The lion above is featured in the second edition of Michael Bernhard Valentini’s Amphitheatrum zootomicum (1742), currently on display in the Spring ’20 exhibit.
A few thoughts from Julie, one of the curators stuck at home.
For our diehard fans who anxiously await 9:00am (EDT) to see what fascinating piece we’ve put up, I have some sad news. We’re a bit late today.
Being removed from our collections and separated into our remote offices—and for me, staring out the window at a gloomy gray sky—are posing some challenges such as keeping track of what day of the week it is.
I know all us at RBSC would prefer being back in the office, but for now we’re dong our best. Look for news in the not too distant future about a digital version of the exhibit Erika and I curated, Paws, Hooves, Fins, and Feathers: Animals in Print, 1500-1800. It’s underway. Here’s what I’m working from:
You’ll notice the image quality is not up to our normal standards.
Fortunately, I have a Word doc with the text for the exhibit labels and Sara’s been dealing with the joys (that is, the s-l-o-w-n-e-s-s) of accessing our archival images on the server.
So, please, I hope you find a bit of amusement in my morning musing as I drain another cup of coffee and deal with my cat being annoyed because I’m home when I’m normally not.
Keep in mind, we’re still functioning as a remote department, so if you have questions, feel free to drop any of the curators an email or one to our awesome front line staff at email@example.com.
Digitizing our books is one way to share our collections with a wider readership. An area where we have begun this digitization is our early print collection in Irish studies. The collection includes books on Ireland and Irish affairs, often from an English perspective, and also books by Irish authors on science, theology and other subjects. The core of the collection was acquired in 2007, and as many of the books are rare and particularly difficult to find in America, we are enthusiastic about sharing the digital images.
In addition to having copies stored in our own CurateND, the digital collection is made available on the Internet Archive and we have plans to share also on Hathi Trust. While Hathi Trust is limited to member libraries, the Internet Archive is freely available to all, and allows readers a number of ways to view the books, including ‘turning pages’ by clicking on a page.
This book is an example of the kind of primary document that makes a great impression on a student who can visit and see the physical book — printed shortly after the trial and execution, the book provides a tangible link to the events of the time.
This digital exhibit expands on the current exhibit on display in Special Collections. It displays examples of American Catholicism expressed through (mostly) printed texts from 1783 through the early 1840s. They include the earliest Catholic bibles published by Mathew Carey, and editions of Thomas à Kempis’ The Imitation of Christ used and produced in the United States; polemical pamphlets with sexual and political subtexts that flew back and forth across the Atlantic; no-holds-barred dueling sectarian newspapers; books and pamphlets created in reaction to mob violence against the Ursuline convent school near Boston; and official reports that mapped the Church’s growth and growing pains.
Questions and comments may be directed to Rachel Bohlmann and Jean McManus. The physical exhibition continues to be open to the public through August 11, 2017.
Among the harbingers of spring here in RBSC is the introduction of a newly completed digital exhibit of early baseball publications and manuscripts drawn from the holdings of the Joyce Sports Collection. “Words on Play: Baseball Literature before 1900” brings together recreational manuals, guidebooks, histories, biographies, fiction and other forms, including many of the subject area’s great rarities. The exhibit was created by RBSC’s Americana curator, George Rugg.
Over the course of the nineteenth century, American baseball evolved from a localized folk game of English origin to a codified sport of broad popular appeal, commonly cited as the “National Pastime.” Clubs of young men dedicated to playing the game began to appear in earnest in the New York City area in the second quarter of the century; the rules they established became the basis for the sport as we know it today. In the post-Civil War years baseball became thoroughly commodified: crowds of paying spectators gathered in enclosed “parks” to watch celebrated professionals compete at an elite level. By 1900 baseball had entered the mainstream of American popular culture, and had been imbued with many of the mythologies that would persist in the minds of its celebrants well into the twentieth century: baseball as pastoral ideal, baseball as an exercise in democracy, baseball as secular religion. As a recreational form, then, baseball originated in England, but as a form of sport it is American, for it was in America that the game became standardized, organized and popular—and, one might add, the subject of a literature.
The printed word both recorded baseball’s growth and stimulated it. In the first few decades of the nineteenth century the game is mentioned mainly in children’s recreational manuals. Baseball’s rapid rise after mid-century was accompanied by a growing commentary, mainly in sporting newspapers and paper-bound annual guides, describing, discussing, and otherwise publicizing the game. By the 1880s and 90s coverage of professional baseball in urban daily newspapers had became routine, and many of the familiar genres of baseball book had made their appearance. Baseball journalists—who authored many of the books in this exhibit—never tired of emphasizing their contribution to the game’s success, and that contribution was no doubt great. Still, the number of baseball monographs published in the nineteenth century was not large; “Words on Play” brings together copies of most of the key publications of baseball’s early history.
Mary Huntington Morgan was the daughter of Daniel Nash Morgan (1844-1931), Treasurer of the United States during Grover Cleveland’s administration. Her diary from 1896 (MSN/MN 8009-1-B) recounts the life of this young, single socialite in the nation’s capital.
She narrates the demands of such a life—lunches and teas, dinners and dances, theater performances and lectures, ceremonial appearances at government events and diplomatic receptions. Yet, Mary also pens her personal endeavors, weaving through her music lessons and letter writing to her fondness for reading.
This semester (Spring 2017), the department piloted a new project to facilitate the diary’s use by a class in the Notre Dame History department, the United States’ Gilded Age. Collaborating with the professor, Special Collections digitized and made the Mary Huntington Morgan diary available in the Hesburgh Library’s new digital artifact viewer. In addition to being able to work with the physical object in Special Collections, students now have the opportunity to study the diary more extensively using the digital artifact, not only reading its contents but also learning skills such as how to transcribe text. The digitized artifact has made it possible for a class of 15 students to work on the same item simultaneously and to discuss their work and the diary itself in their own classroom.
The Evgeniia Ginzburg and Antonina Axenova Collection is now open to students and researchers. The collection consists of several parts. The most important part revolves around Evgeniia Ginzburg (1904-1977), who spent 18 years in the Stalin GULAG and who chronicled those years in her memoir translated into English as: Journey into the Whirlwind and Within the Whirlwind. Ginzburg’s classic work is one of the earliest revelations of the Stalin camps and remains one of the most significant. The collection contains arrest documents, letters, some manuscript material, and many original photographs.
Another part of the collection revolves around Antonina Axenova, who was born in the Kolyma camps and who was adopted by Ginzburg in 1949. Axenova became a film and stage actress, and the archive includes her documents, letters, photographs, scripts, programs, playbills, broadsides, and advertisements. Beisdes her career Axenova has also dedicated herself to preserving the legacy of her mother. She visited former KGB archives, made several trips back to the sites of the camps in the Kolyma region, and gathered together all of the material in the archive.
For a description of the collection’s over 700 items, see the finding aid. The collection also includes almost 100 books from the libraries of Ginzburg and Axenova. These books have been cataloged and can be located through the online catalog.
Modern prizefighting is of English origin, and had developed a distinctive culture with a rich and abundant literature by the turn of the nineteenth century. Fighting Words includes many scarce items from this so-called golden age of English pugilism (ca. 1790-1830). It then carries the story forward to the United States, which by the second half of the 19th century had become the fight game’s new center of gravity. Publishers like Richard Kyle Fox (The National Police Gazette) and Nathaniel “Nat” Fleischer (The Ring) were central to prizefighting’s emergence from illegality into the American sporting mainstream. The exhibit concludes with materials from the 1950s, hearkening the erosion of U.S. boxing culture in the second half of the 20th century.