Medieval Wanderlust and Virtual Wayfinding

Google “wanderlust” and you’ll be greeted by a barrage of images of stunning landscapes, wrinkled maps, and relatively-unoriginal tattoos. The word, now tagged over fifty million times on Instagram, denotes “an eager desire or fondness for wandering or travelling” and has clearly captured the popular imagination, earning articles on BuzzFeed and finding itself titling disappointing movies.  Though the word itself only entered the English language around the beginning of the twentieth century, the concept — according to cognitive theorists — is likely as old as humanity itself. Nancy Easterlin, in her chapter, “Cognitive Ecocriticism: Human Wayfinding, Sociality, and Literary Interpretation,” argues that humans have innate needs to “travel in time and through space without getting lost” as a means for gathering resources, seeking refuge, and obtaining knowledge.1 Wayfinding, this human drive to explore and attach meaning to the world around us, establishes an important cognitive basis for our contemporary obsession with wanderlust. But what happens when our ability to navigate our environments is limited? And is this sudden cultural obsession with travel, with all of its racist and classist baggage, really a new phenomenon?

Religious pilgrimage — a journey “made to a sacred place as an act of religious devotion” — may at first glance have little in common with the contemporary wanderlust fever, but in the late medieval period, faithful pilgrims often went to great lengths to traverse the known world in order to visit many of the same landmarks populating Instagram pages today. Pilgrimages were typically undertaken by groups of travelers, and these journeys could be as short as Chaucer’s famous trip from London to Canterbury or as long as medieval mystic Margery Kempe’s voyage from Lynn to Jerusalem. Records of these pilgrimages prefigure many of the critiques of present-day travel — namely, that “the experience of travel [was] exotic” and “the purview of the privileged.”2 Despite this, I wish to read pilgrimage — one of the most common types of medieval travel — as motivated not just by religious devotion, but by a human cognitive need to wander.

This reading is facilitated by accounts of medieval religious devotees who found themselves confined, enclosed, or otherwise unable to undertake the physical pilgrimages, yet nevertheless invented means to satisfy this cognitive urge. In his work with the itinerary maps of thirteenth-century Benedictine monk Matthew Paris, Daniel K. Connolly demonstrates that “cloistered monks, though discouraged from going on pilgrimages to the earthly city [of Jerusalem], could nonetheless use Matthew’s maps for an imaginative journey to the Heavenly Jerusalem.”These imagined journeys, I believe, were abetted by the map’s engagement with the same cognitive processes that human beings experience when wayfinding, or moving through physical space. This map (pictured below), depicts the Holy Land from a bird’s-eye perspective — cognitive scientists call this a “survey” perspective, in contrast to the horizontal “route” perspective experienced when actually traveling through a location.4 At first glance, this seems odd — how does this survey perspective aid imagined travel experiences, when human beings generally experience travel through a horizontal route-based perspective? The answer, in all too-human fashion, has to do with time.

Matthew Paris’ itinerary map. The physical action of unfolding the tabs on this map may have helped monks immerse themselves in the imaginative travel experience. British Library Royal MS 14 C VII, f.4r.

Spatial cognitive researchers theorize that human beings initially conceive of new environments horizontally, using route-based perception; in recall, first-time travelers imagine themselves at the center of their memories, with the environment situated around them. Over time, however, we restructure this mental image, creating survey knowledge of a location — in other words, the more time we spend in a location, the more we’re able to imagine from a bird’s-eye view. The map of Matthew Paris, as a tool for imaginative travel, reflects this cognitive restructuring. If the point of a pilgrimage is to allow a traveler to truly immerse themselves in the historical life of Christ in the world that he knew, then an imaginative traveler needed to experience the world as Christ did: through a complex, survey perspective.

Logan Quigley
Ph.D. Student
University of Notre Dame


1. Nancy Easterlin, “Cognitive Ecocriticism: Human Wayfinding, Sociality, and Literary Interpretation,” Introduction to Cognitive Cultural Studies, ed. Lisa Zunshine (Baltimore: Johns Hopkins University Press, 2010).

2. Kathryn M. Rudy, Virtual Pilgrimages in the Convent: Imagining Jerusalem in the Late Middle Ages (Turnhout: Brepols Publishers, 2011).

