MFA Creative Writing

Sometimes I wonder, why couldn’t I have been a fictional character? My clumsy use of English would be replaced with a language of snappy, snarky lines in response to other silvery tongues. Even if I were forced to stammer or say something foolish, at least it would have been intentional. There would be no more awkward conversations and silences – except when they’re necessary. Outwardly and inwardly, I would be glamorous. Or ugly, but “ugly” in a manner constructed to channel the sympathies of the audience. Even if I died, I would live. I would suffer for art.

What could possibly go wrong with an existence locked behind a screen, or defined by black squiggles on white paper? Well, OK, there are certain authors whose characters I don’t envy, and one of them comes for you.

Kyle Muntz will read Wednesday, February 1, 2017, at Hammes Campus Bookstore on Notre Dame. The reading begins at 7:30 PM. It is free and open to the public.

Kyle Muntz is the author of five novels: Scary People (2015, Eraserhead Press), Green Lights (2014, Civil Coping Mechanisms), VII (A Novel): The Life, Times, and Tragedy of Sir Edward William Locke the Third: Gentleman (2012, Enigmatic Ink), Sunshine in the Valley (2011, Civil Coping Mechanisms), and Voices (2010, Enigmatic Ink).  Excerpts and other pieces of his have also been published in Gone Lawn, Step Chamber, The Journal of Experimental Fiction and Fiction International. His work incorporates elements of science fiction and fantasy along with elements of the avant-garde. Muntz is interested in the literature of aesthetic and ideas. He is a game designer and writer for the character driven RPG, The Pale City.

What aesthetics and ideas inform dirty pirates, abusive relationships, accidental profundity, heart-stealing demons and existential dread? You’ll have to wait until Februrary 1 to find out. You won’t see me in that book.

-Moon

So begins a new year and a new era of reading series. How should we proceed? To move forward we must also look back at who we were and what has made us. Generations smile at each other. We stand on the shoulders of our elders but bear their weight to form an impossible human tower that still stretches out into the horizon. Once in a while, we look back and up to reaffirm these bonds, their solemn weight.

The Ernest Sandeen Memorial Reading commemorates the poet, scholar and teacher, Ernest Sandeen. A distinguished senior poet is invited to give the reading and selects a younger poet to read alongside him or her, thus honoring both Ernest Sandeen’s accomplishment as a poet and his many decades of mentorship at the University of Notre Dame. In this spirit, Claudia Rankine has invited Solmaz Sharif to read with her on Thursday, January 26, 2017, in McKenna Hall Auditorium at Notre Dame. The reading begins at 7:30 PM. It is free and open to the public.

Additionally, there is a Q&A with Claudia Rankine at 3:30 PM on the same day, in room 100-104 McKenna Hall. Like the reading, everybody is welcome to attend and learn.

Claudia Rankine, the recipient of a 2016 MacArthur ‘genius’ grant, is the author of five collections of poetry including Citizen: An American Lyric and Don’t Let Me Be Lonely; two plays including Provenance of Beauty: A South Bronx Travelogue; and numerous video collaborations. She is the editor of anthologies including The Racial imaginary: Writers on Race in the Life of the Mind and America Poets in the 21^st Century. For Citizen, Rankine won the Forward Prize for Poetry, the National Book Critics Circle Award for Poetry, the Los Angeles Times Book Award, the PEN Open Book Award, and the NAACP Image Award. Among her numerous awards and honors, Rankine is the recipient of the Poets & Writers’ Jackson Poetry Prize and fellowships from the Lannan Foundation and the National Endowment for the Arts. She teaches at Yale University as the Frederick Iseman Professor of Poetry.

Solmaz Sharif holds degrees from U.C. Berkeley, where she studied and taught with June Jordan’s Poetry for the People, and New York University. Her work has appeared in The New Republic, Poetry, The Kenyon Review, and others. The former managing director of the Asian American Writers’ Workshop, her work has been recognized with a “Discovery”/Boston Review Poetry Prize, scholarships the Bread Loaf Writers’ Conference, a winter fellowship at the Fine Arts Work Center in Provincetown, an NEA fellowship, and a Stegner Fellowship. She has most recently been selected to receive a 2014 Rona Jaffe Foundation Writer’s Award as well as a Ruth Lilly and Dorothy Sargent Rosenberg Fellowship. She is currently a lecturer at Stanford University. Her first poetry collection, LOOK, published by Graywolf Press in 2016, is a finalist for the National Book Award.

Through reexamination of our souls, their pedestals, and the chamber they stand in, our words gain painful weight. For the sake of the future, we must carry those burdens and seek out new ways shoulder them from the old. This act of remembering will not be wishful nostalgia. Sandeen, Rankine, and Sharif will guide us like they have been guided so that we may guide others.

