Collection highlights, news about acquisitions, events and exhibits, and behind-the-scenes looks at the work and services of Rare Books & Special Collections (RBSC) at Notre Dame.
Please join us for the following public events and exhibits being hosted in Rare Books and Special Collections:
Drop in to one of this month’s Exhibit Open Houses to meet and speak informally with one of the curators of the fall exhibition, Mapping Global Dante in Translation. Learn how translators, artists, and printers have popularized and reshaped the Divine Comedy over the centuries and across the world and discover the Library’s many Dante editions.
This exhibit traces the global journey of Dante’s masterpiece through rare and valuable printed editions, highlighting how translators, artists, and printers have popularized and reshaped the Commedia. These volumes reveal a dynamic dialogue between Dante’s poetry and the world. A global literary perspective transforms Dante from a monumental yet isolated figure of the European Middle Ages into a central presence in the ongoing international conversation about humanity, the universe, time, eternity, and the power of literature.
This exhibit is curated by Salvatore Riolo (Notre Dame, Italian Studies doctoral candidate), and co-curators Giulia Maria Gliozzi (Notre Dame, Italian Studies doctoral candidate); Inha Park (Notre Dame, Italian Studies doctoral candidate); and Peter Scharer (Yale, Comparative Literature doctoral candidate). Theodore J. Cachey Jr. (Notre Dame) and Jacob Blakesley (Sapienza Università di Roma) served as consultants on the exhibit.
Rare Books and Special Collections welcomes students, faculty, staff, researchers, and visitors back to campus for Fall 2025! We want to let you know about a variety of things to watch for in the coming semester.
This exhibition traces the global journey of Dante’s masterpiece through rare and valuable printed editions, highlighting how translators, artists, and printers have popularized and reshaped the Commedia. These volumes reveal a dynamic dialogue between Dante’s poetry and the world. A global literary perspective transforms Dante from a monumental yet isolated figure of the European Middle Ages into a central presence in the ongoing international conversation about humanity, the universe, time, eternity, and the power of literature.
This exhibit is co-sponsored by the Center for Italian Studies and the Devers Program in Dante Studies. It is curated by Salvatore Riolo (Notre Dame Italian Studies doctoral candidate) and co-curators Giulia Maria Gliozzi (Notre Dame Italian Studies doctoral candidate), Inha Park (Notre Dame Italian Studies doctoral candidate), and Peter Scharer (Yale Comparative Literature doctoral candidate). Theodore J. Cachey Jr. (Notre Dame) and Jacob Blakesley (Sapienza Università di Roma) served as consultants on the exhibit.
Few 19th-century antiquarians matched the obsession or eccentricity of English baronet Sir Thomas Phillipps (1792-1872). A self-described “vello-maniac” (lover of parchment), Phillipps spent his life and fortune amassing what became the largest manuscript collection of his time. It included more than 60,000 manuscripts and 20,000 printed works.
Upon his death, Phillipps mandated that his collection never be dispersed, nor that any Catholic ever be permitted to view his library. After his will was contested, however, Phillipps’ descendants began the century-long process of ridding themselves of the burdensome trove. This exhibit features five manuscripts that have made their way from the Phillipps collection to the University of Notre Dame, testifying to the fraught legacy of one of history’s most extreme collectors. In this exhibit, three medieval charters, a medieval codex, and an early modern treatise are now available for all to see, in direct contrast to Phillipps’ restrictive wishes.
This exhibit is curated by Anne Elise Crafton, 2024-2025 Rare Books and Special Collections Postdoctoral Research Fellow.
This exhibit displays a medieval sermon composed from a variety of preaching aids and sourcebooks: bibles, summae, florilegia, and other systematized anthologies. The sermon was the most influential vehicle for religious and moral instruction: virtues, vices, canon law, and living the faith all reached the masses in urban centers through preaching. The physical formats of the manuscripts themselves provide insight into pastoral care in the medieval world. This exhibit emphasizes a few of the many items from the Hesburgh Library’s collection of medieval manuscripts created for and used by actual medieval preachers.
This exhibit is curated by David T. Gura, Ph.D., Curator, Ancient and Medieval Manuscripts, Concurrent Professor of Classics and the Medieval Institute.
