Opening Week at Wellesley

by Wela MbusiAs we enter the winding roads of Wellesley College leading us through its bucolic setting, we gradually make our way towards the theatre for our first briefing by the faculty.

As we enter the building with its ornate interior you can’t help but notice the largesse the building exudes. Then, we were immediately met by nearly life-sized portraits of prominent female public figures, strewn strewn across the corridors who once were and still are huge advocates of female empowerment even in the arts.

The faculty were as excited as we were about sharing our experience as actors using Measure for Measure in their classes ranging from the basic tools of speaking text, to utilising art to speak truth to power.

My first lesson was with an English writing class that was interested in how the play can be interpreted through varying cultural spaces and cosmologies, and the best way to do that was to get them on their feet and see if they could shell out possible ways of using or breaking Shakespeare’s form to explore the themes in the text; using not only the language but their bodies, and any other cultural experiences they might have had as it was a class filled with internationals.

The space we were about to perform in was a thousand seater and making dramatic adjustments to our delivery became a reality we just had to embrace. Our first audience was so enthusiastic as it was filled with young Shakespeare aficionados who followed the play intently. We felt lucky and encouraged having such a dedicated audience and couldn’t have asked for a better opening night.

We were also briefly hosted by the Shakespeare society with their unparalleled and enviable dedication to all things Shakes. By our last night, we were starting to enjoy the play and appreciating the freedom we had found with the form of the convention and looked forward to Austin, Texas the city of cowboy boots and hats.

 

The Journey Begins

 

by Wela Mbusi

An epic journey is underway for five actors creating a magical piece of theatre from scratch; using nothing but our skills, imagination, and the love of theatre. Did I also mention without the all seeing eye of a director?

AHHHHHHH!!!

The first two weeks of rehearsals have been about shelling out the play for its meaning, not only for clarity of storytelling, but for us to really grasp such a complex and rich play as Measure for Measure. After the initial shock of being left alone in the room with nothing but the text and our collective training, we managed to slowly, but surely, decipher the scenes one unit at a time. It has been a tremendous learning curve for all of us in the company so far as we’re coming to terms with different ways of working. On top of that, there’s the added responsibility of being all of the other figureheads responsible for the creation of a piece of theatre. However, not having the constant objective eye of a director, it has also meant enjoying the freedom of playing with the text in many ways that a ‘normal’ rehearsal wouldn’t allow us to. We’ve been paraphrasing our lines together and that has helped us not only understand our own lines but the other actors as well.

The breadth and depth of understanding that the process has given us has and hopefully will continue to enrich the play. Foursquare seems to be a regular pre-rehearsal pressure reliever and we are constantly enthused by the epic journey that we’re about to take in the States.

Acting up in Iowa | AFTLS at St. Ambrose

Ambrose Hall at St. Ambrose University (Davenport, Iowa)

And so to Iowa. Very flat, Iowa, as Mr. Coward might have said. We were greeted by Lance Sadlek at the airport, a man who proved to be the most wonderful host to us, with his patience and his warmth and his infectious effervescence — thank you Lance. Indeed, Iowa seemed to open its arms to us at every turn, almost as if it knew that this was week six for us, that check-ins, repackings and hotel breakfasts had slightly lost their lustre.

Deb at Notre Dame also knew this, and consequently booked us into the Residence Inn for the week, and the addition of a kitchenette in the rooms was a real treat; we scampered to local delis and bought ginger and spice and all things nice — gluten-free, in my case — and said a temporary farewell to burgers and wings and ranch dressing. (Please don’t think of us as newly-converted yoga-crafted Puritans; the freezer section meant I could also stuff my face with Ben and Jerry’s…)

St. Ambrose University was founded under the auspices of the diocese of Davenport as a seminary and ‘school of commerce’ in 1882, first as an academy, then later a college, and only officially a university in 1987 (on Shakespeare’s birthday). In World War ll it was also used as a location for training officers for the US Navy. There are about three and a half thousand students here (none of them Navy officers, to my knowledge) in a concentrated campus, surrounded by wooden-slatted houses in muted Shaker colours. It makes for a pretty ‘frame’ to the place.

