Studying the History of the Gay Games for Pride Month

by Greg Bond, Sports Archivist and Curator, Joyce Sports Research Collection

In observance of LGBTQ Pride Month and in conjunction with the upcoming Gay Games XII in Valencia, Spain, Rare Books and Special Collections is pleased to highlight the current ongoing exhibition Cultivating Community: Stories from Special Collections. Cultivating Community features the section, “The Gay Olympic Games: Community Through Sport,” which recounts the dedicated community activism that led to the founding of the Gay Games in San Francisco in 1982. 

“The Gay Olympic Games: Community Through Sport,” tells the early history of the Gay Games with material from the Gay Games Collection (MSSP 10070) a manuscript collection housed in RBSC. As the exhibit explains, organizers originally adopted the name “Gay Olympic Games.” But, weeks before the opening ceremonies, the United States Olympic Committee (USOC) filed a lawsuit and received an injunction prohibiting use of the word “Olympic” in association with the event. Organizers hastily rebranded as the “Gay Games,” and the competitions continued as scheduled in the late summer of 1982 in San Francisco.

In addition to materials on display in the exhibit, the Gay Games Collection contains other items documenting this story and recording the dogged persistence of the LGBTQ community and allies in establishing and hosting the Gay Games. A recently acquired copy of the August 1982 Gay Olympics Newsletter, for example, visually demonstrates how organizers of the event responded to the USOC lawsuit. The newsletter editors explained in bold print: “We are not barred, however, from blocking out the world ‘OLYMPIC’ and continuing our efforts. THE GAMES WILL GO ON!!

Gay Olympics Newsletter (MSSP10070-01-02)

The Games did, indeed, go on, and the Gay Games Collection in RBSC contains material documenting the first four Gay Games from 1982 through 1994. Gay Games II was also held in San Francisco, and, from the beginning, the Gay Games included and emphasized cultural and artistic activities that celebrated the accomplishments of LGBTQ people. A program for the Procession of the Arts, for example, detailed the “cultural events” associated with Gay Games II.

Throughout its existence, the Gay Games have been a welcoming, inclusive, and safe space for all athletes, spectators, fans, and allies. This flier from Gay Games III held in Vancouver in 1990 described the “Special Philosophy” of the event:

The Games are open to everyone who supports their philosophy of inclusiveness rather than exclusiveness. “Participation and doing one’s personal best are more important than winning,” said founder [Dr. Tom] Waddell. “Our friendly competitions have worked well to remove age, sex, and racial stereotypes.”

Gay Games III flier (MSSP10070-03-04)

Since their founding, the Gay Games have been a popular participatory and spectator event for LGBTQ people and allies, and promoters of the games have created many different types of items to allow fans to demonstrate their support. For Gay Games I, the Gertrude Stein Philatelic Society produced a collectible cachet—or decorative commemorative envelope—celebrating “The First Gay Olympic Games.” Collectible pins have also proven popular. The colorful pins below advertised San Francisco’s “Gay Games II – Triumph in ‘86” and “Gay Games IV – Unity ‘94” held in New York City in conjunction with the 25th anniversary of the Stonewall Uprising.

Gay Games I cachet (MSSP10070-01-10)

The exhibit Cultivating Community will be on display and open to the public during regular RBSC hours through July 17th. Now a major quadrennial international sporting event, Gay Games XII will run in Valencia from June 27th through July 4th.

The Gay Games Collection is available and open to researchers, and RBSC welcomes donations of new material about the history of the Gay Games.


Previous Pride Month Posts:

2025: Reading the Gay Rodeo Ephemera Collection for Pride Month
2024: Reading Gay Sports Magazine in Honor of Pride Month

Upcoming Events: May 2026 and through the summer

Please join us for the following public events and exhibits being hosted in Rare Books and Special Collections:

[TODAY!] Tuesday, April 28 at 4:00pm | “The Ghost Behind Manuel Puig: Discovering the Mario Fenelli Archive” by Martín Villagarcía (Universidad Nacional de La Plata).

