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Dearest Friends and Relations,

I am tickled to announce that The Powers, the first novel to feature Dorothy Day, Joe DiMaggio, and Walker Evans in close proximity, is now available between covers.

I am almost as tickled to announce my own debut as shameless self-promoter on YouTube at: http://youtu.be/BX2XkHp0l80

I would be forever grateful if you were kind enough to click the link.  And I would be more grateful still if you were inclined to tweet, tumble, or even–saints preserve us–like it on your Facebook page.

The video’s the work of the world’s most patient, generous, and multi-talented husband, Christian Jara, who is also the artist behind the book’s photography design.

Yours, more than a little abashedly,

Valerie

Hey Tony!

The first victim in our series of interviews with Creative Writing Program Alumni, Tony D’Souza (’00) answers our questions about becoming a writer, the writing process, and the realities of life as a writer.

 

Why did you want to become a writer? Briefly describe how you became one.

Tony D'SouzaI’m mid-career as a writer and can hardly remember any longer. I suppose I will just be honest. I enjoyed reading great books and romanticized the lives of the people who wrote them. Hemingway, Fitzgerald, Kerouac, etc. I wanted to be that cool and live a life out of the ordinary. Pretty quickly once I started writing, it became less about being and living like them and more about the love of words, the intoxication of being lost in a scene, and overcoming the personal challenge that writing is for me.

 

Who influenced you and helped your development and how?

I had a mentor as an undergrad, a writer-in-residence at my small liberal arts college. She had been published a few times in the New Yorker; we ended up doing three independent studies in fiction together, reading really great short stories–Welty, Carver, Dubus, Gaitskill– smoking cigarettes together, and she’d read my work. I worked hard and listened to her. I was very much in lust with her. It made me want to work toward a ‘reward’. It gave me the foundations of what my career has been: unusual drive and discipline all aimed at getting a reward.

 

Stephen&tony

What advice do you offer aspiring writers?

You cannot have any real sense of what hard work is yet. Whatever discipline you might have, multiply it by what you cannot even imagine and get to work. The two most important things a writer must do are read and write.

 

Choose one, two, or three of your books and discuss how the idea originated for the finished book.

I always start with a blank page and my life experiences. I sit down and put down a line trying to get into a memory. If it goes well, the jumping off point quickly falls away into the unexpected. But it has always been counting on my life experiences to give me a place to start. Blank page, no plan. It’s turned into a body of work.

 

Discuss genre, where does your writing fit, or not?

My work is literary realism. I have a few stories that experiment and my last novel might be called “commercial-ish.” But I am literary to a T. That doesn’t mean dry or that it doesn’t sell any copies. It means that it doesn’t have any of the cheap, two-dimensional affects of genre. I’ll never understand why crappy genre books sell so many more copies than literary. Never. Just don’t get it at all.

 

If your book was film optioned, which actors would you choose to play your characters in a movie rendition?

My last book was optioned by Warner Bros. I do not care at all who plays any of the characters or if they mangle the script or whatever. I would just like to see it made so that I get paid and will have more time to write other books. Writing that book was hard enough. It’s my past and I hope I have a future.

 

How long did it take to complete your first draft of your manuscript?

It takes me six months to write a novel. But it takes me between two and five years of writing out a bunch of crap before the Muse finally decides to stop destroying me and actually gives me a first line that then sets off a frantic six month period of writing a novel. Life between writing novels is miserable hell.

 

WindowGive a one sentence synopsis of your book?

Drug mule argues with boss and kills him.

 

Discuss your latest enterprise?

A few deleted drafts of garbage and a lot of cigarette butts, fear and depression.

 

“Mystery” 10th Question: Do you regret your decision to forego a stable career and become a writer?

No.

 

All excellent answers, especially that last one! It’s good to know that for many of our graduates, the risk involved in a career as a writer is worth the reward. 

Tony’s most recent book, Mule, is available for purchase here—-for more information about Tony and his other publications, check out his website!

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March 6 at 6:00pm until March 9 at 9:00pm