-Moon

Where will you be at the end of the semester? Perhaps this an accurate portrait (give or take some hair/fur).

But it’s not over yet. If you’re a student, you got those finals and papers keeping vigil before the new year. If you’re not, you got those not-a-student end of year ordeals. Either way, we’re all stumbling over the finish line towards the next season of this race. Fortunately, I bring something to breathe life into you (and it’s not Christmas coming early).

Taeyin ChoGlueck, Luis Lopez-Maldonado, and Tania Sarfraz will read and perform their poetry and prose on Wednesday, December 7, 2016, at the Hospitality Room of Reckers on Notre Dame’s campus. The reading begins at 7:30 PM. It is free and open to the public.

Taeyin ChoGlueck is the co-founder of Stage for Change, a non-profit group that puts unheard voices that question identity, inclusion, and difference on the stage. Her most recent play, The Pink Pope, is a feminist satire featuring a female God dealing with a Purgatory full of misogynistic men who reject Her, and a split church led by women on earth. Recently, Taeyin has found herself writing about menopausal super heroes, virgin ghosts, and ajummas. In her spare time, she eats up Korean webtoons (that may or may not star menopausal super heroes, virgin ghosts, ajummas, and menopausal supervirgin ajumma ghosts). Did you miss The Pink Pope? Now’s your chance to make up for it.

Luis Lopez-Maldonado is a Xican@ poeta, choreographer and educator. He earned a Bachelor’s degree in Creative Writing and Dance from the University of California Riverside. His poetry has been seen in The American Poetry Review, Cloudbank, The Packinghouse Review, Public Pool, and Spillway, among many others. He also earned a Master of Arts degree in Dance from Florida State University. He is a candidate for the Master of Fine Arts degree in Creative Writing at Notre Dame, where he is poetry editorial assistant for the Notre Dame Review, and founder of the men’s writing workshop in the St. Joseph County Juvenile Justice Center. He is also co-founder and editor at The Brillantina Project and founder of Humans of The University of Notre Dame. Luis’s reading will focus on violence as performance, and explore the hybridity between poetry, choreography, and audience. His works will contain themes relating to the darkness in America we all know: the mass shootings, the racism, the sexism, the homophobism, and the hate, among others. Plan to be disturbed. Prepare to hear erotic, beautiful language. Get excited to experience the world premier of his new contemporary dance solo: Silence Is Violence.

Tania Sarfraz received her Bachelor of Arts degree in Anthropology from Brown University in 2014. She won the Weston Senior Prize for her short fiction collection, Betrayal & Other Stories. She recently acquired a sentient hotdog on a skateboard, but due to legal issues it remains to be seen if Tania will bring it to the reading. It is entirely possible it has been eaten already. Such is the life of a hotdog.

But forget about franks. Let us all gather to on December 7 to reflect upon 2016 and gaze towards the trials and possibilities that await us in 2017. Come hear the voices of bright minds to clear your own, or fill it with inspiration.

-Moon

Approach with footfalls soft as a kitten’s nose. Art is the delicate process of making craters. To breathe upon them adds carbon dioxide to the equation. It is a stone age tradition that drinks fresh blood. It is the sum of all shadows that cast a human. Do not be obvious, oblivious, obedient, observable, objective. Be obscure, obnoxious, obstructive, observant, obscene. We will bring the hammocks for the revolution. Align your nightlight through any means necessary. This water fountain is bitter.

Did you deny your bruises? Then we’re ready.

Kelsey Castaneda, Bailey Pittenger, and Sarah Snider will read their poetry and prose on Wednesday, November 30, 2016, at the Hospitality Room of Reckers on Notre Dame’s campus. The reading begins at 7:30 PM. It is free and open to the public.

Kelsey Castaneda received her Bachelor of Arts in 2014 from Georgetown College, where she studied English and Classics. She spent a summer studying Creative Writing in Prague, and a semester at Oxford studying Shakespeare and Ovid. Most recently she took a gap year and taught English in Slovakia through the Fulbright Program. For three years, Kelsey was the Student Editor of Georgetown College’s literary magazine, the Georgetown Review, and her poem You Are Constellations was published in the magazine’s very last issue for spring 2015. She dreams of becoming a Greek siren with her own personal chorus of cats.

Bailey Pittenger studied English with focuses in Women’s and Gender Studies and Creative Writing as an undergraduate at Wake Forest University. She continued her studies at Wake Forest University for a Master’s degree in English, in which she focused her thesis studies on techniques of experimental form used by contemporary Caribbean and Caribbean-American writers and a creative manuscript of science fiction stories inspired by Old English elegies. She will be introduced by Abby Burns (one of our new Prosers) and introduce Sarah. Have you ever woke up in the middle of the night, to the eternal question, “What is Bailey’s thesis project?” Now you can find out.

