Ignite Deep Learning with Creative Writing in the Classroom

When students take a literature class, they often expect the familiar routine: read, analyze, write essays, repeat. But what happens when we shake it up and ask them to step creatively into the voices of the historical figures they’re studying? The results, as I’ve discovered in my teaching, can be transformative.

Benjamin Bloom’s 1956 taxonomy of knowledge, still considered a pedagogical standard (with some revisions), suggests that creating is the highest level of learning. When students can take apart information and put it back together again in a new way, they’ve fully integrated that knowledge into themselves. It’s not just remembering a rote list of facts (level 1) or understanding what those facts means (level 2). It’s not applying facts and ideas to real-world situations (level 3) or analyzing what different components make up ideas (level 4). Nor is it evaluating (level 5) — scrutinizing and making judgments about information and ideas. 

A visual representation of Bloom's revised taxonomy, with indications of possible classroom activities associated with each level.
Bloom’s revised taxonomy organized as a pyramid of learning levels with explanations of each, created by Tidema. CC-BY-4.0, Wikimedia.

When my students turn in creative assignments, I get to see all the levels at work: have they remembered and understood what’s happening in the readings and the historical facts? Have they caught key themes and concepts? Are they able to answer questions about them? Have they correctly identified the components of the information and concepts? Can they judge what is biased versus factual, what information is reliable and what is suspect? And then finally, when they blend it all together in a creative way, I can see what they’ve truly learned. Any concepts they haven’t quite grasped stand out clearly, and we can work on those further. 

While I use creative writing in a literature class—a natural fit—it can be used in any subject, in and outside of the humanities. Have your theology student write a letter to God. Have your aerospace engineering student write a story about designing a turbine blade. Have your computer science student write a haiku in binary code. This approach works for any subject matter. 

And let’s not forget the importance of fun! These assignments are often far more engaging for students to write than yet another analytical research paper. And they’re more enjoyable for us professors to read too. 

If you’re worried about academic rigor, don’t be: you can ask your students to include a short essay reflecting on the process of creation. What sources and research did they engage with? Why did they choose that particular diction and imagery? What parts of the class readings inspired them? (This reflection process also uses Bloom’s highest level, creating). 

Reader Responses: A Simple Starting Point

Let me show you one of the simplest ways I use creative assignments: reader responses in my course “Witches, Warriors, and Wonder Women: Women, Power, and Writing in History.” It’s a second-year course that meets both Fine Arts and Literature and Writing Intensive curriculum requirements. 

I present the reader responses and creative option in my syllabus this way:

Written reader responses, 15%. Let’s dive into some reader responses! You’ll need to submit 10 of these total (no more than one per module). Each response should be about one double-spaced page. Be sure to turn it in before we discuss that person in class (for example, bring your Joan of Arc response on a day we talk about her). Graded ✓+ (3 points), ✓ (2 points), ✓- (1 point), or 0 points for not turned in. 

(a) Feeling creative? You can mix it up! For up to 5 of your responses, write something in the voice of the historical figure we’re studying (like Boudica or Joan of Arc). Just make sure it shows you’ve really connected with the texts.

(b) Prefer prose? Submit 5 or more responses that explore how the historical figure and the texts about her make you think about women, power, and writing. Don’t forget to back up your thoughts with quotes (include page numbers too!).

A surprising number of students choose Option A pretty frequently! (This particular class is in Medieval Studies, cross-listed with English, History, and Gender Studies. It often attracts the lit kids and poets so I know I’m going to get some fantastic creative writing—but students in all majors turn in remarkable work!  

Three of my students volunteered to let me publish their writing here.

Boudica: Celtic Warrior Queen

By Paul Walter—Boudica statue, Westminster, London, England. CC BY 2.0, Wikimedia

The first piece was written by civil engineering student Kate Ancona in the voice of Boudica, Celtic warrior-queen. We had read Tacitus’s account of Boudica and the uprising she led in about 61 A.D. against the Romans occupying Britain; we had also read William Cowper’s “Boadicea, An Ode” (1782). Kate captured beautiful details from Tacitus (like her flaming hair ) and drew inspiration from Cowper’s metrics. She meditates on Boudica’s iron strength, her fierce warriorhood, her quest for revenge against the violence done to her and her daughters and to her Iceni people.  

Queen of the Rebellion

By: Boudica

I stood tall against the storm,
Iron in my veins, a mother’s scorn,
For daughters shamed and lands defiled,
I raised my sword, fierce and wild.

They came with chains, with fire and lies,
But I, Boudica, would not be disguised,
By their power, by their might,
I called my people to the fight.

We lit the night with Roman fear,
For every tear, for every year,
I became the roar of ancient land,
A queen who’d die, but never stand.

In history’s grip, I’ll hold my name,
A woman’s strength, forever flame,
Beneath the earth, my heart may rest,
But my spirit rides, the warrior’s quest.

Lady Brilliana Harley

By Unknown author. DOI. Public Domain, Wikimedia.

