From its earliest recordings in African, Indian, and Egyptian cultures, the hare, which later became interchangeable with the rabbit, has been recognized as a symbol of generative powers.
In the ancient Greco-Roman world, the hare symbolized fertility, as well as love and lust. The hare was the favored sacrifice to the gods of love, Aphrodite and Eros.[1] Consumption of the animal’s flesh was thought to enhance the beauty in the eater for several days. The animal’s body was also incorporated into medicines meant to cure conditions connected with sex.
Roman mosaic depicting a hare, dated to the 4th century and discovered in Cirencester, England. The mosaic was excavated in 1971 and is housed at the Corinium Museum. Photo credit: Isobel Wilkes, “Hares in Roman Art”.
Hares and rabbits were known as prolific breeders, but the classical world often exaggerated the creature’s capacity for reproduction. Aristotle, for example, believed the rabbit was capable of superfetation – that is, he thought a pregnant rabbit could become pregnant again, thereby gestating multiple litters at once. These ideas persisted into the Middle Ages, passed down by Aristotle and other philosophers such as Herodotus, as well as Pliny the Elder.
In his Naturalis historia, written during the first century, Pliny the Elder characterizes hares and rabbits as the only animals that superfetate, “rearing one leveret while at the same time carrying in the womb another clothed with hair and another bald and another still an embryo.” He also discusses how wild rabbits laid waste to Spain. Describing their fertility as “beyond counting,” he says that “they bring famine to the Balearic Islands by ravaging the crops.”[2]
England, however, did not share Spain’s poor experience with rabbits. Although hares are indigenous to the British Isles, rabbits are not. They were introduced to England by the Normans in the 13th century and were raised for their meat and fur.[3] They were also kept as pets and were a particular favorite of nuns.[4]
Woman flushes a rabbit from its warren using a ferret or a small dog in the Taymouth Hours, England, c. 1260, British Library, Yates Thompson MS 13, f. 70v.
Rabbits did not initially thrive in the British climate, and they required careful tending by their owners, who constructed warrens for them. As Mark Bailey explains, “In modern usage the rabbit-warren refers to a piece of waste ground on which wild rabbits burrow, but in the Middle Ages it specifically meant an area of land preserved for the domestic or commercial rearing of game.”[5] These artificial burrows called “pillow-mounds” protected domestic rabbits from the elements and provided a dry, earthen enclosure that supported both survival and breeding.
Rabbit warren depicted in the Luttrell Psalter, c. 1320-40, Lincolnshire, England, British Library, Add MS 42130, f. 176v.
Despite their modern reputation as pests, rabbit populations were primarily confined to privately owned warrens in medieval England. They were not considered vermin but, rather, valuable commodities, and they were protected by law. Poachers were a problem, as were the rabbit’s natural predators, which included the fox, stoat, weasel, polecat, and wildcat.
Hunter approaches a rabbit warren with his dog in the Rutland Psalter, c. 1260, England, British Library, Add MS 62925, f. 57v.
Yet in medieval English literature, rabbits retain their symbolic association with reproduction, as exemplified by Geoffrey Chaucer’s Parliament of Fowls, a Middle English poem dated to the mid-14th century. Set in a garden during springtime, the poem centers a congregation of birds that meets to select their mates and explores themes related to love and marriage, as well as breeding.
Rabbits, or “conyes,” are depicted at play amidst the gathering of birds:
On every bough the briddes herde I singe, With voys of aungel in hir armonye, Som besyed hem hir briddes forth to bringe; The litel conyes to hir pley gonne hye. (Chaucer 190-93)[6]
I heard the birds on every branch singing Like the voice of an angel in their harmony, Some had their young beside them; The little rabbits were busy at their play. (my translation)
Now virtually obsolete, the term coney was used in medieval England to differentiate an adult rabbit from a younger one. Deriving from the pun made possible by the Latin word for rabbit, cuniculus, and the Latin word for the female genitalia, cunnus, the term was also used as sexual slang in the medieval period and well beyond.[7] Essentially, coney, or cunny, was a crass term that referred to the vulva or vagina, to a woman or women, or to sexual intercourse.[8]
Bestiary rabbit catalogued under the Latin name cuniculus in the Liber de natura rerum, c. 13th century, France, Bibliothèque Municipale de Valenciennes, MS 320, f. 58r.