There are currently no public events scheduled in May, June, or July.


The Spring 2026 Exhibition | Cultivating Community: Stories from Special Collections

This exhibition highlights stories of survival, contemplation, competition, protest, and learning, from six distinct collections in Rare Books and Special Collections. Each section, presented by a different subject curator, focuses on an example of how people over time and in different places, construct community and cultivate hope.

A Community of Learners in Colonial America and the Early Republic
Rachel Bohlmann, Ph.D. (Curator, American History and American Studies)

The Gay Olympic Games: Community Through Sport
Gregory Bond, Ph.D. (Curator, Joyce Sports Research Collection)

Women Religious in Male Spaces
David T. Gura, Ph.D. (Curator, Ancient and Medieval Manuscripts)

Ireland’s Idealized Community
Matthew Knight, Ph.D. (Curator, Irish Studies)

A Community of Solidarity
Natasha Lyandres (Curator, Russian and East European Studies)

Transnational Communities of Resistance during El Salvador’s Civil War
Payton Phillips Quintanilla, Ph.D. (Curator, Latin American and Iberian Studies)

This and other exhibits within the Hesburgh Libraries are generously supported by the McBrien Special Collections Endowment.


The currently installed spotlight exhibits are Éire Óg / Young Ireland (March–April 2026) and First Impressions: An Introduction to Mesoamerican sellos / Primeras impresiones: Una introducción a los sellos mesoamericanos (January–April 2026).

All exhibits are free and open to the public during business hours.


Special Collections’ Spring 2026 Exhibition — Cultivating Community: Stories from Special Collections

Our primary exhibition for Spring 2026, Cultivating Community: Stories from Special Collections, is currently open and will continue through June 15, 2026.

This exhibition highlights examples of survival, contemplation, competition, protest, and learning. Showcasing narratives spanning centuries and continents, each story demonstrates that the power of constructing community and cultivating hope transcends time and place.

The exhibition features six distinct collections housed in the Rare Books & Special Collections, and is curated by Hesburgh Libraries faculty members. Click below to learn more about each of the individual exhibits within the exhibition:

Women Religious in Male Spaces

Curated by David T. Gura, Ph.D. (Curator, Ancient and Medieval Manuscripts)

A Community of Learners in Colonial America and the Early Republic

Curated by Rachel Bohlmann, Ph.D. (Curator, American History and American Studies)

A Community of Solidarity

Curated by Natasha Lyandres (Curator, Russian and East European Studies)

The Gay Olympic Games: Community Through Sport

Curated by Gregory Bond, Ph.D. (Curator, Joyce Sports Research Collection)

Ireland’s Idealized Community

Curated by Matthew Knight, Ph.D. (Curator, Irish Studies)

Transnational Communities of Resistance during El Salvador’s Civil War

Curated by Payton Phillips Quintanilla, Ph.D. (Curator, Latin American and Iberian Studies)


Tours of the exhibit may be arranged for classes and other groups by contacting rarebook@nd.edu. All exhibits are free and open to the public during business hours. This and other exhibits within the library are generously supported by the McBrien Special Collections Endowment.

Easter Cards from the Cuala Press

In honor of Easter, we are sharing two images from the Cuala Press Ephemera Collection (EPH 5002). The Cuala Press was founded in 1908 by Elizabeth Yeats, sister of the poet W. B. Yeats and the artist Jack B. Yeats, who illustrated many of the books and broadsides published by the press. The press was operated in Dublin by Elizabeth and her sister Lily Yeats, and later by George Yeats (William’s wife), through the mid-1940s. In addition to their brother, the Yeats sisters employed various Irish women to create illustrations, including Beatrice Glenavy (Elvery), Elizabeth Corbet Yeats, Pamela Colman Smith, Dorothy Blackham, and Mary Cottenham Yeats.

Happy Easter to you and yours from all of us in Rare Books and Special Collections at the University of Notre Dame.


After being closed April 3 in observance of Good Friday, Rare Books and Special Collections will return to regular hours and is open on Monday, April 6, 2026.