This second piece was written by psychology student Anastasia Tejeda about a lesser-known aristocratic British woman who perished in the English Civil War while defending her family home. Notice how Anastasia approached the assignment thoughtfully, presenting contextual details about Lady Brilliana and assembling many pieces of information to imagine the rallying speech she might have given before battle. We have diary entries from Lady Brilliana but no account from her during her final siege. We rely instead on the account of an observer, Captain Davies. Anastasia masterfully captures the rallying rhetoric of the battlefield, drawing on Queen Elizabeth’s Speech to the Troops at Tilbury, which we’d read shortly before Lady Brilliana.

Anastasia’s Introduction

Like Joan of Arc and Queen Elizabeth I before her, Lady Brilliana Harley held military command and power during a time of war. Defender of her family’s castle in her husband’s absence during the English Civil War, she endured and emerged victorious as a Parliamentarian in a seven-week-long siege of the estate. Captain Priamus Davies, in his account of the siege, writes of the “honorable and gallant” Lady Harley and her confident, wise, and authoritative leadership (Hudson, The Grand Quarrel, 85). On August 22, 1643, the besieged received intelligence of the “low condition the Parliament party [was in] throughout the kingdom,” encouraging Harley to surrender (Hudson, 88). Yet far from despairing, Davies writes that “the noble lady protested that she would rather choose an honourable death, for she was confident that God would own His cause both in the public and private. We needed no better an encouragement” (Hudson, 89). This is the encouragement I imagine Harley would have given her troops on that night:

The Brampton Bryan Castle Address

My people, we have defended our home well thus far, and by the grace and care of God have proven ourselves brave and steadfast. I pledge to you, my loyal household, that as God has entrusted this estate to me to protect and preserve, He shall not abandon us now. So long as we stand here alive, so too is our cause alive, whatever news we hear from the outside. I urge you to remain firm and fight on against those who dare to make war against God and the sacred institution of Parliament. I will not abandon our commission for reason of fear. We shall fight, and fight nobly, certain of our favor with the Almighty, for should we perish, we shall perish nobly as well, preferring death to cowardice. I am confident in our imminent victory, and the glory and courage with which we will continue to fight until it is ours.

Anastastia’s Reflection on Creative Assignments

In composing a speech in the voice of Lady Harley, I was able to step inside her world, catching a glimpse of her convictions, passions, desires, and dreams, or what they might have been. When writing in prose on a historical figure, I am an outsider, evaluating and interpreting their life, drawing comparisons and conclusions about them. Speaking from the perspective of Lady Harley, I began to ask questions I never had before. What was she feeling at that moment? What were the words she would have said? Why would she choose these words and not others? I stepped into the voice of Lady Harley and learned who she was, not simply what she did.

Joan of Arc

Historiated initial depicting Joan of Arc. Public Domain, Wikimedia.

The third piece was written by Megan Ferrello, a history student, about Joan of Arc. Notice how Megan selected key details from Joan’s trials and stories written about her to get into Joan’s inner world. The only compositions we have directly from Joan—and even these are not certain—are a few letters written from the battlefield to rulers and to French cities. Megan pulled together details from various sources written about Joan, including her trial testimony, to weave a beautiful picture. Megan’s deliberate punctuation choices also reveal much about how she imagines Joan’s voice. 

Joan of Arc: Reader Response—Poem

I led men into combat
And it’s true I dressed as them
But I battled under God’s order
So why see me and condemn?

I have been beaten and battered and bruised
But those were physical attacks
I fear this quarrel you’ve brought me to
Is something that from which I cannot come back

My only desire was to serve Him
And perhaps in the end I did
Yet the words of earthly men scream louder
My actions they forbid

Like my holy Mother
I remain untouched
Though fire and flame consume me
My purity I still clutch

I cry for Michael, for Catherine, for Margaret
For they have never led me wrong
I remain steadfast in my devotion
So, to Heaven’s arms I now belong

They labeled me a heretic and an idolater
But history will know the truth
Of a girl who fought for God and Country
Who was taken down in her youth

While my end was unjust, you must remember
How the story did actually end
Not of the flames, and the tears, and the dread
But of the maiden who refused to bend

Megan’s Reflection on Creative Assignments

I really enjoyed having the creative options for reader responses, as I loved to write poetry when I was young, and these assignments have gotten me back into it! It even enabled me to choose creative alternatives in other classes, which is unusual for me, since the feedback I received from completing poems in Witches, Warriors, and Wonder Women helped me grow in my confidence! I loved putting myself in the mind of the historical woman, and I think it allowed me to read the primary sources at a deeper level.

The Impact: What Creative Writing Reveals

See what happens when students move beyond traditional analysis into creativity? Each student discovered something different through the creative process—not just about their historical subjects, but about their own capacity for empathy, research, and synthesis. They weren’t just analyzing these women’s experiences; they were wrestling with the same questions of power, identity, and purpose that their subjects faced.

Creative writing assignments don’t replace rigorous analysis; they enhance it. When students create an imagined narrative or commentary, they engage more deeply with primary sources, consider multiple perspectives, and grapple with ambiguity in ways that traditional essays sometimes miss. They move from studying history to experiencing it, from analyzing literature to creating it.

