Black History Month 2026

We join with The Library of Congress, National Archives and Records Administration, National Endowment for the Humanities, National Gallery of Art, National Park Service, Smithsonian Institution and United States Holocaust Memorial Museum in paying tribute to the generations of African Americans who struggled with adversity to achieve full citizenship in American society.

“Play Ball With Jackie”: Unboxing the Jackie Robinson Doll for Black History Month

by Greg Bond, Sports Archivist and Curator, Joyce Sports Research Collection

In recognition of Black History Month, Rare Books and Special Collections is pleased to highlight its recent acquisition of the Jackie Robinson Doll, a 13-inch plastic composition doll of the baseball icon manufactured by the Allied-Grand Doll Manufacturing Company of Brooklyn, N.Y. in 1950.

The moveable and posable doll was sold fully accessorized with Robinson’s complete Brooklyn Dodgers uniform, miniature baseball equipment, and other accompanying commemorative items. The Jackie Robinson Doll was one of the earliest realistic African American dolls aimed at the general mainstream toy market and was a testament to the popularity and importance of Robinson, who several years earlier had famously broken major league baseball’s long-standing color line against Black players.

Despite Robinson’s widespread celebrity, the Jackie Robinson Doll was unusual on toystore shelves in 1950. Although African American designers and companies had long made dolls specifically targeted at the Black community, most mainstream American toy manufacturers at the time did not create realistic dolls depicting African Americans. As historian Rob Goldberg explains in his book Radical Play: Revolutionizing Children’s Toys in 1960s and 1970s America for most of the early twentieth century there had “been a painful history of demeaning representations and unjust exclusions of African Americans by the nearly all-white producers of mass-market toys” (page 86).

The story of the Jackie Robinson Doll began after the 1949 season when Robinson had won the National League’s Most Valuable Player Award. Over that winter, Robinson sought opportunities for extra income—especially during the off season—to support his growing family. He partnered with entertainment lawyer Martin Stone in hopes of capitalizing on his success and popularity to supplement his baseball salary. As later explained in a 1951 New York Herald Tribune article: “One day in 1949, Jackie Robinson walked into his [Martin Stone’s] penthouse office and wondered how he could make some money during the winter—up to then he’d been selling television sets in the off-season.”

Within the next couple of years, Robinson and Stone built a successful marketing campaign that produced the Hollywood motion picture The Jackie Robinson Story, a series of six Jackie Robinson comic books (featured in a previous RBSC blog post), the Jackie Robinson Radio Show broadcast on New York’s WNBC, t-shirts, and, in total, “about thirty franchises,” according to the Herald Tribune.

The Jackie Robinson Doll, which was sold individually or as a packaged set with the first issue of the recently published Jackie Robinson comic book, was another popular branded item that received considerable public attention. The doll was one of only a handful of items mentioned by name in a March 1950 newspaper article, “Toy Fair Opened; 100,000 Items for the Yule Trade on View.”

Toy dealers widely advertised the doll in newspapers around the country. An ad in the Alabama Tribune, an African American newspaper in Montgomery, Alabama, informed potential customers: “Here he is! Jackie Robinson in doll form dressed in his Dodger’s uniform. Doll comes boxed with ball bat, sweatshirt, baseball game, and the life story of the great hero!” Similarly, the Harrisburg (Pa.) Patriot-News daily newspaper ran an ad for the local Bill’s department store that described Robinson as “America’s Favorite Athlete.” The store declared, “First time in Harrisburg … everybody can have a doll of America’s Athletic hero.” In May 1950, the Associated Negro Press reported that the Jackie Robinson doll was even in stock at the famous Macy’s department store in New York City.

RBSC’s example of the Jackie Robinson doll apparently includes all of the original accessories that accompanied the doll. Housed in its original 15X15 inch square cardboard box, the doll wears a Brookyln Dodgers hat and jersey, uniform pants, socks, and shoes. The set also includes a wooden bat with a facsimile of Robinson’s signature, a promotional tag shaped like a glove, a plastic ball, a copy of the Jackie Robinson comic book, and a simple spinner-based Jackie Robinson baseball game.

The Jackie Robinson Doll is open and available to researchers during regular RBSC business hours. So stop by if you would like to “Play Ball with Jackie!”