This week (unusually for me), I got to teach a couple of classes with theatre majors, and Corinne Johnson, their teacher here, seems to have built up a wonderful rapport with the students. In my first class, the Kardashians made a reappearance (see past weeks), but this time they had to face the US Army; they may at last have met their match. In the next class, I had the Costume Design students try to recreate the first scene in the AFTLS style, with all seven of them assigned at least two parts — and attempting to use basic costume and/or props to help keep the characters ‘alive’ during the numerous character changes. At one point, in exasperation, a student called Megan threw her script to the floor and cried, “How do you do this?” Yep, that’s pretty much how we felt on day one of rehearsal, too, Megan…

The Romeo and Juliet cast at St. Ambrose University with Nancy Hayes (center) and Lance Sadlek (upper right)

Later in the day, the charming chair of the St. Ambrose English Department, Nancy Hayes (who has helped to set up numerous Shakespeare-related events), was telling me that, in one of her classes, she thought that Sarah had brought something out of one of her students that she had never seen before, and that she thought would change her forever. Nancy claimed she had been changed too, grabbing the chance to be a waltzing fighter. “I’ve never waltzed before in my life!” She exclaimed. It took another ten seconds for her to add, “…or fought either, you understand”.

We were given the novel task this week (forgive the pun) of taking part in a project called Human Book Day, where we had to be a book — title previously provided by us — and be happy to take questions from any visitors to the library. So there were we five, pontificating on death and mutilation, ghosts and ghouls, diversity, cross-dressing and text exploration. Not your typical Wednesday afternoon.

We were also asked one evening to do a short presentation for some benefactors, where Jack acted as ringmaster and put us through our paces. “Show us how Lady Capulet sits, William”, “Do your northern accent, Jas”, “Now show us how quickly you can change from Paris to the Nurse, Sarah”. I feigned a huge interest in my shoes and hid among the vegetable dips…
When I first toured with this company 17 years ago, I bought a shot glass from every venue, as a memento, and I’ve kept up with the practice this time around. Sadly, St.Ambrose had none for sale, so I headed (with Sarah) down to the John Deere Pavilion. We are in big John Deere country here and big is, well, a big theme down there, with their big tractors and very big combine harvesters etc. So big that they too, don’t deal in anything as small as a shot glass. However, Sarah and I still stayed long enough to try out the simulator digger. Sarah caused less damage.

There was only one show this week, but very well-attended, with over 420 in the audience. And there was a real feeling that we wanted to give our kind hosts the best possible performance. People seemed pleased. One student even said to me afterwards: “I loved the Queen Mab speech. I was holding my girlfriend’s hand at the time but, right then, I was thinking that I could leave her for you.” Not sure that would work as advertising.

Other highlights of the week included a night out bowling, (where Scotty and Josh tried teaching us how to spin the ball), an evening out with Elaine and the local running club (first and last time I run over the Mississippi in the wind and snow) and an invitation to the Erotic Thigh – actually the Exotic Thai, but the neon sign wasn’t very clear…

Time for us to leave Davenport in one piece (which, apparently, is more than can be said for Cary Grant), proudly wearing our gifted John Deere baseball caps. Actually, that almost proved a problem late in the night on Saturday as they are forbidden in some bars, but I think peace was restored with some strawberry daiquiris. In shot glasses. Cheers. – Roger May (3/10/17)

Karaoke and other “dark entertainments” | AFTLS at Valpo

Venue No.3 on our tour is back in Indiana, at Valparaiso University —about an hour west of Notre Dame. The vagaries of the timeline system here means that we are now six hours behind the UK, not five. Valparaiso, in Porter County, is a town of about 30,000 people and about 4,000 students (3,000 of them undergraduates) and the name apparently means “Vale of Paradise” in Spanish, so named after David Porter (founder of Porter County), who fought in the 1812 Battle of Valparaiso in Chile. It’s not where the overture comes from, but it obviously meant enough to Mr. Porter. To my mind, it has more echoes of Milton Keynes: it has a roundabout (a great rarity so far on our travels and one that bemused the locals when it was first put in); it has a stillness to it.

