Learning about Learned Medieval Women with Dr. Megan J. Hall

This week, we’re looking back at an earlier episode of “Meeting in the Middle Ages.” In late 2022, we chatted with Dr. Megan J. Hall, Assistant Director of the Medieval Institute at the University of Notre Dame. We spoke with her about women’s literacy and learning in medieval England, the trials and tribulations of writing an academic article, and why impromptu bell-ringing can reveal the true value of scholarship.

Studying history can show us the bigger picture. It can help to explain why nation states behave as they do, why complex geopolitical situations emerge, and how entire landscapes have been shaped over time. But it also allows us to connect with the past on a local level. It can show us where we come from. Speaking with Dr. Hall, we were reminded several times that through historical research, people can identify with those who came before. Moments of identity like that can drastically reshape our relationship with the past. Dr. Hall’s meeting with a group of bellringers in rural England is a perfect example. During this surprise encounter, she was able to share her own work with the group and participate in a tradition of bell ringing which has centuries of history. Her work prompted one of the group to ask ‘so, could women read in the Middle Ages?’ Dr. Hall was able to correct a common misconception of women and the possibilities open to them in medieval England. Yes, some women could read! Some books were written specifically for women! This revelation changed the questioner’s view of medieval women, and was a triumphant ‘I knew we could!’ she experienced a moment of solidarity with them.

Dr. Hall’s story, as has been the case for so many of the conversations we’ve had on Meeting on the Middle Ages, is also a reminder of the privilege that medievalists have. We are able to visit museums, archives, libraries, and go beyond the public spaces. We can consult ancient materials. We don’t have to rely on facsimiles (well, sometimes we do). We can work with the original, turning it over in our hands and connecting with its creator. In doing so, we become another link in a chain that has been forged over centuries. With the Ancrenne Wisse it begins with the object’s creator, perhaps the scribe or composer of a manuscript. It binds together dozens of men and women who received the text and used it in their lives. Dr. Hall is part of that chain. And in telling her story, we all become a part of it too.

Thanks for listening. See you next time in the Middle Ages.

Will Beattie & Ben Pykare
Medieval Institute
University of Notre Dame

The Exciting Adventures (and Misadventures) of Stained Glass: An Interview with Dr. Rachel Koopmans

This week, we’re looking back at an earlier episode of “Meeting in the Middle Ages.” In late 2022, we chatted with Dr. Rachel Koopmans, Associate Professor of History at York University Toronto, and Notre Dame alum. We talked with her about her work on the stained glass of Canterbury Cathedral, the preconceptions of ‘medieval’ that students bring to their first medieval history classes, and gratitude for antiquarians of the past.

We tend to think of humanities research as a solitary pursuit; lone scholars in dusty archives, poring over ancient manuscripts. But Dr. Koopman’s experiences researching the glass of Canterbury Cathedral was a reminder that our work is built upon generations of previous scholars. We are, in a real sense, in a conversation with researchers of the past and future. For Dr. Koopmans, this seems to have been a blessing and a curse. On the one hand, it is thanks to the tireless efforts of past antiquarians, librarians, and lovers of history that materials survive to us at all. We also rely on their work to be able to chart the history of an object over the years. But there are also those who have been motivated by other forces. They might have falsified documents, forged artworks, or simply altered a narrative to suit their own ends. Dr. Koopman’s own experiences with past custodians of Canterbury who fabricated stained glass and inserted it into the beautiful cathedral windows tell us that we should not uncritically accept the work of those who have gone before us.

Students come to medieval literature or history courses for all sorts of reasons. Many have an idea of what the Middle Ages were firmly planted in their heads. The ‘Dark Ages’ is still thrown about in public discourse, so students are usually surprised when they discover that the period was filled with innovation, art, and freethinkers. It was wonderful to hear of how Dr. Koopmans tries to challenge their notions of what it is to be ‘medieval.’ Modern scholarship takes ‘medieval’ to be a far broader term than in the past; our research spreads beyond the confines of Europe to Africa, across Asia, and beyond. We hope that when listening to this episode, you’ll be surprised or inspired to find out more about the everyday lives of medieval people.

Thanks for listening. See you next time in the Middle Ages.

Will Beattie & Ben Pykare
Medieval Institute
University of Notre Dame

Writing a Book on Used Books: An Interview with Eleonora Celora

This week, we’re looking back at one of our earlier episodes of “Meeting in the Middle Ages.” In 2022, we sat down with Eleonora Celora, a graduate student at the University of Notre Dame. We spoke to her about liturgical manuscripts as works of art, moving to France without knowing French, and creating a tool to help others understand medieval liturgical texts.

Eleonora’s journey to Notre Dame has taken her across the world. Moving from Italy to France and then to South Bend, Indiana, she is someone who jumps in feet first and overcomes challenges through determination and passion for her work. It was eye-opening to hear about her experiences shifting between languages and cultures. Being an international student is never easy—you are exposed to new foods, new ways of doing things, new social etiquette—but it can be really rewarding.

Ele’s experiences also provide unique insights into the strengths and weaknesses of the American PhD programme. During her undergraduate degree she developed an interest in music and manuscripts that led to her study the Middle Ages in more and more detail. But as she tells us, studying in Italy and the United States are two very different things. She has seen firsthand how different educational environments shape your research, subtly directing you to ask some questions and not others. For Ele, the solution has been to seek an international career as much as possible. In this increasingly interconnected, global academic world, we can all stand to benefit from collaborating with international researchers when we can. Working with scholars trained in other university systems can help us to see our fields in new ways and maybe ask the questions we’d never thought to ask.  

Thanks for listening. See you next time in the Middle Ages.

Will Beattie & Ben Pykare
Medieval Institute
University of Notre Dame