Bringing Classes to Special Collections

Teaching a class at Notre Dame? We invite you to bring your students to Special Collections: freshmen, undergraduates of all levels, grad students, or fellow faculty for that matter.

Teaching a class elsewhere in the Michiana area? We invite you to bring your students—of any age level—to Special Collections, too.

Special Collections offers a wide range of instruction from show-and-tell sessions that introduce students to materials from 2400 BC to present to specialized instruction tailored to course syllabi and assignments. Our staff is more than happy to work with instructors to tailor sessions to meet their needs.

We hold strong collections pertaining to: Dante, Italian literature, American Catholicism, Antebellum and Civil War America, American Sports, History of Science, Irish Literature and History, and Latin American and Early Modern Hispanic Literature and History. We also have a growing collection of medieval manuscripts as well as a substantial collection of medieval manuscript facsimiles. Our political and cultural materials of the Soviet Union and the Russian Diaspora to Europe and the United States is another area of recent development for the department.

Special Collections also runs our own workshop series. We currently offer Archival Research Skills and Introduction to Special Collections: From Clay Tablet to Graphic Novel. Coming in 2017-18 are two new workshops: History of the Printed Book in the West and The Book as Object. All of these workshops provide hands-on experience working with materials to reinforce the concepts covered.

Examples of classes we have taught sessions for recently:

Intrigued?

Contact us for more information about how to bring your class to Special Collections.

More information and examples of materials pulled for instruction sessions can be found on the Class Instruction page on our website.

Chinese Ministry of Information Pamphlets

by Yang Wu, Librarian in Residence

Published in succession from 1944 to 1946, this collection of 10 pamphlets was produced by the Republic of China’s Ministry of Information’s United Kingdom Office. Together they offer an interesting perspective on the Chinese Nationalist (Guomindang) government’s information campaign outside of China during the 1940s.

The pamphlets cover a wide range of topics on China and are intended for different audiences. The first, seventh, eighth, ninth and tenth works in the collection discuss history, classics, art, education and philosophy and were designed for the general public. The second pamphlet, produced for British military and diplomatic personnel during World War II, gave them a general overview of the geography of China.

Remaining pamphlets introduce readers to the situation of China immediately following World War II. The third pamphlet, on the Guomindang, gives a general discussion of the history of China’s governing party at the time. It describes the party’s ideology, political agendas and brought readers up to date on the Guomindang’s conflicts with the Chinese Communist Party, which had led to civil war during the 1940s. Pamphlet four, discussing agriculture in China, assesses the reason behind the country’s poverty. It argues that China’s rural masses can only be uplifted from poverty through gradual measures such as tax reform, improved agricultural methods and industrialization. The sixth pamphlet gives an overview of Chinese Industrial Cooperatives, a program that encouraged and provided assistance to small scale rural industrial enterprises in the country. Started by a group of Chinese and foreign benefactors in World War II, the program was supported by the Guomindang and was seen as a way to both economically sustain the country during wartime and offer employment for idle rural inhabitants and refugees.

The pamphlets in general were created for an educated audience, with good knowledge of western high culture, geography and economic issues. Due to this they were written with remarkable sophistication. The works were authored by a variety of experts on China, both within and outside of the country, including Neville Whymant, a well-known British oriental scholar at the time, Lu Guangmian (卢广绵), a founder of Chinese Industrial Cooperatives and Wu Yuanli (吴元黎), a respected Chinese economist. Works on Chinese history and philosophy, though brief, attempt to stimulate intellectual curiosity towards China. They introduce readers to sources on classical China and draw their conclusions on Chinese civilization from a variety of scholarly resources. Such works also contain useful guides for understanding China, such as charts on Chinese dynasties, reign dates of Chinese emperors since 1368 and diagrams of Buddhist and Daoist symbols (See photos). Pamphlets also compare important events in Chinese history with developments in the West and differences and similarities between classical Chinese and Greek philosophy.

Pamphlets on contemporary China were produced with propaganda purposes in mind. They promoted the Guomindang’s view that China’s problems must be resolved by gradual reforms as opposed to the Communist agenda of radically changing the country through class revolution and redistribution of property and encouraged foreign assistance with Guomindang programs. However, to appeal to their specific audience the pamphlets took an approach of explaining issues through selected facts rather than slogans and moral exhortation. They discuss matters such as poverty and industrial development in China to great length, often citing statistics and other information from independent studies.

