Tag: recent acquisitions

Souvenirs from the Union Printers National Baseball League Tournament

by Greg Bond, Sports Archivist and Curator, Joyce Sports Research Collection

A pair of finely crafted, meticulously detailed, and distinctively shaped books—a baseball-glove shaped book and a baseball-shaped book—are among the Joyce Sports Research Collections newest acquisitions. The two unusually-shaped publications are both early-twentieth-century souvenir programs of the Union Printers National Baseball League Tournament from 1908 and 1911, respectively. Sponsored each year by the International Typographical Union (ITU), the tournament brought together teams representing the ITU from different cities for several days of sports, camaraderie, and brotherhood. Labor Day seems a fitting time to explore the history of these unique books and to remember the Union Printers National Baseball League Tournament.

The first Union Printers National Baseball League Tournament took place in New York City in September of 1908. To mark the festive occasion, the Allied Printing Trades Council of New York lovingly designed and published the First Printers’ National Baseball Tournament Souvenir Program in the shape of a realistic looking catcher’s mitt. The New York printers seemed to relish the opportunity to show off their craft for their visiting colleagues with this elaborate and creatively shaped program.

The 1908 catcher’s mitt souvenir program describes the origins of the Union Printers National Baseball League Tournament. As early as 1883, union printers in New York City had organized the New York Morning Newspaper Baseball League with teams representing different New York and Brooklyn newspapers. In 1906 and 1907, the squad from the New York American and Journal won the championship, and, after the regular season, team manager Harry B. Wood arranged several games against ITU teams representing the Boston Globe and the Pittsburgh Dispatch. The 1908 souvenir program reported that during their road trip to Pittsburgh, “the light of geniality and the warmth of hospitality from the sun of fraternity and good fellowship was ever on the job.”

Photograph of the New York American and Boston Globe Baseball Teams, taken at American League Park, Boston, September 11, 1907.

Following the successful inter-city matches, Wood hatched his grand plan for an ITU national baseball tournament. He formed an organizing committee, helped draft a constitution, and invited union printers from Boston, Chicago, Cincinnati, New York, Philadelphia, Pittsburgh, St. Louis, and Washington, DC, to come to New York for the event. Each invited city received an informational prospectus that included a framed six-color formal invitation designed by New York artist Harry Goodwin that recipients later described as “a work of art.” The 1908 catcher’s mitt souvenir program, which Goodwin also took the lead in designing, featured a black-and-white reproduction of the elaborate invitation.

A black-and-white reproduction of the formal invitation New York Union Printers sent to their colleagues around the country to organize the First Printers’ National Baseball Tournament.

All eight cities accepted the offer to compete in the tournament that was held in the stadium of the New York Yankees. Boston beat Pittsburgh 5-1 in the 1908 finals to win the inaugural title. For their victory, Boston received the traveling International Typographical Union Championship Trophy that had been donated to the ITU by Cincinnati Reds Owner August Hermann. The first tournament proved to be a rousing success, and it soon became a highly anticipated ITU annual event.

After Chicago (1909) and Washington, DC (1910), St. Louis was the host city for the fourth annual tournament in 1911. Like their counterparts in New York, the Allied Printing Trades Council of St. Louis and the local union printers league, known as the “St. Louis Typo Athletic Association,” spared little expense in designing and printing a lavish baseball-shaped Souvenir Program for the Union Printers National Baseball League Fourth Annual Tournament. The color cover featured pennants for all participating cities, which had expanded to include Denver and Indianapolis, and an image of the Hermann ITU Championship Trophy.

Teams in the Union Printers National Baseball League Tournament were composed of all-star squads representing ITU leagues in each participating city. The New York league, for instance, explained in the 1911 program that the association’s Board of Director’s chose the tournament roster from the pool of eligible athletes: “every player has an equal chance to become a member of the team representing New York in the National Tournament even [if] his team finishes last in the league. This rule causes a good player on a poor team to be satisfied and keeps up interest in the organization.”

Pages from the 1911 Union Printers National Baseball League Tournament featuring the Indianapolis team wearing warm-up sweaters with the ITU (International Typographical Union) logo. The outsides of the round pages are decorated with baseball scenes.

