“Bound up with love…” Exhibiting the Extraordinary Legacy of Father Zahm

by Tracy Bergstrom, Curator, Zahm Dante and Early Italian Imprints Collection

This year marks the 700th anniversary of the death of Dante Alighieri, and people around the world are celebrating the milestone. In conjunction with this anniversary, our current exhibit showcases the preeminent Dante collection held by the University of Notre Dame. 

In the fall of 1902, Rev. John A. Zahm, CSC, negotiated the purchase of forty-eight important early print volumes of Dante Alighieri’s Divine Comedy on behalf of the University. The purchase marked a convergence of Zahm’s growing interest in the works of Dante with his efforts to transform Notre Dame into a modern university. Zahm’s purchase of these volumes afforded the University an extraordinary collection on Dante, including magnificent early printings such as that produced in Florence in 1481 displayed below. It also provided a substantial foundation on which to base subsequent collecting activities. 

Dante Alighieri, 1265-1321. La commedia. Florence: Nicolaus Laurentii, 1481.

This edition of Dante’s Comedy features commentary by the Florentine humanist and philosopher Cristoforo Landino (1425-1498). Landino’s was the most influential commentary to Dante’s poem during the Renaissance. Sandro Botticelli designed the iconographic visual program, which was executed in an unfinished series of woodcuts by Baccio Baldini.

In 1995, William and Katherine Devers funded an endowment to support teaching and research on Dante across the University, including the purchase of rare materials in support of the Zahm Dante Collection. Highlights of our recent acquisitions include rare printings of the three crowns (le tre corone) of Italian literature – Dante, Petrarch, and Boccaccio – as well as verse anthologies of poetry and other tools such as grammars and dictionaries that would have assisted 16th century readers of vernacular literature. 

Nicolò Liburnio, 1474-1557. Le tre fontane di messer Nicolo Liburnio: in tre libbri diuise, sopra la grammatica, et eloquenza di Dante, Petrarcha, et Boccaccio. Venice: Per Gregorio de Gregorii del 1526, nel mese di Febraio, (1527).

Alongside the first grammar books, the earliest lexicons made their appearance in the first decades of the 16th century and soon became very popular. Written as a manual for beginners, with mainly young people and women as the target audience, the goal of this volume was to teach how to write correctly in the vernacular. The three “fountains” of the title refer to the three crowns of Italian literature: Dante, Petrarch, and Boccaccio.

The title of this exhibit comes from the final canto of Dante’s Paradise, in which Dante has arrived at the conclusion of his journey and beholds a vision of the universe “bound up with love together in one volume.” Father Zahm read a canto from the Divine Comedy daily, and the themes of unity and promise encapsulated within this title seem apt when considering his early efforts to build such an extraordinary collection. 

This exhibit was curated by Tracy Bergstrom (Curator, Italian Studies and Dante Collection), Chiara Sbordoni (Adjunct Professor in Italian, Rome Global Gateway), and Demetrio Yocum (Senior Research Associate, Center for Italian Studies). This and other exhibits within the library are generously supported by the McBrien Special Collections Endowment.

The exhibit is on view from August 23 – December 17, 2021. Weekly free exhibit tours are offered on Wednesdays at 12:15pm in Rare Books & Special Collections. 

Upcoming Events: October and early November

Please join us for the following events being hosted in Rare Books and Special Collections:

Thursday, October 7 at 4:30pm | Dante in America, Session V: Dante, Jazz, and American Modernism” by Joseph Rosenberg (University of Notre Dame), and “‘Was Then Your Image Like the Image I See Now?’ Dante’s Face in America” by Kathleen Verduin (Hope College).

The Dante in America lectures are sponsored by the Center for Italian Studies and the Devers Family Program in Dante Studies.

Wednesday, October 13 at 3:45pm | “‘Bound with Love . . .’: The Extraordinary Legacy of the John A. Zahm, C.S.C., Dante Collection”, a panel discussion with Tracy Bergstrom, Theodore Cachey, and Margaret Meserve.

This panel discussion is part of the Founder’s Day series of events being held at the University Notre Dame on October 12-13, 2021.

The fall exhibit “Bound up with love…” The extraordinary legacy of Father John Zahm’s Dante Collection is now open and will run through the end of the semester. Public tours of the exhibit are offered every Wednesday at 12:15pm (except October 6). Tours are also available for classes or other groups, including K-12 audiences, by request. No registration required and tours are free and open to the public.