Sarah Snider graduated from Yeshiva University with a Bachelor of Arts in English Literature and minors in History and Women’s Studies in January 2012. Since then, she has worked in a variety of nonprofit jobs in areas including disaster relief, community outreach, volunteer coordination, feminist advocacy, university student activities, and Holocaust survivor outreach. Sarah will be reading a creative nonfiction piece about living and breathing within the sub-subculture of American Orthodox Judaism. Her work covers issues surrounding gender, family, religion, and culture, but attempts to do so with a desperate insertion of humor and in a pleasantly fragmented fashion. Sometimes she insists that she writes fiction also, just to remind herself that she still can.

Come as you are. You do not need to be alright. Bring everyone including your shovel. That is not an order. Everything will become a halation.

-Moon

Does anyone know what a Wunderkammer is?

I see you have your hand raised, Wikipedia.

“Cabinets of curiosities were encyclopedic collections of objects whose categorical boundaries were, in Renaissance Europe, yet to be defined. Modern terminology would categorize the objects included as belonging to natural history (sometimes faked), geology, ethnography, archaeology, religious or historical relics, works of art (including cabinet paintings), and antiquities.”

Yes, Francesaco Fiorani?

“The Kunstkammer was regarded as a microcosm or theater of the world, and a memory theater. The Kunstkammer conveyed symbolically the patron’s control of the world through its indoor, microscopic reproduction.”

A most excellent response. Now, can someone tell me why you would title a book of poetry after it?

I guess we’ll have to ask the poet herself.

Cynthia Cruz will read Wednesday, November 16, 2016, in the Eck Center Auditorium. The reading begins at 7:30 PM. It is free and open to the public.

Cynthia Cruz is the author of four collections of poetry, with How the End Begins (2016), The Glimmering Room (2012) and Wunderkammer (2014) published by Four Way Books, and Ruin (2006) by Alice James Books. She has published poems in numerous literary journals and magazines including the New Yorker, Kenyon Review, the Paris Review, and the Boston Review, and in anthologies including Isn’t it Romantic: 100 Love Poems by Younger Poets (2004), and The Iowa Anthology of New American Poetries (2004). She is the recipient of fellowships from Yaddo, the MacDowell Colony, and a Hodder Fellowship from Princeton University. Cruz teaches writing at Sarah Lawrence College while pursuing a PhD in German Studies at Rutgers University. She has previously taught at the Juilliard School, Fordham University, the Rutgers-Newark MFA Program and Eugene Lang College. Cruz earned her BA at Mills College, her MFA in Creative Writing at Sarah Lawrence College, and her MFA in Art Writing & Criticism at the School of Visual Arts. She and has published essays, interviews, book and art reviews in the LA Review of Books, Hyperallergic, Guernica, The American Poetry Review, and The Rumpus.

So what are the boundaries of Cruz’s poetry? What memories has she collected? How is the world controlled and recreated within her poetics? There is no need to answer now. This is all homework, due November 16. Do come if you don’t want to flunk.

-Moon

“I’ve been here for a couple of months now, enough time to eat a barrel full of oranges or train a barrel full of monkeys. I’m trying my best with all that citrus fruit but I can’t seem to find any simians. All I have are squirrels. And chipmunks and bunnies, but they have kept their overwhelming fear of humanity.”

“I wonder about them. The squirrels. Is it proof of superior intellect that they recognize most humans don’t pose a threat? How long has it been since they allowed these lumbering, clothed giants to enter their personal space? Is it genetic or is it learned behavior? Has research ever been conducted by ND biology students? Do you love me?”

We interrupt our unscheduled programming for an important message from our sponsors.

Thomas McGonigle will read Wednesday, November 9, 2016, at Hammes Campus Bookstore on Notre Dame. The reading begins at 7:30 PM. It is free and open to the public.

Thomas McGonigle is the author of novels The Corpse Dream of N. Petkov (Dalkey Archive/Northwestern University Press), Going to Patchogue, (Dalkey Archive), and St. Patrick’s Day: another day in Dublin (University of Notre Dame Press), which received the 2016 Notre Dame Review Prize. His poems were published in Arena (Dublin), Poetry Ireland, The Gorey Detail (Ireland), Broadsheet (Dublin) and Screw. His prose was published in various forms in Bomb, Arts Magazine, Los Angeles Times, Chicago Tribune, Newsday, Washington Post, The Gorey Detail, Cream City Review, The Guardian, Notre Dame Review, Art in America and Bookforum. McGonigle is an alumnus of University College Dublin, Beloit College, Hollins College and Columbia University. He worked as a foot messenger for Maple Vail Book Manufacturing Co, NYC for 24 years and taught creative writing at Rutgers University and New York University. McGonigle continues to teach at the City University of New York. He is the founder and editor of Adrift Irish and Irish American Writing.