The 1911 souvenir program also emphasized that the participants were both serious athletes and serious union men: “this league differs materially from the great majority [by] the fact that all players must be printers and members of the International Typographical Union, or registered apprentices who have served two and one half years at the trade. From this it will be seen that it is not such an easy matter to get together a representative baseball team to compete in these tournaments.”

International Typographical Union President James M. Lynch also gave his endorsement in the 1911 program, praising the “healthy outdoor recreation” and the “advertising value” of the baseball tournament. He also reminded readers about the ITU’s organizing efforts, which “endeavored to impart dignity to the craft by assisting in the maintenance of just and equitable rights of the individual craftsman and cementing the bonds of friendship and brotherhood that should exist between all men, and especially those of a distinctive craft.”

Most importantly, though, as the 1908 catcher’s mitt souvenir program had proclaimed a few years earlier, the Union Printers Baseball League National Tournament had the “purpose of promoting good fellowship and pure amateur sport.” Happy Labor Day!

RBSC is closed Monday, September 4th, for Labor Day.

Welcome Back! Fall 2023 in Special Collections

Rare Books and Special Collections welcomes students, faculty, staff, researchers, and visitors back to campus for Fall ’23! We want to let you know about a variety of things to watch for in the coming semester.

Dublin Walking Tour

This week thousands of supporters of Notre Dame’s football team will travel to Ireland for the Aer Lingus Classic. The Hesburgh Libraries has developed a multimedia walk in Dublin’s city center that connects stories of our library collection with the streets and buildings along the way.

Learn more and access the app
in last week’s blog post.

Fall 2023 Exhibition: Making and Unmaking Emancipation in Cuba and the United States

This exhibition explores the fraught, circuitous and unfinished course of emancipation over the nineteenth century in Cuba and the United States. People—enslaved individuals and outside observers, survivors and resistors, and activists and conspirators—made and unmade emancipation, a process that remains unfinished and unrealized.

Curator-led tours are open to the public, noon – 1 pm on the following Fridays: September 1, 15 and 22; October 13 and 27 [tour on 100/27 cancelled], and November 17. Tours of the exhibit may be arranged for classes and other groups by contacting Rachel Bohlmann at (574) 631-1575 or Rachel.Bohlmann.2@nd.edu.

Curated by Erika Hosselkus, Latin American Studies Curator and Associate University Librarian, and Rachel Bohlmann, Curator of North Americana.

Stop in regularly to see our Collections Spotlights

Fall Spotlight: Football and Community at Historically Black Colleges and Universities

This exhibit features a selection of sources from the Joyce Sports Research Collection that document and preserve the history of football at Historically Black College and Universities (HBCUs). During the era of Jim Crow segregation, the vast majority of African American college students and student athletes attended HBCUs.

Many of the yearly gridiron contests between rival institutions developed into highly anticipated annual events that combined football with larger celebrations of African American achievement and excellence. The programs, media guides, ephemera, guidebooks, and other printed material on display document the athletic accomplishments, the celebrations, the spectacle, and the community-building that accompany football at Historically Black Colleges and Universities.

Curated by Greg Bond, Curator of the Joyce Sports Research Collection and the Sports Subject Specialist for Hesburgh Libraries.

August-September Spotlight: Centering African American Writing in American Literature

Author photos and bios from the back cover of Haywood Patterson and Earl Conrad’s Scottsboro Boy (1950).

Decades before Alex Haley’s Roots swept to number one on the New York Times Best Seller List in 1976, writing and editing produced by African Americans was central to twentieth-century American publishing. Literary production was interracial. View examples of mid-century books by African Americans whose designs—from dust jackets to illustrations to bindings and paper quality—conveyed their centrality in publishing and American literature.   

Curated by Korey Garibaldi, Associate Professor of American Studies, and Rachel Bohlmann, Curator of North Americana at Hesburgh Libraries.

These and other exhibits within the Hesburgh Libraries are generously supported by the McBrien Special Collections Endowment.

All exhibits are free and open to the public during business hours.