The current spotlight exhibits are The Ferrell Manuscripts (August – December 2021) and A Limited Edition Photo Album of the Sistine Chapel (August – October 2021).


RBSC is open regular hours during
Notre Dame’s Mid-Term Break,
October 18 – 22
.

National Hispanic Heritage Month 2021

We join the Library of Congress, National Archives and Records Administration, National Endowment for the Humanities, National Gallery of Art, National Park Service, Smithsonian Institution, and United States Holocaust Memorial Museum in celebrating National Hispanic Heritage Month.

Migratory History from a Child’s Point of View

by Erika Hosselkus, Curator, Latin American Collections

In recognition of National Hispanic Heritage Month, we share this Migratory History of La Raza coloring book, printed in 1974 by El Renacimiento, a branch of the Lansing, Michigan publisher Renaissance Publications. Emerging from the city’s vibrant and active Chicano community, the coloring book narrates the history of the U.S. Chicano population in pictures and bilingual text, for Michigan’s Chicano youth. Michigan-based Chicano artist, David Torrez, produced both the history and the drawings included in the title, which is as much textbook and activist statement as coloring book. 

The coloring book’s activist stance and message are evident even from its cover. Printed on glossy cardstock, it features a Chicano boy, dressed in Southwestern clothing, smiling and waving to a young girl who stands on the other side of a river – most certainly the Rio Grande. The young girl is dressed in the traditional clothing and head covering of the Tehuana, a female cultural type associated with the Isthmus of Tehuantepec region of far southern Mexico. Through this image, Torrez links the U.S. Chicano population with residents of Mexico and extends Mexican cultural identity from the country’s border with Guatemala up into the United States – well beyond the country’s political boundaries. Two open and pleasant-looking bridges span the Rio Grand, connecting Mexican Americans and residents of Mexico and advocating friendship and camaraderie between them. 

The Montcalm County Intermediate School District, located in Stanton, Michigan, an agricultural area located north of Lansing and home to significant populations of migrant workers in the 1970s, contributed to the development of the coloring book as part of a migrant education project. The border and two small birds on the title page might appear entirely decorative, but they are an appropriation of symbols of Mexican – even indigenous Mexican – identity. They are Aztec eagles and they frame publication details, including a statement that the book was “Printed in AZTLAN” – the birthplace of the Aztecs. Like many Chicano initiatives of this era, Michigan’s activists found resonance in these Native references that seemed devoid of European influence or content. Through the eagles and references to Aztlan, they harkened back to an idealized indigenous past.   

Page 2 provides the children for whom this coloring book was created a brief, unbiased definition of “migrant child” in English and Spanish. It links the definition specifically to movement between school districts and to agricultural and food-processing industries, but not to race or ethnicity. The statement is a resource, or tool, to help migrant children consider and articulate identity as related to their mobile status.  

The inside of the coloring book recounts Chicano history by dedicating pages to each of the major indigenous groups of Mexico, depicting the events of the Spanish conquest of the Aztecs as well as highlights of modern Mexican history, and pointing to important issues of the day. 

A page entitled “Contribution of the Migrant Workers” argues that, since 1900, migrant farm workers and their labor served as the basis of the U.S. economic structure. “Vida del Migratorio” observes that, despite this contribution, migrant housing is often substandard. This issue received attention from the federal government at the time that the coloring book was issued, though improvements for laborers were often slow and uneven.   

Along with this source geared toward children, El Renacimiento produced a newspaper of the same name that focused on the Chicano Rights movement and was published in Lansing from the 1970s through 1990s. David Torrez and Edmundo Georgi, both contributors to this coloring book also work on the newspaper, El Renacimento, which can be consulted on microfilm here in the Hesburgh Libraries.

Related Previous Blog Posts:

Recent Acquisition: Chinese women in post-Cultural Revolution posters

by Hye-jin Juhn, East Asian Studies and Metadata Librarian

These newly acquired Chinese posters include images that conform with, and defy the norms of the ideal Chinese women in the People’s Republic China.

Wang Dawei’s Fu nü neng ding ban bian tian guan jiao shan he huan xin yan 妇女能顶半边天 管教山河换新颜 (Women hold up half the sky, dare to change the mountains and rivers, 1975) depicts a female construction worker, seemingly strong as men, mentally and physically.

Two of the posters depict female characters from Cao Xueqin’s Qing novel, The Story of Stone.

Gao Jingbo’s Yi lu chun feng 一路春风 (2019 print of the 1980 original painting) depicts contemporary women of various social backgrounds. The relationship between the woman in urban clothing, and those in typical peasant clothing seems ambiguous. Are the rural women the followers of the city woman? Or are they sending the urban woman off with their best wishes?

