Collection highlights, news about acquisitions, events and exhibits, and behind-the-scenes looks at the work and services of Rare Books & Special Collections (RBSC) at Notre Dame.
This small poster (11 ½” x 18”) advertises “The First Annual Miss de Meanor Beauty Contest” by the Cockettes, an avant-garde, hippie theater group that became known for experimental, free spirited performances of cross-dressing and musical theater. The ensemble formed in 1969 with men and women from the Kaliflower commune in San Francisco. They first gained attention by performing parodies of musical theater songs (in full costume and makeup) at the city’s Palace Theater before a regular Saturday night underground film showcase, the Nocturnal Dream Show. The Cockettes created shows titled, “Gone with the Showboat to Oklahoma,” and “Tinsel Tarts in a Hot Coma.”
The evening’s special feature, “Lady Divine,” refers to Divine, a drag queen and stage name of Harris Glenn Milstead. Divine had already achieved countercultural acclaim playing characters in John Waters’ films (Mondo Trasho, 1969; Pink Flamingos, 1972) before this San Francisco appearance. She joined the Cockettes at one of their Palace Theater shows (“Journey to the Center of Uranus”) and then as Miss de Meanor in this performance at the House of Good, another underground cultural venue in the city. Other characters in the show included Miss Shapen, Miss Used, and Miss Conception.
Hesburgh Libraries has just acquired an important work on the persecution of Catholics in England during the reign of Elizabeth I, De persecutione anglicana libellus, by the English Jesuit Robert Parsons (1546-1610). Parsons accompanied St. Edmund Campion on his mission to England in 1580, but while Campion was captured and eventually executed, Parsons was able to flee the country. He built a printing press in Rouen (France) and in 1597 became the rector of the English College in Rome.
This 1582 edition, published in Rome, includes two letters by the Jesuit martyr Alexander Briant, the first of which alludes to the interrogation of Campion.
Hesburgh Libraries is pleased to announce that we have acquired the second edition of Boniifazio Simonetta’s De Christiane Fidei et Romanorum Pontificum Persecutionibus Opus, printed in Basel by Nicolaus Kessler, December 1509. This fascinating work is really encyclopedic in scope; the basic narrative deals with the history of the persecution of Christians, but also includes 179 letters by the author to a wide circle of his contemporaries, including such renowned figures of the Italian Renaissance as Lorenzo de Medici, Ludovico Sforza, Pico della Mirandola, and Pope Innocent VIII. This correspondence, interspersed throughout the text, treats a wide range of disparate subjects, including classical history, mythology, music, geography, botany, agriculture, medicine, physics, astronomy, and astrology. This second edition also includes a dedicatory preface by Jerome Emser, a prominent German theologian and Catholic opponent of Luther.
We have identified only other seven other North American holdings of this edition.
Sample page showing notation.Front cover, showing binding in manuscript waste over vellum.Back cover.
Hesburgh Libraries has just acquired two important works (bound together) concerning the historical slave trade of Christians. The first, Dominique Busnot’s Histoire du regne de Mouley Ismael, roy de Maroc, Fez, Tafilet, Souz, &c. (Rouen, 1714), treats the reign of Moulay Ismail ibn Sharif, Sultan of Morocco from 1672-1727, under whom the Kingdom of Morocco reached the zenith of its power and influence. Ibn Sharif controlled a fleet of corsairs based at Rabat which supplied him with Christian slaves and weapons through their raids in the Mediterranean and all the way to the Black Sea. The work also includes accounts of three voyages undertaken by the Trinitarian religious order to Ceuta and Meknes in Morocco in order to redeem some of these slaves and a list of names of the redeemed captives, as well as the lengths of their respective imprisonments.
Illustration from Busnot’s Histoire du regne de Mouley Ismael, roy de Maroc, Fez, Tafilet, Souz, &c. (Rare Books Small DT 323.5 .B87 1714)
The second work, Busnot’s La tradition de l’Eglise, dans le soulagement ou le rachat des esclaves, also published at Rouen in 1714, offers a more general study concerning the church’s practice of redeeming Christian slaves through the centuries.
