A Woman’s Reporting on the Bonus Army in Depression-Era Washington

by Rachel Bohlmann, American History Librarian and Curator

Rare Books and Special Collections recently acquired a small archive that documents the Bonus Army—a Depression-era protest by World War veterans and their families. Lonore Kent (1907-1993), a journalist living in Washington DC at that time, created and assembled these sources.

In 1924, Congress had rewarded World War soldiers for their service with certificates of investment that would be payable by the government in 1945. By 1932, however, many veterans, like millions of Americans, were desperate after nearly three years of the nation’s disastrous economic depression. Former soldiers began to demand that President Herbert Hoover pay out the promised veteran bonus immediately, given the national (and global) crisis. The men’s plea caught the attention of people who thought the federal government should be doing more to address the economic depression and people’s real need. By the spring of 1932 legislation began moving through the House of Representatives’ Ways and Means Committee.

Some veterans, in a determined effort to put the case directly to their Congressional representatives, embarked for Washington. In early May, 300 former soldiers left Portland, Oregon, bound for the capital. Quickly dubbed the Bonus Army, they were joined by a trickle and then a river of veterans and their families nationwide. By June 40,000 Bonus Army marchers were in Washington; some huddled in makeshift shelter amid construction sites downtown, but the largest concentration of marchers settled on a muddy stretch of the Anacostia River, in an encampment of thousands of men, women, and children.

On June 15, 1932, the House passed enabling legislation, but the Senate blocked the bill two days later. This spared Hoover the embarrassment of vetoing it, which he had promised to do, citing budgetary constraints. Most Bonus Army members stayed put, hoping for some form of government relief. By the end of July, as Hoover looked to his re-election prospects in November, the President ordered city officials to disperse the Bonus Army. When some squatters resisted, Hoover called in US Army General Douglas MacArthur to restore order. MacArthur exceeded his instructions, however, using armed troops, tanks, and cavalry to drive Bonus Army families out of their shacks and tents, and burning the Anacostia River encampment to the ground.

Lonore Kent’s collection offers a perspective on MacArthur’s violent overreach on the night of July 28 and the charred remains the next day. In a letter to her parents, Kent described how she used her press pass to get onto the Anacostia Bridge between Maryland and Washington, where a line of soldiers—bayonets drawn—fired tear gas at the evicted and homeless Bonus Army to keep them from crossing the bridge and entering the city. Beyond the soldiers, Kent saw the Bonus Army camp in flames.

Kent drew a map of where she was that night—in relation to the soldiers, the encampment, and what she saw. (She identifies the river as the Potomac, probably short for the “Eastern Branch of the Potomac,” commonly-used for the Anacostia River.) The next day she returned to the burned-out site and documented some of the destruction. Kent reflected on the Bonus Army, noting, “Probably the granting of the bonus is unsound economically, but you can’t expect people to be impressed with such arguments when they are starving.”

Hoover’s mistreatment of the Bonus Army and general mishandling of veterans’ requests for economic assistance fatally soured the nation on his administration. The brutal ousting of the Bonus Army came to symbolize Hoover’s callous indifference to Americans’ suffering and his inability to govern amidst a national economic disaster. In the fall, Franklin Delano Roosevelt decisively defeated Hoover and implemented federal-level economic and social reforms to address the magnitude of the Great Depression. The Bonus Army, although defeated in 1932, re-formed and continued to press for an early payout, which Congress granted in 1936.

RBSC welcomes researchers to use this collection (MSN/MN 10053) and others on American history topics. For further reading see Stephen R. Ortiz, Beyond the Bonus March and GI Bill: How Veteran Politics Shaped the New Deal Era. New York: NYU Press, 2009.


A happy Memorial Day to you and yours
from all of us in Notre Dame’s Special Collections!