Special Collections’ Classes & Workshops

Throughout the semester, curators will teach sessions related to our holdings to undergraduate and graduate students from Notre Dame, Saint Mary’s College, and Holy Cross College. Curators may also be available to show special collections to visiting classes, from preschool through adults. If you would like to arrange a group visit and class with a curator, please contact Special Collections.

Events

These programs are free and open to the public.

Friday, September 1 at noon-1:00pm |First of the curator-led tours of the Fall 2023 Exhibition, Making and Unmaking Emancipation in Cuba and the United States. Additional tours will be held September 15 and 22; October 13 and 27, and November 17.

Friday, September 1 at 2:00-4:00pm | Spotlight Exhibit Tour and Open House, Football and Community at Historically Black Colleges and Universities, with curator Greg Bond.

Tuesday, September 19 at 4:00pm | Centering African American Writing in American Literature – American Studies Professor Korey Garibaldi will draw on his new book, Impermanent Blackness: The Making and Unmaking of Interracial Literary Culture in Modern America (Princeton, 2023), and on recent library acquisitions to discuss how, during the middle of the twentieth century, modern American literature and its production were interracial. He will explore multiple aspects of American literary creation, including how African American content has been embodied in dust jacket and cover designs, illustrations, the style of type and bindings, and the overall production quality. 

Learn more about Special Collections and other Library Events.

Thursday, October 5th at 5:00pm | The Fall 2023 Italian Research Seminar and Lectures will begin with a lecture by Daniela La Penna (University of Reading, UK), “The Archival Turn and Network approach: Examining evolving translation practices and discourses in the British publishing firm complex, 1950s-1980s.”

Learn more about this and other Events in Italian Studies.

Recent Acquisitions

Special Collections acquires new material throughout the year. Watch this blog for information about recent acquisitions.

Frank Leslie’s Illustrated Newspaper.
An early Italian vernacular response to Martin Luther’s teachings.
Scrapbook of the Corona Rolling Devils.
A political cartoon Andrew Zermeño.
Some of the recent acquisitions highlighted on the blog in the past year.

A 16th Century Biography of a Jesuit Missionary

by Alan Krieger, Theology and Philosophy Librarian

Hesburgh Libraries has recently acquired a rare edition of a biography of Jesuit missionary Gaspar Berse (1515-1553), Nicolas Trigault’s Vita Gasparis Barzaei Belgae e Societate Iesu B. Xaverii in India socij (Coloniae, 1611). Trigault (1577-1628) was himself a Jesuit missionary to China, arriving in Nanjing in 1611; this edition was published just prior to his departure. He eventually traveled to Hangzhou where he worked until  his death in 1628.

Berse was a companion of St. Francis Xavier and went with him to Goa, India in 1548. When Xavier left Goa to travel further east, he left Berse to lead the new Jesuit mission. A prior edition of this work was published in 1610 in Antwerp.

We have found only seven other North American holdings of this edition.

Welcome to the Land of Freedom

by Greg Bond, Sports Archivist and Curator, Joyce Sports Research Collection

On July 2, 1887, Frank Leslie’s Illustrated Newspaper marked the upcoming Fourth of July holiday with a cover illustration that graphically depicted the expansion of the United States. The serial was a popular weekly American publication of the late nineteenth and early twentieth centuries, and Rare Books and Special Collections is pleased to highlight here a significant recent acquisition of the first 73 bound volumes from 1855 through 1891. 

The image, titled “Independence Day—A Case of Vigorous Growth,” features a giant Uncle Sam wearing a top hat labeled “1887” standing astride the continental United States from New York to San Francisco. He extends his hand to greet a much smaller man standing on the Atlantic seaboard wearing a tri-corner hat labeled “1776.” “1887” Uncle Sam asks, “How are you, old man?”; and “1776” responds, “Bless my soul, boy, how you have grown!”

Frank Leslie’s Illustrated Newspaper, For the week ending July 2, 1887.
(vol. 64, no. 1659, p. 317)

During the last half of the nineteenth century, Frank Leslie’s Illustrated Newspaper catered to the reading interests of middle class Americans, and its content routinely reflected and depicted the conventional mainstream sensibilities of middle America. In 1888, Leslie’s claimed a robust weekly circulation of 45,000 and declared that its issues “reach[ed] the better class—those that have taste and the means to gratify it.”