Despite its long-standing sexual symbolism, the rabbit was simultaneously imparted with sacred symbolism in the Middle Ages. In England, the rabbit became a symbol of purity when portrayed alongside the Virgin Mary. The animal also functioned as a symbol of salvation. As David Stocker and Margarita Stocker explain, “their sacred meaning is not as divorced from their profane meaning (libidinousness) as may at first appear. One the one hand, their symbolism of lust and fertility refers to the carnal body; on the other, their symbolism of salvation and resurrection refers to the ‘body of this death’ from which the soul is saved.”[9]
Indeed, the theologian and philosopher Saint Augustine, writing between 397 and 400 CE, connects the rabbit with Christianity, further attesting to how the animal’s sexual and spiritual symbolism culturally coexisted. Discussing the rabbit in relation to salvation, Saint Augustine renders the creature a symbol of cowardice. He describes the rabbit as “a small and weak animal” that is “cowardly” and then draws a parallel between the rabbit and the fearful man: “In that which he fears, man is a rabbit.”[10] Later in the Middle Ages, the rabbit “denoted a soldier who burrowed underground or someone who fled from his pursuers.”[11]
Perhaps the rabbit’s connection with cowardice, then, provides some insight into the images depicting bunnies as antagonistic and often murderous beasts in the margins of medieval manuscripts. Immortalized on screen by Monty Python’s Rabbit of Caerbannog and more recently popularized on social media, the rabbit adopts many forms and runs rampant across the pages of manuscripts from England and Europe.
Rabbit strikes a knight with a lance in the Breviary of Renaud, c. 1302-05, France, Bibliothèque municipale, MS 107, f. 141v.
Rabbits spar with knights, wield axes at kings, and lay siege to castles. They ride snails with human faces and carry hounds on their shoulders into battle. They beat, they behead, they hang, they flay. Ranging from delightfully strange to strangely sadistic, the images of rabbits enacting violence reveal a world turned topsy-turvy through their reversal of expectations.
Rabbit beheads a man with a sword—the final image in a series of five that features rabbits hunting, capturing, and killing a man—in the Smithfield Decretals, c. 1340s, London, England, British Library, MS 10 E IV, f. 61v.
But medieval bunnies are not all bad. In bestiaries, they pose timidly in their portraits or express fear as they flee from hunting dogs. They frequently adorn decorative borders sans weapons and sometimes appear surprisingly realistic, as in the stunning illumination from the Cocharelli Codex below.
Pair of hares in the Cocharelli Codex, c. 1330-40, Genoa, Italy, British Library, Add MS 28841, f. 6v.
Although the killer coney and the cowardly knight have become a familiar motif, it is not a reflection of the rabbit population ransacking the English countryside, as some might be inclined to suspect. After all, wild rabbits did not become abundant until centuries later. But whether turning the world upside down or nestled benignly within a manuscript border, rabbits in medieval marginalia showcase their multifacetednous as an enduring and aptly inexhaustible cultural symbol.
Emily McLemore Ph.D. in English
[1] Claude K. Abraham, “Myth and Symbol: The Rabbit in Medieval France,” Studies in Philology, vol. 60, no. 4 (1963), pp. 589-597, at 589.
[9] David Stocker and Margarita Stocker, “Sacred Profanity: The Theology of Rabbit Breeding and the Symbolic Landscape of the Warren,” World Archaeology, vol. 28, no. 2, pp. 265-72, at 270.
As a specialist in the study of women’s education and literacy in England in the Middle Ages, I’m asked this question a lot. I’ll cut to the chase: YES.
How do we know this?
Medieval England (on which I’ll focus this blog) was a multilingual nation.1 English had been its primary vernacular from the time of the Anglo-Saxons (about 450) until the Norman Conquest of 1066, when French became the language of the nobility, government, and diplomacy.2 By the mid-fifteenth century, though, English had reasserted dominance as the primary vernacular language, while the Church, clerics, and higher education continued to use Latin.3 Because medieval English people would have heard and used all three languages in daily life, children were taught to read and speak all of them.4 Whether children’s reading knowledge became advanced depended on the importance of reading in their lives and what socioeconomic station they attained. In fact, most of the evidence for literacy survives from the upper classes; uncovering the history of less privileged groups remains difficult.
