Rubén Darío: A Latin American Poet at Notre Dame

by María Rosa Olivera-Williams, Professor of Latin American Literature and Cultural Studies, Faculty Fellow of the Kellogg Institute, Fellow of the Nanovic Institute

Rare Books and Special Collections houses one of the most comprehensive yet least explored collections dedicated to Rubén Darío. The Nicaraguan poet is a central figure in Latin American and world literature; however, many of his texts have deteriorated over time, and reliable academic editions of his works are scarce. Under the direction of María Rosa Olivera-Williams, the University of Notre Dame has partnered with the Archivo Rubén Darío Ordenado y Centralizado at the Universidad Nacional de Tres de Febrero in Argentina to produce four critical editions of Darío’s writings. Since 2022, the Rubén Darío Collection has been the site of multiple research projects led by Olivera-Williams that have included significant digitization and stabilization work of the materials by RBSC staff.

These projects have resulted in compelling findings that have been widely celebrated by the international academic community. The first of these projects culminated in the publication of Opiniones in 2024, a collection of Dario’s journalistic writings accompanied by an introduction and critical annotations from the renowned essayist Graciela Montaldo of Columbia University. The book received the seal of excellence from the MLA Committee on Scholarly Editions, which guarantees the publication’s philological rigor.

The Rubén Darío Collection played a key role in the development of the book because it provided access to the original publications of its chapters, which appeared in the pages of the Argentine newspaper La Nación between 1904 and 1906. The collection also preserves a lesser-known portrait of Rubén Darío that was used as a medallion on the back cover of La vida de Rubén Darío escrita por él mismo (The Life of Rubén Darío Written by Himself), a critical edition published in 2021.

“The Rubén Darío: Critical Editions Project” has received tremendous support from a broad community of specialists at numerous international conferences and seminars. At these events, various members of the project team presented significant advances in their research. These conferences include the International Congress of the Latin American Studies Association (2024 and 2025), the International Congress of Comparative Literature at Adolfo Ibáñez University (2024), the International Congress of the Modern Language Association (2025), and the Northeast Modern Language Association conference (2025). Attendees have praised the project for its comprehensiveness and rigor, the quality and depth of its research, and its potential to open new avenues of inquiry in different fields. Our work has also revitalized studies in the field of literary modernism. As a result of this project, several team members have published works in the form of dossiers or individual articles in specialized journals, with more in progress. Notably, the monographic issue of the journal Chuy, coordinated by Olivera-Williams in 2024, has emerged as a significant achievement.

In late October 2025, the University of Notre Dame will host the international symposium “Rubén Darío in Between: traducción, creación, poder.” The conference will feature world-renowned specialists eager to participate in future debates and projects.

As part of the symposium, the Hesburgh Library will present the latest developments in the publication of Rubén Darío’s prose works, including the critical edition of Peregrinaciones, edited by Beatriz Colombi of the University of Buenos Aires. This edition was made possible by the materials in the Rubén Darío Collection at Notre Dame and will be presented by Rodrigo Caresani, one of the directors of the Complete Works project.

Upcoming Events: November 2025

Please join us for the following public events and exhibits being hosted in Rare Books and Special Collections:

Thursday, November 13 at 5:00pm | Italian Research Seminar: “Our Memories, Ourselves: Restoring Political Communities in Purgatorio” by Filippo Gianferrari (UC Santa Cruz).


The Fall 2025 Exhibition | “What through the universe in leaves is scattered”: Mapping Global Dante in Translation

This exhibit traces the global journey of Dante’s masterpiece through rare and valuable printed editions, highlighting how translators, artists, and printers have popularized and reshaped the Commedia. These volumes reveal a dynamic dialogue between Dante’s poetry and the world. A global literary perspective transforms Dante from a monumental yet isolated figure of the European Middle Ages into a central presence in the ongoing international conversation about humanity, the universe, time, eternity, and the power of literature.

Drop in to one of this month’s Exhibit Open Houses to meet and speak informally with one of the curators of the fall exhibition, Mapping Global Dante in Translation. Learn how translators, artists, and printers have popularized and reshaped the Divine Comedy over the centuries and across the world and discover the Library’s many Dante editions.