In Wei le sheng huo geng mei hao 为了生活更美好 (1980), and in Jiang li mao 讲礼貌 (1981), we see images of contemporary Chinese women in rural and urban environments. One is a mother, content with a child on her back; the other is a teacher, who upon arriving at her work place on her bicycle, is respectfully greeted by a boy and a girl.   

Medieval Manuscripts from the Ferrell Collection on Exhibit

by David T. Gura, Ph.D., Curator, Ancient and Medieval Manuscripts

In October 2017, six medieval manuscripts were donated to the University of Notre Dame from the private collection of James E. and Elizabeth J. Ferrell. The manuscripts have been accessioned into their own fond: “Ferrell Manuscripts.” Through Mr. and Mrs. Ferrell’s generosity, the breadth of the University’s collection of medieval and renaissance manuscripts has been augmented significantly.

The collection’s best examples of Northern High and Late Medieval illumination now come from the Ferrell fond: a fully historiated, complete Parisian Bible from the Vie de St. Denis Atelier (Ferrell MS 1),  a masterfully painted Book of hours in Grisailles from the “Betremieu Group” (Ferrell MS 2), and a miniature of the Trinity (Ferrell MS 3) from the “Master of the First Prayer Book of Maximilian”—the collection’s sole example of trompe l’oeil  borders, which were perfected in Dutch manuscript painting.

Likewise, the gift also constitutes the collection’s most illustrative examples of Late Medieval Italian illumination: a cutting of John the Baptist painted by “The Second Master of the Antiphonary M of San Giorgio Maggiore” (Ferrell MS 4), and a leaf from an Office Book illuminated by the Franciscan friar, Fra Antonio da Monza (Ferrell MS 6). In addition to these examples of Italian painting, a tarot card depicting the biscione (serpent) of  the Visconti-Sforza family of Milan (Ferrell MS 5) provides a rare example of Trionfi cards popular among the Italian elite. 

The Ferrell Collection is on exhibit for the Fall Semester 2021 in Rare Books and Special Collections and is also available digitally.

The Ferrell Bible (Ferrell MS 1)
The Ferrell Bible was illuminated by the artisans of the Vie de St. Denis Atelier in Paris, ca. 1240. The Vie de St. Denis Atelier was among the most active paintshops from 1230–1250, to which over forty different manuscripts have been attributed. The atelier painted small and large Bibles, liturgical and devotional manuscripts, civil and canon law books, and institutional volumes such as the privileges of St.-Martin des Champs and the Libellus of St.-Denis. A diverse clientele acquired books from the atelier, which included local patrons like the cathedral, St.-Denis, St.-Martin des Champs, St.-Maur de Fossés, and a Carthusian house in Paris. Regionally, clients from Copmiègne, Rouen, Sens, and Châlon-sur-Marne also visited the atelier for books.

View the entire Ferrell Bible.

The Ferrell Hours (Ferrell MS 2)
The Ferrell Hours was produced in French Flanders in the later fifteenth century. The manuscript forms part of the “Betremieu” Group, a small group of books of hours which were made in Hainaut ca. 1460-1470. All miniatures in the Ferrell Hours were painted using the Grisaille technique. Quite rare and luxurious, the Grisaille technique uses only hues of gray.

View the complete Ferrell Hours.

Miniature of the Holy Trinity (Ferrell MS 3)
This miniature of the Trinity belongs to a group of manuscripts associated with the “Master of the First Prayer Book of Maximilian,” who was active ca. 1475-1515. The recto side was originally blank as the miniature was painted on the verso and imported–one of the hallmarks of Flemish origin. The borders are extremely well executed examples of the trompe l’oeil technique, which was perfected in Dutch manuscript painting. Ferrell MS 3 is Notre Dame’s only example of trompe l’oeil in a medieval manuscript.
Cutting from a choirbook (Ferrell MS 4)
The painter of this historiated initial featuring John the Baptist is known as “The Second Master of the Antiphonary M of San Giorgio Maggiore.” The long sobriquet derives from an antiphonary illuminated for San Giorgio Maggiore by Belbella da Pavia c. 1467–1470, to which our painter contributed four initials. “The Second Master of the Antiphonary M of San Giorgio Maggiore” was active in the Veneto and also contributed paintings to a well-known set of choirbooks for the Benedictine Abbey of San Sisto in Piacenza. 
Visconti-Sforza Tarot Card (Ferrell MS 5)
This tarot card depicts the biscione—a heraldic crowned serpent shown consuming a human child. The biscione was first associated with the Visconti of Milan (1277–1477). The motif became emblematic of the Duchy of Milan, and was then used in the heraldry of the Sforza family. The Sforzas ruled the Duchy of Milan (1450–1535) after the Visconti family.
Fragment of an Office Book illuminated by Fra Antonio da Monza (Ferrell MS 6)
Fra Antonio da Monza was a Franciscan friar and manuscript illuminator who was active in Italy ca. 1480-1505. Several liturgical books and miniatures have been attributed to him since he was identified, including this manuscript which had previously been attributed to Giovan Pietro Birago (ca. 1480-1490).