In infantia
Medieval scholars commonly thought of childhood in three divisions: infantia (birth to about 7 years), pueritia (about 7 to 14 years), and adolescentia (about 14 to 21 years).5 The teaching of reading began in infantia with parents and nurses, if the family could afford such help.
Girls and boys began by learning the letters of the Latin alphabet and the sounds they made. In this way they acquired the basic skills of early reading, called contemporaneously sillibicare (sounding out syllables) and legere (sounding out words), even if they didn’t understand what those sounds or words meant.6 Singing might have been used as well to teach pronunciation, as sung Latin was used in church services. Because reading was important to promote spiritual instruction, and had indeed been cited at least as far back as Jerome in the fourth century as a reason girls should be taught to read, some of the earliest texts learned were the Pater Noster, the Ave, and the Creed. Alphabets and these simple prayers could be written out on a variety of surfaces: boards, painted walls, wooden trays covered in ash or sand, ceramic or metal vessels, or hand-held tablets made of materials such as slate, horn, or board covered in parchment (more on this below).
Beginning around 1300 in England, medieval parents had a model of teaching in St. Anne, the mother of the Virgin Mary. Depictions of her teaching Mary to read appeared in stained-glass windows, manuscript illuminations, wall paintings, and other artistic representations.7 One such survives today in the Church of St. Nicholas in Stanford-on-Avon, Northamptonshire, England.
“Saint Anne teaching the Virgin to Read,” about 1330–50, the Church of St. Nicholas, Stanford-on-Avon, Northamptonshire, England; south aisle, east window, farthest left panel. Image from Painton Cowen’s The Online Stained Glass Photographic Archive.
In this window, Mary is shown sitting in Anne’s lap and holding a bound book with letters written on its pages. She holds the book open so the text is visible to the reader. Her mother Anne points upward, in a gesture both teacherly and pointing heavenward, perhaps emphasizing the importance of reading for spiritual development.8
This beautifully-painted miniature from a Book of Hours shows Anne and a young Mary holding a book together. With her right hand, Anne isolates text for Mary to examine.
Saint Anne Teaching the Virgin to Read, a miniature painted by Master of Sir John Fastolf (French, active before about 1420–about 1450), in a Book of Hours created in France or England about 1430–1440. Tempera colors and gold ink on parchment. Los Angeles, Getty Museum, MS 5 (84.ML.732), fol. 45v.
Other surviving representations show Anne using a hornbook (mentioned above) to teach Mary to read. This illustration comes from a Book of Hours that originated in England around 1325–1300.
Though the hornbook was at least a medieval invention (discussed recently by Erik Kwakkel and Trinity College, Cambridge, librarians), it survives only from early modern centuries, as in this example, created in London around 1625. The text is printed on sheepskin parchment and fixed to an oak paddle with a brass frame and iron nails; the handle is used for holding the hornbook. The parchment is laminated over with a processed animal horn (hence the name) to protect the text.
A text from the 1230s, written by a layman, Walter of Bibbesworth, also reveals much about how boys and girls learned, especially languages, in a gentry household. Bibbesworth was a wealthy English landowner and a knight who wrote this book for his neighbor and fellow member of the gentry, Dionisie de Munchensi. Dionisie had three young children to educate, and as part of the expectations of their class, they would have needed to learn a French more advanced than what they would have picked up through everyday living. The image below shows the opening leaf of Walter of Bibbesworth’s Tretiz.
Walter addresses Dionisie in column 1, lines 10-20, identifying the purpose of his text: “Chere soer, pur ceo ke vous me / pryastes ke jeo meyse en ecsryst [sic] / pur vos enfaunz acune apryse / de fraunceys en breve paroles” (Dear sister, because you have asked that I put in writing something for your children to learn French in brief phrases). What follows is a narrative poem, beginning in column 1, line 21, that describes childhood, starting with birth and ending in young adulthood with a large household feast. In each scene, Walter presents French vocabulary for Dionisie’s children to learn.