Friday, November 7, 2:00 – 3:30pm | Exhibit Open House with curator Giulia Maria Gliozzi (Notre Dame, Italian Studies doctoral candidate)

Friday, November 21, 2:00 – 3:30pm | Exhibit Open House with curator Salvatore Riolo (Notre Dame, Italian Studies doctoral candidate)

This exhibit is curated by Salvatore Riolo (Notre Dame, Italian Studies doctoral candidate), and co-curators Giulia Maria Gliozzi (Notre Dame, Italian Studies doctoral candidate); Inha Park (Notre Dame, Italian Studies doctoral candidate); and Peter Scharer (Yale, Comparative Literature doctoral candidate). Theodore J. Cachey Jr. (Notre Dame) and Jacob Blakesley (Sapienza Università di Roma) served as consultants on the exhibit.

The exhibit is co-sponsored by the Center for Italian Studies and the Devers Program in Dante Studies. This and other exhibits within the Hesburgh Libraries are generously supported by the McBrien Special Collections Endowment.


MSH/LAT 0095
(Luz de Sagaceta)

Opening November 5, our next spotlight exhibit will feature several friendship albums being studied this semester by Notre Dame students in a class taught by Vanesa Miseres (Romance Languages & Literatures).

Bibliomania: The Library of Sir Thomas Phillipps curated by Anne Elise Crafton (2024-2025 Rare Books and Special Collections Postdoctoral Research Fellow) will continue through the end of the semester. Portrait of the Artist as a Dance Fan: Edward Gorey and the New York City Ballet curated by Rachel Bohlmann (American History Librarian and Curator) is available to view for just a few more days.

All exhibits are free and open to the public during business hours.


Special Collections’ Fall 2025 Exhibition — “What through the universe in leaves is scattered”: Mapping Global Dante in Translation

Rare Books and Special Collections’ fall 2025 exhibition, “What through the universe in leaves is scattered”: Mapping Global Dante in Translation, is open and will run through December 19.

This exhibition traces the global journey of Dante’s masterpiece through rare and valuable printed editions, highlighting how translators, artists, and printers have popularized and reshaped the Commedia. These volumes reveal a dynamic dialogue between Dante’s poetry and the world. A global literary perspective transforms Dante from a monumental yet isolated figure of the European Middle Ages into a central presence in the ongoing international conversation about humanity, the universe, time, eternity, and the power of literature.

The exhibit is curated by Salvatore Riolo (Notre Dame Italian Studies doctoral candidate), and co-curators Giulia Maria Gliozzi (Notre Dame Italian Studies doctoral candidate); Inha Park (Notre Dame Italian Studies doctoral candidate); and Peter Scharer (Yale Comparative Literature doctoral candidate).

Theodore J. Cachey Jr., Notre Dame, and Jacob Blakesley, Sapienza Università di Roma, served as consultants on the exhibit.

Events

Drop in to meet and speak informally with one of the exhibition’s curators. Learn how translators, artists, and printers have popularized and reshaped the Divine Comedy over the centuries and across the world and discover some of the Library’s many Dante editions.

Friday, November 7, 2:00–3:30 pm
Friday, November 21, 2:00–3:30 pm

Tours of the exhibit may be arranged for classes and other groups by contacting rarebook@nd.edu.


All exhibits are free and open to the public during business hours. This and other exhibits within the library are generously supported by the McBrien Special Collections Endowment. This exhibit is co-sponsored by the Center for Italian Studies and the Devers Program in Dante Studies.

Upcoming Events: October 2025

Please join us for the following public events and exhibits being hosted in Rare Books and Special Collections:

Drop in to one of this month’s Exhibit Open Houses to meet and speak informally with one of the curators of the fall exhibition, Mapping Global Dante in Translation. Learn how translators, artists, and printers have popularized and reshaped the Divine Comedy over the centuries and across the world and discover the Library’s many Dante editions.

Thursday, October 3, 2:00 – 3:30pm | Exhibit Open House with curator Giulia Maria Gliozzi (Notre Dame, Italian Studies doctoral candidate)

Thursday, October 10, 2:00 – 3:30pm | Exhibit Open House with curator Inha Park (Notre Dame, Italian Studies doctoral candidate)

Thursday, October 17, 2:00 – 3:30pm | Exhibit Open House with curator Salvatore Riolo (Notre Dame, Italian Studies doctoral candidate)

Thursday, October 30 at 5:00pm | Italian Research Seminar: Research presentations by 4th-year students in the Italian PhD program (University of Notre Dame) — this year’s speakers are: Elisa Bisson, Inha Park, and Salvatore Riolo.