“By his skillful use of modernist techniques he gives the ‘Irish Novel’ a long outstanding and much deserved kick up the arse into the twenty-first century.” So says Nuala Ni Dhomhnaill, former Ireland Professor of Poetry, on his review of St. Patrick’s Day: another day in Dublin. That is high praise indeed, and everyone should come to McGonigle’s reading to learn how to kick some arses. I think I’ll start with punting campus squirrel studies into the 21st century.

-Moon

On Writing a Blog About Lily Hoang’s Reading
By Moonseok Choi

I trust all of you
have had that moment
curiosity grasps your heart and mind
before Facebook, before Internet
(was there ever such a time)
when research becomes but an excuse,
reading accompanies guilt and secret
yet you skim it once
from the random page it opened on
move backwards
then forwards
close the book, open it
from dedication to acknowledgement
to construct a full reading
out of fascinated peeks of surgical precision,
to enact a one-sided love
mere humans do not deserve.

Yeah, A Bestiary was really good. I might read it again. Poem’s over, by the way. But Lily Hoang‘s reading isn’t. She will read Wednesday, November 2, 2016, at Hammes Campus Bookstore on Notre Dame. The reading begins at 7:30 PM. It is free and open to the public.

Lily Hoang is the author of five books, including A Bestiary (winner of the inaugural Cleveland State University Poetry Center’s Nonfiction Contest) and Changing (recipient of a PEN Open Books Award). With Joshua Marie Wilkinson, she edited the anthology The Force of What’s Possible: Writers on Accessibility and the Avant-Garde. She is Director of the MFA program at New Mexico State University. She serves as Editor at Puerto del Sol and for Jaded Ibis Press. Hoang is interested in narrative in its many guises, whether it is a traditional short story or conceptual experimentation. Although her books have been labeled as “experimental” or “avant-garde,” what she loves are narratives, the ways in which a story can happen and influence the reader. She is active in small press publishing and Internet writing communities.

Hoang influenced me alright. I felt an outpouring of things that people might call emotions – pain, laughter, anger, acceptance, grief, and heart just to name a few. They manifested in a public space, where such things must be hidden up sleeves and behind brushed teeth. I’m glad to have had that secret moment, which as the constant irony of the age of social media dictates, is no longer a secret anymore. Yet a shared secret still remains a secret, even when it ostensibly should not be. So do cherish that minute of mine, and perhaps you’ll have one of your own to tell me next time.

You may had heard of Norman Finkelstein. You may have heard of Michael Heller. You may have heard about Norman Finkelstein and Michael Heller. You might have heard of them. It is possible that you remember seeing that they would read. That they would read together at Notre Dame. It is possible that you have not. Possible that you have seen this, but question your memory. Perhaps it was in a dream. Perhaps this post is a dream. Perhaps I am dreaming of writing a blog post about Norman Finkelstein and Michael Heller, reading, at Notre Dame, together. Well, let me clarify.

Norman Finkelstein and Michael Heller will be reading their poetry at the Notre Dame Hammes Bookstore on Wednesday, October 26, 2016, at 7:30 p.m. The reading is free and open to the public.

Finkelstein and Heller are the authors of many books of poetry and criticism on modern and contemporary poetry. The reading will celebrate new collections of poetry by the two authors. Finkelstein is Professor of English at Xavier University in Cincinnati and Heller is Professor Emeritus of English and American Studies at NYU. Following the reading, Finkelstein and Heller will engage in a discussion with the audience on the subject of “Revealment and Concealment in Modern Poetry.” The title of their discussion is drawn from an essay by the Israeli poet Hayim Bialik, which is included at the end of the packet.

Norman Finkelstein is a poet, critic, and Professor of English at Xavier University, where he has taught since 1980. He has published widely in the fields of modern poetry and Jewish American literature. His most recent critical book is On Mount Vision: Forms of the Sacred in Contemporary American Poetry (University of Iowa Press, 2010); his most recent volumes of poetry are The Ratio of Reason to Magic: New and Selected Poems (Dos Madres, 2016) and the serial poem Track (Shearsman, 2012). He is currently working on a book of essays to be published by Hebrew Union College Press, tentatively titled Like a Dark Rabbi: Modern Poetry & the Jewish Literary Imagination.