Whatever you teach, consider how creative assignments might transform your students’ relationship with your subject matter. The results might surprise you—and them.

Megan J. Hall, Ph.D.
Associate Director
Medieval Institute
University of Notre Dame

The Nasrid College: Knowledge and Power in a Medieval Islamic City-State

Today’s blog continues from last week’s discussion of the Nasrid College and the multicultural exchange it fostered in Medieval Iberia by shifting the focus to the intellectual and political.

In Muḥarram 750/April 1349, the Nasrid College, located directly across from the former Great Mosque of Granada (today the cathedral) and near the main market, was completed.[1] It reflected the intersection between knowledge and power, cosmopolitanism and learning, in Nasrid Granada. Although the Nasrid College was certainly the most significant example of an Andalusi madrasah during the Middle Ages, the Granadan scholar-statesman and historian Lisān al-Dīn ibn al-Khaṭīb (d. 1374) states that “the admirable college was constructed during the reign of Yūsuf and was the most illustrious of all the colleges in his capital,” indicating that there may have been other such colleges in the kingdom.[2] The Nasrid College sought to establish the preeminence of the Granada as a leading intellectual and cultural center in the Islamic West. Its prominence reflected the transformation of Granada from an embattled frontier polity into a major center of learning in the Islamic West, competing with other intellectual centers such as Fez, Tlemcen, Tunis, Marrakesh and Meknes. Although law, Arabic grammar, and theology constituted the integral components of the curriculum, the subjects taught at the Nasrid College encompassed both the “traditional sciences” (al-‘ulūm al-naqliyyah) as well as the “philosophical sciences” (al-‘ulūm al-‘aqliyyah), and included jurisprudence, logic, medicine, astronomy, philosophy, mathematics, arithmetic, and geometry. Some of these subjects would also be studied with professors from the Nasrid College in other spaces in Granada, including the home and chancery. The students and teachers at the Nasrid College included some of the greatest luminaries from al-Andalus as well as North Africa during the 14th and 15th centuries. The Nasrid College contained a significant library that housed many of the most important works produced in the late medieval Islamic West, as well as many books from across the Islamic world. According to a note by the 15th-century Andalusi scholar Abū ‘Abd Allāh Muḥammad b. al-Ḥaddād al-Wādī Āshī, for example, an ornamented and calligraphic manuscript of the monumental “Comprehensive History of Granada” (al-Ihāṭah fī Akhbār Gharnāṭah, authored by Ibn al-Khaṭīb) was deposited in the library of Nasrid College during the reign of Muḥammad V (r. 1354-1359, 1362-1391), where it remained as an endowment (taḥbīs), and was consulted by subsequent generations of scholars.

Details of the miḥrāb of the Nasrid College. Photo by Mohamad Ballan.

Following the Iberian Christian conquest of Granada in 1492, the Nasrid College survived largely intact, until much of it was demolished during the early 18th century to make way for a new Baroque structure.  Although only the prayer niche (miḥrāb) and the Oratory of the Following the Iberian Christian conquest of Granada in 1492, the Nasrid College survived largely intact, until much of it was demolished during the early 18th century to make way for a new Baroque structure.  Although only the prayer niche (miḥrāb) and the Oratory of the Nasrid College survives to the present day, recent studies by historians and archaeologists have sought to reconstruct the original structure, which included a monumental gate and pool.

Bilal Sar and Luca Mattei. “La Madraza Yusufiyya en época andalusí: un diálogo entre las fuentes árabes escritas y arqueológicas,” Arqueología y Territorio Medieval 16 (2009), p. 73.

The survival of several contemporary Marinid colleges in North Africa, including those in Fez, Meknes, and Salé built during the 1340s and 1350s, may also provide an idea of both the scale and style of the Nasrid College.

College of Abū al-Ḥasan ‘Alī in Salé, Morocco, completed around 1341. Source: Wikimedia.
Miḥrāb, or prayer niche, of the College of Abū al-Ḥasan ‘Alī in Salé, Morocco. Source: Wikimedia.
Bou Inania Madrasa, Fez. Photo by Mohamad Ballan.
Bou Inania Madrasa, Fez. Photo by Mohamad Ballan.
Bou Inania Madrasa, Fez. Photo by Mohamad Ballan.
Bou Inania Madrasa in Meknes, built in the 1350s. Photo by Mohamad Ballan.
Bou Inania Madrasa in Meknes, built in the 1350s. Photo by Mohamad Ballan.
Bou Inania Madrasa in Meknes, built in the 1350s. Photo by Mohamad Ballan.