  • Please join us for these events by friends, faculty, and alums of ND! It’s sure to be a great time.  And don’t forget to stop by our table in the bookfair!  And don’t forget to stop by Action Books’ table, too!
    Wednesday, March 6
    Johannes Gorannson & Joyelle McSweeney Action/Argos/Dusie/Fence/Futurepoem/Litmus/Nightboat present: An Editors’
    Reading 7:00pm
    Mobius 55 Norfolk St
    Cambridge, MA 02139
    Thursday, March 7
    Cornelius Eady
    Book of Hooks: Readings and Music, Presented by Kattywompus Press
    10:30-11:45am
    Alice Hoffman Bookfair Stage, Exhibit Hall D, Level 2
    Ed Falco
    Fiction: What’s Up With That?
    12:00-1:15pm
    Room 206, Level 2
    Beth Ann Fennelly
    Five Years of Normal: Anniversary Reading for the Normal School
    1:30-2:45pm Room 107, Plaza Level
    Francisco Aragon
    Breaking the Glass Ceiling
    1:30-2:45pm
    Room 110, Plaza Level
    Cornelius Eady
    Plays Well With Others: Nonprofit Arts Collaboration
    3:00-4:15pm
    Room 306, Level 3
    Marcela Sulak
    Sentenced to Death: Translating Resistence and Liberation
    4:30-5:45pm Room 107, Plaza Level
    Steve Tomasula
    Lyricist Maximus: Maximalism and the Lyric Essay
    4:30-5:45pm
    Room 110, Plaza Level
    Johannes Gorannson (reading the work of Aase Berg) & Monica Mody
    NO THOUSANDS, Part 1!
    6:00-8:00pm
    Middle East Restaurant and Nightclub – Upstairs 472 Mass. Ave. Cambridge
    Friday, March 8
    Marcela Sulak
    The Poet Magician: Writing Out of Single Motherhood
    12:00-1:15pm
    Room 109, Plaza Level
    Orlando Ricardo Menes
    Reading of Contemporary Caribbean Poetry
    3:00-4:15pm
    Room 310, Level 3
    Valerie Sayers
    TriQuarterly Books Reading
    6:00pm
    Sherrill Library Lesley University 99 Brattle Street Cambridge, MA
    Carina Finn
    I’m So Tired
    6-7:30pm
    Trident Booksellers and Cafe 338 Newbury St
    Saturday, March 9
    Toni Margarita Plummer
    Women in Crime
    10:30-11:45am
    Room 110, Plaza Level
    Francisco Aragon
    Sons of Boston: Tino Vallanueva and Don Share
    10:30-11:45am
    Room 206, Level 2
    Luisa A. Igloria
    Career Suicide
    12:00-1:15am
    Room 102, Plaza Level
    Beth Ann Fennelly
    Courting the Love Poem: Challenges of Sincerity and Sentimentality
    12:00-1:15pm
    Room 110, Plaza Level
    Susan Blackwell Ramsey
    From the University of Nebraska Press: Readings from the Prairie Schooner Book Prize Anniversary Reader
    12:00-1:15pm
    Room 209, Level 2
    Ed Falco
    Reading by Grand Central Authors
    12:00-1:15pm
    Room 306, Level 3
    Carina Finn
    Birds of Lace and Dancing Girl Press Present: Dancing Birds Brunch — The Answer to Your Saturday AWP Hangover
    12:00pm
    Sheraton Boston (Room TBA)
    Rebecca Hazelton
    Embracing Echo, Rediscovering the Self: Teaching Strategies of Repetition in the Undergraduate Poetry Workshop
    1:30-2:45pm
    Patricia Olson Bookfair Stage Exhibit Hall A, Plaza Level
    Cornelius Eady
    Come Celebrate With with Us: The Multiple Legacies of Lucille Clifton
    3:00-4:45pm
    Room 210, Level 2
    Please post any other AWP events not listed here featuring ND faculty, alums, and friends in the comments of this events page or on the group wall! We’d love for our AWP-goers to be able to come out and support you.

900 Boylston Street, Boston, Massachusetts 02115

But, are you published?

Dear friends and family,

I’m pleased to announce my little chapbook of 19 poems, which is being brought out by Finishing Line Press in Louisville, Kentucky.  Joe kindly provided the cover photograph.  These poems look at animals, weather, and other aspects of the natural world.  From the amusing to the sad, from the beautiful to the threatening, the poems reflect nature’s complexities.

The book costs $14, plus $1.99 shipping, and it’s now available for pre-publication ordering.  You may receive a postcard announcement.  For convenience, there is a hot link to the web site at the bottom of this email (in my signature).  If you enjoy poetry, or would like to have me “virtually” join the other books on your shelves, I hope you’ll order a copy.  I appreciate your consideration and goodwill!

Jayne

 

Advance copy / prepublication sales Nov. 13 – Dec. 28

Release date (this is the week the books will be mailed): Feb. 23, 2013

Please visit Finishing Line Press at https://www.finishinglinepress.com/product_info.php?products_id=1579 to view and purchase my new chapbook, Imposition of Form on the Natural World.  Preorders help the print run, so please order now.  Shipping date is Feb. 23, 2013.

It’s all about the sample, the writing sample is what we focus on. Make sure you do, too.

It’s not the complete picture. See our FAQs: http://english.nd.edu/creative-writing/faq/

What qualifications do I need to be accepted? Admission to the Creative Writing Program is based primarily on the writing sample and letters of recommendation. All writing professors consider the writing samples from all applications for their particular genre. It is by far the most important part of the application. However, you must also be accepted by the University of Notre Dame Graduate School, which requires a minimum GPA of 3.0. Exceptions can be made for outstanding writing samples.

WRITE  WRITE WRITE….right?

Who? When? Where?

Sam Hazo will be on campus to root for the boys against Wake Forest. He’ll be in 119 O’Shaughnessy Hall on Friday, November 16 at 3 pm. reciting selections of his poetry.