The 1887 Fourth of July issue of Frank Leslie’s Illustrated Newspaper followed up its striking cover image with a centerfold, titled “New York—Welcome to the Land of Freedom,” emphasizing the common contemporary belief that the growth of the United States had been fueled by the constant arrival of new Americans. The two-page spread shows immigrants huddled together on the deck of an ocean liner enthusiastically watching and pointing at the Statue of Liberty as the ship sails past.

New York. — Welcome to the Land of Freedom — An Ocean Steamer
Passing the Statue of Liberty : Scene on the Steerage Deck. (pp. 324–25)

The image references a short accompanying article, also titled “Welcome to the Land of Freedom” (p. 327). The text explains that the scene shows the arrival of the ocean steamer Germanic carrying immigrants from several European countries motivated, according to the the article, “by the belief that here they will escape the burdens and limitations which in the Old World abridge individual freedom and the exercise of rights which are felt to be inherent.” 

“The first glimpse of this Land of Promise,” Frank Leslie’s elaborates, “must indeed be inspiriting and joyful … as they sail up our beautiful bay and for the first time see the majestic statue of Liberty, standing, so to speak, at the very gateway of the Republic.” The article concludes stirringly: “May all who sail past it to these hospitable shores find every just expectation realized, and prove in all things worthy of the citizenship which the land of freedom confers upon them.”

This week Special Collections is open Monday (July 3),
CLOSED on Tuesday (July 4),
and open Wednesday through Friday (July 5-7).

Early Positive Portrayals of African Americans in Graphic Novels

Jackie Robinson and Comic Book Baseball Heroes, 1949-1952

by Greg Bond, Sports Archivist and Curator, Joyce Sports Research Collection

“And now…. Jackie Robinson’s life in a comics magazine!!!” 

The Atlanta Daily World, a leading national African American newspaper, excitedly informed readers of its September 23, 1949, issue about a new Jackie Robinson comic book. “So great is the aura of stardom surrounding this greatest of Negro athletes,” the World explained, “that a special magazine bearing his name is being released.”  Published by Fawcett Publications, the 32-page comic book titled, Jackie Robinson: Baseball Hero, related the life story of the Brooklyn Dodgers star.

Fawcett, best known for creating the character Captain Marvel in the 1930s, published popular comic books for a national audience and teamed on the project with Robinson, the first acknowledged African American to play major league baseball in the twentieth century. Jackie Robinson: Baseball Hero proved to be a hit, and Fawcett followed up with five more titles about Robinson over the next three years and also collaborated with other early African American major leaguers like Larry Doby, Roy Campanella, and Don Newcombe on comic books about their lives.

These Fawcett publications, recently acquired by the Joyce Sports Research Collection, are among the earliest American comic books to feature positive, non-stereotypical, and non-demeaning portrayals of African American characters. They were also some of the earliest comic books from a mainstream publisher targeted to a national audience that featured African Americans as main characters.

Jackie Robinson: Baseball Hero told Robinson’s biography from his youth in Pasadena to his career as a multi-sport athlete at UCLA to his early years in organized baseball—first at Triple A Montreal and then with the Brooklyn Dodgers. In its opening pages, the comic book proclaimed that “Jackie has overcome all handicaps to become a symbol of the fighting spirit of the American boy!”

The comic book did not shy away from depicting the troubles Robinson faced in breaking major league baseball’s color line. The book illustrated, for example, the threats he received from the Klu Klux Klan, the opposition to integration from some major league owners, and the harassment he experienced on the field from other teams.

The book graphically detailed Robinson’s many successes on the ballfield, but it also highlighted Robinson’s awareness of his importance as a role model, particularly for African American children.

In one scene, for example, after he was scouted by the Dodgers, Robinson witnessed a group of African American boys playing in an alley and thought  to himself, “If I ever play in the Majors, I’ll give kids like this some hope of making good.” The book also illustrated his work coaching children at a gym in Harlem. 

Jackie Robinson: Baseball Hero was such as success that Robinson—who was seeking ways to capitalize on his fame and to earn money outside of baseball—collaborated with Fawcett on a recurring series of five more editions through 1952. The subsequent issues continued to tell stories about Robinson’s baseball and athletic career and also featured fictional vignettes that showed Robinson mentoring children and rescuing them from a life of crime or disreputable behavior.

