Meet the Winter’s Tale Cast: Wendy Robie

Wendy Robie (Paulina)

Wendy Robie (Paulina)

Wendy Robie (Paulina) has recent credits in Chicago including The Game’s Afoot with Drury Lane Theatre, Southbridge with Chicago Dramatists, Cyrano de Bergerac, Private Lives, Richard III, Hamlet, and Hecuba with Chicago Shakespeare Theatre, Sense and Sensibility with Northlight Theatre, Float with About Face, Mother Courage and her Children with Steppenwolf, Trojan Women  with The Goodman Theatre (Jeff nom. for best supporting actress), and A Delicate Balance with Remy Bumppo. Outside the U.S., Robie appeared as “Regan” in Brian Bedford’s King Lear at the 2007 Stratford Festival of Canada, and as “Bishop” in Joan Dark with the Linz, Austria 09 Kulturhouptstadt. Regional credits include the Illinois Shakespeare Festival 2013 Season; The Actors’ Theatre of Louisville; Kansas City Repertory; Arizona Theatre Company; Broadway in Texas, Austin; Portland Repertory Theatre, and South Coast Repertory Theatre (Dramalogue Award, lead actress). Film credits include Wes Craven’s The People Under the Stairs, and the recently released Were the World Mine. T.V. credits include Star Trek, DS9, and two seasons as “Nadine” in David Lynch’s Twin Peaks. Robie received the Chicago After Dark Award for Outstanding Season for 2005.


For tickets visit DeBartolo Performing Arts Center Box Office

For information visit Shakespeare at Notre Dame

Meet the Cast of The Winter’s Tale: Giles Davies

Over the coming weeks, we’ll introduce the principal actors of our Professional Company productions: The Winter’s Tale and William Shakespeare’s Long Lost First Play (abridged).  Starting with the character whose profession is self-described as “a snatcher-up of unconsidered trifles,” Autolycus is part thief, part con-man, wordsmith, and ballad-singer, and one of Shakespeare’s greatest comedic creations. Playing the role is Giles Davies.   -NDSF Staff

Giles Davis (Autolycus)

Giles Davies (Autolycus)


Giles Davies (Autolycus) was born in Hong Kong and is of British descent.  He grew up watching his parents on stage and acted from the age of five.  He received his undergraduate degree from Ball State University, and then traveled the globe, performing his solo work wherever possible. After graduating from The Ohio State University’s graduate program (with a specialty in creating solo work), he immediately joined the ensemble with Cincinnati Shakespeare Company.  Currently living in Tampa, he is in Cincinnati over the next year as a visiting professor at The University of Cincinnati, College Conservatory of Music & Drama. He loves teaching, directing, and the tropics.  Favorite past roles include Coriolanus, Macbeth, Richard III, Dracula, Frankenstein (solo), Caliban in The Tempest, and Vladimir in Waiting for Godot.


For tickets visit DeBartolo Performing Arts Center Box Office

For information visit Shakespeare at Notre Dame

 

Bro-etry in Poetry (by Andrew S. Hughes)

From left, Xavier Blevel, Anthony Murphy, Quint Mediate and Damian Leverett perform a ballet scene Thursday, July 9, 2015, during rehearsal outside the DeBartolo Performing Arts Center for the upcoming Notre Dame Shakespeare Festival's Young Company production of "Love's Labor's Lost." SBT Photo/GREG SWIERCZ

From left, Xavier Bleuel, Anthony Murphy, Quint Mediate and Damian Leverett perform a ballet scene Thursday, July 9, 2015, during rehearsal outside the DeBartolo Performing Arts Center for the upcoming Notre Dame Shakespeare Festival’s Young Company production of “Love’s Labor’s Lost.” SBT Photo/GREG SWIERCZ

Love's Labor's Lost Rehearsal Photo 4

Xavier Bleuel sings as musicians play behind him in this scene from the Notre Dame Shakespeare Festival’s Young Company production of “Love’s Labor’s Lost” that opens Sunday in Valparaiso and travels to area outdoor venues through Aug. 24. SBT Photo/GREG SWIERCZ