These and other exhibits within the Hesburgh Libraries are generously supported by the McBrien Special Collections Endowment.
All exhibits are free and open to the public during business hours.
Special Collections’ Classes & Workshops
Throughout the semester, curators will lead instructional sessions related to our holdings to undergraduate and graduate students from Notre Dame, Saint Mary’s College, and Holy Cross College. Curators may also be available to show special collections materials to visiting classes, from preschool through adults. If you would like to arrange a group visit and class with a curator, please contact Special Collections.
Events
This program is free and open to the public.
Friday, September 12 from 2:00 to 3:30 pm | Exhibit Open House: Drop in to meet and speak informally with curator Salvatore Riolo (Notre Dame Italian Studies doctoral candidate) about the new exhibit, Mapping Global Dante in Translation. Learn how translators, artists, and printers have popularized and reshaped the Divine Comedy over the centuries and across the world and discover the Library’s many Dante editions.
Remembering the Harrisburg TrojansThe First Women’s Political PartyDiscovering Fianna: The Voice of Young IrelandReading the Gay Rodeo Ephemera Collection for Pride MonthSome of the recent acquisitions highlighted on the blog in the past year.
Anticipated Closures
Rare Books and Special Collections is regularly open 9:30am to 4:30pm, Monday through Friday. The department will be closed for the following holidays and events:
September 1, for Labor Day (Monday)
November 27–28, for Thanksgiving (Thursday and Friday)
Our last day open before the campus closure for Christmas Celebration will be Tuesday, December 23. We will reopen on January 5, 2026.
During the Middle Ages, the sermon was the most influential vehicle for religious and moral instruction: virtues, vices, canon law, and living the faith all reached the masses in urban centers through preaching. The term arspraedicandi (art of preaching) describes the literary genre of treatises that provide techniques (artes) and instruction for preaching. In addition to the composition of the sermon, artes praedicandi also address how a preacher should comport himself, what to study, and even how to speak and gesture while preaching. Numerous treatises from the twelfth- and thirteenth-century on the topic survive composed by well-known masters like Alan of Lille, Richard of Thetford, Humbert of Romans, and Ranulf Higden, but many anonymous examples exist.
The June-July spotlight exhibit displays a medieval sermon composed from a variety of preaching aids and sourcebooks, and emphasizes a few of the many items from the Hesburgh Library’s collection of medieval manuscripts created for and used by actual medieval preachers.
During the thirteenth century a new, more thematic type of sermon originated in the medieval universities, particularly the University of Paris: the scholastic sermon (sermomodernus). Likewise, new religious orders focused on preaching were created: namely the Franciscans in 1209 and Dominicans in 1216, who were in need of instruction and books. This resulted, especially in Paris, in an outpouring of different types of manuscripts need for sermon composition and preaching. Pandect Bibles (all biblical books in one volume) became pocket sized and portable, and a host of preaching aids were produced. For example, knowledge was systematized into reference manuals (summae) and textual anthologies (florilegia), both of which were used in composing sermons.
According to Sigfried Wenzel’s method of analysis (2015), a typical scholastic sermon can be outlined like this:
Thema is announced (quote from Scripture that the sermon builds on) Protheme (prepares audience and capture their good will) Oratio (prayer for divine assistance, often Hail Mary or Our Father) Thema is repeated Bridge passage (adapts the thema to the intention of the sermon) Introductio thematis (why the thema was a good choice; helped by proverb, simile, quote, story) Diuisio thematis (thema divided into parts; meaning of the thema unfolded) Confirmatio (confirmation or proof of divisions; often with sentence from Scripture) Prosecutio (thema developed with subdivision, subdistinction, elaboration, examples, etc.) Vnitio (combination of all the parts) Conclusio (closing formula with a prayer asking for God’s grace)
Some sermon collections enjoyed broad circulation and different traditions of use. For example, ca. 1240 Philip the Chancellor composed 330 scholastic sermons on the Psalms while he was chancellor of the Cathedral of Notre Dame in Paris. These sermons originated within the university milieu, but continued to have a robust afterlife. The fragmentary copy currently in the Hesburgh Library’s collection (cod. Lat. b. 11), once was part of the Servite Library at San Marcello al Corso in Rome ca. 1382–1402, where it was used in the formation of its novices despite being over one hundred forty years old. The Servites added an ownership inscription when the manuscript entered the collection at San Marcello. By 1402 the starving friars were selling books to survive and the library burned down in 1519. A later owner erased the inscription and obscured the medieval provenance of the manuscript, which was later dismembered in Cleveland, Ohio by biblioclast Otto F. Ege. Using ultraviolet light, the erased text can be revealed and for the first time the Servites’s ownership is known.