Like the monumental colleges constructed by Marinid rulers in North Africa, especially Abū al-Ḥasan ‘Alī (r. 1331–1348) and Abū ‘Inān (1348–1358), this structure was intended to c

Like the monumental colleges constructed by Marinid rulers in North Africa, especially Abū al-Ḥasan ‘Alī (r. 1331–1348) and Abū ‘Inān (1348–1358), this structure was intended to celebrate the elaborate wealth and power of the sovereign, while proclaiming his commitment to knowledge. There are remarkable architectural and artistic similarities between the Nasrid College and other royal monuments in Granada, including the Alhambra, as well as with Marinid colleges in North Africa, particularly the College of Abū al-Ḥasan ‘Alī in Salé, which was built several years earlier. Similar to the Marinid colleges, the verses inscribed on the walls of the Nasrid College, which were preserved in medieval and early modern texts, were authored by leading scholars, litterateurs and courtiers. These celebrated the patronage of learning by Yūsuf I, and illustrate the interrelationship between royal power and learned elites in the Nasrid kingdom.[3]

Nasrid dynastic slogan—“There is no Conqueror except God” (wa lā ghālib illā Llāh)—inscribed on the prayer niche of the Nasrid College. Photo by Mohamad Ballan.
Another instance of the Nasrid dynastic slogan—“There is no Conqueror except God” (wa lā ghālib illā Llāh)—inscribed on the prayer niche of the Nasrid College. Photo by Mohamad Ballan.

In addition to reflecting a shared idiom of sovereignty and learned kingship across both Islamic Spain and North Africa, the similarities between these colleges, which were built within several years of one another, provides an important indication of the cultural and artistic exchange across the Islamic West. It also illustrates the role of interregional connections in strengthening the ties of affiliation and the diffusion of institutions between Iberia and North Africa during this period. Itinerant scholars, administrators and artisans served as cultural intermediaries and conduits for the exchange of ideas and institutions between Nasrid Granada and Marinid Morocco. The Nasrid College was merely one illustration of this broader phenomenon.

Some of the epigraphic poetry [formerly] adorning the gates of the madrasa, extolling the virtues of knowledge and learning. Source https://revistaseug.ugr.es/index.php/meaharabe/article/view/14938/12931.
Some of the epigraphic poetry [formerly] adorning the gates of the madrasa, extolling the virtues of knowledge and learning. Source https://revistaseug.ugr.es/index.php/meaharabe/article/view/14938/12931.

While the College came to be known in later sources as al-Madrasa al-Yūsufiyya or “The College of Yūsuf,” and came to be associated with the name of Yūsuf I (r. 1333-1354), it was in fact the creation of Abū Nu‘aym Riḍwān al-Naṣrī (d. 1359), this Nasrid sovereign’s royal chamberlain.[4] Abū Nu‘aym Riḍwān was a prominent example of a particular class of Nasrid society that modern scholarship has referred to as “renegades,” enslaved people and freedmen and their descendants who were an integral part of Granada’s population. Riḍwān was born into a Castilian Christian family in Calzada de Calatrava before being enslaved as a child during a Nasrid raid in the late 13th century. Following his captivity, he was converted to Islam and manumitted, received an education in the Nasrid court, and eventually appointed to leading positions of executive authority, including royal chamberlain, chief minister and commander of the military. The rise to prominence of Riḍwān during this period is also corroborated by contemporary Castilian and Aragonese sources, including the Crónica de Alfonso XI, which describes him as “a Muslim knight known as Reduan, the son of a Christian man and Christian woman, whom the king of Granada trusted immensely (un cavallero moro que dezian Reduan que fuera fijo de christiano e de christiana e era ome quien fiava mucho el rey).”[5] There is substantial evidence that Riḍwān served as an intermediary with the Iberian Christian kingdoms, and corresponded directly with Alfonso IV (r. 1327–1336) and Pedro IV (r. 1336–1387) of Aragón in order to secure a peace treaty between the Nasrids and Aragón. In these documents, four of which have been preserved in the Archivo de la Corona de Aragón, Riḍwān consistently refers to himself as “Riḍwān, son of God’s servant, the chief minister of the Sultan” (Riḍwān ibn ‘Abd Allāh wazīr al-sulṭān).

Signature of Abū Nu‘aym Riḍwān on surviving document produced by the Nasrid chancery during the 1330s.
Signature of Abū Nu‘aym Riḍwān on surviving document produced by the Nasrid chancery during the 1330s.
Signature of Abū Nu‘aym Riḍwān on surviving document produced by the Nasrid chancery during the 1330s

Alongside his prominent role in politics, diplomacy and administration, Riḍwān was also among the most important patrons of scholars and learning within Nasrid Granada. According to the Granadan scholar-statesman Ibn al-Khaṭīb, one of the beneficiaries of Riḍwān’s patronage, the latter invested considerable funds into a pious endowment (waqf),[6] which formed the foundation of the College’s existence (and stipends for its students), personally financed its decoration and ornamentation, and linked it with the urban system of waterworks to ensure it had a steady supply of water from the river.[7] Such details enable us to appreciate the role of the endowment, or waqf (pl. awqāf), as one of the avenues in which scholar-officials and palace functionaries, particularly upwardly-mobile ones, invested their wealth to leave their imprint on the kingdom. The construction of the Nasrid College, in addition to fortifications and mosques by Riḍwān, demonstrates how his own personal wealth, accumulated over decades while in royal service, played an important role in developing the urban space of Granada. The centrality of a Castilian-born freedmen in the emergence of Granada’s most important institutions of learning illustrates the ways in which the Nasrid College embodied the intersection of traditions of learning, notions of sovereignty and borderland realities in Nasrid Granada.