Borders, an acclaimed sculpture installation by the noted contemporary Icelandic artist Steinunn Thórarinsdóttir

The university has a number of statues around the campus, Antony Gormley-like silver and bronze figures that remind me of Milton Keynes’ finest cows as you enter the town. Learn more about the installation at Valparaiso University’s Brauer Museum of Art.

Valparaiso is a regular stop for AFTLS tours, so you can imagine the welcome we got. They were ready for us too, having 35 classes lined up, on subjects ranging from macro-economics to the parables (I knew that hotel Gideon Bible would come in useful one day), from Antigone to community workshops, from nursing to the theological imagination. And yet, to be honest, it’s often the unusual subjects like these that produce surprisingly rewarding results. Jack gave a class to economics students and, immediately realizing that his lesson plan would be difficult to make work in the circumstances, he cleverly came up with a whole new idea on the spot, getting the students to work together to put forward a pitch for their own theatre company, how they would make it work financially and what would be its USP (unique selling proposition), etc.

“…this practical approach to stories and to text often helps the students to look at these works in a new and enlightening way, and it highlights the value of drama and play that goes way beyond only the interests of a theatre major.” — Roger May

When I did my class on the parables, acting out our version of The Prodigal Son, we improvised the story and set it on a present-day ranch. When the younger son left the ranch, taking his share of the family money, his first temptation was, apparently, to head straight for Disney World. Then Epcot. Then, when he was lured to some bars by people interested only in his money, I tried to lead the students to ‘darker entertainments.’ “What could they be?” I asked them. A small group shouted back “Karaoke”! Not exactly what I meant…

By the time we got to the end of the story, we had put flesh on the bare bones of the story in the Bible (albeit with some slight twists) and taken time to examine the characters’ feelings and motivations. And, at the end of the class, a theology major came up to me and said “You know, I’d never stopped to think about how the son felt when he returned home. And it’s made me look at this parable and other parables, in a new way today. Thank you for that.” I say this not to blow my own trumpet (or those in Jericho) but to blow the trumpet of this company; this practical approach to stories and to text often helps the students to look at these works in a new and enlightening way, and it highlights the value of drama and play that goes way beyond only the interests of a theatre major. Funny, though, how often these improvisations seem to lead to Disney, or to Jedi Knights, or to the Kardashians…

There remains, on our travels, a feeling that we are definitely Brits abroad. I am still struggling with the restrooms here. For a start, I was dumbfounded the other day to find a TV in the restroom – previously the only safe haven, pretty much, that I had managed to find in public spaces in America. And then, of course, those automatic flushing toilets. The other night I was sitting down in my cubicle when my phone slid out of my trousers onto the floor. I leant forward to pick it up and, no sooner had I done so than the toilet assumed I had vanished and flushed away. Well, that’s the closest I’ve come to a bidet on my travels, that’s for sure…

The British accent, too, still leads to odd situations. The other day, no sooner had we opened our mouths but the taxi driver said “So, you met the Queen?” And I swear Will was presented with a take-away cup of coffee with a curtsey the other day…

Everywhere we go, we are greeted with “How’s it going?” It took me a while to realise that Americans don’t want an answer to this – it’s really just another way of saying “Hi.” I, of course, take a perverse pleasure in answering as if they genuinely want to know how my life is going. When a hotel desk clerk in Valpo, already in the middle of a conversation with another guest, greeted my return at the front door with “How’s it going?”, I couldn’t resist taking the perverse pleasure of replying. “Not bad, thanks. I’ve just given a class on theological imagination with particular reference to the dead letter. How about you?”. There followed a confused stand-off as nobody quite knew with which conversation to resume.

By the way, for those of you who read last week’s blog, I’m convinced that Timmy has followed us. Not only did I fall through my bed as all the slats fell out but decided against changing rooms when I discovered that Jack’s tap water ran red and Jas and Sarah were sharing their rooms with stink bugs. Thanks Timmy.