2016 post: Memorial Day: Stories of War by a Civil War Veteran
2017 post: “Memorial Day” poem by Joyce Kilmer
2018 post: “Decoration Day” poem by Henry Wadsworth Longfellow
2019 post: Myths and Memorials
2020 post: Narratives about the Corby Statues—at Gettysburg and on Campus
2021 post: An Early Civil War Caricature of Jefferson Davis
2022 post: Representing Decoration Day in a 19th Century Political Magazine


Rare Books and Special Collections is closed today (May 29th) for Memorial Day and will be closed on July 4th for Independence Day. Otherwise, RBSC will be open regular hours this summer — 9:30am to 4:30pm, Monday through Friday.

During June and July the blog will shift to our summer posting schedule, with posts every other Monday rather than every week. We will resume weekly publication on August 7th.

Spotlight Exhibit: Remembering Early England

The April spotlight exhibit, Remembering Early England, brings together diverse materials that reveal the power of memory. Featuring an eleventh-century coin, a fifteenth-century medieval manuscript, an early printed grammar book, and a Victorian map, this exhibit is a sample of the breadth of the Hesburgh Library’s Special Collections. Each object represents the different ways that each generation has depicted the early English period (ca. 449 – 1066), whether or not their version of history reflected reality.

For 500 years, the area now conceived of as England was inhabited by diverse populations: the Welsh, Picts, Cornish, Angles, Jutes, Saxons, Danes, Franks, Icelanders, Irish, and Frisians. In fact, England was not considered a unified country until the tenth century when Aethelstan became the first King of the English. However, later inhabitants of England, particularly those in power, portrayed early England as homogenous, stable, and a romantic pre-figuration of themselves and their ideals.

This exhibit was co-curated by Dr. David T. Gura, Curator of Ancient and Medieval Manuscripts, and Anne Elise Crafton, PhD Candidate in the Medieval Institute and Graduate Curatorial Assistant, and can be viewed in 102 Hesburgh Library from 9:00 am – 5:00 pm on weekdays.

Upcoming Events: February and early March

Please join us for the following event being hosted in Rare Books and Special Collections:

Wednesday, February 9 at 2:00pm – 5:00pm | Celebration: 100 Years of James Joyce’s Ulysses.

The semester-long Ulysses exhibition will be supplemented by a temporary ‘pop-up’ display of books and art. Visitors are welcome to come during any part of the afternoon. At 3:30, there will be a short talk titled “Joyce, Proust, Paris, 1922” by Professor Barry McCrea.

Registration is encouraged but not required. Read more and register


The spring exhibit The Word throughout Time: The Bible in the Middle Ages and Beyond is now open and will run through June. This exhibit, curated by David T. Gura (Curator of Ancient and Medieval Manuscripts), marks the 75th anniversary of the University of Notre Dame’s Medieval Institute. Tours are available for classes or other groups, including K-12 audiences, by request.

The current spotlight exhibits both feature materials relating to the centenary of James Joyce’s Ulysses: 100 Years of James Joyce’s Ulysses (January – April 2022) and David Lilburn’s Eccles Street Print (January – February 2022).

All exhibits are free and open to the public during business hours.

Treasures from the Butler Collection of Maps of Ireland

by Aedín Ní Bhróithe Clements, Irish Studies Librarian

Central to our Irish map collection is the David J. Butler Collection of Maps of Ireland, given to the Hesburgh Libraries thirty years ago by Mr. and Mrs. Thomas C. McGrath. The collection is named for Betty McGrath’s father, ‘a native Irishman who loved this school’, and the maps were collected over many years by Thomas C. McGrath during his eventful career as a naval officer, a businessman, a lawyer and a congressman. The David J. Butler Collection consists of seventy-two maps of Ireland, printed in the sixteenth, seventeen and eighteenth centuries.

We are fortunate in having a transcript of the lecture given by Mr. McGrath, ‘The Joy of the Chase’ which describes his hobby of collecting maps and sea charts. His interest in sea charts arose naturally from his time in the U.S. Navy, and he gave these to the Hesburgh Libraries separately, this collection named for his parents, Thomas and Helen McGrath, whose sacrifices, he says, permitted him to study briefly at Notre Dame. (He was enrolled for one year prior to joining the U.S. Navy during World War II.)

