The lion above is featured in the second edition of Michael Bernhard Valentini’s Amphitheatrum zootomicum (1742), currently on display in the Spring ’20 exhibit.
A few thoughts from Julie, one of the curators stuck at home.
For our diehard fans who anxiously await 9:00am (EDT) to see what fascinating piece we’ve put up, I have some sad news. We’re a bit late today.
Being removed from our collections and separated into our remote offices—and for me, staring out the window at a gloomy gray sky—are posing some challenges such as keeping track of what day of the week it is.
I know all us at RBSC would prefer being back in the office, but for now we’re dong our best. Look for news in the not too distant future about a digital version of the exhibit Erika and I curated, Paws, Hooves, Fins, and Feathers: Animals in Print, 1500-1800. It’s underway. Here’s what I’m working from:
You’ll notice the image quality is not up to our normal standards.
Fortunately, I have a Word doc with the text for the exhibit labels and Sara’s been dealing with the joys (that is, the s-l-o-w-n-e-s-s) of accessing our archival images on the server.
So, please, I hope you find a bit of amusement in my morning musing as I drain another cup of coffee and deal with my cat being annoyed because I’m home when I’m normally not.
Keep in mind, we’re still functioning as a remote department, so if you have questions, feel free to drop any of the curators an email or one to our awesome front line staff at email@example.com.
We join the Library of Congress, National Archives and Records Administration, National Endowment for the Humanities, National Gallery of Art, National Park Service, Smithsonian Institution and United States Holocaust Memorial Museum in commemorating and encouraging the study, observance and celebration of the vital role of women in American history by celebrating Women’s History Month.
In commemoration of Women’s History Month, RBSC highlights Mary Taussig Hall (1911-2015). Hall was a social worker, and an activist for child welfare, civil rights, and peace, from St. Louis, Missouri. Her career spanned most of the twentieth century and shaped social services policy in Missouri and the nation. As a lifelong advocate for peace, Hall’s reach extended internationally: as a member of the Women’s International League for Peace and Freedom and the United Nations Association in St. Louis.
Arielle Petrovich (Hesburgh Library’s Instruction & Outreach Archivist and Librarian-in-Residence) created a Special Collections spotlight exhibition on Hall for Women’s History Month. Because of the Coronavirus that exhibit is currently closed, so we share highlights and photographs from the show here:
Women’s Peace Party, St. Louis, secretary’s minutes, 1915-1916
In 1915, Progressive social reformer Jane Addams co-founded the Woman’s Peace Party (WPP), a pacifist organization established in response to the First World War. Florence Gottschalk Taussig, Mary Taussig’s mother, a political activist and a close friend of Addams, chaired the St. Louis chapter of the WPP. Local meetings centered on planning of educational speaking engagements and membership recruitment. (Mary Taussig Hall Papers, MSN/MN 0511, Box 7, Folder 200)
Jane Addams letter to Mary Taussig, 10 May 1933
After graduating from Bryn Mawr College in 1933, Mary Taussig was invited by Jane Addams to work as her private secretary and to volunteer at Hull House in Chicago. Addams had established Hull House to support recently-arrived immigrants to the city. Eventually it offered childcare for working mothers, job training, and other services. Mary eventually returned to St. Louis for a graduate degree in social work at Washington University, where she took up the cause of child labor reform among lead miners in Missouri. (MSN/MN 0511, Box 5, Folder 132)
FDR telegram to Florence and Mary Taussig, 1936
President Franklin D. Roosevelt sent this holiday telegram to Mary Taussig and her mother to thank them for their support during his reelection campaign that fall. As part of the affluent elite in St. Louis, Taussig and her mother’s social peers generally did not support FDR’s New Deal economic reforms or vote Democratic. Roosevelt applauded both women for maintaining their party loyalty. (MSN/MN 0511, Box 6, Folder 185)
The Women’s International League for Peace and Freedom pamphlets, 1950s and undated
After World War One the Women’s Peace Party became the Women’s International League for Peace and Freedom (WILPF). Florence Gottschalk Taussig served on its national board and Mary Taussig Hall eventually chaired a joint committee to commemorate the centennial of Jane Addams’ birth in 1960. After World War Two the WILPF’s work broadened to include world disarmament, racial integration, civil rights, and international peace. (“Billions of Dollars…for What?” Pamphlet, c. 1955; “Integration” Pamphlet, c. 1958; and “The ABC’s of Civil Rights” Pamphlet, undated — all from MSN/MN 0511, Box 7, Folder 210)
The Mary Taussig Hall Papers also document Taussig Hall’s commitments to peace and disarmament in her personal correspondence. In a July 1933 letter to her parents, while she was working at Hull House, Taussig exclaimed, “I want so badly to follow in your footsteps Mum—and really play an important part in the W.I.L. [Women’s International League for Peace and Freedom]. I’m going to work at the Peace booth out at the Fair [1933 Chicago World’s Fair] too—won’t that be fun?”