Fragments of the foundation inscription of the Nasrid College. Source: andalfarad.com.
Details of the miḥrāb of the Nasrid College. Photo by Mohamad Ballan.

This concerted program of urban expansion and elaborate construction in Granada during the 14th century was accomplished through the close collaboration between the secretarial class, nobles, artisans, and craftsmen. The establishment of the Nasrid College and its transformation into one of the most important institutions of learning in Granada was made possible by the close relationship between the sovereign, leading statesmen such as Riḍwān and the various secretaries and functionaries within the Nasrid chancery. The construction of the Nasrid College and the circumstances surrounding it demonstrate that, far from being a period of “intellectual decline,” the 14th and 15th centuries in the Islamic West witnessed the emergence of a rigorous scholarly culture that produced brilliant individuals and prolific scholars. The Nasrid College, which has now become the subject of numerous interdisciplinary studies that have included historians, philologists, and archaeologists, has the potential to shed light on this larger cultural renaissance.

Ceiling of the Oratory of the Nasrid College, Granada. Source: flickr.com

Mohamad Ballan
Mellon Fellow, Medieval Institute
University of Notre Dame (2021-2022)
Assistant Professor of History
Stony Brook University

Further Reading

Abu Rihab, Muhammad al-Sayyid Muhammad. al-Madāris al-Maghribīyah fī al-ʻaṣr al-Marīnī : dirāsah āthārīyah miʻmārīyah. Alexandria: Dār al-Wafāʼ li-Dunyā al-Ṭibāʻah wa-al-Nashr, 2011.

Acién Almansa, Manuel. “Inscripción de la portada de la Madraza.” Arte Islámico en Granada, pp. 337-339. Granada, 1995.

Al-Shahiri, Muzahim Allawi. al-Ḥaḍārah al-ʻArabīyah al-Islāmīyah fī al-Maghrib : al-ʻaṣr al-Marīnī. Amman: Markaz al-Kitāb al-Akādīmī, 2012

Bennison, Amira K ed. The Articulation of Power in Medieval Iberia and the Maghrib. Oxford: Oxford University Press, 2014.

Buresi, Pascal and Mehdi Ghouirgate. Histoire du Maghreb medieval (XIe–XVe siècle). Paris: Armand Colin, 2013

Cabanelas, Dario. “La Madraza árabe de Granada y su suerte en época cristiana,” Cuadernos de la Alhambra, nº 24 (1988): 29–54

________. “Inscripción poética de la antigua madraza granadina” Miscelánea de Estudios Árabes y Hebraicos Sección Árabe-Islam 26 (1977): 7-26.

Ferhat, Halima. “Souverains, saints, fuqahā’.” al-Qantara 18 (1996): 375–390

Harvey, Leonard Patrick. Islamic Spain, 1250–1500. Chicago, University of Chicago Press, 1990

Le Tourneau, Roger. Fez in the Age of the Marinides. University of Oklahoma Press, 1961

Makdisi, George. “The Madrasa in Spain” http://www.persee.fr/web/revues/home/prescript/article/remmm_0035-1474_1973_num_15_1_1235

Mattei, Luca. “Estudio de la Madraza de Granada a partir del registro arqueológico y de las metodologías utilizadas en la intervención de 2006.” Arqueología y Territorio 5 (2008): 181-192

Prado García, Celia. “Los estudios superiores en las madrazas de Murcia y Granada. Un estado de la cuestión.” Murgetana 139 (2018): 9-21.

Rodríguez-Mediano, Fernando. “The Post-Almohad Dynasties in al-Andalus and the Maghrib.” In The New Cambridge History of Islam, Volume II: The Western Islamic World, Eleventh to Eighteenth Centuries, edited by Maribel Fierro, pp. 106–143. Cambridge: Cambridge University Press, 2012.

Rubiera Mata, María Jesús. “Datos sobre una ‘Madrasa’ en Málaga anterior a la Naṣrí de Granada.” Al-Andalus 35 (1970): 223–226

Sarr, Bilal and Luca Mattei. “La Madraza Yusufiyya en época andalusí: un diálogo entre las fuentes árabes escritas y arqueológicas.” Arqueología y Territorio Medieval 16 (2009): 53–74.

Secall, M. Isabel Calero.  “Rulers and Qādīs: Their Relationship during the Naṣrid Kingdom.” Islamic Law and Society 7 (2000): 235–255

Seco de Lucena Paredes, Luis. “El Ḥāŷib Riḍwān, la madraza de Granada y las murallas del Albayzín.” Al-Andalus 21 (1956): 285–296.

Simon, Elisa. “La Madraza Nazari: Un centro del saber en la Granada de Yusuf I.” https://andalfarad.com/la-madraza-nazari/


[1] The most important scholarship about the Nasrid College includes La Madraza: pasado, presente y futuro (Granada: Editorial Universidad de Granada, 2007), eds. Rafael López Guzmán and María Elena Díez Jorge; La Madraza de Yusuf I y la ciudad de Granada: análisis a partir de la arqueología (Granada: Editorial Universidad de Granada, 2015), eds. Antonio Malpica Cuello and Luca Mattei.