Upcoming Events: September and early October

Please join us for the following events being hosted in Rare Books and Special Collections:

Thursday, October 7 at 4:30pm | Dante in America, Session V: Dante, Jazz, and American Modernism” by Joseph Rosenberg (University of Notre Dame), and “‘Was Then Your Image Like the Image I See Now?’ Dante’s Face in America” by Kathleen Verduin (Hope College).

The Dante in America lectures are sponsored by the Center for Italian Studies and the Devers Family Program in Dante Studies.

The fall exhibit “Bound up with love…” The extraordinary legacy of Father John Zahm’s Dante Collection is now open and will run through the end of the semester.

The current spotlight exhibits are The Ferrell Manuscripts (August – December 2021) and A Limited Edition Photo Album of the Sistine Chapel (August – September 2021).


RBSC is closed Monday, September 6th,
for Labor Day.

Recent Acquisition: A Frenchman in Constantinople and Lebanon

by Alan Krieger, Theology and Philosophy Librarian

The Hesburgh Libraries has just acquired an extremely rare biography, François Marchetty’s La Vie de Monsieur de Chasteuil, Solitaire du Mont-Liban (Paris, 1666).

François de Gallaup de Chasteuil (1588-1644) was an orientalist who, after accompanying a French embassy to Constantinople, joined a Maronite hermitage in the Qadisha valley of Lebanon and lived the rest of his life as a hermit there, studying Sacred Scripture.

The work is a fine source for the study of the religious practices and ecclesiastical organization of the 17th-century Maronites, an Eastern Catholic Church that is part of the historical and liturgical heritage of Syriac Christianity. It is officially known today as the Syriac Maronite Church of Antioch.

We have found only one other North American holding of this title.

Welcome Back! Fall 2021 in Special Collections

Rare Books and Special Collections welcomes students, faculty, staff, researchers, and visitors back to campus for Fall ’21! We want to let you know about a variety of things to watch for in the coming semester.

The University of Notre Dame, Hesburgh Libraries, Special Collections, and the current COVID situation

Due to the spread of highly contagious variants of the COVID-19 virus, and our inability to verify the vaccination status of those outside our highly vaccinated campus community, masks will be required (except when eating and drinking) of both vaccinated and unvaccinated faculty, staff, students, and visitors in some campus spaces during times when those spaces are generally open to the public. The first two floors of the Hesburgh Library (including Rare Books and Special Collections) are among the spaces where masks are required in public areas, including for those who are fully vaccinated.

Up-to-date information regarding campus policies is provided at covid.nd.edu, and a complete list of these campus spaces will be updated regularly here.

New Leadership at the Hesburgh Libraries

K. Matthew Dames

K. Matthew Dames, previously university librarian at Boston University, has been appointed the Edward H. Arnold University Librarian at the University of Notre Dame by University President Rev. John I. Jenkins, C.S.C., effective August 1. Dr. Dames succeeds Diane Parr Walker, who has retired after serving 10 years as librarian.

Read the full press report online.

Fall 2021 exhibit: “Bound up with love …” The extraordinary legacy of Father John Zahm’s Dante Collection

This year, the 700th anniversary of the death of Dante Alighieri, we are celebrating the legacy of the Zahm Dante Collection and the remarkable accumulation of rare Italian material acquired at the University of Notre Dame over the past century. 

Highlights of the exhibition include rare printings of the three crowns of Italian literature – Dante, Petrarch, and Boccaccio – as well as verse anthologies of poetry and other tools such as grammars and dictionaries that would have assisted 16th century readers of vernacular literature.

Fall 2021 Spotlight exhibit featuring the Ferrell Manuscripts

The Fall Spotlight Exhibit features six medieval manuscripts donated to the University of Notre Dame by James E. and Elizabeth J. Ferrell. The collection features a diverse group of manuscripts from the thirteenth through fifteenth century including a historiated Bible, book of hours, a tarot card, and illuminations. The Ferrell Collection can be discovered digitally.