Upcoming Events: April 2026

Please join us for the following public events and exhibits being hosted in Rare Books and Special Collections:

Monday, April 16 at 5:00pm | Italian Research Seminar: “Dante’s Performative Poetics” by Francesco Ciabattoni (Georgetown University).

Tuesday, April 28 at 4:00pm | “The Ghost Behind Manuel Puig: Discovering the Mario Fenelli Archive” by Martín Villagarcía (Universidad Nacional de La Plata).


The Spring 2026 Exhibition | Cultivating Community: Stories from Special Collections

This exhibition highlights stories of survival, contemplation, competition, protest, and learning, from six distinct collections in Rare Books and Special Collections. Each section, presented by a different subject curator, focuses on an example of how people over time and in different places, construct community and cultivate hope.

A Community of Learners in Colonial America and the Early Republic
Rachel Bohlmann, Ph.D. (Curator, American History and American Studies)

The Gay Olympic Games: Community Through Sport
Gregory Bond, Ph.D. (Curator, Joyce Sports Research Collection)

Women Religious in Male Spaces
David T. Gura, Ph.D. (Curator, Ancient and Medieval Manuscripts)

Ireland’s Idealized Community
Matthew Knight, Ph.D. (Curator, Irish Studies)

A Community of Solidarity
Natasha Lyandres (Curator, Russian and East European Studies)

Transnational Communities of Resistance during El Salvador’s Civil War
Payton Phillips Quintanilla, Ph.D. (Curator, Latin American and Iberian Studies)

This and other exhibits within the Hesburgh Libraries are generously supported by the McBrien Special Collections Endowment.


The current spotlight exhibits are Éire Óg / Young Ireland (March–April 2026) and First Impressions: An Introduction to Mesoamerican sellos / Primeras impresiones: Una introducción a los sellos mesoamericanos (January–April 2026).

All exhibits are free and open to the public during business hours.


Women’s History Month 2026

We join the Library of Congress, National Archives and Records Administration, National Endowment for the Humanities, National Gallery of Art, National Park Service, Smithsonian Institution and United States Holocaust Memorial Museum in commemorating and encouraging the study, observance and celebration of the vital role of women in American history by celebrating Women’s History Month.

Two Perspectives on African American Women Workers during the Great Depression

by Rachel Bohlmann, American History Librarian and Curator

This March, RBSC celebrates Women’s History Month by highlighting two recent acquisitions about African American women and their place in the labor market during the Great Depression of the 1930s. Both sources recognize the double bind of race and gender discrimination experienced by African American women, but their similarities end there. 

African American journalists and Communist Party members Eugene Gordon and Cyril Briggs produced The Position of Negro Women in 1935. It was published in pamphlet form by the Communist Party USA. The authors wasted no time in declaring on the third line, that “The Negro woman worker is double victimized. She suffers both from the general discrimination against women workers and from her identity as a member of a nationality singled out by the ruling class for special plundering, persecution and oppression.” (p. 2)

The authors described the precarious position African American women held in industrial jobs—largely in laundries, and food and clothing production—as well as in every other part of the labor market. They held up domestic service for special opprobrium, noting that day workers—those who didn’t live in—were the most exploited, making as little as $10 a month (for comparison, women factory workers made $14 a week). Gordon and Briggs also included professional workers in their survey, noting grimly that “The Negro professional woman worker finds it almost impossible to secure a job.” (p. 11) School teachers were the exception. Although African American teachers in the North were generally paid the same as their white peers, in southern states African American teachers earned less than half, or worse, than that of their white counterparts. 

Gordon and Briggs called for African American and white worker unity through the Communist Party, for workers to rally together to fight discrimination, unemployment, and hunger. 

Three years later, Jean Collier Brown, Public Information Assistant of the Women’s Bureau of the Department of Labor, published The Negro Woman Worker. Brown’s was the first report by the department (headed by Frances Perkins, the first woman to serve in a cabinet) to establish basic facts about where African American women were employed in the labor market, numbers employed, employment opportunities, hours, wages, and working conditions. Although not comprehensive, the report offers significant detail about wage discrimination and terrible working conditions of African American women workers. 