[2] Ibn al-Khatīb, al-Lamḥa al-Badriyya fī al-Dawla al-Naṣriyya (Kuwait, 2013), p. 153. For a discussion of an earlier college built in the Nasrid kingdom, see María Jesús Rubiera Mata, “Datos sobre una ‘Madrasa’ en Málaga anterior a la Naṣrí de Granada,” Al-Andalus 35 (1970), pp. 223–226.

[3]Darío Cabanelas, “Inscripción poética de la Antigua madraza granadina,” Miscelánea de Estudios Árabes y Hebraicos, Sección Árabe-Islam 26 (1977), pp. 7–26.

[4] For an overview of this figure’s life and career, see Luis Seco de Lucena Paredes, “El Ḥāŷib Riḍwān, la madraza de Granada y las murallas del Albayzín,” Al-Andalus 21 (1956), 285–296.

[5] Fernán Sánchez de Valldolid, Crónica de Alfonso XI, BN MS 829, ff. 190r–190v.

[6] For a comprehensive study of awqāf in al-Andalus, see Alejandro García-Sanjúan, Till God inherits the Earth: Islamic Pious Endowments in al-Andalus (9-15th centuries) (Leiden: Brill, 2007).

[7] Ibn al-Khaṭīb, al-Iḥāṭa, 1: 508–509.

Could Medieval Women Read?

As a specialist in the study of women’s education and literacy in England in the Middle Ages, I’m asked this question a lot. I’ll cut to the chase: YES. 

How do we know this? 

Medieval England (on which I’ll focus this blog) was a multilingual nation.1 English had been its primary vernacular from the time of the Anglo-Saxons (about 450) until the Norman Conquest of 1066, when French became the language of the nobility, government, and diplomacy.2 By the mid-fifteenth century, though, English had reasserted dominance as the primary vernacular language, while the Church, clerics, and higher education continued to use Latin.3 Because medieval English people would have heard and used all three languages in daily life, children were taught to read and speak all of them.4 Whether children’s reading knowledge became advanced depended on the importance of reading in their lives and what socioeconomic station they attained. In fact, most of the evidence for literacy survives from the upper classes; uncovering the history of less privileged groups remains difficult. 

In infantia

Medieval scholars commonly thought of childhood in three divisions: infantia (birth to about 7 years), pueritia (about 7 to 14 years), and adolescentia (about 14 to 21 years).5 The teaching of reading began in infantia with parents and nurses, if the family could afford such help. 

Girls and boys began by learning the letters of the Latin alphabet and the sounds they made. In this way they acquired the basic skills of early reading, called contemporaneously sillibicare (sounding out syllables) and legere (sounding out words), even if they didn’t understand what those sounds or words meant.6 Singing might have been used as well to teach pronunciation, as sung Latin was used in church services. Because reading was important to promote spiritual instruction, and had indeed been cited at least as far back as Jerome in the fourth century as a reason girls should be taught to read, some of the earliest texts learned were the Pater Noster, the Ave, and the Creed. Alphabets and these simple prayers could be written out on a variety of surfaces: boards, painted walls, wooden trays covered in ash or sand, ceramic or metal vessels, or hand-held tablets made of materials such as slate, horn, or board covered in parchment (more on this below).

Beginning around 1300 in England, medieval parents had a model of teaching in St. Anne, the mother of the Virgin Mary. Depictions of her teaching Mary to read appeared in stained-glass windows, manuscript illuminations, wall paintings, and other artistic representations.7 One such survives today in the Church of St. Nicholas in Stanford-on-Avon, Northamptonshire, England.

Image of stained glass window of Saint Anne teaching the Virgin Mary to read
“Saint Anne teaching the Virgin to Read,” about 1330­–50, the Church of St. Nicholas, Stanford-on-Avon, Northamptonshire, England; south aisle, east window, farthest left panel. Image from Painton Cowen’s The Online Stained Glass Photographic Archive

In this window, Mary is shown sitting in Anne’s lap and holding a bound book with letters written on its pages. She holds the book open so the text is visible to the reader. Her mother Anne points upward, in a gesture both teacherly and pointing heavenward, perhaps emphasizing the importance of reading for spiritual development.8

This beautifully-painted miniature from a Book of Hours shows Anne and a young Mary holding a book together. With her right hand, Anne isolates text for Mary to examine.  

Saint Anne Teaching the Virgin to Read, a miniature painted by Master of Sir John Fastolf (French, active before about 1420–about 1450), in a Book of Hours created in France or England about 1430–1440. Tempera colors and gold ink on parchment. Los Angeles, Getty Museum, MS 5 (84.ML.732), fol. 45v

Other surviving representations show Anne using a hornbook (mentioned above) to teach Mary to read. This illustration comes from a Book of Hours that originated in England around 1325­–1300. 

Oxford, Bodleian Library, MS Douce 231, fol. 3 

This detail shows the hornbook more closely. 

Though the hornbook was at least a medieval invention (discussed recently by Erik Kwakkel and Trinity College, Cambridge, librarians), it survives only from early modern centuries, as in this example, created in London around 1625. The text is printed on sheepskin parchment and fixed to an oak paddle with a brass frame and iron nails; the handle is used for holding the hornbook. The parchment is laminated over with a processed animal horn (hence the name) to protect the text. 