Many clues in the text demonstrate that the physical book was shown to children so they could learn the reading of words on a page, not just the sounds of them. Walter gives many homophones, for example, that would only make sense in writing, rather than in pronunciation. Some of the vocabulary also has English translations written in between the lines of the main text. You can see this in the image above in the poem, which starts at column 1, line 21, and goes into column two. All the smaller words written between the lines give the English translation of the main text, which is written in French.
In pueritia and adolescentia
Once they moved into pueritia (about 7-14 years of age), girls of the upper classes would often transition into the care of a mistress (called at that time magistra, magistrix, or maitresse). The mistress provided education in such things as deportment, embroidery, dancing, music, and reading.9 For any skills the mistress did not herself have, she could bring in other household members, such as the minstrel for musical training, the chaplain for more advanced reading and spiritual instruction, and the huntsman for hunting. Specialized academic tutors could teach girls more advanced academic subjects. Sometimes these well-to-do girls were sent to other households to be fostered, serving as ladies-in-waiting to upper-class women. Girls, especially those of the upper classes, could be sent to nunneries as well (sometimes beginning in infantia) for education. Not all girls sent to nunneries were meant for the vocation of nun.10
As their reading abilities progressed, girls and boys moved on to reading comprehension (intelligere) and began to read more sophisticated spiritual texts, such as prayer-books, books of hours, psalters, antiphonals, and saints’ lives. They also would continue on, as personal libraries grew in the thirteenth century, in reading romances, histories, poetry, classical authors, theology, philosophy, and more. It is most likely, given that women were not admitted to the university (unlike boys, who could progress from this stage to Latin grammar school and then on at a university level to the study of business, liberal arts, medicine, canon or civil law, or theology), that the reading of these last few would have been limited to girls whose families could afford private tutors.
Miscellany of religious, medical, and secular verse and prose in French, Latin and English. Oxford, Bodleian Libraries, MS Digby 86, fol. 68r. Produced in Worcestershire, England, c.1271–83, this “common-place book” contains French, Latin and eighteen English texts of various genres including fabliau, romances, devotional and didactic texts, prognostications, charms and prayers, among others written between 1271 and 1283. The manuscript was written by its owner and has amateurish scribal drawings and decoration. This image shows three sections of French text: the end of the hymn Veni Creator Spiritus (Come, Creator Spirit) (top 11 lines); a list of the unlucky days in the year (middle section of the text); and at the bottom a list of Arabic numerals 1 through 46. Three shields decorate the bottom.
In adulthood
By the time they reached adulthood, women who were privileged enough to have obtained a sophisticated education and their own libraries could be avid readers.
Gospel lectionary written in Latin, made in England c.1025–50, later owned by St. Margaret of Scotland. Oxford, Bodleian Libraries, MS. Lat. liturg. f. 5, fols. 21v–22r. This opening shows St. Luke with the start of his gospel reading. The Bodleian Libraries digital Treasures exhibition notes: “A compact selection of passages from the Gospels, this finely illustrated book was Margaret’s favourite, and one she read and studied closely, even when she travelled. A poem added at the front describes how this very book was dropped into a river but remained almost unharmed: this miracle contributed to her growing reputation for holiness.”
The historical and literary records provide examples of such sophisticated learning, primarily among the nobility. For example, the Norman monk and chronicler Robert of Torigni (c.1110–1186), praised the education of St. Margaret of Scotland (d. 1093) and her daughter Matilda (1080–1118), wife of Henry I, writing, “Quantae autem sanctitatis et scientiae tam saecularis quam spiritualis utraque regina, Margareta scilicet et Mathildis, fuerint” (Of how great holiness and learning, as well secular as spiritual, were these two queens, Margaret and Matilda).11
In a different Latin life, commissioned by Matilda about her mother Margaret, the biographer describes how Margaret from her childhood would “in Divinarum lectionum studio sese occupare, et in his animum delectabiliter exercere” (occupy herself with the study of the Holy Scriptures, and delightfully exercise her mind) and notes that her husband, King Malcom III, cherished the “libros, in quibus ipsa vel orare consueverat, vel legere” (books, which she herself used either for prayer or reading), even though Malcom himself could not read Latin.12
This image above shows the unidentified female patron of this Book of Hours kneeling on a prie-dieu, her prayer book open to the text “Maria mater gratiae” (Mary, mother of grace). This open book with its discernable text has several functions: it leads the reader into the prayer; it demonstrates the piety of the patron, kneeling in prayer before both her spiritual book and the Blessed Virgin and Christ (illustrated on the facing leaf); and it shows one of the primary purposes of teaching children to read: being able to use spiritual texts in personal devotion.