Monthly rotating spotlight exhibits

Despite the challenges of the last academic year and thanks, in no small part, to the generosity of our donors, Special Collections’ holdings continued to grow. This spotlight exhibit celebrates one recent gift: the three-volume limited edition photo album of the Sistine Chapel. An anonymous donor presented this magnum opus to the Hesburgh Libraries in February 2021.

Drop in every month to see what new surprise awaits you in our monthly feature!

Special Collections’ Classes & Workshops

Throughout the semester, curators will teach sessions related to our holdings to undergraduate and graduate students from Notre Dame, Saint Mary’s College, and Holy Cross College. Curators may also be available to show special collections to visiting classes, from preschool through adults. If you would like to arrange a group visit and class with a curator, please contact Special Collections.

Archival Research Lab I: Locating Materials and Preparing to Go
Wednesday, October 6, 10:00am to 11:15am

Archival Research Lab II: Inside the Archive
Wednesday, October 13, 10:00am to 11:15am

This two-session workshop provides an introduction to advanced archival research. In session one, you will learn strategies for finding and evaluating relevant archival collections and steps you’ll need to consider before you go to an archive. In session two, you will “enter the archive,” completing the registration process and handling and examining different archival materials and formats. This workshop is designed to introduce those who have not previously done archival research to the world of archives and special collections, and also as a refresher and skill-building opportunity for those planning to visit archives again in the post-COVID environment.

Events

Fall 2021 Lecture Series: Dante in America — In commemoration of the 700th anniversary of Dante’s death, in 2021 the Center for Italian Studies and Devers Family Program in Dante Studies are hosting a series of lectures on the topic “Dante in America.” During the Fall Semester, the lectures are open to the public and will be held in person and streamed via Zoom, with the first lecture Thursday, September 2, 4:30pm to 6:30pm.

Learn more about the series. 

Recent Acquisitions

Special Collections acquires new material throughout the year. Watch our blog for announcements about recent acquisitions.

Speaking about Catholicism in China with a Unified Voice

by Hye-jin Juhn, East Asian Studies and Metadata Librarian

The goal of the Catholic Central Bureau (CCB), founded by Archbishop Riberi in 1946, was to ensure that the country’s Catholic missions, which were independently run by various denominations, would communicate a unified message about Catholicism and the Catholic world view to the Chinese intellectuals and youths, who were increasingly being attracted to Communism. The CCB, in an attempt to fight off the image of Catholicism as an imperialist and non-scientific religion, actively translated and published European Catholic materials about social reforms. In June 1951, the Chinese government disabled the CCB’s activities and arrested and imprisoned many of its members.

RBSC has two editions of Tian zhu jiao qian shuo (天主教淺說) or An Introduction to Catholicism, authored/edited by Zhang Jiemei and published by the CCB.

Its first edition (106 pages), published in Beijing in 1948, introduces Catholicism “more frankly and objectively” (更坦白,更客觀的方式) than the existing publications about Catholicism. It begins with the questions: “What is religion?,” and “What is Catholicism?,” and discusses the doctrines, organization, rituals of Catholicism, and the Bible.  The sixth edition (156 pages), published in Shanghai in 1951, begins with the question, “What is human?,” addresses evolution theory, and explains the relationship between science and Catholicism. The final page gives the statistics of Catholic faiths by country. An example: Of almost 1.2 billion population in Asia, almost 30 million were Catholic; of the almost 463 million Chinese, approximately 3.5 million were Catholic.

Sample opening from the sixth edition.
References:

Wong, Yee Ying Bibiana. “The Catholic Central Bureau: A Short-lived Church Authority set up around the Time of the Communist Takeover of China.” Lumen: A Journal of Catholic Studies 5, no. 1 (2017).

Treasures from the Butler Collection of Maps of Ireland

by Aedín Ní Bhróithe Clements, Irish Studies Librarian

Central to our Irish map collection is the David J. Butler Collection of Maps of Ireland, given to the Hesburgh Libraries thirty years ago by Mr. and Mrs. Thomas C. McGrath. The collection is named for Betty McGrath’s father, ‘a native Irishman who loved this school’, and the maps were collected over many years by Thomas C. McGrath during his eventful career as a naval officer, a businessman, a lawyer and a congressman. The David J. Butler Collection consists of seventy-two maps of Ireland, printed in the sixteenth, seventeen and eighteenth centuries.