Sources Cited

Tex McCrary and Jinx Falkenburg, “New York Up Close: Martin Stone, Lawyer in Show Business,” New York Herald Tribune 30 July, 1951, p. 7.

“Toy Fair Opened; 100,000 Items for the Yule Trade on View,” New York Herald Tribune 7 March 1950, p. 23.

“Jackie Robinson Doll and Life Story!” [advertisement], Alabama Tribune 15 December 1950, p. 6.

“Bill’s” [advertisement], Harrisburg Patriot News 2 July 1950, p. 44.

“Robinson Dolls at Macys,” [Lincoln, Nebraska] The Voice 6 May 1950, p. 3.


Previous Black History Month posts:

2025: Remembering the Harrisburg Trojans, Champion African American Football Team

2023: African American Women Activists and Athletes in 1970s Feminist Magazines

2022: Searching for Claude Monroe Paris, Unheralded African American Basketball Pioneer: Documenting Black History Using Notre Dame’s Joyce Sports Research Collection

2021: Paul Laurence Dunbar’s New Literary Tradition Packaged to Sell

2017: African Americans and Populism

Upcoming Events: February 2026

Please join us for the following public events and exhibits being hosted in Rare Books and Special Collections:

Monday, February 16 at 4:00–6:00pm | WORKSHOP – Envisioning Dante, c. 1472-c. 1630: Seeing and Reading the Early Printed Page

Join Professor Guyda Armstrong (University of Manchester) and Dr Giles Bergel (University of Oxford) for an interactive workshop showcasing new digital methods for studying early modern printing. This session will introduce the research questions and first findings of Envisioning Dante c. 1472-1630: Seeing and Reading the Early Printed Page, funded by the UK government (c. £1 million; 2022-25). Participants will be given practical, hands-on demonstrations of the techniques and new digital tools developed by the project for analyzing and comparing early printed books.


The Spring 2026 Exhibition | Cultivating Community: Stories from Special Collections

This exhibition highlights stories of survival, contemplation, competition, protest, and learning, from six distinct collections in Rare Books and Special Collections. Each section, presented by a different subject curator, focuses on an example of how people over time and in different places, construct community and cultivate hope.

Curated by Rachel Bohlmann, Ph.D. (Curator, American History and American Studies), Gregory Bond, Ph.D. (Curator, Joyce Sports Research Collection), David T. Gura, Ph.D. (Curator, Ancient and Medieval Manuscripts), Matthew Knight, Ph.D. (Irish Studies Librarian and Curator), Natasha Lyandres (Curator, Rare Books & Special Collections), and Payton Phillips Quintanilla, Ph.D. (Librarian and Curator for Latin American and Iberian Studies).

This and other exhibits within the Hesburgh Libraries are generously supported by the McBrien Special Collections Endowment.


The current spotlight exhibits are Pennant Race: Souvenir Fan Pennants of the Negro Baseball Leagues (January–February 2026) and First Impressions: An Introduction to Mesoamerican sellos / Primeras impresiones: Una introducción a los sellos mesoamericanos (January–April 2026).

All exhibits are free and open to the public during business hours.


Welcome Back! Spring 2026 in Special Collections

Rare Books and Special Collections welcomes students, faculty, staff, researchers, and visitors back to campus for Spring ’26! Here are some things to watch for in Special Collections during the coming semester.

Special Collections Welcomed a New Postdoctoral Research Associate during the Fall 2025 Semester

Ruben Celani
(Photo by Matt Cashore / University of Notre Dame)

Ruben Celani, Ph.D., joined the Hesburgh Libraries in October as a postdoctoral research associate in Italian Studies and Zahm Dante Collection curatorial fellow. He works in Rare Books & Special Collections as a subject liaison for Italian studies and curator of the Libraries’ extensive rare Italian collections, while also pursuing his own academic research.

Prior to joining the Hesburgh Libraries, Celani served as an adjunct lecturer in the Department of Literary Studies at Ghent University in Belgium. He holds a Ph.D. from Ghent University in Literary Studies with specialization in Italian Studies, as well as a bachelor’s and a master’s degree in Archival and Library Sciences from the University of Rome “La Sapienza.” Ruben has experience working in libraries in Rome, The Hague, and Antwerp.

Read the full press release on the Hesburgh Library website.