Like Gordon and Briggs, Brown began by noting that “Though women in general have been discriminated against and exploited through limitation of their opportunities for employment, through long hours, low wages, and harmful working conditions, such hardships have fallen upon Negro women with double harshness.” (p. 1) From there, the report moved systematically through the major parts of the labor market in which African American women worked: domestic and personal service, agriculture, manufacturing and mechanical industries, and white-collar workers. 

While Gordon and Briggs’ pamphlet aimed to organize workers and rally them to the Communist Party, Brown suggested a multi-pronged approach of social and labor legislation, better education and training opportunities, and trade union organization to address the critical status of African American women workers. Both reports brought much needed attention—for the first time but in quite different ways—to the crisis facing African American women workers during the Great Depression. 

Post Script:

Jean Collier Brown later left the Department of Labor and by 1943 worked as an organizer for the United Domestic Workers Union of the CIO, Baltimore branch, a union of African American domestic laborers.

Other Women’s History Month posts on the RBSC blog:

2025: The First Women’s Political Party
2024: Second-Wave Feminist Articles from an Underground Newspaper
2023: Women for Peace and Disarmament
2022: The Feminine “Math-tique”
2021: Writing to Rehabilitate in the House of Detention for Women in New York City
2020: Mary Taussig Hall and Social Reform
2017: A Woman’s Sardonic Eye

Upcoming Events: March 2026

Please join us for the following public events and exhibits being hosted in Rare Books and Special Collections:

Monday, March 5 at 5:00pm | Italian Research Seminar: M.A. Student Presentations (University of Notre Dame) — This semester’s speakers are: Giorgia Buscema and Madeline Grossman.


The Spring 2026 Exhibition | Cultivating Community: Stories from Special Collections

This exhibition highlights stories of survival, contemplation, competition, protest, and learning, from six distinct collections in Rare Books and Special Collections. Each section, presented by a different subject curator, focuses on an example of how people over time and in different places, construct community and cultivate hope.

A Community of Learners in Colonial America and the Early Republic
Rachel Bohlmann, Ph.D. (Curator, American History and American Studies)

The Gay Olympic Games: Community Through Sport
Gregory Bond, Ph.D. (Curator, Joyce Sports Research Collection)

Women Religious in Male Spaces
David T. Gura, Ph.D. (Curator, Ancient and Medieval Manuscripts)

Ireland’s Idealized Community
Matthew Knight, Ph.D. (Curator, Irish Studies)

A Community of Solidarity
Natasha Lyandres (Curator, Russian and East European Studies)

Transnational Communities of Resistance during El Salvador’s Civil War
Payton Phillips Quintanilla, Ph.D. (Curator, Latin American and Iberian Studies)

This and other exhibits within the Hesburgh Libraries are generously supported by the McBrien Special Collections Endowment.


The current spotlight exhibits are Pennant Race: Souvenir Fan Pennants of the Negro Baseball Leagues (January–February 2026) and First Impressions: An Introduction to Mesoamerican sellos / Primeras impresiones: Una introducción a los sellos mesoamericanos (January–April 2026).

All exhibits are free and open to the public during business hours.


Special Collections will be open regular hours during Notre Dame’s Spring Break (March 9 – 13, 2026).

Upcoming Events: February 2026

Please join us for the following public events and exhibits being hosted in Rare Books and Special Collections:

Monday, February 16 at 4:00–6:00pm | WORKSHOP – Envisioning Dante, c. 1472-c. 1630: Seeing and Reading the Early Printed Page

Join Professor Guyda Armstrong (University of Manchester) and Dr Giles Bergel (University of Oxford) for an interactive workshop showcasing new digital methods for studying early modern printing. This session will introduce the research questions and first findings of Envisioning Dante c. 1472-1630: Seeing and Reading the Early Printed Page, funded by the UK government (c. £1 million; 2022-25). Participants will be given practical, hands-on demonstrations of the techniques and new digital tools developed by the project for analyzing and comparing early printed books.