The Fall 2025 Exhibition | “What through the universe in leaves is scattered”: Mapping Global Dante in Translation

This exhibit traces the global journey of Dante’s masterpiece through rare and valuable printed editions, highlighting how translators, artists, and printers have popularized and reshaped the Commedia. These volumes reveal a dynamic dialogue between Dante’s poetry and the world. A global literary perspective transforms Dante from a monumental yet isolated figure of the European Middle Ages into a central presence in the ongoing international conversation about humanity, the universe, time, eternity, and the power of literature.

This exhibit is curated by Salvatore Riolo (Notre Dame, Italian Studies doctoral candidate), and co-curators Giulia Maria Gliozzi (Notre Dame, Italian Studies doctoral candidate); Inha Park (Notre Dame, Italian Studies doctoral candidate); and Peter Scharer (Yale, Comparative Literature doctoral candidate). Theodore J. Cachey Jr. (Notre Dame) and Jacob Blakesley (Sapienza Università di Roma) served as consultants on the exhibit.

The exhibit is co-sponsored by the Center for Italian Studies and the Devers Program in Dante Studies. This and other exhibits within the Hesburgh Libraries are generously supported by the McBrien Special Collections Endowment.


The current spotlight exhibits are: Portrait of the Artist as a Dance Fan: Edward Gorey and the New York City Ballet (September-October 2025) curated by Rachel Bohlmann (American History Librarian and Curator)…

…and Bibliomania: The Library of Sir Thomas Phillipps (May-December 2025) curated by Anne Elise Crafton (2024-2025 Rare Books and Special Collections Postdoctoral Research Fellow).

All exhibits are free and open to the public during business hours.


Welcome Back! Fall 2025 in Special Collections

Rare Books and Special Collections welcomes students, faculty, staff, researchers, and visitors back to campus for Fall 2025! We want to let you know about a variety of things to watch for in the coming semester.

Fall 2025 Exhibits

“What through the universe in leaves is scattered”
Mapping Global Dante in Translation

This exhibition traces the global journey of Dante’s masterpiece through rare and valuable printed editions, highlighting how translators, artists, and printers have popularized and reshaped the Commedia. These volumes reveal a dynamic dialogue between Dante’s poetry and the world. A global literary perspective transforms Dante from a monumental yet isolated figure of the European Middle Ages into a central presence in the ongoing international conversation about humanity, the universe, time, eternity, and the power of literature.

This exhibit is co-sponsored by the Center for Italian Studies and the Devers Program in Dante Studies. It is curated by Salvatore Riolo (Notre Dame Italian Studies doctoral candidate) and co-curators Giulia Maria Gliozzi (Notre Dame Italian Studies doctoral candidate), Inha Park (Notre Dame Italian Studies doctoral candidate), and Peter Scharer (Yale Comparative Literature doctoral candidate). Theodore J. Cachey Jr. (Notre Dame) and Jacob Blakesley (Sapienza Università di Roma) served as consultants on the exhibit.

Current Spotlight Exhibits

Bibliomania: The Library of Sir Thomas Phillipps

May – December, 2025

Few 19th-century antiquarians matched the obsession or eccentricity of English baronet Sir Thomas Phillipps (1792-1872). A self-described “vello-maniac” (lover of parchment), Phillipps spent his life and fortune amassing what became the largest manuscript collection of his time. It included more than 60,000 manuscripts and 20,000 printed works.

Upon his death, Phillipps mandated that his collection never be dispersed, nor that any Catholic ever be permitted to view his library. After his will was contested, however, Phillipps’ descendants began the century-long process of ridding themselves of the burdensome trove. This exhibit features five manuscripts that have made their way from the Phillipps collection to the University of Notre Dame, testifying to the fraught legacy of one of history’s most extreme collectors. In this exhibit, three medieval charters, a medieval codex, and an early modern treatise are now available for all to see, in direct contrast to Phillipps’ restrictive wishes.

This exhibit is curated by Anne Elise Crafton, 2024-2025 Rare Books and Special Collections Postdoctoral Research Fellow.