Spring 2026 Exhibition — Cultivating Community: Stories from Special Collections

Opening January.

This exhibition highlights stories of survival, contemplation, competition, protest, and learning, from six distinct collections in Rare Books and Special Collections. Each section, presented by a different subject curator, focuses on an example of how people over time and in different places, construct community and cultivate hope.

Curated by Rachel Bohlmann, Ph.D. (Curator, American History and American Studies), Gregory Bond, Ph.D. (Curator, Joyce Sports Research Collection), David T. Gura, Ph.D. (Curator, Ancient and Medieval Manuscripts), Matthew Knight, Ph.D. (Irish Studies Librarian and Curator), Natasha Lyandres (Curator, Rare Books & Special Collections), and Payton Phillips Quintanilla, Ph.D. (Librarian and Curator for Latin American and Iberian Studies).

Spotlight Exhibits Opening in January

Pennant Race: Souvenir Fan Pennants of the Negro Baseball Leagues

In honor of Dr. Martin Luther King Day (January 19th), the birthday of Jackie Robinson (January 31st), and Black History Month (February), Rare Books and Special Collections is pleased to highlights examples from its collection of souvenir fan pennants from the Negro Baseball Leagues. The colorful collectible felt souvenir pennants represent leading Black baseball teams of the 1930s and 1940s and feature large screen-printed graphics of African American baseball players in action.

Curated by Gregory Bond (Curator of the Joyce Sports Research Collection).

First Impressions: An Introduction to Mesoamerican sellos / Primeras impresiones: Una introducción a los sellos mesoamericanos

Created across multiple centuries, geographies, and cultures, pre-Hispanic clay sellos (flat and cylindrical stamps and seals) are celebrated as the earliest manifestation of Mesoamerican print culture. This cross-repository Spotlight Exhibit presents a selection of sellos stewarded by the Raclin Murphy Museum of Art; two emblematic publications of sello designs, preserved in the Hesburgh Libraries’ Rare Books and Special Collections; and contemporary examples of sello-inspired visual arts.

Curated by Payton Phillips-García Quintanilla (Librarian and Curator for Latin American and Iberian Studies).

These and other exhibits within the Hesburgh Libraries are generously supported by the McBrien Special Collections Endowment. All exhibits are free and open to the public during regular hours.

Special Collections’ Classes & Workshops

Throughout the semester, curators will teach sessions related to our holdings to undergraduate and graduate students from Notre Dame, Saint Mary’s College, and Holy Cross College. Curators may also be available to show special collections to visiting classes, from preschool through adults. If you would like to arrange a group visit and class with a curator, please contact Special Collections.

Learn more about bringing your students to RBSC.

Recent Acquisitions

Special Collections acquires new material throughout the year. Follow this blog for more information about recent acquisitions.


Happy Holidays from Special Collections!

Rare Books and Special Collections is open this week through Friday, December 19, 2025. However, the reading room will be closed on Thursday and Friday (December 18–19). Over the holiday break, the department will be closed from Monday, December 22, 2025, through Friday, January 2, 2026, in observance of the campus-wide holiday break for all faculty, staff, and students.

RBSC will reopen on Monday, January 5, while the reading room will reopen on Wednesday, January 7, 2026. It’s always best to make an appointment if you plan to visit us.

by Sara Weber, Special Collections Digital Project Specialist

Page from “An American Original” by Carol Stevens (Print magazine, v. 42 no. 1, 1988), showing the use of the above illustration as an advertisement.

As a final installment of our look at the materials in the Special Collections’ Edward Gorey Collection (EPH 5004) in recognition of the centenary of Edward Gorey’s birth and the 25th anniversary of his death, we turn to some of his Christmas images.

Gorey created title pages and book covers, greeting cards, advertisements, magazine articles, and even a book he authored and illustrated himself (The Haunted Tea-Cosy: A Dispirited and Distasteful Diversion for Christmas, published in 1997). An illustration of the last three verses from the Twelve Days of Christmas was used as a holiday subscription advertisement for The New York Times—our holdings include a poster of the illustration alone, as well as an issue of Print magazine from 1988 that includes a reproduction of the ad in an article about Gorey.

