The discussions we have had in this class have led me to some surprising places, but none more surprising than the number of times I have thought about Lil Nas X, A.K.A Montero Lamar Hill. Although Lil Nas X has not made any mention of Wilde (at least, that I am aware of), his place as a queer black rapper and singer in the contemporary American context does remind me a lot of Oscar Wilde’s place in Victorian society. Of course, Lil Nas X did not serve two years in prison for gross indecency, but he has received his share of criticism for being queer.
This connection is interesting to me because I think it shows us something about queer art in society, particularly art that can be considered ‘mainstream.’ As we have talked about in this class, as much as the ways in which society treats queer people has changed, much of it has still stayed the same. While this is most graphically shown through acts of violence and hate such as what happened to Matthew Shepard, it also shown through pop culture and art. And while representation in these areas is getting better, it is still laughably bad. As a bisexual woman, I am still surprised every time I hear an earnest song about queer love or queer experience on popular radio stations.
But Lil Nas X and Oscar Wilde are both mainstream and both of their art speaks to queerness. Both artists also include an element of subversion in their work: Wilde kills Dorian Gray because he cannot conform to societies heterosexual expectations, and Lil Nas X depicts himself as a sinner descending into hell for just the same reason in his MONTERO (Call Me By Your Name) music video. It seems like this subversive element is what allows there art to succeed in the hostile times and spaces it occupies. This leads me to wonder if there is a future for non-subversive queer art in a mainstream context, or if it is stuck on the outside.