Jackie Robinson #4, for example, included a seven-page story titled, “Jackie Robinson and the Human Cat,” in which Robinson worked to redeem a star white teenage baseball player who had turned to criminal activities. The story’s tagline read, “Jackie has always claimed that youthful errors do not necessarily mean a boy has criminal tendencies. Yet he found his creed put to the acid test when he sought to reclaim Mickey Ryan from society’s scrap heap!”

In addition to the Jackie Robinson series, Fawcett also took advantage of major league baseball’s fading color line by publishing similar single issue comic books in 1950 about other African American stars: Larry Doby: Baseball Hero (Cleveland Indians), Roy Campanella: Baseball Hero (Brooklyn Dodgers), and Don Newcombe: Baseball Hero (Brooklyn Dodgers).

The Lary Doby, Roy Campanella, and Don Newcombe comic books broadly followed the same model as the earlier Jackie Robinson: Baseball Hero issue, telling the inspirational stories of the players’ rise to the major league. The graphics illustrated their early years as athletes, the difficulties they faced due to their race, and their successful ascent to the big leagues. 

The comics also tended to emphasize the good community work the players did, and the books continued to hold up these accomplished athletes as role models for children. The Fawcett “Baseball Hero” comic books provided all young readers—both Black and white—with otherwise hard to find positive and largely realistic portrayals of talented African American men.

Larry Doby: Baseball Hero, for example ended with a scene highlighting this message. The final page of the comic recounted Doby’s triumphant return to his hometown of Paterson, New Jersey, after his first season in the major leagues. Although he was greeted by the Mayor, Doby was most excited to return to his alma mater of Eastside High School. 

The comic’s final panel pictured Doby counseling and providing advice to the Black and white members of the Eastside High School basketball team. The eight players all listened intently to the major league star, and the final caption read: “Larry Doby… is loved by all, not only for his prowess on the field of play, but for his character and warm human understanding!”

For further reading:

“Jackie Robinson’s Life in Comics on Newstands Today [sic],” Atlanta Daily World 23 September 1949, p. 3.

Tom Hawthorn, “Jackie Robinson: Comic Book Superhero,” in Not An Easy Tale to Tell: Jackie Robinson on the Page, Stage, and Screen ed. Ralph Carhart (Cleveland: Society for American Baseball Research, 2022).

Brian Cremins, “‘This Business of White and Black’: Captain Marvel’s Steamboat, the Youthbuilders, and Fawcett’s Roy Campanella, Baseball Hero,” in Desegregating Comics: Debating Blackness in the Golden Age of American Comics ed. Qiana Whitted (New Brunswick, NJ: Rutgers University Press, 2023).

A Woman’s Reporting on the Bonus Army in Depression-Era Washington

by Rachel Bohlmann, American History Librarian and Curator

Rare Books and Special Collections recently acquired a small archive that documents the Bonus Army—a Depression-era protest by World War veterans and their families. Lonore Kent (1907-1993), a journalist living in Washington DC at that time, created and assembled these sources.

In 1924, Congress had rewarded World War soldiers for their service with certificates of investment that would be payable by the government in 1945. By 1932, however, many veterans, like millions of Americans, were desperate after nearly three years of the nation’s disastrous economic depression. Former soldiers began to demand that President Herbert Hoover pay out the promised veteran bonus immediately, given the national (and global) crisis. The men’s plea caught the attention of people who thought the federal government should be doing more to address the economic depression and people’s real need. By the spring of 1932 legislation began moving through the House of Representatives’ Ways and Means Committee.

Some veterans, in a determined effort to put the case directly to their Congressional representatives, embarked for Washington. In early May, 300 former soldiers left Portland, Oregon, bound for the capital. Quickly dubbed the Bonus Army, they were joined by a trickle and then a river of veterans and their families nationwide. By June 40,000 Bonus Army marchers were in Washington; some huddled in makeshift shelter amid construction sites downtown, but the largest concentration of marchers settled on a muddy stretch of the Anacostia River, in an encampment of thousands of men, women, and children.