Over the years, Gorey designed various Christmas cards. Above are three of the limited run cards he created with Albondocani Press (only four hundred to four hundred and fifty copies printed). These cards were not sold at the time, but rather were “to be used as a holiday greeting by the artist and publisher.”

In 1979, with royalties from the New York Dracula production, Gorey purchased a home in Yarmouth Port, Massachusetts, traveling there for the summers from the one-room apartment he rented in Manhattan, close to his publishers and the New York City Ballet. In 1983, he left New York City to live there exclusively. Below are two card sets from 1989-1990 featuring illustrations by Gorey and sold to raise funds for “Cape Cod’s neediest citizens during this holiday season”.

A Farmer’s Prayer of Thanksgiving

by Rachel Bohlmann, American History Librarian and Curator

In 1955 the National Catholic Rural Life Conference, an organization established to support the spiritual needs of people and parishes in rural communities in the United States, published Blessings and Prayers of Thanksgiving for the Family & Parish Observance of Thanksgiving Day. It offered parishioners prayers and a program of spiritual observance for the day.

The Conference first organized in November 1923, when a group of priests, bishops, and laity met in St. Louis, Missouri to address a need for more official church attention to rural Catholics in the United States, as well as the lack of priests and parochial schools in rural parishes. By the 1930s, during the Great Depression, the Conference added concern for social and economic justice, as it promoted solutions to problems of farm tenancy. In 1940 the Conference moved its headquarters to Des Moines, Iowa. Currently, it operates from St. Paul, Minnesota. 

This mid-century pamphlet provides prayers and biblical readings that farm families could use throughout Thanksgiving day. One prayer, composed by Archbishop John Carroll in 1791, was “For Church and State,” another was “A Farmer’s Prayer of Thanksgiving.” The publication ended with a novena in honor of St. Isidore, “the patron of all farmers and rural people.”  

Blessings and Prayers of Thanksgiving is part of Hesburgh Library’s Catholic Pamphlet Collection, an assemblage of more than 5,500 publications, mostly produced in the United States. 

Happy Thanksgiving from everyone in Rare Books and Special Collections!

Picturing the Track: Introducing the George Koyt Motor Sports Racing Photographs

by Greg Bond, Sports Archivist and Curator, Joyce Sports Research Collection

Rare Books and Special Collections is pleased to highlight its recent acquisition of the George Koyt Short Track Motor Racing Photographs Collection (MSSP 10150). Consisting of 459 photographs from the 1970s through the 1990s, the Koyt Collection visually documents short track and/or dirt track motor racing tracks mostly in small towns and cities around the United States. Shot over the course of three decades by racing enthusiast and avid amateur photographer George Koyt, some photographs feature the racing action on the track, but many of the images focus instead on the racetrack as place. Koyt’s images tend to center the physical structures of the tracks, the signage at the tracks, and the crowds of fans who attended the races. Koyt’s vernacular photographs provide an enduring and substantial visual record of the culture and the built environment at hundreds of the small-town and local racing tracks that dotted the countryside in the late twentieth century.

George Arthur Koyt (1939-2010) lived most of his life in Bucks County Pennsylvania where he worked as an auto mechanic and was a well-known collector of motor sports memorabilia and a respected amateur historian of auto racing. George and his wife Margaret were both fans of short track and dirt track racing, and they were regular attendees at several different tracks in southeastern Pennsylvania and central New Jersey. Starting in at least the 1970s, the Koyts also frequently traveled to visit local race tracks in different parts of the country. George Koyt’s camera documented their experiences at more than one hundred local tracks in 27 states and one Canadian province.

During his travels, Koyt routinely photographed racetrack signs. These sample images from the collection provide a sense of the different types of signage at local tracks in the 1970s, 1980s, and 1990s.

Koyt also regularly photographed the structures at racetracks, taking pictures of admission booths, spectator stands, judging booths, and other buildings.

Koyt also took pictures of the fans and spectators at the racetracks he visited. These images show the people attending the races and document the community who supported tracks in cities around the country.

George Koyt died in 2010 at the age of 71. His dual interests in short track racing and amateur photography helped to preserve the local and grassroots visual history of this persistently popular spectator sport. The George Koyt Short Track Motor Racing Photographs Collection is open and available to researchers.