The Spring 2026 Exhibition | Cultivating Community: Stories from Special Collections

This exhibition highlights stories of survival, contemplation, competition, protest, and learning, from six distinct collections in Rare Books and Special Collections. Each section, presented by a different subject curator, focuses on an example of how people over time and in different places, construct community and cultivate hope.

Curated by Rachel Bohlmann, Ph.D. (Curator, American History and American Studies), Gregory Bond, Ph.D. (Curator, Joyce Sports Research Collection), David T. Gura, Ph.D. (Curator, Ancient and Medieval Manuscripts), Matthew Knight, Ph.D. (Irish Studies Librarian and Curator), Natasha Lyandres (Curator, Rare Books & Special Collections), and Payton Phillips Quintanilla, Ph.D. (Librarian and Curator for Latin American and Iberian Studies).

This and other exhibits within the Hesburgh Libraries are generously supported by the McBrien Special Collections Endowment.


The current spotlight exhibits are Pennant Race: Souvenir Fan Pennants of the Negro Baseball Leagues (January–February 2026) and First Impressions: An Introduction to Mesoamerican sellos / Primeras impresiones: Una introducción a los sellos mesoamericanos (January–April 2026).

All exhibits are free and open to the public during business hours.


Happy Holidays from Special Collections!

Rare Books and Special Collections is open this week through Friday, December 19, 2025. However, the reading room will be closed on Thursday and Friday (December 18–19). Over the holiday break, the department will be closed from Monday, December 22, 2025, through Friday, January 2, 2026, in observance of the campus-wide holiday break for all faculty, staff, and students.

RBSC will reopen on Monday, January 5, while the reading room will reopen on Wednesday, January 7, 2026. It’s always best to make an appointment if you plan to visit us.

by Sara Weber, Special Collections Digital Project Specialist

Page from “An American Original” by Carol Stevens (Print magazine, v. 42 no. 1, 1988), showing the use of the above illustration as an advertisement.

As a final installment of our look at the materials in the Special Collections’ Edward Gorey Collection (EPH 5004) in recognition of the centenary of Edward Gorey’s birth and the 25th anniversary of his death, we turn to some of his Christmas images.

Gorey created title pages and book covers, greeting cards, advertisements, magazine articles, and even a book he authored and illustrated himself (The Haunted Tea-Cosy: A Dispirited and Distasteful Diversion for Christmas, published in 1997). An illustration of the last three verses from the Twelve Days of Christmas was used as a holiday subscription advertisement for The New York Times—our holdings include a poster of the illustration alone, as well as an issue of Print magazine from 1988 that includes a reproduction of the ad in an article about Gorey.

Over the years, Gorey designed various Christmas cards. Above are three of the limited run cards he created with Albondocani Press (only four hundred to four hundred and fifty copies printed). These cards were not sold at the time, but rather were “to be used as a holiday greeting by the artist and publisher.”

In 1979, with royalties from the New York Dracula production, Gorey purchased a home in Yarmouth Port, Massachusetts, traveling there for the summers from the one-room apartment he rented in Manhattan, close to his publishers and the New York City Ballet. In 1983, he left New York City to live there exclusively. Below are two card sets from 1989-1990 featuring illustrations by Gorey and sold to raise funds for “Cape Cod’s neediest citizens during this holiday season”.

A Closer Look at the Gorey-est of Vampires

by Sara Weber, Special Collections Digital Project Specialist

Merriam-Webster defines a vampire as, “the reanimated body of a dead person believed to come from the grave at night and suck the blood of persons asleep.” The Oxford English dictionary gives the middle of the eighteenth century as their earliest evidence for the word vampire, but the concept far predates that in the folklore of various cultures. While characters of a vampiric nature occur as early as Babylonian poems recorded on cuneiform and the ancient Greek writings of Philostratus, the folklore that is most significant to the development of the Western concept of a vampire was that of the Slavic cultures of Eastern Europe. These malevolent beings were seen as gruesome and frightening, because death, disease, and degeneracy were all attributed to their actions and influence. As the vampire became a more familiar figure in Western cultures during the eighteenth century (by 1740 Alexander Pope compared himself to “one of those vampires in Germany” when he went out at night), they were initially perceived in a similar, grotesque manner. However, over time the vampire—though still a villain—came to be portrayed as charismatic and seductive.