Cod. Lat b. 11. Ultraviolet light reveals the erased inscription: conuentus sancti Marcelli alme urbis Seruorum sancte Marie. The inscription identifies the Servites of San Marcello al Corso as former owners of this sermon collection.
With the passing of the Holy Father, Franciscus PP I, the Church has entered a state of transition in which there is currently no pope (sede uacante). With the interment of Francis on April 26, 2025, the Novendiales (nine-day mourning period) began. After the Novendiales conclude on May 4, the process by which the next pope is elected will begin. The cardinals will enter into the Conclave on May 7, and all officials and attendants will swear the prescribed oaths and the appropriate attendees will enter the Sistine Chapel. The term ‘conclave’, from the Latin cum claue (lit. ‘with a key’), refers to an area that can be locked up, since no one may enter or leave until the new pope has been elected.
The May spotlight exhibit features a depiction of the Papal Conclave of 1700 by Domenico de Rossi. The Conclave began on October 9, after the death of Innocentius PP XII, and ended on November 23, when Giovanni Francesco Albani was elected pope. Albani had been ordained to the priesthood in September of the same year, though he had been a cardinal for the previous ten years. He celebrated his first Mass only three days before he was elected. Albani then became Clemens PP XI when he was consecrated as bishop on November 30, and his papal coronation took place on December 8.
The cycle of illustrations around the edges shows the events and processes of electing a new pope. Since the Conclave is not public, the images depict its activities. The large illustration in the center shows St. Peter’s and the sixty-six cells for the cardinal electors during the Conclave. Their names are listed in the bottom of the print. Some interesting vignettes are the following:
The Pope’s Death and Destruction of the Fisherman’s Ring
The pope’s seal (bulla) and Fisherman’s Ring (Anulus piscatoris) are broken by the Camerlengo in the presence of the cardinals. This signifies the end of his pontificate and prevents the creation of fraudulent documents.
Processions
Three separate processions are depicted: (1) the Cardinal Camerlengo into the conclave; (2) the pope’s body to the Sistine Chapel from the Quirinal Palace (if he died there); (3) the body of the deceased pope to the Chapel of the Blessed Sacrament in St. Peter’s.
The Pope’s Body Lying in State
The pope’s body lies in state publicly for three days in the Chapel of the Blessed Sacrament.
Requiem Masses and the Novendiales
Requiem Masses were celebrated for nine days in the Choir Chapel of St. Peter’s during the Novendiales (nine-day mourning period). The body was usually buried before this period and thus not present. The Conclave can be convened only after the interment. This vignette depicts the four cardinals who come to the altar to change into black pluvials and mitres for the ritual of absolution, after candles are distributed to all cardinals and the funeral oration is completed.
Mass of the Holy Spirit
The cardinals celebrate the Mass of the Holy Spirit before the beginning of the Conclave. This vignette depicts the traditional celebration of the Mass where the celebrant faces ad orientem (literally, “to the east”). The Holy Spirit is depicted in the form of the radiate dove.
Cardinals Entering the Conclave
The cardinals enter the Conclave to elect the new pope after the Novendiales were finished. The term ‘conclave’ originates from the Latin phrase cum clave (with a key), since the cardinal electors are locked in seclusion until a new pope is elected.
Voting Sessions
The cardinal electors cast their votes, the votes are tallied, then the ballots are burned. If no election is made, straw is added to blacken the smoke. If a new pope is elected, the smoke will be white. The stove with a chimney can be seen to the right.
Food Brought to the cardinals
Since the cardinal electors cannot leave the Conclave, food is brought to them twice per day. The victuals in these vignettes are transported in baskets specifically marked for each cardinal with their coats of arms. The meals are delivered to the cardinal electors through rotating hatches
First Homage to the New Pope
The newly elected pope accepts his canonical election and chooses his name. The cardinal electors pay homage and pledge obedience in the Sistine Chapel. The Holy Father usually then appoints or confirms the Cardinal Camerlengo, who places the Fisherman’s Ring on his finger.
