I was really intrigued by Symon’s comparison of Decadence to an opera glass in his piece “The Decadent Movement in Literature.” The Decadents’ whole ethos is an emphasis of style, cleverness and beauty over substance. The opera glass is “a special, unique way of seeing things” (138), particular to the closer examination of an art form. As a tool of vision and perception, the opera glass is a really helpful analogy, a way of articulating how the Decadents viewed their whole movement. They were creating a particular way of experiencing art and understanding beauty, a special and unique way of seeing things, of seeing art and of rendering “our ideas, our sensations… a personal language, a language bearing our signature.” (139) Even further, the idea of particular perception they are articulating dovetails really nicely with this analogy because perception is so subjective and hinges fundamentally on the way the individual reacts to stimuli in their environment. That the opera glass is a perceptual tool further reinforces the Decedents’ assertion that what the individual sees in a work of art is a reflection of that individual and that individual alone, divorced from the emotional or perceptual effort of the artist.
That it is specifically an opera glass is also really informative. Opera is a performative, often inaccessible art form with a reputation for elitism that typically doesn’t resonate with those who are unfamiliar with or haven’t been exposed to the language and cultural experience tied to opera. Similarly, if you don’t hold with or share the experiences of the Decadents, their work becomes all that much harder to parse and understand — what is jest, what is truth, what do they actually believe. They are interested in “a desperate endeavor to give sensation, to flash the impression of the moment, to preserve the very heart and motion of life” (138). You have to use their opera glasses, their understanding of the world to get a close enough look to understand what they are getting at. It is interesting to note that Symons is using an analogy for viewing visual art to discuss the Decadent movement in Literature specifically, and to think about what that means for how he or other Decadents viewed the distinctions between different art forms. While I don’t buy into the idea of art for art’s sake personally, the analogy of the opera glass is easy to hold onto as a measure of the way the Decadents viewed themselves, their perception of their movement.