On June 15, 1932, the House passed enabling legislation, but the Senate blocked the bill two days later. This spared Hoover the embarrassment of vetoing it, which he had promised to do, citing budgetary constraints. Most Bonus Army members stayed put, hoping for some form of government relief. By the end of July, as Hoover looked to his re-election prospects in November, the President ordered city officials to disperse the Bonus Army. When some squatters resisted, Hoover called in US Army General Douglas MacArthur to restore order. MacArthur exceeded his instructions, however, using armed troops, tanks, and cavalry to drive Bonus Army families out of their shacks and tents, and burning the Anacostia River encampment to the ground.

Lonore Kent’s collection offers a perspective on MacArthur’s violent overreach on the night of July 28 and the charred remains the next day. In a letter to her parents, Kent described how she used her press pass to get onto the Anacostia Bridge between Maryland and Washington, where a line of soldiers—bayonets drawn—fired tear gas at the evicted and homeless Bonus Army to keep them from crossing the bridge and entering the city. Beyond the soldiers, Kent saw the Bonus Army camp in flames.

Kent drew a map of where she was that night—in relation to the soldiers, the encampment, and what she saw. (She identifies the river as the Potomac, probably short for the “Eastern Branch of the Potomac,” commonly-used for the Anacostia River.) The next day she returned to the burned-out site and documented some of the destruction. Kent reflected on the Bonus Army, noting, “Probably the granting of the bonus is unsound economically, but you can’t expect people to be impressed with such arguments when they are starving.”

Hoover’s mistreatment of the Bonus Army and general mishandling of veterans’ requests for economic assistance fatally soured the nation on his administration. The brutal ousting of the Bonus Army came to symbolize Hoover’s callous indifference to Americans’ suffering and his inability to govern amidst a national economic disaster. In the fall, Franklin Delano Roosevelt decisively defeated Hoover and implemented federal-level economic and social reforms to address the magnitude of the Great Depression. The Bonus Army, although defeated in 1932, re-formed and continued to press for an early payout, which Congress granted in 1936.

RBSC welcomes researchers to use this collection (MSN/MN 10053) and others on American history topics. For further reading see Stephen R. Ortiz, Beyond the Bonus March and GI Bill: How Veteran Politics Shaped the New Deal Era. New York: NYU Press, 2009.

A happy Memorial Day to you and yours
from all of us in Notre Dame’s Special Collections!

2016 post: Memorial Day: Stories of War by a Civil War Veteran
2017 post: “Memorial Day” poem by Joyce Kilmer
2018 post: “Decoration Day” poem by Henry Wadsworth Longfellow
2019 post: Myths and Memorials
2020 post: Narratives about the Corby Statues—at Gettysburg and on Campus
2021 post: An Early Civil War Caricature of Jefferson Davis
2022 post: Representing Decoration Day in a 19th Century Political Magazine

Rare Books and Special Collections is closed today (May 29th) for Memorial Day and will be closed on July 4th for Independence Day. Otherwise, RBSC will be open regular hours this summer — 9:30am to 4:30pm, Monday through Friday.

During June and July the blog will shift to our summer posting schedule, with posts every other Monday rather than every week. We will resume weekly publication on August 7th.

An early Italian vernacular response to Martin Luther’s teachings

by Alan Krieger, Theology and Philosophy Librarian

The Hesburgh Libraries has recently acquired a very rare sole edition of an early Italian vernacular response to Martin Luther’s teachings, Giovanni Pili Da Fano’s Iesus Maria Opera vtilissima uulgare co[n]tra le pernitiosissime heresie Lutherane p[er] li simplici (Bologna, 1532).

“At the end of the 1520’s and especially in the course of the 1530s, the Italian market offered a wide range of anonymous books in the vernacular that were merely translations, often partial, of Lutheran texts disguised behind seemingly innocent titles… To the complete absence of reaction by controversialists … there had been one significant exception… Giovanni of Fano offered the uneducated reader a Luther skilled in controversy, a violently anti-Roman, systematic theologian and subverter of tradition, presenting, together with a ‘clearer notice’ of the fundamentals of Catholic doctrine, a fully detailed picture of Lutheran errors.”