A Closer Look at the Gorey-est of Vampires

by Sara Weber, Special Collections Digital Project Specialist

Merriam-Webster defines a vampire as, “the reanimated body of a dead person believed to come from the grave at night and suck the blood of persons asleep.” The Oxford English dictionary gives the middle of the eighteenth century as their earliest evidence for the word vampire, but the concept far predates that in the folklore of various cultures. While characters of a vampiric nature occur as early as Babylonian poems recorded on cuneiform and the ancient Greek writings of Philostratus, the folklore that is most significant to the development of the Western concept of a vampire was that of the Slavic cultures of Eastern Europe. These malevolent beings were seen as gruesome and frightening, because death, disease, and degeneracy were all attributed to their actions and influence. As the vampire became a more familiar figure in Western cultures during the eighteenth century (by 1740 Alexander Pope compared himself to “one of those vampires in Germany” when he went out at night), they were initially perceived in a similar, grotesque manner. However, over time the vampire—though still a villain—came to be portrayed as charismatic and seductive.

Bram Stoker, Dracula. Eighth edition. London: Archibald Constable & Co., 1904.
(Rare Books Small PR 6037 .T617 D7 1904)

Bram Stoker’s 1897 Dracula was not the first vampire in English literature, Robert Southey’s 1801 poem “Thalaba the Destroyer” is generally given that title. Polidori’s short story “The Vampyre” (1819), Varney the Vampire; or, the Feast of Blood (1845–1847), and Sheridan Le Fanu’s “Carmilla” (1872) all preceded it as well. But Stoker’s vampire has become the template against which all modern vampires are compared. The Count is initially described as,

“…a tall old man, clean shaven save for a long white moustache, and clad in black from head to foot, without a single speck of colour about him anywhere. …his hand grasped mine with a strength which made me wince, an effect which was not lessened by the fact that it seemed as cold as ice—more like the hand of a dead than a living man.” (Dracula, Chapter 2)

He is gracious and courteous, however, and as the novel progresses, and he feeds, he becomes less corpse-like. When Mina and Johnathan see him in London, she describes him as “a tall, thin man, with a beaky nose and black moustache and pointed beard… His face was not a good face; it was hard, and cruel, and sensual, and his big white teeth, that looked all the whiter because his lips were so red, were pointed like an animal’s.” (Dracula, Chapter 13)

Count Dracula has become more immortal in popular culture than he was in Stoker’s novel, the subject of numerous theatrical adaptations and cinema classics. The first play—more of a staged reading of the book, really—ocurred the same year as the book was published, as a way of securing copyright protection. In the 1920s, Hamilton Deane and John L. Balderson created their own adaptation, and in 1977 a revival of this version arrived on Broadway. This production featured the design work of Edward Gorey in its sets, costuming, posters, and playbills. He won a Tony Award for the Costume Design, and was nominated for Set Design. The play also won a Tony for Most Innovative Production of a Revival. (Frank Langella was nominated for Best Performance by a Leading Actor in a Play, while Dennis Rosa was nominated for Best Direction of a Play.)

As the play became a popular success as well as a critical one, Gorey’s designs appeared on a variety of merchandise from t-shirts and bags to puzzles, toys, and even a miniature theatre, examples of many of which are found in Notre Dame’s Special Collections.

The Suzy Conway and Robert M. Conway Collection of Gorey Ephemera (EPH 5004) also includes articles and article illustrations, drawings, picture postcards, posters, and correspondence. There are materials relating to his work illustrating book covers for Doubleday, including a few other vampire themed or related texts.

In recognition of the centenary of Edward Gorey’s birth and the 25th anniversary of his death, RBSC’s September-October spotlight has highlighted Gorey’s engagement with the New York City Ballet in his distinctive noir style. Although the exhibit officially closes today, it will remain viewable through early next week, before the installation on November 5 of the November-December spotlight. Come visit Special Collections for a further look at some of Gorey’s distinctive work.


Happy Halloween to you and yours
from all of us in Notre Dame’s Special Collections!