Michael Heller has published over twenty volumes of poetry, essays, memoir and fiction, the latest being Dianoia, a new collection of poems published this year.  Recent books include This Constellation Is A Name: Collected Poems 1965-2010, Beckmann Variations & other poems, Eschaton, Speaking the Estranged: Essays on the Work of George Oppen.  Multimedia collaborations with the composer Ellen Fishman Johnson include the musical/theater work Constellations of Waking (on Walter Benjamin) and This Art Burning.  Among his many awards and honors are the Alice Fay Di Castagnola Prize, a New York Foundation on the Arts Fellowship, the National Endowment for the Humanities Poet/Scholar Award and the Fund for Poetry.  A collection of essays on his work, The Poetry and Poetics of Michael Heller: Nomad Memory, was published in 2015.

Thus the nature of this reading is revealed. Then what has been concealed? Revelation cannot exist without obscuration, just as a good cup of coffee can’t exist without bad coffees to elevate it. Come to the reading to be enlightened on a facet of modern poetry by discourse and example.

He raises a fist. It transforms into an open palm through the magic of extending his fingers. It sways from left, to right, then left. He repeats it as many times as is necessary.

It’s me, Moon.

I’ve written something on my hand. Won’t you give it back to me?

Thank you. Ahem. Danielle Dutton will read Wednesday, October 12, 2016, at Hammes Campus Bookstore on Notre Dame. The reading begins at 7:30 PM. You will have to send me all your money, and pictures of small animals.

Just kidding. It’s free and open to the public. I prefer puppies, by the way.

Danielle Dutton’s fiction has appeared in magazines such as Harper’s, BOMB, Fence, and Noon. She is the author of Attempts at a Life, S P R A W L (a finalist for the Believer Book Award), and the novel Margaret the First. In 2015, Siglio Press released Here Comes Kitty: A Comic Opera, an artist’s book with texts by Dutton and images by Richard Kraft. Dutton holds a PhD from the University of Denver, an MFA from the School of the Art Institute of Chicago, and a BA from the University of California, Santa Cruz. Before joining the faculty at Washington University in St. Louis, she taught in the Jack Kerouac School of Disembodied Poetics at Naropa and was the book designer at Dalkey Archive Press. In 2010, Dutton founded the small press Dorothy, a publishing project, which now offers an internship to one MFA writing student each year.

OK, you can have my hand back.

To be honest, I have no idea who Margaret the First (the person) actually is. Let’s try Wikipedia. “Cavendish was a poet, philosopher, writer of prose romances, essayist, and playwright who published under her own name at a time when most women writers published anonymously.” “She has been claimed as an advocate for animals and as an early opponent of animal testing.” I think I like her.

Margaret the First (the novel) is the dramatization of her life, in which Dutton “expertly captures the pathos of a woman whose happiness is furrowed with the anxiety of underacknowledgment.” I can imagine – a female in science, philosophy, and a hundred other fields dominated by males within an age of unthinkable attitudes towards gender – but at the same time, I can’t. Perhaps the reading will help me better understand. We could all stand to understand Margaret Cavendish a little better, in this world where we’re a little behind schedule in moving forward. So do come on October 12, and listen to Danielle Dutton read.

Two gentlemanly MFA students will be reading on September 28th, 2016: Zachary Anderson and Chris Muravez. They’ll be gracing us with their presence at 7:30 PM at the Fischer Community Center to kick off the first reading event this semester by second year Creative Writing MFA students.

If you haven’t noticed, the Creative Writing Program has had a desire to place every name in alphabetical order on anything that comes into the public eye. Interestingly enough, for this reading, alphabetical order has unknowingly provided a spectrum of knowledge.  As you get further into the alphabet, the writers’ descriptions about their works become harder to understand and become more abstract. I’m not sure what this means, but it certainly has me on the edge of my seat—since Moon and I are the ones who organized this particular reading event.

Zachary Anderson will read a selection from a long series of prose poems inspired in part by Baudelaire and the Tarot. He will also be reading some translations of the Romanian-French author Linda Maria Baros from her latest book, which is about the A4 Autoroute and deals with violence, displacement, and interstate/international travel.  His current poetry projects attempt to deal with the rural, constructions of wilderness, anti-humanism, and the gothic.

When we asked Chris Muravez about his work, his official statement to the press was, “I’ll be reading selections from my manuscript.” Very cryptic Muravez…very cryptic.

I am not sure how helpful this blog entry was at explaining to you what you might hear on September 28^th, but I hope you are now interested enough to come  out and listen to whatever these gentlemen might say.

Yours,

Daniel Tharp