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It’s all about the sample, the writing sample is what we focus on. Make sure you do, too.

It’s not the complete picture. See our FAQs: http://english.nd.edu/creative-writing/faq/

What qualifications do I need to be accepted? Admission to the Creative Writing Program is based primarily on the writing sample and letters of recommendation. All writing professors consider the writing samples from all applications for their particular genre. It is by far the most important part of the application. However, you must also be accepted by the University of Notre Dame Graduate School, which requires a minimum GPA of 3.0. Exceptions can be made for outstanding writing samples.

WRITE  WRITE WRITE….right?

Who? When? Where?

Sam Hazo will be on campus to root for the boys against Wake Forest. He’ll be in 119 O’Shaughnessy Hall on Friday, November 16 at 3 pm. reciting selections of his poetry.

A few cookies and some coffee to share, as well.

His extended bio is here: http://samuelhazoauthor.com/

An amazing mind, shares his imagery.

 

 

 

 

 

 

 

 

 

Sponsored by the Deans Office, College of Arts & Letters

Have you heard them, yet?

Daring, wicked, funny, INTENSE. You be da judge. These writers deserve your ears. Send feedback. We can take it.

Thursday, Nov 15 @ 7:30p

Carey Auditorium, Hesburgh Library.

popcorn bannned…..

They’re our future. Tonight’s the night to come and hear three examples of creative writing by creative writers.

Find us in the Hesburgh Library at 8 pm, Carey Auditorium.

A guaranteed goodtime…..you’ll be shocked!

Azareen Van der Vliet Oloomi will read from her new novel, Fra Keeler on Wednesday, October 3, 2012 at the Hammes Bookstore on Notre Dame’s campus. The reading begins at 7:30 p.m.

About the author:

Azareen Van der Vliet Oloomi is the author of the novel Fra Keeler (Dorothy, A Publishing Project, 2012), and the chapbook Girona (New Herring Press, 2012). She received her MFA in Literary Arts from Brown University, and is a recipient of a Fulbright Grant to Catalonia, Spain. She is co-author of the Words Without Borders dispatch series ArtistsTalk: Israel/Palestine and is at work on a second project entitled The Catalan Literary Landscape, an exploration of notions of journey and the intersections between landscape and literature. Her work has appeared in EncyclopediaXcp: A Journal of Cross Cultural PoeticsHarp & AltarPaul Revere’s Horse and in State of the Union: Fifty Political Poems, a Wave Books anthology. Her areas of interest include contemporary European, American and Middle Eastern fiction; hybrid and cross-genre novels; gender and disability studies; theory; 19th century travel narratives; Iranian cinema; New Wave cinema; and silent films.

About Fra Keeler:

A man purchases a house, the house of Fra Keeler, moves in, and begins investigating the circumstances of the latter’s death. Yet the investigation quickly turns inward, and the reality it seeks to unravel seems only to grow more strange, as the narrator pursues not leads but lines of thought, most often to hideous conclusions.

“Obsessive/delightful, Fra Keeler subtly elaborates on life’s details, its ordinary lunacies. Azareen Van der Vliet Oloomi’s observations are droll and often hilarious. Her novel’s incidents pile up and on, tilting and shifting under the weight of language’s bizarre disturbances. Fra Keeler is wonderfully imaginative, the work of a terrific young writer.” Lynne Tillman

“Azareen Van der Vliet Oloomi is the descendent of writers as brilliant and disparate as Max Frisch, Alain Robbe-Grillet and Per Petterson. Fra Keeler is a compelling and humorously associative meditation on how ‘one lives against one’s dying,’ and how that living will be in contra-distinction to all that explains that death on paper after its fact. Would that more book groups read books of this complexity and intelligence; discussion would reach on into the wee hours!” Michelle Latiolais

“In Fra Keeler a mind churns on itself, while reality—if it is reality—comes rushing at it with a strange stutter, everything a bit lost, a bit off, and ready to be ground up further by the uncertain perception of the narrator. This is a book by turns funny and strange, but always entertaining.” Brian Evenson

The reading is free and open to the public.

Stephanie Guerra teaches classes in writing and children’s and adolescent literature at Seattle University. She also teaches creative writing at King County Jail, and is building a fiction and memoir-writing program at the King County Juvenile Detention Center.

Stephanie’s writing career began in high school, when she was a regular columnist for SCOPE Magazine (Now Las Vegas Weekly) and contributing writer for Las Vegas People. At eighteen, she began to work as a personal biographer, writing unpublished family histories for clients. After college, she earned an MFA in creative writing at the University of Notre Dame, and then studied children’s responses to literature at the University of Pennsylvania.

As a researcher, Stephanie’s interest in young adult fiction has led her to study dystopian science fiction and street literature, among other genres. Her specialty is using young adult literature to build literacy with at-risk teens. She loves to present on this topic at conferences for teachers and librarians. Torn is her first young adult novel.

Stephanie enjoys playing piano, cartooning, hiking, and cooking. She lived in Italy at one time, and would like to move there with her family when she finds gold at the end of the rainbow. Currently she resides in Seattle with her husband and children.

Here’s Stephanie’s upcoming events: 1) From July 9th through 15th, she’ll be featured on Amazon’s Author Adventures page, which includes a short video of her doing author q and a, carousels of her summer reading recommendations, and info about her book. She is the first debut author they’re featuring . Check out this link www.amazon.com/authoradventures.

2) She was awarded a grant from Seattle Office of Arts & Cultural Affairs to build a creative writing program at King County Juvenile Detention Center. Here’s the link to her award info:
http://www.seattle.gov/arts/funding/youth_arts_partners.asp.

http://youtu.be/J4CrsNIUJMY

Taking to the airwaves

MFA student Betsy Cornwell will be on the second hour of NPR’s “On Point” tomorrow, Friday, March 23, talking about The Hunger Games and young adult & dystopian literature with author and critic Lev Grossman.  The show will be available as a podcast on http://onpoint.wbur.org/ and live 11-12 EST.

We present a chart of the who, what, when, and where for the upcoming national conference of the Association of Writers & Writing Programs coming to Chicago Feb 29-Mar 3.

Come and hear, see, and meet us!

 AWP 2012

The above brochure, in French, is available in a PDF format by contacting the Creative Writing Program.

The fiction of two acclaimed immigrant Irish authors, (Michael Collins, Booker and IMPAC Finalist, and National Book award winner, Colum McCann) has been adapted for the stage in a play titled, Belfast. The play is earning rave reviews in France and an English adaptation is currently underway.

The play is a timely meditation on the recent history of sectarian violence and the bloody entanglement of religion and nationalism on the Emerald Isle.

Michael’s books include Emerald Underground (Phoenix House, 1999), The Keepers of the Truth (Scribner, 2001), Lost Souls (Viking/Penguin, 2004), The Secret Life of E. Robert Pendleton (Bloomsbury, 2006), Death of a Writer (Bloomsbury, 2006), and Midnight in a Perfect Life (Orion Publishing, 2010). The Keepers of the Truth was short-listed for the Man Booker Prize. He has also published an essay in the anthology Solo: Writers on Pilgrimage (Macfarlane, Walter & Ross, 2004). He won the Rev Robert F. Griffin, C.S.C., Award in 2008, and the Lucien Barriere Literary Prize in 2011. In May 2009, he was the keynote speaker at the Notre Dame Mendoza Business College for Undergradate Scholars Conference. He maintains a website.

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