Ars praedicandi: The Materiality of the Medieval Sermon

June – September, 2025

This exhibit displays a medieval sermon composed from a variety of preaching aids and sourcebooks: bibles, summae, florilegia, and other systematized anthologies. The sermon was the most influential vehicle for religious and moral instruction: virtues, vices, canon law, and living the faith all reached the masses in urban centers through preaching. The physical formats of the manuscripts themselves provide insight into pastoral care in the medieval world. This exhibit emphasizes a few of the many items from the Hesburgh Library’s collection of medieval manuscripts created for and used by actual medieval preachers.

This exhibit is curated by David T. Gura, Ph.D., Curator, Ancient and Medieval Manuscripts, Concurrent Professor of Classics and the Medieval Institute.

These and other exhibits within the Hesburgh Libraries are generously supported by the McBrien Special Collections Endowment.

All exhibits are free and open to the public during business hours.

Special Collections’ Classes & Workshops

Throughout the semester, curators will lead instructional sessions related to our holdings to undergraduate and graduate students from Notre Dame, Saint Mary’s College, and Holy Cross College. Curators may also be available to show special collections materials to visiting classes, from preschool through adults. If you would like to arrange a group visit and class with a curator, please contact Special Collections.

Events

This program is free and open to the public.

Friday, September 12 from 2:00 to 3:30 pm | Exhibit Open House: Drop in to meet and speak informally with curator Salvatore Riolo (Notre Dame Italian Studies doctoral candidate) about the new exhibit, Mapping Global Dante in Translation. Learn how translators, artists, and printers have popularized and reshaped the Divine Comedy over the centuries and across the world and discover the Library’s many Dante editions.

Learn more about other Special Collections and Hesburgh Library events.

Recent Acquisitions

Special Collections acquires new material throughout the year. Watch this blog for information about recent acquisitions.

Anticipated Closures

Rare Books and Special Collections is regularly open 9:30am to 4:30pm, Monday through Friday. The department will be closed for the following holidays and events:

September 1, for Labor Day (Monday)

November 27–28, for Thanksgiving (Thursday and Friday)

Our last day open before the campus closure for Christmas Celebration will be Tuesday, December 23. We will reopen on January 5, 2026.

Hours and other information for all Hesburgh Library locations can be found on the Library Website.

Upcoming Events: May 2025 and through the summer

Please join us for the following public events and exhibits being hosted in Rare Books and Special Collections:

Tuesday, May 13 at 1:30pm | “Potawatomi in Un/Expected Places: Archives, Stories, and the Native American Initiative of Notre Dame” by Zada Ballew.

Last year, Ballew spent nine months at Hesburgh Library researching on behalf of the Native American Initiative (NAI) of Notre Dame. Her goal was to better understand the role that Indigenous peoples have played in the founding and shaping of Notre Dame’s history. What she found surprised her in ways that she didn’t expect. In this talk, she will share some of the most important findings with the people who helped make this work possible.

Presented by the Professional Development Committee (PDC) of Hesburgh Libraries.

Thursday, May 15 at 3:00pm | Hesburgh Libraries’ 2024-2025 Rare Books and Special Collections Postdoctoral Fellow Anne Elise Crafton (MI PhD ‘24) will discuss the major research and collections project they completed during their postdoc year. Crafton catalogued over 270 previously undescribed medieval and early modern documents in the Hesburgh Libraries’ collection. They will discuss the challenges and discoveries which emerged from the project and reflect on the intensive work of making the hitherto unknown documents accessible for scholars, students, and faculty at Notre Dame and beyond.

There are currently no events scheduled to be hosted in June or July.

The exhibition Tragedies of War: Images of WWII in Print Visual Culture runs through the summer and closes in late July. Learn more about the exhibit in this video, and plan your visit this summer.

The current spotlight exhibit is Building a Campus Boycott to Support Midwestern Farmworkers (January – May 2025). In May, we will install spotlights highlighting Medieval charters (May – August 2025) and Medieval homiletics (May – July 2025) from our collections.

Rare Books and Special Collections is open
regular hours during the summer.

Upcoming Events: April 2025

Please join us for the following public events and exhibits being hosted in Rare Books and Special Collections:

Thursday, April 3 at 4:00pm | Medieval Institute Working Group “The Materiality of Medieval Texts” Lecture: “Workmanly and Truly Made: Everyday Writing and the Materiality of Literature” by Daniel Wakelin (University of Oxford).

Thursday, April 10 at 3:30pm | Exhibit Tour – Tragedies of War: Images of WWII in Print Visual Culture.