Information campaigns between the Guomindang and Chinese Communists towards foreigners during the 1940s are an important part of the history Sino-western relations. To some degree the Chinese Communists successfully swayed foreign opinion to their side in 1949, and their seizure of the country that year led to many discussions among foreigners on whether they were deceived or “lost” China due to their poor knowledge of the situation of the country. Pamphlets in the collection are a small piece of the Guomindang’s foreign outreach, and they offer insights on the party’s approach towards foreigners during the period.

 


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An Icon of Dutch Design – SHV Think Book

by Marsha Stevenson, Visual Arts Librarian

Paul van Vlissingen, owner of the Dutch company SHV (Steenkolen Handels Vereeniging), commissioned the noted book maker Irma Boom to create a volume to commemorate the anniversary of his family’s firm. Boom had full access to the archives of the company and the family to aid her in conceiving what became a 2,136 page tome.

Given full artistic control and no budget, she spent five years fashioning the volume. It is a most unusual creation, incorporating a wide range of surprising and innovative design elements. As an example, the edge of the text block displays a field of tulips when its pages are flipped from left to right, but flipping them the opposite way reveals a poem.

The book’s contents are arranged in reverse chronological order, and are unnumbered to encourage accidental discovery. Pages are perforated and use different inks and typefaces. Irma Boom has received many awards, including a Gutenberg Prize, for her book designs. The SHV Think Book is her most celebrated work, and was acquired by the Museum of Modern Art as an international icon of Dutch design.

Irma Boom. SHV Think Book (1996-1896). Utrecht: SHV Holdings, 1996.

 


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Life in Camp: Drawings from British prisoners interned at Ruhleben Camp during the First World War

by Sara Quashnie, M.L.I.S. Candidate, University of Illinois, Urbana-Champaign

At the outbreak of the First World War, there were approximately 10,000 British nationals within the borders of the German Reich. Some were on holiday while others had resided in the country their entire lives or were passing through as sailors aboard merchant vessels. Regardless of background, their British citizenship marked them for suspicion in the eyes of the German government as well as retaliation for the plight of German nationals in Great Britain. Therefore, it was determined that male British nationals of military age were to be arrested and interned for the duration of the war (though with the possibility for freedom through prisoner exchanges). While various camps were hastily constructed to house these detainees, Ruhleben was the only camp that was entirely populated by civilian prisoners.

Constructed on the grounds of a horse racing track on the outskirts of Berlin, Ruhleben would house over 4,000 prisoners at its height. Inmates were barracked in repurposed stables in extremely poor condition due to the inadequate facilities. Over time and with the intervention of the American ambassador, Ruhleben would grow to include not only upgraded barracks and latrines, but also a library, school, stores, and post office. Lack of privacy was a perpetual concern for the men while at the same time they were virtually cut off from the rest of civilization apart from Red Cross parcels and short letters from home. As a result the camp formed its own community complete with newspaper, theater productions, sports teams, and various clubs to keep boredom at bay.

Printed version above (MSE/MD 3829-3B) and scrapbook version below (MSE/MD 3829-1B) of a dual advertisement.

One such endeavor was In Ruhleben Camp and its successor The Ruhleben Camp Magazine. Special Collections recently acquired a full set of these issues in two bound volumes accompanied by a bound, two-volume scrapbook containing original drawings from the magazine. Published fortnightly, the magazine included stories and cartoons parodying camp life as well as reports of camp activities such as reviews of musicals, sports recaps, and advertisements for lectures. A marked tone of humor is prevalent throughout, in keeping with the unofficial camp slogan “Are we downhearted? No!” An in-depth chronicle of camp life, the magazine represents some of the best documentation of the Ruhleben experience.

 

The highlight of this collection is the two-volume scrapbook. Bound in pasteboard and measuring 16.5″ x 12.75,” the scrapbook contains 53 original drawings in pen-and-ink, watercolor, and graphite. Although the purpose of the scrapbook is not certain, material on the front cover indicates that the scrapbook was a mock-up for a London publisher, George Newnes Ltd., to use for the publication of a book to be called, “The Lighter Side of Lager Life.” Who compiled the scrapbook is also unknown, but it may have been one of the magazine’s editors, Louis Egerton Filmore or C. G. Pemberton.

The scrapbook volumes include original illustration, many of which did not appear in the printed magazines. The drawings depict camp life in a vivid display of the camp’s signature humor. Original artwork is paired with clippings that parody classic British texts such as “Alice Through the Lager Glass” and Shakespeare rewritings. These parodies were some of the most popular types of entries in the printed magazine. Other literary pieces included poetry known as “Ruhlimericks” which poked fun at camp conditions and life or humorous advertisements for various services.

 


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