“Aabc (English hornbook),” Washington, Folger Shakespeare Library, STC 13813.6 (dated 1625).

A text from the 1230s, written by a layman, Walter of Bibbesworth, also reveals much about how boys and girls learned, especially languages, in a gentry household. Bibbesworth was a wealthy English landowner and a knight who wrote this book for his neighbor and fellow member of the gentry, Dionisie de Munchensi. Dionisie had three young children to educate, and as part of the expectations of their class, they would have needed to learn a French more advanced than what they would have picked up through everyday living. The image below shows the opening leaf of Walter of Bibbesworth’s Tretiz

The opening leaf of Walter of Bibbesworth’s Tretiz. The manuscript dates from 1325. London, British Library, Additional MS 46919, fol. 2r. 

Walter addresses Dionisie in column 1, lines 10-20, identifying the purpose of his text: “Chere soer, pur ceo ke vous me / pryastes ke jeo meyse en ecsryst [sic] / pur vos enfaunz acune apryse / de fraunceys en breve paroles” (Dear sister, because you have asked that I put in writing something for your children to learn French in brief phrases). What follows is a narrative poem, beginning in column 1, line 21, that describes childhood, starting with birth and ending in young adulthood with a large household feast. In each scene, Walter presents French vocabulary for Dionisie’s children to learn.

Many clues in the text demonstrate that the physical book was shown to children so they could learn the reading of words on a page, not just the sounds of them. Walter gives many homophones, for example, that would only make sense in writing, rather than in pronunciation. Some of the vocabulary also has English translations written in between the lines of the main text. You can see this in the image above in the poem, which starts at column 1, line 21, and goes into column two. All the smaller words written between the lines give the English translation of the main text, which is written in French.

In pueritia and adolescentia

Once they moved into pueritia (about 7-14 years of age), girls of the upper classes would often transition into the care of a mistress (called at that time magistramagistrix, or maitresse). The mistress provided education in such things as deportment, embroidery, dancing, music, and reading.9 For any skills the mistress did not herself have, she could bring in other household members, such as the minstrel for musical training, the chaplain for more advanced reading and spiritual instruction, and the huntsman for hunting. Specialized academic tutors could teach girls more advanced academic subjects. Sometimes these well-to-do girls were sent to other households to be fostered, serving as ladies-in-waiting to upper-class women. Girls, especially those of the upper classes, could be sent to nunneries as well (sometimes beginning in infantia) for education. Not all girls sent to nunneries were meant for the vocation of nun.10

As their reading abilities progressed, girls and boys moved on to reading comprehension (intelligere) and began to read more sophisticated spiritual texts, such as prayer-books, books of hours, psalters, antiphonals, and saints’ lives. They also would continue on, as personal libraries grew in the thirteenth century, in reading romances, histories, poetry, classical authors, theology, philosophy, and more. It is most likely, given that women were not admitted to the university (unlike boys, who could progress from this stage to Latin grammar school and then on at a university level to the study of business, liberal arts, medicine, canon or civil law, or theology), that the reading of these last few would have been limited to girls whose families could afford private tutors.

Miscellany of religious, medical, and secular verse and prose in French, Latin and English. Oxford, Bodleian Libraries, MS Digby 86, fol. 68r. Produced in Worcestershire, England, c.1271–83, this “common-place book” contains French, Latin and eighteen English texts of various genres including fabliau, romances, devotional and didactic texts, prognostications, charms and prayers, among others written between 1271 and 1283. The manuscript was written by its owner and has amateurish scribal drawings and decoration. This image shows three sections of French text: the end of the hymn Veni Creator Spiritus (Come, Creator Spirit) (top 11 lines); a list of the unlucky days in the year (middle section of the text); and at the bottom a list of Arabic numerals 1 through 46. Three shields decorate the bottom. 

In adulthood

By the time they reached adulthood, women who were privileged enough to have obtained a sophisticated education and their own libraries could be avid readers. 

Gospel lectionary written in Latin, made in England c.1025–50, later owned by St. Margaret of Scotland. Oxford, Bodleian Libraries, MS. Lat. liturg. f. 5, fols. 21v–22r. This opening shows St. Luke with the start of his gospel reading. The Bodleian Libraries digital Treasures exhibition notes: “A compact selection of passages from the Gospels, this finely illustrated book was Margaret’s favourite, and one she read and studied closely, even when she travelled. A poem added at the front describes how this very book was dropped into a river but remained almost unharmed: this miracle contributed to her growing reputation for holiness.”