Even women who were not noble and who were not able to read much Latin possessed and used books such as the one pictured above. In the mid-fifteenth century Englishwoman Margery Kempe wrote through her scribe of a memorable time in her church of St. Margaret in King’s Lynn when a chunk of masonry fell from the ceiling down onto her as she was praying with her prayer book in hand.
The image below comes from her Book of Margery Kempe as preserved in London, British Library, Additional MS 61823. Lines 24-28 narrate, “Sche knelyd upon hir / kneys heldyng down hir hed. and hir boke in hir hand. / prayng owyr lord crist ihesu for grace and for mercy. Sodeynly fel / down fro þe heyest party of þe cherche vowte fro undyr / þe fote of þe sparre on hir hed and on hir bakke a ston / whech weyd .iii. pownd” (She knelt on her knees, bowing down her head and holding her book in her hand, praying to our Lord Christ Jesus for grace and mercy. Suddenly fell down from the highest party of the church out from under the foot of the rafter onto her head and her book a stone which weighed three pounds). She survived, for which she credited the mercy of Christ.
Finally, a note on those of the working classes. I have not discussed them in detail as it is unfortunately difficult, in fact nearly impossible, to say much about the reading skills of those who left few or no records behind: the great majority of women (and men) of the medieval population were laborers who left little trace in the written record. Yet as we see from the image here below, even for working women, especially in the last few centuries of the Middle Ages, possession and use of books was within the norm, provided those books could be afforded.
My focus here has been tightly on the teaching of reading to medieval English girls. Girls and boys alike were taught to read, and began their reading education in the same ways. Boys alone could attend the medieval university and reach the highest (and best educated) ranks of clerics, but if girls had access to the right resources, they too could be highly educated. The evidence demonstrates that the teaching of reading was not linked specifically to gender; rather, it was a function of both socioeconomic station and the usefulness of such skills for one’s life.
If you’re interested in this topic, I cover the subject in much greater detail, with many other examples and suggested readings, in my article, “Women’s Education and Literacy in England, 1066–1540,” in the “Medieval and Early Modern Education” special issue of History of Education Quarterly, and the accompanying HEQ&A podcast.
Megan J. Hall, Ph.D. University of Notre Dame
Twitter @meganjhallphd
[1] On languages in medieval England, see Amanda Hopkins, Judith Anne Jefferson, and Ad Putter, Multilingualism in Medieval Britain (c. 1066–1520): Sources and Analysis (Turnhout, Belgium: Brepols, 2012).
[2] W. M. Ormrod, “The Use of English: Language, Law, and Political Culture in Fourteenth-Century England,” Speculum 78, no. 3 (July 2003), 750–87, at 755; and William Rothwell, “Language and Government in Medieval England,” Zeitschrift für französische Sprache und Literatur 93, no. 3 (1983), 258–70.
[3] David Bell, What Nuns Read: Books and Libraries in Medieval English Nunneries (Kalamazoo, MI: Cistercian Publications, 1995), 57.
[4] On the complexities of a trilingual England, with a number of helpful citations therein for further reading, see Christopher Cannon, “Vernacular Latin,” Speculum 90, no. 3 (July 2015), 641–53.
[5] A variety of frameworks were imposed upon the ages of humankind, though these major divisions for the stages of childhood were fairly commonly accepted. For a discussion, see Nicholas Orme, From Childhood to Chivalry: the Education of the English Kings and Aristocracy, 1066-1530 (London: Methuen, 1984), 5–7; and Daniel T. Kline, “Female Childhoods,” in The Cambridge Companion to Medieval Women’s Writing, ed. Carolyn Dinshaw and David Wallace (Cambridge, UK: Cambridge University Press, 2003), 13–20, at 13.