— Giorgio Caravale, Beyond the Inquisition:
Ambrogio Catarino Politi and
the Origins of the Counter-Reformation
(University of Notre Dame Press, 2017)

The first chapter of the work treats the handling of all kinds of heretics. Fano subsequently introduces his lay reader to the usual anti-Lutheran responses found in Latin treatises of the time: on the unity of the Church; St. Peter and the Apostolic Succession; on faith, Confession, the Eucharist, indulgences, Purgatory, idolatry, prayer, and finally on the celibacy of the clergy.

We have located only one other North American institutional holding of this title.

Summer Exhibition Spotlights 1940s Periodicals

by Rachel Bohlmann, American History Librarian and Curator

Rare Books and Special Collections recently acquired limited runs of two American periodicals from the 1940s, New York’s View and The Texas Spectator. Each captures part of the zeitgeist of the 1940s, war-time to peace-time.

View, a quarterly magazine published in New York City, covered the avant-garde and surrealist art scene from 1940 through 1947. The publication drew American artists—like Georgia O’Keeffe, Man Ray, and Alexander Calder—and also featured European artists, many of whom were wartime refugees. These included Marcel Duchamp, Max Ernst, André Masson, and Marc Chagall, and writer André Breton.

As shaped by the editorial hands of artist and writer Charles Henri Ford and author and film critic Parker Tyler, View unabashedly popularized surrealism in the US while also challenging the European movement’s sexual conventionalism.

The Texas Spectator newspaper, published weekly in Austin, maintained a progressive, sardonic eye on Texas politics between 1945 and 1948. The paper featured reporting by liberal journalist and novelist Hart Stilwell, and western writer J. Frank Dobie.

The newspaper’s motto—from Shakespeare’s Cymbeline—conveyed its raison d’etre: “Fear no more the frown o’ the great . . . Thou art past the tyrant’s stroke.” It championed civil rights, education, and labor, and scrutinized the state’s powerful oil and gas companies and their political surrogates.

At first glance View and The Texas Spectator’s differences seem obvious. The former promoted a cultural movement propelled by elements of surprise and spontaneity, while the former engaged in a David vs. Goliath struggle over political power. Yet they share an optimism about the possibility of social and political change for a better future.

A 16th Century Theological Work with an Interesting Provenance

by Alan Krieger, Theology and Philosophy Librarian

Hesburgh Libraries has just acquired a copy of an important and rare early modern title in Catholic theology with an interesting provenance. Jean Garet (d. 1571) wrote a number of works aimed mainly at exposing the doctrinal errors of Protestantism and illustrating the truth of Catholic teachings; his works were highly esteemed during his lifetime and he was read widely throughout the seventeenth century. This work, De sanctorum invocatione liber (S. Manilius, 1570), deals with the efficacy of the intercession of the saints.

This copy is of particular interest as it was owned by the English Benedictine Priory of St. Edmund King and Martyr in Paris during the seventeenth century and is recorded in their library catalogue of 1702. Benedictine monasticism in England effectively ended when Henry VIII dissolved the monasteries between 1536 and 1540; however, it lived on through the various colleges and religious houses which were established on the continent. St. Edmund’s priory was founded in 1615 when monks from the English Benedictine priory in Lorraine arrived in Paris to establish a house of studies; in 1619, the community joined the revived English Benedictine Congregation which was formally established that year.

After a number of moves, the community settled in the Rue Saint Jacques (1632) where the monks were to remain until the French Revolution. Their library grew in size and importance from that date, given that the monastery was a house of studies. The first complete catalogue of the library is that of Dom Benet Weldon (1674-1713); it was finished in 1702.  The catalogue is important for bibliographical research today because the library of St. Edmund’s priory was dispersed during the French Revolution; this work is recorded in Weldon’s catalogue with shelfmark 7 E 7. The entry is written in Weldon’s hand, indicating that it was present in the library in 1702 and was not a later addition.

Only 117 books—out of a total of approximately 5,800—from the library at St. Edmund’s priory have been traced, and until now all of the identified copies are in institutional libraries in Europe or the United Kingdom. Thus, this is the first book from St. Edmund’s (and the first copy of the work itself) to be held by a North American institution.

