The Colors of the Pearl-Gawain Manuscript: The Questions that Launched a Scientific Analysis

For this school year’s exciting inaugural post, Maidie Hilmo shares her request for a scientific analysis of the Pearl-Gawain manuscript (British Library, MS Cotton Nero A.x), containing the unique copy of the Middle English poems: Pearl, Cleanness, Patience, and Sir Gawain and the Green Knight. It shows the kind of questions that help gain access to the viewing of original manuscripts and can result in a technological investigation of specific details. Bringing together science and art history, Hilmo has uncovered evidence that “the scribe was also the draftsperson of the underdrawings. It appears that the painted layers of the miniatures were added by one or more colorists, while the large flourished initials beginning the text of the poems were executed by someone with a different pigment not used in the miniatures.” The results of this request to the British Library—comprising the detailed report on the pigments by Dr. Paul Garside and a set of enhanced images by Dr. Christina Duffy, the Imaging Scientist — will become available on the Cotton Nero A.x Project website and, selectively, in publications by Hilmo, including: “Did the Scribe Draw the Miniatures in British Library, MS Cotton Nero A.x (The Pearl-Gawain Manuscript)?,” forthcoming in the Journal of the Early Book Society; and “Re-conceptualizing the Poems of the Pearl-Gawain Manuscript,” forthcoming in Manuscript Studies. To learn more, check out her special project here on our site.