From left, Xavier Blevel, Anthony Murphy, Quint Mediate and Damian Leverett perform a ballet scene Thursday, July 9, 2015, during rehearsal outside the DeBartolo Performing Arts Center for the upcoming Notre Dame Shakespeare Festival's Young Company production of "Love's Labour's Lost." SBT Photo/GREG SWIERCZ

From left, Xavier Blevel, Anthony Murphy, Quint Mediate and Damian Leverett perform a ballet scene Thursday, July 9, 2015, during rehearsal outside the DeBartolo Performing Arts Center for the upcoming Notre Dame Shakespeare Festival’s Young Company production of “Love’s Labor’s Lost.” SBT Photo/GREG SWIERCZ

It shouldn’t count as a spoiler to reveal Love’s Labor’s Lost doesn’t end with one or more marriages. The play’s title means, after all, love’s labor is lost. And in that respect, the play, this year’s Notre Dame Shakespeare Festival Young Company production, is unique among William Shakespeare’s comedies.

“In all of his other plays about wooing, it ends with the men getting the women,” director West Hyler says. “It’s a war of wooing in which the men are conquerors.”
Here, the men still see themselves as warriors, but Hyler thinks the play’s nontraditional ending fits perfectly with its main characters. “These lovers are immature,” he says. “You cannot love until you have grown up. What happens at the end of the play is they grow up.”

Hyler, who joined NDSF last year to direct the Young Company’s production of The Merry Wives of Windsor, has staged nine productions of Jersey Boys on five continents, directed circuses and has a background in classical theater, an interest that drew him to work with NDSF and the Young Company. The troupe consists of about 20 students from around the country who audition to take classes, produce their own play that they perform in area parks, and be cast and crew members for NDSF’s main stage production, which is The Winter’s Tale this year.

Fittingly for a Young Company production, scholarly pursuits set the plot in motion in Love’s Labor’s Lost, which scholars believe Shakespeare wrote in 1595 or ’96; they know it was performed in 1597. The play takes place at the court of Ferdinand of Navarre, where the king and three of his noblemen — Berowne, Longaville and Dumaine — have taken an oath to forswear women and other pleasures to devote themselves to three years of study in an effort to make the court a renowned academy. The Princess of France, however, arrives with three noblewomen — Rosaline, Maria and Katherine — and the men all fall in love with the ladies.

Abigail Schnell and Xavier Bleuel rehearse a scene for the Notre Dame Shakespeare Festival’s Young Company production of “Love’s Labour’s Lost” that opens Sunday in Valparaiso and plays at area outdoor venues through Aug. 24. SBT Photo/GREG SWIERCZ

Abigail Schnell and Xavier Bleuel rehearse a scene for the Notre Dame Shakespeare Festival’s Young Company production of “Love’s Labor’s Lost” that opens Sunday in Valparaiso and plays at area outdoor venues through Aug. 24. SBT Photo/GREG SWIERCZ

To Hyler, the play has a “collegiate feel,” so he’s updated it to the 1890s and set it at a fictional Midwestern university, the University of Navarre, with the women coming from a sister school in Quebec.

“I think of it as the Smith girls go to Harvard,” he says. “I thought it was a great choice (for the Young Company), because it takes place in this fraternal bond of the boys and this sisterhood of the women. I recognized it was more or less a college romance… Loves grow very quickly, the love reaches a fever pitch quickly, and it fades quickly.”
The men’s oath, however, restricts them from courting the women in an overt manner.
“It’s a boy thing to do,” Hyler says, “to keep an oath despite all intelligence to the contrary.”
At the July 8 Beyond the Stage: Explore Love’s Labor’s Lost program, the four actors who play the king and his noblemen performed Act IV, Sc. 3, which the cast and crew have nicknamed “Bro-etry in Poetry” because it depicts each of the male suitors reciting a sonnet he’s written about the object of his attraction, with each of them thinking he’s alone and undetected by the others. The scene has a brilliant energy and hilarious joy to it while demonstrating how precisely Shakespeare’s words and the student’s performances make each of the men distinct characters. “On this one, it moves very, very fast, almost like a runaway train,” Hyler says about the play as a whole, but he could just as easily be referring that scene in particular. “The language is incredibly rich in this. It’s full of witty repartee, almost like a Noel Coward or Oscar Wilde.”