Nearly thirty years later Taussig Hall received a personal note in a letter from Guy W. Solt, a staff member at the American Friends Services Committee in Philadelphia. On 29 June 1960 he wrote, “War is obsolete. But beyond the abandoning of war there remains the far more magnificent achievement of creating a strong spiritual bond between the peoples of the earth, and especially between the white and the colored peoples. Surely it is God’s plan that we live as one people. . . . I close with this quotation from above the door of a Catholic church in Boston: ‘Send forth thy spirit, and it shall be created, and thou shalt remake the face of the earth.’”
Each year, thanks to the Albert J. and Helen M. Ravarino Family Endowment for Excellence, the Center for Italian Studies sponsors a public lecture by a distinguished scholar of Italian Studies.
The spring exhibit, Paws, Hooves, Fins & Feathers: Animals in Print, 1500-1800, is open and will run through the summer. This is an exhibit of rare zoological books featuring early printed images of animals. We welcome classes and other groups of any age and would love to tailor a tour for your students and your curriculum — and if you can’t come to campus, the curators can bring the exhibit to you. Watch for forthcoming announcements of additional related events!
Today’s coloring sheets come from our current main exhibit, Paws, Hooves, Fins & Feathers: Animals in Print, 1500-1800. This exhibition presents the animals of early modern European books of natural history — meet some of the animals featured in our exhibit, and more of their friends found in the early printed books on display, in this week’s coloring pages.
The exhibit is open to the public through July 2020. For more information or to schedule a tour for your class, organization, or interested group, please contact the curators, Erika Hosselkus (firstname.lastname@example.org) and Julie Tanaka (email@example.com).
In 1515 an Indian rhinoceros boarded a ship bound for Lisbon. Given as a gift to King Manuel I of Portugal, the animal was a sensation in Europe, inspiring drawings, paintings, descriptions and woodcut prints that circulated around the continent. Although he never saw the rhino, German painter and printmaker Albrect Dürer created an iconic woodcut image. His rhino served as the model for many of his contemporaries, including the Swiss naturalist Conrad Gesner, and endures in popularity even today.
This famous rhino appeared in his monumental Historia animalium (History of Animals) and its subsequent editions. The rhino printed in the 1583 German edition of Gesner’s work is a focal point of the exhibition, Paws, Hooves, Fins, and Feathers: Animals in Print, 1500-1800, open now and through the summer in Rare Books and Special Collections.
Like many of the animals reproduced in Gesner’s volume, this rhino’s appearance derives partly from second-hand observation, partly from classical descriptions, partly from the artist’s imagination and technical skill, and partly from the print technologies available in the early sixteenth century. In Gesner’s influential tome, the rhino shares space with domestic cats, farm animals, other exotic beasts such as elephants, as well as creatures of the imagination such as unicorns and sea monsters. Images of animals in early modern books were not entirely realistic, offering a unique window into the fluid spaces between art and science, legend and observation.
Along with our rhino, this exhibition features early printed images of an octopus, sloth, anteater, hippo, coot, emu, otter, and more. Some of these animals appear in wide-ranging catalogs of the flora and fauna of the entire world. Others are in works that offer systems of classification specific to a single type of animal. Still others live in the pages of books that describe animals of one part of the world, whether the Americas, Asia, or Australia.