Students Propose New Diverse and Inclusive Acquisitions in RBSC

by Rachel Bohlmann, American History Librarian and Curator and Erika Hosselkus, Curator, Latin American Collections

Museums, special collections, and archives acquire materials in a variety of ways, most commonly through donation and purchase. Hesburgh Libraries is no exception. 

Last fall, students in the multi-disciplinary class, Stories of Power and Diversity: Inside Museums, Archives, and Collecting, created acquisition proposals for Hesburgh Libraries. Class members were asked to put themselves in the shoes of curators and select materials that would develop the library’s collection in diverse and inclusive ways. The formats of prospective purchases were left fairly open; students could consider a wide range of types of materials–from books to manuscripts to posters and even artifacts (realia). As an incentive (and as a gesture to how libraries and archives compete for and manage resources), the most deserving proposal (determined by class vote) would be purchased, placed in the library’s collections, and featured on the library’s social media (this blogpost!). 

Students searched vendor websites and online catalogs and considered some of the following questions. 

  • How complete is this item or collection? Are there significant gaps or pieces missing?
  • If a collection of photographs, are they identified or identifiable, in terms of locations, dates, names of people?
  • If it is a printed item (a book, posters, pamphlet), how rare is it? (Use WorldCat.)
  • Does HL already own it? (Check the library catalog, ask librarians/instructors.)
  • If the item is a manuscript (not printed or published), does the library hold related items?
  • What might be the research value? How might researchers (in different disciplines–history, gender studies, art history, etc.) make use of this item(s)? What perspectives does the item convey? What can we learn from it?

The students presented their proposals in class and discussed some of the challenges and satisfaction they discovered along the way. Timi Griffin, who assembled a small but significant collection of printed materials and realia from different vendors about Civil Rights activist, presidential candidate, and comedian Dick Gregory, won the class’s vote for best proposal. Congratulations Timi! 

The Dick Gregory Collection

Timi argued that the library should purchase items relating to Gregory’s 1968 presidential campaign, including a poster, flier, buttons, and fake dollar bills with the candidate’s portrait in place of Washington’s, and a signed copy of his 2000 memoir. Taken together, the items contextualize Gregory’s activism and prominence in the Civil Rights movement and American culture and politics in the last decades of the twentieth century. 

The students’ presentations showed that they had taken seriously the assignment’s task of strengthening diversity and inclusion in the collections. Rare Books and Special Collections decided to purchase all of the items they proposed adding to the collections. These are:

 –a 1914 photograph of the Hampton Normal and Agricultural Institute Football Team, an African American school in Hampton, Virginia.

Football Team, Hampton Normal and Agricultural Institute, 1914

–a signed, fine press copy of the first chapter of Margaret Atwood’s The Blind Assassin with an original print by Yoko Ono; created to raise funds to fight AIDS in Africa (2008). 

Slipcover and print for Margaret Atwood’s Blind Assassin

–an issue of Black Fire, the newspaper of the Black Students Union at San Francisco State University from 1969.

Black Fire [December 16, 1969]

–a collection of nine mid-century lesbian pulp fiction paperbacks and reprinted novels, and a related work.

Two novels by Ann Bannon

–an album of photographs, probably by an American, of the Pacific and South-East Asia, including Hawaii, Japan, the Philippines, Ceylon, India, and the Himalayas, circa 1905.

Views from Darjeeling and
“a thorn between two roses”
chair carriers and
“on the way to Tiger Hill to see Mt. Everest”

–diaries of Thaddeus Hayes of Connecticut, created between 1795 and 1803.

Thaddeus Hayes diary page, December 1797 – January 1798

–two photographic essays about Japan by W. Eugene Smith and associates: Japan–a Chapter of Image (1963) and Minamata : Life – Sacred and Profane (1973).

Front cover, Minamata
“The Chisso Corporation waste-water 1971,” Minamata

These new acquisitions are welcome additions to the library’s special collections, adding particularly to sources about Southeast and East Asia, and materials created in the last 30 years. The collections need to be strengthened in all of these areas. The newly-purchased materials are currently in the process of being cataloged, organized, and housed so that they can be accessed and used by present and future generations of library users.