Halloween 2024: An Irish Story Produces a Halloween Icon
Halloween 2023: Demon Horses and How to Tame Them
Halloween 2022: A Halloween Tale: “John Reardon and the Sister Ghosts”
Halloween 2021: A Welsh Witch in the Woods
Halloween 2020: Headless Horsemen in American and Irish Legend
Halloween 2019: A Halloween trip to Mexico
Halloween 2018: A story for Halloween: “Johnson and Emily; or, The Faithful Ghost
Halloween 2017: A spooky story for Halloween: The Goblin Spider
Halloween 2016: Ghosts in the Stacks

Upcoming Events: October 2025

Please join us for the following public events and exhibits being hosted in Rare Books and Special Collections:

Drop in to one of this month’s Exhibit Open Houses to meet and speak informally with one of the curators of the fall exhibition, Mapping Global Dante in Translation. Learn how translators, artists, and printers have popularized and reshaped the Divine Comedy over the centuries and across the world and discover the Library’s many Dante editions.

Thursday, October 3, 2:00 – 3:30pm | Exhibit Open House with curator Giulia Maria Gliozzi (Notre Dame, Italian Studies doctoral candidate)

Thursday, October 10, 2:00 – 3:30pm | Exhibit Open House with curator Inha Park (Notre Dame, Italian Studies doctoral candidate)

Thursday, October 17, 2:00 – 3:30pm | Exhibit Open House with curator Salvatore Riolo (Notre Dame, Italian Studies doctoral candidate)

Thursday, October 30 at 5:00pm | Italian Research Seminar: Research presentations by 4th-year students in the Italian PhD program (University of Notre Dame) — this year’s speakers are: Elisa Bisson, Inha Park, and Salvatore Riolo.


The Fall 2025 Exhibition | “What through the universe in leaves is scattered”: Mapping Global Dante in Translation

This exhibit traces the global journey of Dante’s masterpiece through rare and valuable printed editions, highlighting how translators, artists, and printers have popularized and reshaped the Commedia. These volumes reveal a dynamic dialogue between Dante’s poetry and the world. A global literary perspective transforms Dante from a monumental yet isolated figure of the European Middle Ages into a central presence in the ongoing international conversation about humanity, the universe, time, eternity, and the power of literature.

This exhibit is curated by Salvatore Riolo (Notre Dame, Italian Studies doctoral candidate), and co-curators Giulia Maria Gliozzi (Notre Dame, Italian Studies doctoral candidate); Inha Park (Notre Dame, Italian Studies doctoral candidate); and Peter Scharer (Yale, Comparative Literature doctoral candidate). Theodore J. Cachey Jr. (Notre Dame) and Jacob Blakesley (Sapienza Università di Roma) served as consultants on the exhibit.

The exhibit is co-sponsored by the Center for Italian Studies and the Devers Program in Dante Studies. This and other exhibits within the Hesburgh Libraries are generously supported by the McBrien Special Collections Endowment.


The current spotlight exhibits are: Portrait of the Artist as a Dance Fan: Edward Gorey and the New York City Ballet (September-October 2025) curated by Rachel Bohlmann (American History Librarian and Curator)…

…and Bibliomania: The Library of Sir Thomas Phillipps (May-December 2025) curated by Anne Elise Crafton (2024-2025 Rare Books and Special Collections Postdoctoral Research Fellow).

All exhibits are free and open to the public during business hours.


Reading Sport Call, the Official Organ of the Workers’ Sports League, for Labor Day

by Greg Bond, Sports Archivist and Curator, Joyce Sports Research Collection

In honor of Labor Day, Rare Books and Special Collections is pleased to highlight three recently acquired 1937 issues of the scarce monthly publication Sport Call, The Official Organ of The Workers’ Sports League of America. Published during the 1930s, Sport Call’s tagline explained that it was “a periodical devoted to the physical education of the working class,” and it promoted healthful sports and recreation for laborers and workers.

Front page of Sport Call, February 1937.

During the turbulent years of the Great Depression, Sport Call and the Workers’ Sports League of America (WSLA) were active participants in national and international socialist movements. Headquartered in New York City, the League—through its official journal—offered a decidedly pro-labor view of sports and athletics that critiqued, what it saw as, capitalist exploitation of laborers and athletes. Sport Call also fervently opposed the rising tide of fascist politics during the 1930s and endorsed sports as a potential unifying and democratizing force.