Director West Hyler, center, speaks to actor Quint Mediate during a rehearsal outside for this year’s Notre Dame Shakespeare Festival’s Young Company production of “Love’s Labor’s Lost." SBT Photo/GREG SWIERCZ

Director West Hyler, center, speaks to actor Quint Mediate during a rehearsal outside for this year’s Notre Dame Shakespeare Festival’s Young Company production of “Love’s Labor’s Lost.” SBT Photo/GREG SWIERCZ

Between scenes, Hyler has selected several works by 19th-century French composer Jacques Offenbach for the students to perform on violin, viola, trumpet, guitar and other instruments. “It allows the world to be set,” he says, and for the audience “to slow down at times to think about what you’ve seen and sort of have a palate cleanser before the next course in this feast of language.” The music serves as a transition, but “also to advance the plot,” Hyler says. “It’s diegetic; in other words, it’s being played as if it’s inside this world.”

But the play’s world also has reality as part of it. At the end, the princess learns her father has died, and she and her court prepare to return to France. The women tell the men they’ll have to wait one year to prove their love for them is true before they will marry Ferdinand and his friends. “It brings the reality of adulthood and responsibility and mortality into the world,” Hyler says about the unusual ending. “When a parent dies, you inherit the mantle of responsibility,” he says. “While your parents are alive, you sort of have a ticket to be irresponsible… They don’t win the labor they have put forward in the pursuit of love, but they have shed some of their immaturity.”

— by Andrew S. Hughes for the South Bend Tribune (July 16, 2015)

Go Backstage with Shakespeare

The Notre Dame Shakespeare Festival (NDSF) announced an expanded 2015 “Beyond the Stage” series this week. Featuring backstage access and conversations with Festival artists, NDSF’s “Beyond the Stage” events offer guests a behind-the-scenes look at the 2015 titles before they see the performances.

Beyond the Stage: Explore Love's Labor's LostThe series kicks off with Explore Love’s Labor’s Lost. Join director West Hyler (Broadway, Cirque du Soleil) and members of the NDSF Young Company for a glimpse at their touring Young Company show, Love’s Labor’s Lost. Following a conversation with Hyler, enjoy highlights from the production performed by members of the Young Company. The evening concludes with an audience Q&A.

  • Wednesday, July 8 at 7:30pm | Philbin Studio Theatre, DeBartolo Performing Arts Center | Tickets: $10 | CLICK HERE TO PURCHASE

An Evening with Reed Martin & Austin TichenorNext, enjoy An Evening with Reed Martin & Austin Tichenor. Two of theatre’s greatest comedians, Martin and Tichenor are the writer-director team behind this summer’s brand-new comedy, William Shakespeare’s Long Lost First Play (abridged). Their irreverent abridgments have been performed on five continents, at the White House, The Kennedy Center, and as part of China’s Wuzhen International Theater Festival. With their new comedy, the “bad boys of abridgment” return to Shakespeare for the first time in over 27 years. Don’t miss your chance to meet Martin and Tichenor before you see their play.

  • Wednesday, July 29 at 7:29pm | Philbin Studio Theatre, DeBartolo Performing Arts Center | Tickets: $10 | CLICK HERE TO PURCHASE

Beyond the Stage: Explore The Winter's Tale

Finally, Explore The Winter’s Tale with director Drew Fracher. Guests will tour behind-the-scenes, see how the magic is made, and meet the teams making it happen. This hour-long event begins with Fracher, in conversation with 2015 NDSF actor Wendy Robie. Fracher has worked throughout the Midwest’s most prominent regional theaters and on Broadway. Robie is perhaps best known as Nadine (with her eye patch) in David Lynch’s Twin Peaks. Guests will then see the set, visit the costume shop, and learn about the creative process directly from The Winter’s Tale designers and production staff.

  • Wednesday, August 8 | Tours at 6pm, 6:30pm, and 7pm | DeBartolo Performing Arts Center | Tickets: $10 (limited to 25 for each tour) | CLICK HERE TO PURCHASE

Purchase tickets for “Beyond the Stage” events and learn all about the 2015 NDSF productions at shakespeare.nd.edu. For interviews and/or media requests, contact Audience Development Manager Aaron Nichols at aanichols@nd.edu or (574) 631-3777.