Also on display as part of this exhibition are specimens on loan from the University of Notre Dame’s Museum of Biodiversity. If early modern naturalists were writers, they were also collectors. They populated cabinets of curiosity and proto-museums with animal and plant specimens represented in their books. In recognition of this link between early science and collecting, some of the specimens – an arctic fox, a turtle carapace, and a collection of moths – inhabit a miniature a cabinet of curiosity.
Special Collections invites animal lovers of all ages to join us for this exhibition. We look forward to sharing these materials with the South Bend community. We are especially excited to welcome students and educators from the South Bend School Corporation and PHM Schools for tours this spring and look forward to taking this exhibition on the road to South Bend and PHM Schools and to Marquette Montessori. We are currently hard at work on our homemade reproduction of an early modern natural history book, which features reproductions of images included in the exhibit!
Very special thanks to Sara Weber for her design work, image creation, and layout of our book. We extend our gratitude to our conservators, Jen Hunt Johnson and Maren Rozumalski, for creating a period binding for the reproduction, and to Neil Chase for mounting all of the materials for us. We are grateful to Barb and Ron Hellenthal of the Museum of Biodiversity for their generous collaboration.
For more information or to schedule a tour for your class, organization, or interested group, please contact the curators, Erika Hosselkus (firstname.lastname@example.org) and Julie Tanaka (email@example.com).
The spring exhibit, Paws, Hooves, Fins & Feathers: Animals in Print, 1500-1800, is now open and will run through the summer. This is an exhibit of rare zoological books featuring early printed images of animals. We welcome classes and other groups of any age and would love to tailor a tour for your students and your curriculum — and if you can’t come to campus, the curators can bring the exhibit to you. Watch for forthcoming announcements of additional related events!
RBSC looks forward to an event-filled Spring ’20! As we welcome students, faculty, staff, researchers, and visitors back from the holiday break, we want to let you know about a few things to watch for.
Spring ’20 exhibit: Paws, Hooves, Fins & Feathers: Animals in Print, 1500-1800
Drop in every month to see what new surprise awaits you in our monthly feature.
Special Collections’ Classes
Throughout the semester, curators will teach sessions related to our holdings to undergraduate and graduate students from Notre Dame, Saint Mary’s College, and Holy Cross College as well as from other local schools ranging from preschoolers to adults. If you’re interested in us doing instruction for your class or group, please contact Special Collections.
Italian Studies Research Seminar Series
The Spring ’20 series kicks off on Thursday, January 30 at 5:00pm. Join us for the first of four talks this semester.
We acquire new material throughout the year. Watch for announcements about recent acquisitions. RBSC has already received new materials for our Irish, Latin American, Medieval manuscripts, Eastern European, American, and European collections. We are awaiting the first installment of a new artist book, Birds of Acid by Parisian artist Didier Mutel some time this month.
The current spotlight exhibits are Touchdowns & Technology: The Evolution of the Media and Notre Dame Football (September – December 2019), a display of selected materials from the University Archives, and Irish Art and Literature from Graphic Studio Dublin (December 2019 – January 2020) in conjunction with the Snite Museum’s exhibit “Looking at the Stars”: Irish Art at the University of Notre Dame.
RBSC will be closed during Notre Dame’s Christmas & New Year’s Break (December 21, 2019 – January 1, 2020) and will resume regular hours (Monday – Friday, 9am – 5pm) on Thursday, January 2, 2020.
Monday, November 18 at 4:30pm | Finnegans Wake: On Infinite Translation’. The event will include a roundtable on the issues of translatability and reading as a modality of “infinite translation,” featuring Enrico Terrinoni (Professor at the Università per Stranieri di Perugia and Visiting Faculty Fellow at the Keough-Naughton Institute for Irish Studies).
The current spotlight exhibits are Touchdowns & Technology: The Evolution of the Media and Notre Dame Football (September – December 2019) and Knute Rockne All American (October – November 2019). Both spotlight exhibits feature materials from the University Archives.
RBSC will be closed during Notre Dame’s Thanksgiving Break
(November 28 – December 1) and will resume regular hours (Monday – Friday, 9am – 5pm) on Monday, December 2, 2019.