Thursday, April 10 at 4:30pm | Exhibit Lecture: “The Fascist Lair: the Battle of Berlin” by Robert M. Citino (retired Samuel Zemurray Stone Senior Historian at the National WWII Museum).

Thursday, April 22 at 3:30pm | Exhibit Tour – Tragedies of War: Images of WWII in Print Visual Culture.

Thursday, April 22 at 4:30pm | Yom HaShoah (Holocaust Remembrance Day) Program commemorating the victims of Holocaust and featuring a live performance of “I Never Saw Another Butterfly” by Lori Laitman, performed by Anne Slovin (Soprano, University of Notre Dame) and Jason Gresl (Clarinet, Saint Mary’s College).


The Spring 2025 Exhibition — Tragedies of War: Images of World War II in Print Visual Culture — is now open and runs through the end of July. Based predominantly on recently acquired Rare Books and Special Collections European holdings, the exhibition commemorates the end of the Second World War (1939-1945) and will explore a diverse assortment of themes including Fascist Racial Ideology, the Holocaust, Children in War, Resistance, Liberation, and Memories of War.

Curated by Natasha Lyandres (Curator, Rare Books & Special Collections), Jean McManus (Catholic Studies Librarian, University Archives) and Julia Schneider (German Language and Literature and Italian Studies Librarian, Hesburgh Libraries).


The current spotlight exhibit is Building a Campus Boycott to Support Midwestern Farmworkers (January–April 2025). In 1980, the University of Notre Dame became the first major university to boycott Campbell Soup products in support of Midwestern farmworkers represented by the Farm Labor Organizing Committee (Toledo, OH). In a few short months, a small and dedicated cohort of students tapped into a growing movement and convinced the campus to act in solidarity.

Curated by Emiliano Aguilar (Assistant Professor of History, University of Notre Dame, and Faculty Fellow, Institute for Latino Studies).


We will resume regular hours on Monday, April 21.

Tragedies of War: Images of World War II in Print Visual Culture — RBSC 2025 Spring and Summer Exhibition

Rare Books and Special Collections’ spring and summer exhibition, Tragedies of War: Images of World War II in Print Visual Culture, is open and will run through July 31st.

This exhibition commemorates the end of the Second World War (1939-1945). It showcases over forty works on paper, including posters, maps, propaganda ephemera, illustrated books, photographs, and first-hand accounts. Based predominantly on recently acquired Rare Books & Special Collections European holdings, the exhibition explores a diverse assortment of themes ranging from Fascist Racial Ideology, the Holocaust, Children in War, Resistance, Liberation, and Memories of War.

By examining these topics through images created by both ordinary people for personal use and for state-sponsored propaganda purposes, the exhibition presents a visual narrative of the war’s profound impact on individuals and societies, offering deeper insight into how war was experienced and remembered.

Please mark your calendars to join us for:

Monday, March 31, 2025 – 4:30 pm  

Curator-led tour will be offered at 3:30 pm

[CANCELLED] Martina Cucchiara (Professor of History, Bluffton University) will present her lecture, “Fervent Faith, Relentless Persecution: The Daily Life of Erna Becker-Kohen, a Catholic of Jewish Descent in Nazi Germany.” 

Thursday, April 10, 2025 – 4:30 pm 

Curator-led tour will be offered at 3:30 pm

Robert M. Citino (American military historian and the Samuel Zemurray Stone Senior Historian at the National WWII Museum) will present his lecture “The Fascist Lair: the Battle of Berlin.”

Tuesday, April 22, 2025 – 4:30 pm 

Curator-led tour will be offered at 3:30 pm

Yom HaShoah (Holocaust Remembrance Day) Program commemorating the victims of Holocaust and featuring a live performance of “I Never Saw Another Butterfly” by Lori Laitman, performed by Anne Slovin (Soprano, University of Notre Dame)  and Jason Gresl  (Clarinet, Saint Mary’s College). This piece features musical settings of texts by children living in the Theresienstadt ghetto.

Following the performance, a discussion on the spiritual resistance of the arts during the Shoah will be led by Philip B. Bohlman (Ludwig Rosenberger Distinguished Service Professor in Jewish History, Music and Humanities, University of Chicago) and Nicolette van den Bogerd (Postdoctoral scholar in Jewish Studies, Indiana University).  


The exhibition is open in the Rare Books & Special Collections exhibit room, Hesburgh Library, Monday-Friday 9:30am-5:00pm. All events will take place in the main Reading Room.