Many of the maps were published in atlases, and were removed from those books a long time ago. The Butler collection includes maps by Mercator, Speed and other European map makers and atlas publishers.

This small sample provides a tantalising glimpse (we hope) of the range and richness of the collection. In our incomplete information on these maps, the reader will note that there is much scope for continued research to provide accurate catalog information on each map.

MAI 1612-01-F1

This map, for example, is one where our information is quite incomplete. It appears to be from an edition of Ortelius’ Theatrum Orbis Terrarum, published in many editions from 1570. We have seen a similar map on the website of the Library of Congress, dated 1598, but we have not seen any copy with the image of Queen Elizabeth I illustrating the cartouche. Our map has a page describing Ireland (Hibernia) in Latin on the verso.

As in a number of earlier maps, the orientation has the west uppermost on the page, rather than the now accepted convention of north being at the top of the page.

Printed at the top of the map, that is, on the Atlantic Ocean to the west of Ireland, is a peculiar selection from the Topography of Ireland by Gerald of Wales.

A translation of the original text reads,

There is an island called Aren, situated in the western part of Connaught, and consecrated, as it is said, to St. Brendan, where human corpses are neither buried nor decay, but, deposited in the open air, remain uncorrupted. Here men can behold, and recognise with wonder, grandfathers, great-grandfathers, and great-great-grandfathers, and the long series of their ancestors to a remote period of past time.

There is another thing remarkable in this island. Although mice swarm in vast numbers in other parts of Ireland, here not a single one is found. No mouse is bred here, nor does it live if it be introduced; when brought over, it runs immediately away and leaps into the sea. If it be stopped, it instantly dies.

Giraldus Cambrensis, 64

Another note on the map mentions Sir Thomas Smith, an English colonist who received a royal grant of the Ards peninsula and Clandeboye in Co. Down in 1571.

It would be interesting to learn more about the publication of this map, and if it was, in fact, part of an Ortelius collection.

John Speed’s map of Leinster is one of the four province maps included in the section on Ireland in Speed’s The Theatre of the Empire of Great Britaine, the first atlas with detailed maps of the provinces of Ireland, published in London in 1611. This map was engraved by Jodocus Hondius, who engraved the plates for Speed’s atlas from 1607 on, and bears the date 1610. This does not mean, however, that the map is from the 1611 edition as the same engravings were used in subsequent editions. It does, however, appear to match the 1611 edition of the Theatre of the Empire, which we can examine in digital form.

Map of Dublin, inset from MAI 1611-01-F2

Speed’s maps of the Irish provinces include insets, for Leinster, the inset is a map of Dublin, possibly the earliest printed map of Dublin still in existence. Maps of Cork and Limerick are inset in his map of Munster.

MAI 1676-01-F2 (upper left quarter of map)

Like many maps of the time, Speed’s maps are embellished with ships and sea creatures. Did the engraver foresee the spread of Irish music across the Atlantic when he added a fanciful image of a harpist riding a winged fish west from the Kerry coastline?

We hope, over time, to make some of our map collection available in digital form on our new platform Marble, so that more people can enjoy and learn from this remarkable collection.

References

Giraldus, Cambrensis, 1146?-1223?, Thomas Forester, Richard Colt Hoare, and Thomas Wright. The Historical Works of Giraldus Cambrensis: Containing the Topography of Ireland, And the History of the Conquest of Ireland. London: G. Bell & sons, 1913.

Further reading on Irish maps

Ireland in maps : an introduction J. H. Andrews. Dublin: Dolmen Press, 1961

Shapes of Ireland : maps and their makers 1564-1839 / J. H. Andrews. Dublin : Geography Publications, 1997

John Speed: Maps of Ireland / Andrew Bonar Law. c. 1979.