The Romeo and Juliet cast with Danny, Valparaiso University Stage Manager

And so to the show. The theatre was very well-equipped and the tech was led by Eric and Danny. Danny, an acting student new to his stage management duties, could not have been more helpful and worked hard to look after us. And the audience were very appreciative—apparently they get professional productions here only rarely and the show was very well-attended.

And it’s a treat to meet some of the audience afterwards. They often come up with the most specific thoughts; on Saturday someone came up and said “I liked the way you paused in the middle of Mercutio’s ‘love was blind’ line; I’ve not seen that before”. It’s impressive when they pick up on details like that. Of course, I’m fully aware that, by talking about it, that moment is now never going to work again. It’s rather like when someone says how well the timing works with a funny line in a play; once thought about, it’s never quite the same…!

Roger May, Sarah Finigan, Jasmeen James, and Jack Whitam catch some sun on the shore of Lake Michigan.

Sorry to be very British here, but we’ve been so lucky with the mild weather, and our day off after Valpo was no different. (I don’t think Punxsutawney Phil knew what he was talking about a couple of weeks back when he predicted another six weeks of winter.) We headed for the Indiana Dunes on the edge of Lake Michigan and stood by the endlessly impressive lake, skimming stones and soaking in the sheer expanse of it all – the northern end of the lake is over 300 miles away. Our skimmers didn’t quite get to the other side.

Next up, Nashville and Vanderbilt University. (Timmy, you’re not invited.)

—Roger May (Wednesday, February 22, 2017)

 

Welcome to America | Bubbles, Bowling, and Buñuel

The Lab Theatre in the University of Notre Dame’s Washington Hall

So. Two weeks done in the US of A. We spent most of week one on the second floor of a campus building, a ‘theater lab’ that acts as our rehearsal space. Occasionally we would wander out to ‘The Huddle,’ a building opposite that houses various eateries and drinkeries that cater for our lunchtime needs. And in the evening, we would wander out to a local bar and chew the cud. But truthfully, we were in a kind of bubble, an other-world consisting of five British actors, a suitcase of props and costumes, and lots of bottles of water. And yet we are still not immune to the spiraling tornado that is emanating from the White House. The TV is awash with experts and questions and rants and fears. And honestly, I’m scared of where this all may lead. Arrests made at JFK Airport, protests, executive orders, closing borders. Strange times.

One of the classes I was asked to teach on was on the subject of rhetoric and great speeches, so I thought I’d work with them on the Mark Antony “Friends, Romans, countrymen” speech. Reading over it, this section hit me between the eyes:

“O judgment! Thou art fled to brutish beasts,
And men have lost their reason.”

Even in our iambic bubble, you can never hide away too far…

Ground transportation is Will Donaldson approved.

In fact, to highlight the surreal in all this we were greeted at Chicago airport, when we landed, with a stretch limousine. “Why?” my daughter demanded jealously when I told her. Well, apparently it was the cheaper option. All I know is that, since Chicago is an hour behind South Bend, Indiana, there was a time when I, sitting at the front and Jack, sitting right at the back, were in different time zones.

Indiana is southeast from Chicago and Lake Michigan. South Bend, the local town, is a low sprawl of highways and chain stores, much like many an American town – with so much space to play with, the architecture is generally low and wide. It’s also pretty featureless.

The University of Notre Dame, meanwhile, is a mix of impressive buildings that seem to be, in a uniformly sand-blasted way, gothic-influenced and money-influenced. For the 8,500 students here, the facilities are palatial. Apparently, many students get scholarships, which is a good job as the annual fee is apparently $61,000. The mind boggles. (You sure you want to take away the cap on the £9,000 annual fee in the UK?) The university has its own fire station, its own police force, its own zip code, and even its own power plant.

We also boggle at adverts and billboards that are so wonderfully unenglish. So far we’ve been enticed by various stores and messages: “Let’s Spoon,” “Femme Fatale” (a gun store), “Don’t Get Caught Dirty,” and a TV advert that promises to “lubricate itself right in the package.” As you can imagine, we play up the stereotype and react in a suitably Downton Abbey manner.