3. Daniel K. Connolly, “Imagined Pilgrimage in the Itinerary Maps of Matthew Paris,” Art Bulletin (81:4), 598.
Ehrenschwendtner, Marie-Luise. “Virtual Pilgrimages? Enclosure and the Practice of Piety at St. Katherine’s Convent, Augsburg.”…

4. Montello, et. al. “Real Environments, Virtual Environments, maps.” Human Spatial Memory, 261.

St. Christopher’s Surprising Pedigree

St. Christopher carrying the Christ child; book of hours, England, 1316-1331; New York, Pierpont Morgan MS G.50 f. 5v

St. Christopher is a saint with an exciting etymological pedigree. The name Christopher is actually a brief description of one of the most famous stories about him: he is the Christ-bearer, from the Greek words Χριστός (Christ) and φέρειν (to bear or carry). Christopher, the story goes, was a new convert to Christianity and, as an ascetic spiritual exercise, undertook to wait by a river ford, carrying travelers across on his back. One day, a young child came along and requested passage.

Christopher carrying the Christ child; Bartholomaeus Anglicus, De proprietatibus rerum, in the English translation by John Trevisa, England, first quarter of the 15th century; BL, Harley MS 614, f. 5r

As he carried the child across, the boy seemed to increase in weight until it seemed to Christopher that he carried the entire weight of the world on his back. This anomaly was explained when, on being challenged, the boy revealed that he was in fact the Christ child, and the weighty importance of his burden – responsible for both the creation and redemption of indeed the whole world – meant that this physical weight was a true reflection of its spiritual and symbolic importance. Depictions of Christopher, therefore, are easily recognizable, in depicting this famous story and rendering visible the pun of his name. Christopher is almost always shown stooped over, fording a river while carrying a small child on his back.

St. Christopher carrying the Christ child; prayer roll, Yorkshire, c. 1500; New York, Pierpont Morgan MS G.39, f. 12r

While this iconography is the most frequent and prevalent representation of Christopher, it is not, however, fully consistent with how the saint is represented in some of the earliest medieval descriptions of his story. Christopher is perhaps able to bear such a weighty burden because he is no ordinary man, but a giant in strength and stature. He was a convert to Christianity, coming from a country somewhere in the mysterious east – a region that, in medieval chronicles, romances, and travel writings, was frequently asserted to be the home of wonders and so-called “monstrous races,” mysterious peoples with strange customs and bizarre bodies: cannibals, men with ears like fans or faces in the center of their chests.

The marvels of India including, in the top center, three cynocephali conversing; Livres des Merveilles du Monde, France, c. 1460; New York, Pierpont Morgan MS M.461, f. 41v

Among these strange peoples were the cynocephali, the dog-headed men, and it was to this race that Christopher was sometimes said to belong. In Mandeville’s Travels, one of the best-known of the travel narratives in the English traditions, a race of dog-headed men are described who are a fascinating combination of the fierce and the cultured: “Men and wymmen of that contre [country] hath houndes hedes [heads] and they ben resonable and they worshipeth an oxe for her [their] god and they gon [go about] alle naked save a lytel cloth byfore her [their] privyteis and they ben good men to fiȝt [fight] and they beren [carry] a great targe [shield] with wham [which] they coveryn alle her [their] body and a sper [spear] in her honde [hand].”

Armed cynocephalus and, on the left, a member of a cannibal race being mauled by a dog; John Mandeville, Travels, England, c. 1410-1420; BL, Royal MS 17 C. xxxviii, f. 43r

Despite their bestial appearance, they have “reason” and an apparently well-developed religion (although one, to Christian sensibilities, misguided). Largely naked, they are still human enough to wear loincloths and carry weapons – and when they defeat an enemy in battle, they take the prisoner to their king, “a gret lord and devout in his faith,” who wears a prayer necklace the author compares to a rosary.

Initial ‘C’ decorated with a cynocephalus; Odo of Asti, Expositio in psalmos, Northern Italy, 1100-1149; New York, Pierpont Morgan MS G.51, f. 23v

Such a religiously-minded race, indisputably and terrifyingly “other,” but strongly mirroring the familiar,  seems an appropriate match for St. Christopher. Being physically strong himself, one version of Christopher’s story goes, he decided to seek out and serve the strongest king he could find. But a powerful human king still stood in fear of the name of the devil, and when Christopher then sought out Satan as clearly the more powerful lord, he was likewise disappointed to find his new master frightened by the Christian symbolism of the cross. So finally he decides to serve Christ instead, as clearly the most powerful. In this version of the story, Christopher is cast in the role of a virtuous outsider, and his bestial appearance makes him an even more powerful spiritual exemplar, while the conclusion of the tale reassures the faithful of Christianity’s superiority, obvious even to someone not quite fully human.

Pentecost including, at bottom center, a cynocephalus among those representing the far-flung nations of the world; Gospel book, Van, Turkey, 1461; New York, Pierpont Morgan MS M.749, f. 9r

Nicole Eddy
Postdoctoral Research Associate
Medieval Institute
University of Notre Dame