Sport Call supported, for example, a January 1937 conference organized by the International Ladies Garment Workers Union (ILGWU) that aimed to establish a permanent Labor Sports Movement. Speaking to more than 150 delegates, Siegfried Lipschitz, President of the Workers’ Sports League, described the principles of Workers’ Sports International—the parent organization of the WSLA. “The Workers’ Sports International,” he said, “is a pillar of world democracy.”

A Jewish German emigré, lawyer, journalist, and activist, Lipschitz knew first hand the necessity of fighting reactionary politics:  “The International and its affiliated organizations reject dictatorship in all its forms,” he declared. “To them it is an eternal creed that Labor cannot live and flourish,” Lipschitz concluded, “except in an atmosphere of free speech, free press, and the fullest expression of popular sentiments.” (March 1937, p. 3).

Sport Call well understood the connection between sports and politics, and an anti-fascist theme runs throughout these three issues. In February 1937, the journal editorialized strongly against the upcoming heavyweight championship fight between German Max Schmeling and American James Braddock. The editors wrote that they were “vehemently opposed to the spreading of Nazi propaganda in Sports!,” and they elaborated: 

“The fact that Max Schmeling is a Nazi is known everywhere. The fact that Schmeling is a first-class propaganda merchant of Hitler’s is also well known. The opportunity to spread Nazi filth in this country must not be given to Hitler! The Braddock-Schmeling fight must not be staged!”

Similarly, the Workers’ Sports League had advocated for boycotting the 1936 Berlin Olympics in protest of Nazi Germany’s policies. The following year, the League supported and promoted the Third International Workers Olympiad held in Antwerp, Belgium, as an alternative and more egalitarian athletic competition. 

In an editorial titled, “Forward to Antwerp,” the March 1937 issue of Sport Call endorsed the call to action of George Elvin, the General Secretary of the British Workers Sports Association. The purpose of the Workers Olympiad, Elvin said, was to promote: “The unity of the people against war; the determination to continue the fight for clean, healthy, and beneficial sport; the maintenance of liberty and democracy.” 

Venue for the swimming events at the 1937 Third International Workers Olympiad as pictured in Sport Call March 1937, page 2.

More specifically, Elvin elaborated that there will be “none of those regrettable incidents, which mar other sports meetings. Working class leaders will not refuse the hand-clasp of congratulations to victors as Hitler did to Jesse Owens, because he did not approve of the color of his skin.” (March 1937, page 1).

The Workers’ Sports League and Sport Call consistently participated in anti-fascist events around New York and sought to include sports programming in socialist and pro-labor gatherings. In February 1937, Wilhelm Sollmann, a German politician and a former Minister of Labor in Germany’s Weimar government, gave a lecture in New York City titled, “What After Hitler?” As part of the event, members of the Workers’ Sports League put on a sports exhibition.

Athletes at Anti-Nazi Meet: Members of the Workers’ Sports League pose with American flags and a banner reading: “Welcome son of German soil, may freedom be yours” (March 1937, page 5).

Sport Call also favorably covered the Second Annual World Labor Athletic Festival held on July 11, 1937, at New York City’s Randall Park. More than 20,000 “trade unionists and sports fans,” according to the journal, attended and participated in the meet. The cover of the July 1937 issue of Sport Call featured members of the Workers’ Sports League performing “their rhythmic calisthenic drill.”

In addition to supporting national and international causes, the Workers’ Sports League also promoted the health benefits of recreation. Sport Call regularly printed health and recreation tips for readers and workers. In February 1937 (page 4), an article encouraged “Exercise in Winter” and featured a picture explaining, “It’s a lot fun and warmer than you think!”

A letter to the editor of the March 1937 issue further discussed the importance of the participatory and egalitarian nature of labor sports organizations:

“The Workers’ Sports League, building upon its program of solidarity with the working class and its aspirations, physical development of the masses rather than individual “stars,” real amateurism rather than quasi-professionalism, equal welcome to all regardless of race and color, and democratic organization control, can be built into a mighty organization—and become itself the “official” sports movement.” (March 1937, page 6)

These Sport Call issues are available to researchers. RBSC welcomes new donations to expand our holdings of this scarce and important title.


Note about Sport Call publication history: This hard-to-find and relatively obscure journal is held by few repositories. It apparently began publication as the German-language Arbeiter-Sport in Amerika (Workers’ Sport in America) in about 1930. The journal changed titles to Proletarian Sports and adopted English in 1934, before changing titles again to Sport Call in about 1936.