We are fortunate in having a transcript of the lecture given by Mr. McGrath, ‘The Joy of the Chase’ which describes his hobby of collecting maps and sea charts. His interest in sea charts arose naturally from his time in the U.S. Navy, and he gave these to the Hesburgh Libraries separately, this collection named for his parents, Thomas and Helen McGrath, whose sacrifices, he says, permitted him to study briefly at Notre Dame. (He was enrolled for one year prior to joining the U.S. Navy during World War II.)

Many of the maps were published in atlases, and were removed from those books a long time ago. The Butler collection includes maps by Mercator, Speed and other European map makers and atlas publishers.

This small sample provides a tantalising glimpse (we hope) of the range and richness of the collection. In our incomplete information on these maps, the reader will note that there is much scope for continued research to provide accurate catalog information on each map.

MAI 1612-01-F1

This map, for example, is one where our information is quite incomplete. It appears to be from an edition of Ortelius’ Theatrum Orbis Terrarum, published in many editions from 1570. We have seen a similar map on the website of the Library of Congress, dated 1598, but we have not seen any copy with the image of Queen Elizabeth I illustrating the cartouche. Our map has a page describing Ireland (Hibernia) in Latin on the verso.

As in a number of earlier maps, the orientation has the west uppermost on the page, rather than the now accepted convention of north being at the top of the page.

Printed at the top of the map, that is, on the Atlantic Ocean to the west of Ireland, is a peculiar selection from the Topography of Ireland by Gerald of Wales.

A translation of the original text reads,

There is an island called Aren, situated in the western part of Connaught, and consecrated, as it is said, to St. Brendan, where human corpses are neither buried nor decay, but, deposited in the open air, remain uncorrupted. Here men can behold, and recognise with wonder, grandfathers, great-grandfathers, and great-great-grandfathers, and the long series of their ancestors to a remote period of past time.

There is another thing remarkable in this island. Although mice swarm in vast numbers in other parts of Ireland, here not a single one is found. No mouse is bred here, nor does it live if it be introduced; when brought over, it runs immediately away and leaps into the sea. If it be stopped, it instantly dies.

Giraldus Cambrensis, 64

Another note on the map mentions Sir Thomas Smith, an English colonist who received a royal grant of the Ards peninsula and Clandeboye in Co. Down in 1571.

It would be interesting to learn more about the publication of this map, and if it was, in fact, part of an Ortelius collection.

John Speed’s map of Leinster is one of the four province maps included in the section on Ireland in Speed’s The Theatre of the Empire of Great Britaine, the first atlas with detailed maps of the provinces of Ireland, published in London in 1611. This map was engraved by Jodocus Hondius, who engraved the plates for Speed’s atlas from 1607 on, and bears the date 1610. This does not mean, however, that the map is from the 1611 edition as the same engravings were used in subsequent editions. It does, however, appear to match the 1611 edition of the Theatre of the Empire, which we can examine in digital form.

Map of Dublin, inset from MAI 1611-01-F2

Speed’s maps of the Irish provinces include insets, for Leinster, the inset is a map of Dublin, possibly the earliest printed map of Dublin still in existence. Maps of Cork and Limerick are inset in his map of Munster.

MAI 1676-01-F2 (upper left quarter of map)

Like many maps of the time, Speed’s maps are embellished with ships and sea creatures. Did the engraver foresee the spread of Irish music across the Atlantic when he added a fanciful image of a harpist riding a winged fish west from the Kerry coastline?

We hope, over time, to make some of our map collection available in digital form on our new platform Marble, so that more people can enjoy and learn from this remarkable collection.

References

Giraldus, Cambrensis, 1146?-1223?, Thomas Forester, Richard Colt Hoare, and Thomas Wright. The Historical Works of Giraldus Cambrensis: Containing the Topography of Ireland, And the History of the Conquest of Ireland. London: G. Bell & sons, 1913.

Further reading on Irish maps

Ireland in maps : an introduction J. H. Andrews. Dublin: Dolmen Press, 1961

Shapes of Ireland : maps and their makers 1564-1839 / J. H. Andrews. Dublin : Geography Publications, 1997

John Speed: Maps of Ireland / Andrew Bonar Law. c. 1979.

The printed maps of Ireland to 1612 / andrew Bonar Law. Morristown, N. J. : Eagle Press, c1983

The printed maps of Ireland 1612-1850 / Andrew Bonar Law. Dublin : Neptune Gallery, 1997