Transportation from the Sistine Chapel to St. Peter’s
The new pope is then transported from the Sistine Chapel to St. Peter’s to give the apostolic blessing, Vrbi et orbi.
Subsequent Homage to the New Pope
This vignette depicts subsequent homage (adoratio) to the new pope in St. Peter’s above the Papal Altar (l’altare maggiore).
Please join us for the following public events and exhibits being hosted in Rare Books and Special Collections:
Tuesday, May 13 at 1:30pm | “Potawatomi in Un/Expected Places: Archives, Stories, and the Native American Initiative of Notre Dame” by Zada Ballew.
Last year, Ballew spent nine months at Hesburgh Library researching on behalf of the Native American Initiative (NAI) of Notre Dame. Her goal was to better understand the role that Indigenous peoples have played in the founding and shaping of Notre Dame’s history. What she found surprised her in ways that she didn’t expect. In this talk, she will share some of the most important findings with the people who helped make this work possible.
Presented by the Professional Development Committee (PDC) of Hesburgh Libraries.
Thursday, May 15 at 3:00pm | Hesburgh Libraries’ 2024-2025 Rare Books and Special Collections Postdoctoral Fellow Anne Elise Crafton (MI PhD ‘24) will discuss the major research and collections project they completed during their postdoc year. Crafton catalogued over 270 previously undescribed medieval and early modern documents in the Hesburgh Libraries’ collection. They will discuss the challenges and discoveries which emerged from the project and reflect on the intensive work of making the hitherto unknown documents accessible for scholars, students, and faculty at Notre Dame and beyond.
There are currently no events scheduled to be hosted in June or July.
The exhibition Tragedies of War: Images of WWII in Print Visual Culture runs through the summer and closes in late July. Learn more about the exhibit in this video, and plan your visit this summer.
The current spotlight exhibit is Building a Campus Boycott to Support Midwestern Farmworkers (January – May 2025). In May, we will install spotlights highlighting Medieval charters (May – August 2025) and Medieval homiletics (May – July 2025) from our collections.
Rare Books and Special Collections is open regular hours during the summer.
RBSC will be closed Monday, May 26, for Memorial Day and Friday, July 4th, for Independence Day.
Thursday, April 22 at 4:30pm | Yom HaShoah (Holocaust Remembrance Day) Program commemorating the victims of Holocaust and featuring a live performance of “I Never Saw Another Butterfly” by Lori Laitman, performed by Anne Slovin (Soprano, University of Notre Dame) and Jason Gresl (Clarinet, Saint Mary’s College).
The Spring 2025 Exhibition — Tragedies of War: Images of World War II in Print Visual Culture — is now open and runs through the end of July. Based predominantly on recently acquired Rare Books and Special Collections European holdings, the exhibition commemorates the end of the Second World War (1939-1945) and will explore a diverse assortment of themes including Fascist Racial Ideology, the Holocaust, Children in War, Resistance, Liberation, and Memories of War.
Curated by Natasha Lyandres (Curator, Rare Books & Special Collections), Jean McManus (Catholic Studies Librarian, University Archives) and Julia Schneider (German Language and Literature and Italian Studies Librarian, Hesburgh Libraries).
The current spotlight exhibit is Building a Campus Boycott to Support Midwestern Farmworkers (January–April 2025). In 1980, the University of Notre Dame became the first major university to boycott Campbell Soup products in support of Midwestern farmworkers represented by the Farm Labor Organizing Committee (Toledo, OH). In a few short months, a small and dedicated cohort of students tapped into a growing movement and convinced the campus to act in solidarity.
Curated by Emiliano Aguilar (Assistant Professor of History, University of Notre Dame, and Faculty Fellow, Institute for Latino Studies).
Rare Books and Special Collections will be closed April 18 in observance of Good Friday.
