Doctor Who’s Difference

I just stumbled upon this post from American media scholar (and big Doctor Who fan) Derek Kompare, which fits perfectly with our Doctor Who discussions:

“We Americans tend to fall in love with Doctor Who for not being American television. American television can’t fathom whimsy. It can barely handle universal, all-ages entertainment any more. Moreover, while there’s no shortage of riveting dramas on American TV today, our expectations are too wired in boring old realism (even in our fantasy series) to allow the kind of “bonkers” tonal range Doctor Who thrives in, and too wed to notions of “sophistication” to let children in. There’s nothing on American TV that can thread silliness, horror, elation, and heartbreak at the level and speed of Doctor Who; we just don’t have a conceptual place for it in our televisual landscape. Joss Whedon’s works (especially Buffy and Firefly) arguably come close, and other series have certainly had moments (the Hurley episodes of Lost come to mind), but they’re all still firmly “adult” television. There’s no home for anything that dares to bridge these gaps of genre, style, and audience age. It’s fair to say that it’s anomalous in this regard on UK TV as well, though to a lesser extent. Thankfully, the megachannel universe is big enough to let Doctor Who in, via BBC America, which is making the new run its signature series (though it has long slipped across the Atlantic unofficially via BitTorrent and other means). So far so good for BBC America, which scored a record audience for the season premiere last Saturday. Still, taken as a proportion of the national viewing audience, the series draws about one-fortieth the viewers it claims in Britain, where it is one of the BBC’s most popular series, and one of the nation’s most familiar cultural texts. Thus, while I will always love Doctor Who, I realize that I have ultimately experienced it as an exoticizing tourist. I regret that I’ll likely never see an American series with as much heart, panache, and unadulterated joy.”

The comments section also has some great stuff, especially Matt Hills’ input.

About Christine

Christine Becker is an Associate Professor in the Department of Film, Television, and Theatre at the University of Notre Dame.
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