Curator-led tours and all events are free and no reservations are required.

Exhibition tours may also be arranged for classes and other groups by contacting rarebook@nd.edu.

Upcoming Events: March 2025

Please join us for the following public events and exhibits being hosted in Rare Books and Special Collections:

Thursday, March 6 at 5:00pm | Italian Research Seminar: M.A. Student Presentations (University of Notre Dame) — This semester’s speakers are: Samantha Civitarese and Carolina Minguzzi.

Friday, March 28 at 5:00pm | Faith in Action: Solidarity with Regional Migrant Farmworkers — view the RBSC Spotlight Exhibit, “Building a Campus Boycott to Support Midwestern Farmworkers,” and join a robust conversation afterward with curator Dr. Emiliano Aguilar (Assistant Professor in the Department of History). After viewing the exhibit, visitors will gather in room 125 for refreshments and discussion.

Monday, March 31 at 3:30pm | Exhibit Tour – Tragedies of War: Images of WWII in Print Visual Culture.

CANCELLED: Monday, March 31 at 4:30pm | Exhibit Lecture: “Fervent Faith, Relentless Persecution: The Daily Life of Erna Becker-Kohen, a Catholic of Jewish Descent in Nazi Germany” by Martina Cucchiara (Bluffton University). This event has been canceled. We apologize for the inconvenience. We will have the exhibit tour still.


The Spring 2025 Exhibition — Tragedies of War: Images of World War II in Print Visual Culture — will open shortly and runs through the end of July 2025. Based predominantly on recently acquired Rare Books and Special Collections European holdings, the exhibition commemorates the end of the Second World War (1939-1945) and will explore a diverse assortment of themes including Fascist Racial Ideology, the Holocaust, Children in War, Resistance, Liberation, and Memories of War.

Curated by Natasha Lyandres (Curator, Rare Books & Special Collections), Jean McManus (Catholic Studies Librarian, University Archives) and Julia Schneider (German Language and Literature and Italian Studies Librarian, Hesburgh Libraries).


The current spotlight exhibit is Building a Campus Boycott to Support Midwestern Farmworkers (January–April 2025). In 1980, the University of Notre Dame became the first major university to boycott Campbell Soup products in support of Midwestern farmworkers represented by the Farm Labor Organizing Committee (Toledo, OH). In a few short months, a small and dedicated cohort of students tapped into a growing movement and convinced the campus to act in solidarity.

Curated by Emiliano Aguilar (Assistant Professor of History, University of Notre Dame, and Faculty Fellow, Institute for Latino Studies).


Special Collections is open regular hours during Notre Dame’s Spring Break (March 10-14).

Upcoming Events: February 2025

Please join us for the following public events and exhibits being hosted in Rare Books and Special Collections:

Thursday, February 27 at 5:00pm | Italian Research Seminar: “‘Anticolonialism(s) as antiracism(s)?’ Italian Radicals Facing ‘Race’ and the Colonial Question at the Turn of the Twentieth Century” by Silvana Patriarca (Fordham University).


The Spring 2025 Exhibition — Tragedies of War: Images of World War II in Print Visual Culture — will open in February and run through the end of July 2025. Based predominantly on recently acquired Rare Books and Special Collections European holdings, the exhibition commemorates the end of the Second World War (1939-1945) and will explore a diverse assortment of themes including Nazi racial ideology, the Holocaust, Children in War, Resistance, Liberation, and Memories of War. Curated by Natasha Lyandres (Curator, Rare Books & Special Collections), Jean McManus (Catholic Studies Librarian, University Archives) and Julia Schneider (German Language and Literature and Italian Studies Librarian, Hesburgh Libraries).

(The Fall 2024 Exhibition, Notre Dame Football Kills Prejudice: Citizenship and Faith in 1924, ends January 30. Come see the exhibition while you still can!)

The current spotlight exhibit is Building a Campus Boycott to Support Midwestern Farmworkers (January–April 2025). In 1980, the University of Notre Dame became the first major university to boycott Campbell Soup products in support of Midwestern farmworkers represented by the Farm Labor Organizing Committee (Toledo, OH). In a few short months, a small and dedicated cohort of students tapped into a growing movement and convinced the campus to act in solidarity. Curated by Emiliano Aguilar (Assistant Professor of History, University of Notre Dame, and Faculty Fellow, Institute for Latino Studies).