Friday, March 28 at 5:00pm | Faith in Action: Solidarity with Regional Migrant Farmworkers — view the RBSC Spotlight Exhibit, “Building a Campus Boycott to Support Midwestern Farmworkers,” and join a robust conversation afterward with curator Dr. Emiliano Aguilar (Assistant Professor in the Department of History). After viewing the exhibit, visitors will gather in room 125 for refreshments and discussion.
The Spring 2025 Exhibition — Tragedies of War: Images of World War II in Print Visual Culture — will open shortly and runs through the end of July 2025. Based predominantly on recently acquired Rare Books and Special Collections European holdings, the exhibition commemorates the end of the Second World War (1939-1945) and will explore a diverse assortment of themes including Fascist Racial Ideology, the Holocaust, Children in War, Resistance, Liberation, and Memories of War.
Curated by Natasha Lyandres (Curator, Rare Books & Special Collections), Jean McManus (Catholic Studies Librarian, University Archives) and Julia Schneider (German Language and Literature and Italian Studies Librarian, Hesburgh Libraries).
The current spotlight exhibit is Building a Campus Boycott to Support Midwestern Farmworkers (January–April 2025). In 1980, the University of Notre Dame became the first major university to boycott Campbell Soup products in support of Midwestern farmworkers represented by the Farm Labor Organizing Committee (Toledo, OH). In a few short months, a small and dedicated cohort of students tapped into a growing movement and convinced the campus to act in solidarity.
Curated by Emiliano Aguilar (Assistant Professor of History, University of Notre Dame, and Faculty Fellow, Institute for Latino Studies).
Special Collections is open regular hours during Notre Dame’s Spring Break (March 10-14).
Rare Books and Special Collections welcomes students, faculty, staff, researchers, and visitors back to campus for Spring ’25! Here are a variety of things to watch for in Special Collections during the coming semester.
Special Collections Welcomed Two New Curators in the Fall 2024 Semester
In addition to stewarding the Hesburgh Libraries’ Irish Studies collections in both general and specialized collections, Knight works with other University faculty members to foster the use of these materials broadly across campus within the larger field of Irish Studies teaching and instruction.
The new Irish Studies Librarian and Curator brings deep expertise in the field of Irish Studies, teaching, and librarianship, including in special collections. He previously served as an Associate Librarian at the University of South Florida and holds an M.A. and Ph.D. in Celtic Languages and Literatures from Harvard University in addition to an M.A. in Library Science from the University of South Florida.
Phillips Quintanilla is responsible for stewarding the Libraries’ Latin American and Iberian Studies collections in both general and specialized collections. She works within the Libraries and across campus to foster the use of the collections broadly within the fields of Latin American Studies and Iberian Studies teaching and instruction. She also supports Latino Studies students and faculty in collaboration with Rachel Bohlmann, American History Librarian and Curator of North Americana.
Phillips Quintanilla brings deep expertise in the field of Latin American and Iberian Studies and teaching, as well as experience in the cultural heritage sector — particularly in areas of provenance and the stewardship of special collections. Before joining the Hesburgh Libraries faculty, she worked as a Research Specialist in the Pre-Hispanic Art Provenance Initiative at the Getty Research Institute. The new librarian and curator holds a Ph.D. in Hispanic Languages and Literatures with a specialization in transatlantic early modern literatures and cultures, as well as an M.A. in Spanish from the University of California, Los Angeles (UCLA), a Master of Professional Writing from the University of Southern California, and a B.A. in Urban and Environmental Policy from Occidental College.
Fall 2024 Exhibition — Notre Dame Football Kills Prejudice: Citizenship and Faith in 1924
Continuing through the end of January.
“Notre Dame football is a new crusade: it kills prejudice and stimulates faith.”
— Rev. John F. O’Hara, C.S.C., Prefect of Religion, Religious Bulletin, November 17, 1924
In the fall of 1924, the University of Notre Dame found great success on the football field and confronted a dangerous and divisive political moment. The undefeated Fighting Irish football team, cemented forever in national memory by Grantland Rice’s legendary “Four Horsemen” column, beat the best opponents from all regions of the country and won the Rose Bowl to claim a consensus national championship. Off the field, Notre Dame battled a reactionary nativist political environment that, in its most extreme manifestation, birthed the second version of the Ku Klux Klan. Sympathizers of this “100% Americanism” movement celebrated white, male, Protestant citizenship and attacked other groups—including Catholics and immigrants—who challenged this restrictive understanding of American identity.
