \/>\nAnd let it pass like any other passion,<br \/>\nlet me walk among the aftermath,<br \/>\nenjoy peace as it passes understanding<br \/>\ngoing in the opposite direction.<br \/>\nWishes granted: I can see the cloud mass<br \/>\nflashing in the distance, hear the thunder<br \/>\ngrowing louder as the gloom approaches.<br \/>\nMotion of a primitive emotion.<br \/>\nWhat to call it? Have we any words<br \/>\nto mutter in a maelstrom, any patter<br \/>\nadequate when the elements crack wise?<br \/>\nA bad dude God, a mother not to mess with.<br \/>\nFear of the Lord, a gift of the Holy Spirit:<br \/>\nqueer expressions, but they say it best.<br \/>\nPass over me. Don&#8217;t put me to the test.<br \/>\nAn ideal day for tea, the weather damp<br \/>\nand mild enough to make it seem like autumn,<br \/>\nmemories of raking fallen leaves,<br \/>\ntumbling in their crumble as a child,<br \/>\nburning them the year it started snowing,<br \/>\nthe turning of the black flakes back to earth<br \/>\nto join the white ones in their slow descent.<br \/>\nMeaning &#8212; something &#8212; never could say what.<br \/>\nPrecious little progress understanding.<br \/>\nWished-for wisdom never: intuitions<br \/>\ntaken in a while and entertained,<br \/>\ntoken hospitality apostles<br \/>\ncome to count on, offered nothing better.<br \/>\nSometimes understanding visits briefly,<br \/>\na reticent guest and anxious to move on<br \/>\nto better company in solitude.<br \/>\nI talk too much. I have to learn discretion.<br \/>\nI sulk when something pricks me and my sulking<br \/>\nfills my skull with language, heated air<br \/>\nswelling my head. I rise to the occasion,<br \/>\na purple-pink balloon above the landscape,<br \/>\na personals ad made colorful with grief.<br \/>\nWounded male considered unattractive<br \/>\nbound for death seeks female understanding,<br \/>\nobject: friendship first, then possible<br \/>\nadoption as a parent or a child,<br \/>\ndomesticated passion in the wild.<br \/>\nA misery that company might love,<br \/>\nsome physically appealing form of pain,<br \/>\na scar to hint of unhealed memories<br \/>\nand far far better things one might have done:<br \/>\nor possibly a handicap, a limp,<br \/>\na hospital stay, traction, a plaster cast,<br \/>\nanything minor likely to arouse<br \/>\nthe kindness of a too infrequent friend.<br \/>\nA gruesome ailment makes a visitor<br \/>\ntoo dutiful, too anxious to crack jokes:<br \/>\nbetter extremities than in extremis<br \/>\nto suit oneself with sympathy. Tonight<br \/>\nmy lower back is aching, but I know<br \/>\nof no one likely to take note of it.<br \/>\nThe phone: a woman selling photographs.<br \/>\nPhotographs for whom? A wall-size portrait,<br \/>\nseveral wallet-size for distribution.<br \/>\nNever mind. My life-long friends have died<br \/>\nand in religious moments I imagine<br \/>\nreunions made in heaven, marriages<br \/>\nof minds made true at last by purgatory,<br \/>\nsinus pain and sin both burned away,<br \/>\na Catholic fantasy. At other times<br \/>\nthe mathematics that I might have learned<br \/>\nengages my attention for awhile,<br \/>\npages of symbols, their inhuman sense<br \/>\nan art for art&#8217;s sake, virtue&#8217;s recompense.<br \/>\nI typically take in the colored leaves<br \/>\nwith hypocritical enthusiasm<br \/>\ndressing hate in jewelry of approval<br \/>\npessimistic mock-complicity.<br \/>\nToday, however, walking by myself<br \/>\nI play a less ingratiating role,<br \/>\na villain of soliloquy unable<br \/>\nto still the voice of selfishness inside.<br \/>\nMe. Why me? Why me? A silly question<br \/>\nseeing unexceptionable death<br \/>\nsurrounds me with an obvious Why not?<br \/>\nGrounded in a land of grounded leaves<br \/>\nI feel the most affinity with failure<br \/>\nthe real irrelevance of brilliant color.<br \/>\nInevitably grinding underfoot<br \/>\nthe severed organs of ecology,<br \/>\nmaking ash from ashes, dusting dust,<br \/>\nI take the death of everything in stride.<br \/>\nObjective nature, never at a loss<br \/>\nrespecting any individual,<br \/>\nfells each according to its need. Collective<br \/>\nbalance keeps a body in its place<br \/>\nuntil the logic of the system calls<br \/>\nfor killing. In a ring around the roses<br \/>\na wedding party&#8217;s waiting for the camera,<br \/>\nred tuxedos, burnt sienna gowns,<br \/>\nashes, ashes. And we all fall down.<br \/>\nCreek means local. One may look impressive,<br \/>\nthick as Missouri, rapid as Niagara,<br \/>\nand yet extend no longer than the county,<br \/>\nfit inside a detail of the map.<br \/>\nForeigners won&#8217;t know it: aliens<br \/>\nhave more important facts to memorize,<br \/>\nwaters bearing wider implications,<br \/>\narteries of traffic, world wonders.<br \/>\nA native won&#8217;t consider it amazing:<br \/>\nher mate for life, a biblical conjunction,<br \/>\nfamiliar love of someone never famous<br \/>\ndiligently following his course.<br \/>\nMost of us have little lives and die.<br \/>\nNo one loves us down the centuries<br \/>\nas scholars love Augustine, Plato, Shakespeare,<br \/>\nwhile the biblical remember Ruth<br \/>\ndevoted to Naomi, Miriam<br \/>\ngoing to see Elizabeth her cousin.<br \/>\nLimitations never really matter &#8212;<br \/>\nsimple people have their place, their purpose,<br \/>\ntheir sureness as they hope for resurrection,<br \/>\nsecurity that has no room for fame.<br \/>\nMiriam: remember me in childhood,<br \/>\nhow seriously I asked you for your help.<br \/>\nI meant it. Help me mean it now. Again.<br \/>\nAnd at the hour of my death. Amen.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Kevin Cawley Convention recognizes only three dimensions, namely depth and width and height, with time from time to time admitted last. Simultaneous qualities don&#8217;t count: color, smell, reflection, weight, and sound all eliminated by the solid plane of adolescent mathematics. A painter might appreciate the shades of silver in an image-bearing ball: they still don&#8217;t [&hellip;]<\/p>\n","protected":false},"author":5084,"featured_media":0,"parent":41,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-98","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/sites.nd.edu\/wcawley\/wp-json\/wp\/v2\/pages\/98","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/sites.nd.edu\/wcawley\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/sites.nd.edu\/wcawley\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/sites.nd.edu\/wcawley\/wp-json\/wp\/v2\/users\/5084"}],"replies":[{"embeddable":true,"href":"https:\/\/sites.nd.edu\/wcawley\/wp-json\/wp\/v2\/comments?post=98"}],"version-history":[{"count":2,"href":"https:\/\/sites.nd.edu\/wcawley\/wp-json\/wp\/v2\/pages\/98\/revisions"}],"predecessor-version":[{"id":100,"href":"https:\/\/sites.nd.edu\/wcawley\/wp-json\/wp\/v2\/pages\/98\/revisions\/100"}],"up":[{"embeddable":true,"href":"https:\/\/sites.nd.edu\/wcawley\/wp-json\/wp\/v2\/pages\/41"}],"wp:attachment":[{"href":"https:\/\/sites.nd.edu\/wcawley\/wp-json\/wp\/v2\/media?parent=98"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}