A few cookies and some coffee to share, as well.

His extended bio is here: http://samuelhazoauthor.com/

An amazing mind, shares his imagery.

 

 

 

 

 

 

 

 

 

Sponsored by the Deans Office, College of Arts & Letters

Have you heard them, yet?

Daring, wicked, funny, INTENSE. You be da judge. These writers deserve your ears. Send feedback. We can take it.

Thursday, Nov 15 @ 7:30p

Carey Auditorium, Hesburgh Library.

popcorn bannned…..

They’re our future. Tonight’s the night to come and hear three examples of creative writing by creative writers.

Find us in the Hesburgh Library at 8 pm, Carey Auditorium.

A guaranteed goodtime…..you’ll be shocked!

Azareen Van der Vliet Oloomi will read from her new novel, Fra Keeler on Wednesday, October 3, 2012 at the Hammes Bookstore on Notre Dame’s campus. The reading begins at 7:30 p.m.

About the author:

Azareen Van der Vliet Oloomi is the author of the novel Fra Keeler (Dorothy, A Publishing Project, 2012), and the chapbook Girona (New Herring Press, 2012). She received her MFA in Literary Arts from Brown University, and is a recipient of a Fulbright Grant to Catalonia, Spain. She is co-author of the Words Without Borders dispatch series ArtistsTalk: Israel/Palestine and is at work on a second project entitled The Catalan Literary Landscape, an exploration of notions of journey and the intersections between landscape and literature. Her work has appeared in EncyclopediaXcp: A Journal of Cross Cultural PoeticsHarp & AltarPaul Revere’s Horse and in State of the Union: Fifty Political Poems, a Wave Books anthology. Her areas of interest include contemporary European, American and Middle Eastern fiction; hybrid and cross-genre novels; gender and disability studies; theory; 19th century travel narratives; Iranian cinema; New Wave cinema; and silent films.

About Fra Keeler:

A man purchases a house, the house of Fra Keeler, moves in, and begins investigating the circumstances of the latter’s death. Yet the investigation quickly turns inward, and the reality it seeks to unravel seems only to grow more strange, as the narrator pursues not leads but lines of thought, most often to hideous conclusions.

“Obsessive/delightful, Fra Keeler subtly elaborates on life’s details, its ordinary lunacies. Azareen Van der Vliet Oloomi’s observations are droll and often hilarious. Her novel’s incidents pile up and on, tilting and shifting under the weight of language’s bizarre disturbances. Fra Keeler is wonderfully imaginative, the work of a terrific young writer.” Lynne Tillman

“Azareen Van der Vliet Oloomi is the descendent of writers as brilliant and disparate as Max Frisch, Alain Robbe-Grillet and Per Petterson. Fra Keeler is a compelling and humorously associative meditation on how ‘one lives against one’s dying,’ and how that living will be in contra-distinction to all that explains that death on paper after its fact. Would that more book groups read books of this complexity and intelligence; discussion would reach on into the wee hours!” Michelle Latiolais

“In Fra Keeler a mind churns on itself, while reality—if it is reality—comes rushing at it with a strange stutter, everything a bit lost, a bit off, and ready to be ground up further by the uncertain perception of the narrator. This is a book by turns funny and strange, but always entertaining.” Brian Evenson

The reading is free and open to the public.

Stephanie Guerra teaches classes in writing and children’s and adolescent literature at Seattle University. She also teaches creative writing at King County Jail, and is building a fiction and memoir-writing program at the King County Juvenile Detention Center.

Stephanie’s writing career began in high school, when she was a regular columnist for SCOPE Magazine (Now Las Vegas Weekly) and contributing writer for Las Vegas People. At eighteen, she began to work as a personal biographer, writing unpublished family histories for clients. After college, she earned an MFA in creative writing at the University of Notre Dame, and then studied children’s responses to literature at the University of Pennsylvania.

As a researcher, Stephanie’s interest in young adult fiction has led her to study dystopian science fiction and street literature, among other genres. Her specialty is using young adult literature to build literacy with at-risk teens. She loves to present on this topic at conferences for teachers and librarians. Torn is her first young adult novel.

Stephanie enjoys playing piano, cartooning, hiking, and cooking. She lived in Italy at one time, and would like to move there with her family when she finds gold at the end of the rainbow. Currently she resides in Seattle with her husband and children.

Here’s Stephanie’s upcoming events: 1) From July 9th through 15th, she’ll be featured on Amazon’s Author Adventures page, which includes a short video of her doing author q and a, carousels of her summer reading recommendations, and info about her book. She is the first debut author they’re featuring . Check out this link www.amazon.com/authoradventures.

2) She was awarded a grant from Seattle Office of Arts & Cultural Affairs to build a creative writing program at King County Juvenile Detention Center. Here’s the link to her award info:
http://www.seattle.gov/arts/funding/youth_arts_partners.asp.

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