The printed maps of Ireland to 1612 / andrew Bonar Law. Morristown, N. J. : Eagle Press, c1983

The printed maps of Ireland 1612-1850 / Andrew Bonar Law. Dublin : Neptune Gallery, 1997


Upcoming Events: November and early December

Please join us for the following events being hosted in Rare Books and Special Collections:

Tuesday, November 6 at 3:00pm | Workshop: Alternate Careers in Rare Books, Special Collections, Archives, and Museums.

Wednesday, November 7 at 3:30pm | Black Catholic History Month: “The Black Catholic Movement: The First 50 Years, 1968–2018” by Fr. Clarence Williams, CPPS, Ph.D. Co-sponsored by the Cushwa Center for the Study of American Catholicism, Hesburgh Libraries, and the University Archives.

Thursday, November 8 at 5:00pm | The Italian Research Seminar: “Fascist Im/Mobilities: A Decade of Amedeo Nazzari” by Alberto Zambenedetti (Toronto). Sponsored by Italian Studies at Notre Dame.

Friday, November 9 at 3:00pm | Operation Frankenstein: “Melodramatic Frankenstein: Radical Content in a Reactionary Form” by Jeff Cox (University of Colorado Boulder). Co-sponsored by the Department of English and the Indiana Humanities Council.

Tuesday, November 13 at 3:00pm | Workshop: Archival Skills. CANCELED

Thursday, November 15 at 4:30pm |  Iberian & Latin American Studies: “Language and Power: Searching for the Origins of Catalan Linguistic Identity” by Vicente Lledó-Guillem (Hofstra University). Co-sponsored by the Department of Romance Languages and Literatures, the Institute for Scholarship in the Liberal Arts, the Medieval Institute, the Nanovic Institute for European Studies, and the Center for the Study of Languages and Cultures.

Thursday, November 29 at 5:00pm | The Italian Research Seminar: “Dante’s Florentine Intellectual Formation: From Quodlibets to the Vita nuova” by Lorenzo Dell’Oso (Ph.D. Candidate, Notre Dame). Sponsored by Italian Studies at Notre Dame.


The exhibit In Solzhenitsyn’s Circle: the Writer and his Associates runs through the end of the semester.

The current spotlight exhibits are Frankenstein 200 (August – December 2018) and Delamarche’s États-Unis de l’Amérique septentrionale: The United States in 1785 (November – December 2018).


RBSC will be closed during Notre Dame’s
Thanksgiving Break (November 22-25, 2018)
.

Summer 2017 Exhibits

Detail of the Great Lakes region of the map on display (MAN 1719-01-F3).

The June spotlight exhibit, on display through the end of the month, is J. P. Homann’s “Buffalo Map,” ca. 1720.

On display is a map of North America by the important German cartographer J. P. Homann, emphasizing French claims in the Mississippi River Valley in the early eighteenth century. The map is one of several hundred items making up the Edward and Sheila Scanlan Collection of Maps of the Great Lakes Region, donated by the Scanlans to the Hesburgh Libraries in 2003-04. The exhibit is curated by George Rugg (Curator, Special Collections).

The July spotlight exhibit will feature German children’s literature from the two World Wars, and will be co-curated by Sara Quashnie (MLIS Candidate, University of Illinois, Urbana-Champaign, ND ’15) and Julie Tanaka (Curator, Special Collections).


The Summer spotlight exhibit, on display now through September, is “Which in future time shall stir the waves of memory” — Friendship Albums of Antebellum America. On display are seven manuscripts from Special Collections’ manuscripts of North America holdings.

Among the characteristic manuscript forms of antebellum America are albums filled with poetry, prose, drawings, and other content created for the book’s owner by family and acquaintances. Such friendship albums, as they are called, have a long history, but they were especially prevalent in the Romantic era, with its new ideology of sentimental friendship. In the United States friendship albums begin to appear in number in the 1820s, and while contributors were often male, the albums themselves were usually maintained by young women.

The exhibit is curated by George Rugg (Curator, Special Collections).


The current main exhibit, “Preserving the Steadfastness of Your Faith”: Catholics in the Early American Republic, continues through the summer and will close August 11, 2017.