[6] Jocelyn Wogan-Browne, “‘Invisible Archives?’ Later Medieval French in England,” Speculum 90, no. 3 (July 2015), 653–73. For more on levels of reading Latin, see Bell, What Nuns Read, 59–60; and Malcolm B. Parkes, “The Literacy of the Laity,” in Scribes, Scripts, and Readers: Studies in the Communication, Presentation, and Dissemination of Medieval Texts, 1976 (London: Hambledon Press, 1991), 275–97, at 275.
[7] On the cult of St. Anne and the teaching of reading, see Nicholas Orme, Medieval Children (New Haven, CT: Yale University Press, 2001), 244–45; and Clanchy, “Did Mothers Teach their Children to Read?,” in Motherhood, Religion, and Society in Medieval Europe, 400–1400: Essays Presented to Henrietta Leyser, ed. Conrad Leyser and Lesley Smith (Farnham, UK: Ashgate, 2011), 129–53. For further examples and a detailed analysis of the Education of the Virgin motif, see Wendy Scase, “St. Anne and the Education of the Virgin,” in England in the Fourteenth Century: Proceedings of the 1991 Harlaxton Symposium, ed. Nicholas Rogers (Stamford, UK: Paul Watkins, 1993), 81–98.
[8] For a discussion of this window, see Orme, Medieval Children,244–45.
[9] Boys (especially royal princes) typically followed the same path of moving from the nursery into the care of an educator-caretaker: pedagogus (a term used into the eleventh century) or magister or me[i]stre (terms in use from the twelfth century forward) (Orme, From Childhood to Chivalry, 19).
[10] Excellent reading on the education of girls in nunneries is found in Eileen Power, Medieval English Nunneries, c. 1275 to 1535 (Cambridge, UK: Cambridge University Press, 1922); Alexandra Barratt, “Small Latin? The Post-Conquest Learning of English Religious Women,” in Anglo-Latin and Its Heritage, Essays in Honour of A. G. Rigg on His 64th Birthday, ed. Siân Echard and Gernot R. Wieland (Turnhout, Belgium: Brepols, 2001), 51–65; and J. G. Clark, “Monastic Education in Late Medieval England,” in The Church and Learning in Late Medieval Society: Essays in Honour of R. B. Dobson; Proceedings of the 1999 Harlaxton Symposium, ed. Caroline Barron and Jenny Stratford (Donington, UK: Shaun Tyas/Paul Watkins, 2002), 25–40; and Dorothy Gardiner, English Girlhood at School: A Study of Women’s Education Through Twelve Centuries (Oxford, UK: Oxford University Press, 1929).
[11] Robert of Torigni [Robertus de Monte], Historia nortmannorum liber octavus de Henrico I rege anglorum et duce northmannorum, ed. J.-P. Migne, Patrologia cursus completus, series latina 149 (Paris, 1853), col. 886; translated in “History of King Henry the First, by Robert de Monte,” ed. Joseph Stevenson, The Church Historians of England vol. 2, part 1 (London, 1858), 10.
[12] Transcribed in Symeonis Dunelmensis Opera et Collectanea, ed. J. Hodgson Hinde, vol. 1 (London, 1868), at 238, 241, from the version preserved in London, British Library, Cotton MS Tiberius D iii, fols. 179v–186r (late twelfth century).
On some first Sunday of Lent in the early fifteenth century, Robert Rypon, the subprior of Durham Cathedral Priory, took the opportunity of a sermon dedicated to the First Commandment to speak about magic – more specifically, to roundly condemn it as a type of idolatry and blasphemy. It is a remarkable sermon that has caught the attention of a few scholars before for its thorough discussion of magic: more than half of the sermon is dedicated to describing sorcery (sortilegium), a sin which Rypon, displaying the same academic and punctilious mode of thought evidenced in his other surviving sermons, breaks down into no less than ten different types or “species.” [1]
Among the types of magic he enumerates is fortune-telling or divination, a sorcery the devil can work through himself or “through living men” (presumably in contradistinction to omens conveyed through spirits or ghosts). Rypon claims with a tone of authority that these diviners or soothsayers are properly called “phitonissae” or “phitones,” [2] in modern English “pythonesses.” The word stands out on the manuscript page for its peculiarity, and raises the question of where the Durham monk learned it. Its story provides a micro case study of the reception and appropriation of the classical tradition by medieval writers.