Bram Stoker, Dracula. Eighth edition. London: Archibald Constable & Co., 1904.
(Rare Books Small PR 6037 .T617 D7 1904)

Bram Stoker’s 1897 Dracula was not the first vampire in English literature, Robert Southey’s 1801 poem “Thalaba the Destroyer” is generally given that title. Polidori’s short story “The Vampyre” (1819), Varney the Vampire; or, the Feast of Blood (1845–1847), and Sheridan Le Fanu’s “Carmilla” (1872) all preceded it as well. But Stoker’s vampire has become the template against which all modern vampires are compared. The Count is initially described as,

“…a tall old man, clean shaven save for a long white moustache, and clad in black from head to foot, without a single speck of colour about him anywhere. …his hand grasped mine with a strength which made me wince, an effect which was not lessened by the fact that it seemed as cold as ice—more like the hand of a dead than a living man.” (Dracula, Chapter 2)

He is gracious and courteous, however, and as the novel progresses, and he feeds, he becomes less corpse-like. When Mina and Johnathan see him in London, she describes him as “a tall, thin man, with a beaky nose and black moustache and pointed beard… His face was not a good face; it was hard, and cruel, and sensual, and his big white teeth, that looked all the whiter because his lips were so red, were pointed like an animal’s.” (Dracula, Chapter 13)

Count Dracula has become more immortal in popular culture than he was in Stoker’s novel, the subject of numerous theatrical adaptations and cinema classics. The first play—more of a staged reading of the book, really—ocurred the same year as the book was published, as a way of securing copyright protection. In the 1920s, Hamilton Deane and John L. Balderson created their own adaptation, and in 1977 a revival of this version arrived on Broadway. This production featured the design work of Edward Gorey in its sets, costuming, posters, and playbills. He won a Tony Award for the Costume Design, and was nominated for Set Design. The play also won a Tony for Most Innovative Production of a Revival. (Frank Langella was nominated for Best Performance by a Leading Actor in a Play, while Dennis Rosa was nominated for Best Direction of a Play.)

As the play became a popular success as well as a critical one, Gorey’s designs appeared on a variety of merchandise from t-shirts and bags to puzzles, toys, and even a miniature theatre, examples of many of which are found in Notre Dame’s Special Collections.

The Suzy Conway and Robert M. Conway Collection of Gorey Ephemera (EPH 5004) also includes articles and article illustrations, drawings, picture postcards, posters, and correspondence. There are materials relating to his work illustrating book covers for Doubleday, including a few other vampire themed or related texts.

In recognition of the centenary of Edward Gorey’s birth and the 25th anniversary of his death, RBSC’s September-October spotlight has highlighted Gorey’s engagement with the New York City Ballet in his distinctive noir style. Although the exhibit officially closes today, it will remain viewable through early next week, before the installation on November 5 of the November-December spotlight. Come visit Special Collections for a further look at some of Gorey’s distinctive work.


Happy Halloween to you and yours
from all of us in Notre Dame’s Special Collections!

Halloween 2024: An Irish Story Produces a Halloween Icon
Halloween 2023: Demon Horses and How to Tame Them
Halloween 2022: A Halloween Tale: “John Reardon and the Sister Ghosts”
Halloween 2021: A Welsh Witch in the Woods
Halloween 2020: Headless Horsemen in American and Irish Legend
Halloween 2019: A Halloween trip to Mexico
Halloween 2018: A story for Halloween: “Johnson and Emily; or, The Faithful Ghost
Halloween 2017: A spooky story for Halloween: The Goblin Spider
Halloween 2016: Ghosts in the Stacks