We have found only one other North American holding for these works bound together that features separate title pages for each.
Visiting scholar Enrico Terrinoni will contribute to a round table discussion here in our reading room. On this occasion, he will present the Library with a valuable addition to our James Joyce collection, the six-volume Italian translation of Finnegans Wake, which he, along with Fabio Pedone, completed and which was published on May 4 this year.
The event, ‘Finnegans Wake: On Infinite Translation’, will be held at 4:30 on Monday, November 18, and is sponsored by the Keough-Naughton Institute for Irish Studies and the Center for Italian Studies. It is open to the public. Beginning at 3:30, we plan to host a ‘pop-up display’ of books from our Joyce collection, so those who come early may enjoy seeing rare and interesting items from our special collections.
A decade ago, a professor enquired about the sixty-three volume James Joyce Archive, a major publication containing facsimiles of manuscripts by Joyce, edited and annotated by Joyce scholars. As this was published before the establishment of Irish studies at Notre Dame, the Hesburgh is not one of the libraries that had purchased the expensive collection in 1978, and it was next to impossible to find a set on the market at this stage.
Having followed a number of online bookseller descriptions advertising expensive publications described as the James Joyce Archive, only to find that the publisher’s prospectus alone was the usual item for sale (and highly priced), eventually a phone call to Ohio resulted in a conversation with bookseller Daniel Wenzel. Not only did Mr. Wenzel have a large number of these volumes for sale, he had been collecting books related to Joyce and particularly to Finnegans Wake for many years, and was ready to part with his collection. So a purchase was made, greatly enriching the Hesburgh Library’s collection of Joyce, with critical works, editions of Joyce, translations, and adaptations.
Translations acquired at that time include Finnegans Wake in Japanese, Korean and German, and a Czech translation of Anna Livia Plurabella. There are also creative works based on Joyce’s books, including musical arrangements, drawings, and fine press productions.
1922 first edition of Ulysses with original slipcase (Special Collections Vault PR 6019 .O9 U4 1922).
The collection acquired from Daniel Wenzel complemented the Joyce collection already in existence. Highlights of this collection are the first edition of Ulysses, the limited edition of Joyce’s Mangan, and a Limited Editions Club printing of Ulysses with illustrations by Henri Matisse. This book was a gift of Donald and Marilyn Keough at the time the Keough Institute (now the Keough-Naughton Institute) was founded, and it currently features in the Snite Museum’s Irish art exhibition, Looking at the Stars: Irish Art at the University of Notre Dame.
The Italian translation will be a very welcome addition to this collection, and we expect this collection to add to the enjoyment and inspiration of many scholars in the coming years.
Les Quatre élémens appeared around 1830 in Paris printed by Maulde and Renou. These four miniatures—a mere 3.25 x 2 inches—were designed to teach French children about the properties of the four elements: earth, fire, water, and air.
Each volume is a tricesimo-secondo, more commonly referred to as a “32mo”. In book production, these terms refer to a single sheet that has been folded to produce 32 leaves (64 pages). Each volume has glazed pastel paper boards (covers) in lavender, yellow, green, and pink. Each front cover is blindstamped with a decorative frame that surrounds a raised vignette representing the element featured in the volume.
Inside of each book are two wood engravings. One of the engravings in La Terre depicts a family fleeing an earthquake (below) and its other shows farmers harvesting crops.
Le Eau contains wood engravings of a fisherman (above) as well as a flood. In Le Feu, children see a volcano erupting (below) as well as a display of fireworks.
In the fourth book, Le Air, a mother and her children look upon a hot air balloon (above) and in the other wood engraving, the winds blows a man’s hat off.