Rypon’s immediate source seems to be the seventh-century Etymologies of Isidore of Seville, which provides much of the grist and theoretical framework for the rest of his tirade against sorcery. Isidore rightly notes that the term (pythonissae – the spelling is corrupted by Rypon’s time) was originally applied to the female priestesses or oracles of Pythian Apollo at Delphi, [3] a cultic site that owed its original name, Pytho, to the legend that Apollo slew a great python there. By late antiquity, however, the title was already being used for diviners in general, often ones who owed their powers to some unidentified spirit that possessed them. In his Vulgate translation, Jerome described the Witch of Endor as “mulier habens pythonem in Aendor” (a woman in Endor having a divining spirit; 1 Sam. 28:7) and a pythoness (pythonissam; 1 Chron. 10:13). Indeed, Jerome uses the word multiple times throughout the Vulgate (e.g., Lev. 20:27; Deut. 18:11; Isa. 8:19; Acts 16:16) to describe diviners and soothsayers, female and male, and no doubt this was another avenue through which Rypon learned it.
The historiated initial for the entry “divinacionum” shows a soothsayer foretelling the future with the aid of demons. From the Omne Bonum, a fourteenth-century encyclopedia compiled in London. London, British Library, MS Royal 6 E VI, fol. 535v.
Rypon’s original definition of phitonissae makes no mention of ancient Greek oracles, but does closely align with the pythonesses of Jerome and Isidore – people who, by virtue of their possession by spirits or some other (diabolical) magic, can tell the future. However, Rypon then expands the definition of the word, moving well beyond the late antique tradition into the realm of medieval European folklore. Rypon describes (claiming it is well-known) how pythonesses also place threads, ropes, or bridles into the mouths of sleeping people; their victims then believe they have been transformed into horses, and the pythonesses ride them. The same pythonesses are said to be able to travel to Bordeaux in one night (riding the people-horses? it is unclear), and return to England drunk on wine.
In Rypon’s description we hear echoes of common medieval stories, tales of night-riding or night-flying women and nocturnal bacchanals. Phitonissa has come much closer to a general synonym for “witch,” subsuming magical practitioners and activities that would have been unrecognizable to Jerome and Isidore (at least in the context of a pythoness), certainly to an ancient Greek writer. This broader definition was not invented by Rypon. Chaucer, writing a few years earlier, spoke in The House of Fame of “Phitonesses, charmeresses, / Olde wicches, sorceresses”– none of whom tell the future, but rather use magic to create illusions or make people sick (ll. 1259-1270). Despite knowing the word’s original meaning from Isidore, Rypon embraced the expanded definition then current in medieval England without comment, adding detailed and specific local gossip or folklore to an already elastic word.
According to the Oxford English Dictionary, by about the seventeenth century, “pythoness” and “pythonissa” had begun to be reclaimed for classical antiquity. Writers like Byron could speak of a pythoness and actually mean an oracle of Apollo, not a witch. It became an alternative title to the more common “Pythia.” But not before taking on a variety of new meanings in the Middle Ages. The word’s journey from ancient Greece to medieval England is a salutary reminder about the place of the classical tradition in medieval learning and culture – something to be learned and revered, to be sure, but also something to be recycled, refashioned, and reused.
Sam Rostad
University of Notre Dame
[1] London, British Library, MS Harley 4984, fols. 33r-34v. For some of the scholarship on it see G. R. Owst, “Sortilegium in the English Homiletic Literature of the Fourteenth Century,” in Studies Presented to Sir Hilary Jenkinson, ed, J. Conway Davies (London: Oxford University Press, 1957) and Catherine Rider, Magic and Religion in Medieval England (London: Reaktion Books, 2012).
[2] It is not entirely clear whether Rypon here is making a masculine form of a normally female Latin word, the –es being the masculine plural ending, or if he is giving the Middle English term in the singular, i.e. “phitones[s].” But given Jerome’s use of a masculine form (“pythones”; Isa. 19:3), I lean toward the former.
[3] Stephen A. Barney, et al., trans., The “Etymologies” of Isidore of Seville (Cambridge: CUP, 2006), 182.