Previous Labor Day Posts:

2024: Labor Day 2024 – Perspectives from the Catholic Pamphlet Collection
2023: Souvenirs from the Union Printers National Baseball League Tournament
2020: Labor and Linen — The Prints of William Hincks

Reading the Gay Rodeo Ephemera Collection for Pride Month

by Greg Bond, Sports Archivist and Curator, Joyce Sports Research Collection

In observance of LGBTQ Pride Month, Rare Books and Special Collections is pleased to highlight the recently acquired Gay Rodeo Ephemera Collection (MSSP 10128). Containing programs, posters, fliers, and other printed material, the collection documents the history of rodeo organizations and rodeo events by and for LGBTQ people.

Souvenir Program, 2nd Annual Golden State Cowboys Round Up.

One of the earliest organized groups of gay rodeo enthusiasts was the California-based Golden State Cowboys (GSC) founded in 1969. In the introduction to the 1972 Souvenir Rodeo Program for the 2nd Annual Golden State Cowboys Round Up (MSSP 10128-01), GSC President Ernie Wilbanks described the group’s early history and explained the organization’s mission:

“Admittedly, we have had problems and growing pains but we have never lost our self respect and hopefully can become an even greater source of community pride. Without a goal no race is ever won and we believe the same criteria can apply to an organization without a purpose. Our purpose is one of friendship in performing those facets of service to our community that promote the honor and acceptance of our fellow man.”

Images of social events and activities from the Golden State Cowboys 1972 program.

A relatively small social organization for fans of rodeo and rodeo culture, the Golden State Cowboys folded by about 1976. Other organizations soon sprung up in the late 1970s and early 1980s—particularly in Nevada, California, and Colorado—that sponsored some of the first rodeos that explicitly featured and celebrated LGBTQ rodeo participants.

Although originating in the Western United States, organized gay rodeos slowly spread around the country. One of the earlier significant gay rodeos was held in New York City in Madison Square Garden on Saturday, October 1, 1983. Sponsored by the pioneering gay rights organization, Gay Men’s Health Crisis, Inc., the “World’s Toughest Rodeo” was an AIDS Benefit fundraiser (MSSP 10128-002).

Paul Popham, the President of Gay Men’s Health Crisis, Inc., described the purpose of community-building activities like the “World’s Toughest Rodeo” in the program for the event:

“What emerged as a horrifying disease that sapped our physical strength has resulted in newly-found strength in other areas. We have discovered communal strength, spiritual strength, and political strength. We find that we are truly more powerful than we had ever dreamed. By transcending the various social boundaries that kept us apart as strangers, we find that we are not only a nation, but an entire world of brothers, sisters, and friends.

A battle it has been and continues to be. But as we march, in greater numbers, and with greater courage, love, and hope, our victory seems more possible with every step.”

Gay rodeos increased in popularity during the 1980s and 1990s, culminating in the founding of the International Gay Rodeo Association (IGRA) in 1985. The IGRA sponsored the first International Gay Finals Rodeo competition in Hayward, California, in September 1987. RBSC’s Gay Rodeo Ephemera Collection includes a production copy of the poster for the inaugural IGRA championships (MSSP 10128-08-F2).

The collection includes other programs, posters, and pieces of ephemera that demonstrate the proliferation of gay rodeos. The holdings include, for example, a poster for the 1994 12th Annual Rocky Mountain Regional Rodeo sponsored by the Colorado Gay Rodeo Association (MSSP 10128-09-F2) and the program for the 1996 North Star Regional Rodeo and Great Northern Shindig in Lake Elmo, Minnesota, sponsored by the North Star Gay Rodeo Association (MSSP 10128-06). As seen on these two items, the newfound popularity of gay rodeos attracted corporate sponsors that helped to fund these events.

The Gay Rodeo Ephemera Collection is open and available to researchers. RBSC welcomes new donations to expand the contents of this important collection.


For further reading:

Nicholas Villanueva, Rainbow Cattle Co: Liberation, Inclusion, and the History of Gay Rodeo (Lincoln: University of Nebraska Press, 2004).

Gay Rodeo History: A Project Of The Gay & Lesbian Rodeo Heritage Foundation [website].