One big highlight this week has been to watch a live ice hockey match – a first for me. At the beginning, Will, Sarah, and I stared incomprehensibly at the high-speed mayhem but, with the help of some hockey moms cheering on their high school kids, by the end of it we were cheering and nodding knowingly at the two-minute penalties and the nuances of stick and puck. Great fun. For the record, Newtrier beat St.Joseph’s 8-2.

The boys have also ventured out to the local bowling alley. It seemed such an unprepossessing place as we drove up to Chippewa Bowl. But inside, an astonishing tardis of striking and unsparing proportions (see what I did there?). Seventy lanes. SEVENTY lanes. I ask you. Probably a good thing, as it meant no-one noticed the spirited but average fare from lane 52…

It’s surprisingly mild for the time of year but finally, in the last few days, the snow has come in. Not a staggering amount, but enough to impress five Brits and give us an excuse to finally unpack those extra Michelin-sponsored layers. Jas’ roller blades will have to wait though. In the meantime, we get our exercise in the hotel gym. I think we all know it won’t last, but we’re pretty keen cyclists, runners, and cross-trainers for this week at least.

Looking out from the stage of Washington Hall.

In the meantime, we rehearsed. Getting into the theatre was a good shock to the system; the space is a lovely two-tiered and quite intimate space (about 500 seats), but it requires a fair amount of work vocally – especially on the consonants – and is quite wide too and a challenge to play to all areas. For English readers, it’s rather like the Rose Theatre, Kingston, or Chichester (before the make-over).

Over the last few weeks, I’ve learnt two things about how to work with a company of five and no director. The first is that you have to try everything. Not only that, but you have to have time to work through each idea. It’s quite time-consuming, but even bad ideas are useful to explore, not only to be sure they don’t work, but also because they often lead to good ideas you wouldn’t otherwise have thought of. And the second thing is that you need to be as sensitive as the most sensitive person in the room. Which is not always the same person. Again, this demands a patience and awareness, but that is a useful mindset to get into for an eight-week tour. And it’s turned us into a close-knit group.

The Romeo and Juliet cast (pictured L-R): Jasmeen James, Jack Whitam, Scott Jackson (Shakespeare at Notre Dame Executive Director), Sarah Finigan, Roger May, and William Donaldson.

And so to the show. Finally playing to an audience was just what we needed, and the reception was lovely. There really is a lot of humour in the first half, despite the family feud, and the audience was quick to pick up on that. The biggest challenge is to keep the freshness of a story that everyone knows and the ending that the prologue has forewarned you of (spoiler alert). Over the coming weeks that, I suspect, will be our biggest test.

Apart from taking a class on the acting styles used in the Buñuel film Los Olvidados, possibly. That was a challenge I wasn’t expecting on this tour. In the event, we had great fun with it, storyboarding the opening of Romeo and Juliet in the style of a Buñuel film. It’s important to understand that the students we teach are often not drama students (in this case they were studying Spanish), but their willingness to dive in and participate is both surprising and wonderful. Other classes covered in this first week of teaching have included Henry VIII, the speeches of Lady Macbeth, gang violence and poetry reading.

In my warm-up for a class on rhetoric the other day, I asked the students to face a wall and give only the volume needed for that distance, and then got them to increase tat distance bit by bit. “Do any speech you like”, I said, “or, if you don’t know one, then a poem or lyrics or anything you can repeat a few times”. “Anything?”, one student asked. “Yes, anything”, I confirmed. I think it was a great compliment to the establishment that, on walking round the classroom, I heard three “Hail Marys” and four or five “Lord’s Prayers”…

After the final sold-out show tonight, we head off to Chicago for the weekend, before our next stop at Berea College in Kentucky. I have to say that the hospitality and the generosity we’ve encountered has been terrific. Long may that last on this journey.

— Roger May (2/3/17)

 

[Disclaimer: The views expressed are the author’s and do not necessarily reflect Shakespeare at Notre Dame or the University of Notre Dame.]