Special Collections’ acquisition of this fine example of nineteenth-century science education in France was a collaboration with Professor Robert Goulding (Program of Liberal Studies, Director of the Reilly Center, and Director of History and Philosophy of Science). Professor Goulding states that this set is “probably one of the last publications to teach the old system of the elements as a scientific theory.”
Hesburgh Libraries has just acquired a rare and interesting biographical first edition, Luis Munoz’s Vida y virtudes de la venerable virgen dona Luisa de Carvaial y Mendoca (Madrid, 1632). Mendoza (1566-1614), a Spaniard, is an unusual figure in the history of the English Recusant period: a Jesuit-educated female who travelled to England in 1605 to preach and teach with the aim of bringing Anglicans back to the Catholic Church. She also became known for her charitable works in London, taking care of the poor and helping those engaged in prostitution. Mendoza was also an accomplished religious poet, in the mystical tradition of great Spanish literary figures such as St. John of the Cross; the last section of the book includes her spiritual poetry.
We have located only two other North American library holdings of this edition.
We join the Library of Congress, National Archives and Records Administration, National Endowment for the Humanities, National Gallery of Art, National Park Service, Smithsonian Institution, and United States Holocaust Memorial Museum in celebrating National Hispanic Heritage Month.
In observance of Hispanic Heritage Month, Rare Books and Special Collections is pleased to highlight our newly acquired Latinx Ephemera Collection. This collection came to us from the University of Notre Dame’s Institute for Latino Studies. Many of the materials in the collection were acquired by Gilberto Cardenas, founding director of the institute and Professor of Sociology at Notre Dame.
This collection is comprised of pamphlets, reports, journal issues, flyers, and magazines related to Latinx culture that date primarily between 1966 and 1999. Some materials are political or historical in nature, addressing topics such as migrant labor, the work of iconic Latinx activists such as César Chávez, and grape boycotts. Others examine socio-economic conditions among Latinx populations, access to education, civil rights, employment, and immigration. Held together in one collection, these rare materials provide a diversity of insights into Latinx life and issues in and around the U.S. during the second half of the twentieth century.
A sample of collection highlights follows:
A report on the East Los Angeles Youth Speak-Out held on May 20, 1967. This event was attended by 175 delegates and adult leaders from the East Los Angeles Latinx community. Participants used the event to discuss activities available to local youth and to strengthen communication with local officials.
Volume 1, Issue, 1 of Encuentro Femenil, along with the initial letter to subscribers announcing the publication of the magazine and explaining its unique contribution to the field of Chicana literature.
A 1969 issue of Fiesta Magazine, dedicated to the spirit of Emiliano Zapata and presenting Latinx poetry and short literary pieces.
Number 132 of 1000 copies of Year 1, Number 1 of The Broken Line/La Linea Quebrada, a border arts publication from 1986. This innovative journal combines poetry with visual presentations to address key Latinx issues and present Latinx perspectives.
Album D’Ouvrages [album of work] by E. Carlier [Belgium, 1844]The pages of this 1844 album contain not poetry, fiction, or a personal journal, but rather very fine samples of embroidery, sewing, and lace making. Created and assembled by a young Belgian girl, E. Carlier, the album displays her skills. It also shows her abilities in penmanship and calligraphy; she executed a decorative title page for her album, which served as a dedication (to her mother).
Mademoiselle Carlier carefully sewed each piece of needlework onto the album’s pages and pasted in a short label written in a neat hand. The first item, which she called simply, “Marque,” is an alphabet sampler. The following pages include an embroidery sampler and sewing exercises, and miniature examples of a shirt, an apron, a dress, a corset, and an embroidered fichu, as well as samples of crochet, knitting, and other lace making.
Up through the middle of the nineteenth century, girls expressed significant accomplishment in needle arts through the form of sampler albums. This one is particularly finely done, but learning to sew and mastering more advanced skills of lacemaking remained an important part of many girls’ education.
This item is still in process and does not yet appear in the catalog.