In the national spotlight, Notre Dame leaders unabashedly embraced their Catholic identity. They consciously leveraged the unprecedented visibility and acclaim of the football team to promote—within the very real political constraints of the era—a more inclusive and welcoming standard of citizenship. Attracting a broad and diverse fan base, the 1924 national champion Fighting Irish discredited nativist politics and helped stake the claim of Notre Dame—and Catholics and immigrants—to full citizenship and undisputed Americanness.
Curated by Gregory Bond (Curator of the Joyce Sports Research Collection, Rare Books and Special Collections) and Elizabeth Hogan (Senior Archivist for Photographs and Graphic Materials, University Archives).
Spring 2025 Exhibition — Tragedies of War: Images of World War II in Print Visual Culture
Opening mid-February.
Based predominantly on recently acquired Rare Books and Special Collections European holdings, the exhibition commemorates the end of the Second World War (1939-1945) and explores a diverse assortment of themes including Nazi racial ideology, the Holocaust, Children in War, Resistance, Liberation, and Memories of War. By examining these topics through images created for personal use by ordinary people and for state-sponsored propaganda purposes, the exhibit presents a visual narrative of the war’s profound impact on individuals and societies, offering deeper insight into how war was experienced and remembered.
Curated by Natasha Lyandres (Curator, Rare Books & Special Collections), Jean McManus (Catholic Studies Librarian, University Archives) and Julia Schneider (German Language and Literature and Italian Studies Librarian, Hesburgh Libraries).
Spring Spotlight: Building a Campus Boycott to Support Midwestern Farmworkers
Opening end of January.
In 1980, the University of Notre Dame became the first major university to boycott Campbell Soup products in support of Midwestern farmworkers represented by the Farm Labor Organizing Committee (Toledo, OH). In a few short months, a small and dedicated cohort of students tapped into a growing movement and convinced the campus to act in solidarity.
Curated by Emiliano Aguilar (Assistant Professor of History, University of Notre Dame, and Faculty Fellow, Institute for Latino Studies).
These and other exhibits within the Hesburgh Libraries are generously supported by the McBrien Special Collections Endowment.
All exhibits are free and open to the public during regular hours.
Special Collections’ Classes & Workshops
Throughout the semester, curators will teach sessions related to our holdings to undergraduate and graduate students from Notre Dame, Saint Mary’s College, and Holy Cross College. Curators may also be available to show special collections to visiting classes, from preschool through adults. If you would like to arrange a group visit and class with a curator, please contact Special Collections.
Upcoming Events
Thursday, January 16 at 5:00pm | The Spring 2025 Italian Research Seminar and Lectures will begin with a lecture by 4th-year Ph.D. student in Italian Rookshar Myram (University of Notre Dame) titled: “Forging Effigies in the Commedia: Deification as Artistry.”
The exhibition Notre Dame Football Kills Prejudice: Citizenship and Faith in 1924 is now open and will run through the end of January 2025.
Tours of the exhibit may be arranged for classes and other groups by contacting Greg Bond at gbond2@nd.edu.
The current spotlight exhibits are Wollstonecraft: Revolution & Textual Evidence (September–December 2024) and A Fourteenth-Century Chanson de Geste Fragment (September–December 2024).
RBSC will be closed during the University of Notre Dame’s Christmas and New Year’s Celebrations, December 21, 2024 – January 1, 2025.
The exhibition Notre Dame Football Kills Prejudice: Citizenship and Faith in 1924 is now open and will run through the end of January 2025.
Curators Gregory Bond and Elizabeth Hogan will host exhibit open houses on select Friday afternoons before Notre Dame home football games, including on November 8 and November 15. The drop-in open houses will run from 3:00–4:30pm and will feature brief remarks by the curators at 3:15pm.
Tours of the exhibit may be arranged for classes and other groups by contacting Greg Bond at gbond2@nd.edu.
The current spotlight exhibits are Wollstonecraft: Revolution & Textual Evidence (September – December 2024) and A Fourteenth-Century Chanson de Geste Fragment (September – November 2024).
RBSC will be closed during the University of Notre Dame’s Thanksgiving Break, November 28 – 29.