The historical and literary records provide examples of such sophisticated learning, primarily among the nobility. For example, the Norman monk and chronicler Robert of Torigni (c.1110–1186), praised the education of St. Margaret of Scotland (d. 1093) and her daughter Matilda (1080–1118), wife of Henry I, writing, “Quantae autem sanctitatis et scientiae tam saecularis quam spiritualis utraque regina, Margareta scilicet et Mathildis, fuerint” (Of how great holiness and learning, as well secular as spiritual, were these two queens, Margaret and Matilda).11

In a different Latin life, commissioned by Matilda about her mother Margaret, the biographer describes how Margaret from her childhood would “in Divinarum lectionum studio sese occupare, et in his animum delectabiliter exercere” (occupy herself with the study of the Holy Scriptures, and delightfully exercise her mind) and notes that her husband, King Malcom III, cherished the “libros, in quibus ipsa vel orare consueverat, vel legere” (books, which she herself used either for prayer or reading), even though Malcom himself could not read Latin.12

London, British Library, Harley MS 2952, fol. 19v. Book of Hours, made in France c.1400–1425. 

This image above shows the unidentified female patron of this Book of Hours kneeling on a prie-dieu, her prayer book open to the text “Maria mater gratiae” (Mary, mother of grace). This open book with its discernable text has several functions: it leads the reader into the  prayer; it demonstrates the piety of the patron, kneeling in prayer before both her spiritual book and the Blessed Virgin and Christ (illustrated on the facing leaf); and it shows one of the primary purposes of teaching children to read: being able to use spiritual texts in personal devotion. 

Even women who were not noble and who were not able to read much Latin possessed and used books such as the one pictured above. In the mid-fifteenth century Englishwoman Margery Kempe wrote through her scribe of a memorable time in her church of St. Margaret in King’s Lynn when a chunk of masonry fell from the ceiling down onto her as she was praying with her prayer book in hand.

The image below comes from her Book of Margery Kempe as preserved in London, British Library, Additional MS 61823. Lines 24-28 narrate, “Sche knelyd upon hir / kneys heldyng down hir hed. and hir boke in hir hand. / prayng owyr lord crist ihesu for grace and for mercy. Sodeynly fel / down fro þe heyest party of þe cherche vowte fro undyr / þe fote of þe sparre on hir hed and on hir bakke a ston / whech weyd .iii. pownd” (She knelt on her knees, bowing down her head and holding her book in her hand, praying to our Lord Christ Jesus for grace and mercy. Suddenly fell down from the highest party of the church out from under the foot of the rafter onto her head and her book a stone which weighed three pounds). She survived, for which she credited the mercy of Christ.

The Book of Margery Kempe, online facsimile and documentary edition hosted by Southeastern Louisiana University, project director Joel Fredell. London, British Library, Additional MS 61823, fol. 11r.

Finally, a note on those of the working classes. I have not discussed them in detail as it is unfortunately difficult, in fact nearly impossible, to say much about the reading skills of those who left few or no records behind: the great majority of women (and men) of the medieval population were laborers who left little trace in the written record. Yet as we see from the image here below, even for working women, especially in the last few centuries of the Middle Ages, possession and use of books was within the norm, provided those books could be afforded. 

A woman attendant reading a book, from La Bible historiale of Guyart des Moulins, c. 1470s. London, British Library, Royal MS 15 D I, fol. 18.

Conclusion

My focus here has been tightly on the teaching of reading to medieval English girls. Girls and boys alike were taught to read, and began their reading education in the same ways. Boys alone could attend the medieval university and reach the highest (and best educated) ranks of clerics, but if girls had access to the right resources, they too could be highly educated. The evidence demonstrates that the teaching of reading was not linked specifically to gender; rather, it was a function of both socioeconomic station and the usefulness of such skills for one’s life.

If you’re interested in this topic, I cover the subject in much greater detail, with many other examples and suggested readings, in my article, “Women’s Education and Literacy in England, 1066–1540,” in the “Medieval and Early Modern Education” special issue of History of Education Quarterly, and the accompanying HEQ&A podcast.

Megan J. Hall, Ph.D.
University of Notre Dame

Twitter @meganjhallphd


[1] On languages in medieval England, see Amanda Hopkins, Judith Anne Jefferson, and Ad Putter, Multilingualism in Medieval Britain (c. 1066–1520): Sources and Analysis (Turnhout, Belgium: Brepols, 2012).

[2] W. M. Ormrod, “The Use of English: Language, Law, and Political Culture in Fourteenth-Century England,” Speculum 78, no. 3 (July 2003), 750–87, at 755; and William Rothwell, “Language and Government in Medieval England,” Zeitschrift für französische Sprache und Literatur 93, no. 3 (1983), 258–70.

[3] David Bell, What Nuns Read: Books and Libraries in Medieval English Nunneries (Kalamazoo, MI: Cistercian Publications, 1995), 57.

[4] On the complexities of a trilingual England, with a number of helpful citations therein for further reading, see Christopher Cannon, “Vernacular Latin,” Speculum 90, no. 3 (July 2015), 641–53. 

[5] A variety of frameworks were imposed upon the ages of humankind, though these major divisions for the stages of childhood were fairly commonly accepted. For a discussion, see Nicholas Orme, From Childhood to Chivalry: the Education of the English Kings and Aristocracy, 1066-1530 (London: Methuen, 1984), 5–7; and Daniel T. Kline, “Female Childhoods,” in The Cambridge Companion to Medieval Women’s Writing, ed. Carolyn Dinshaw and David Wallace (Cambridge, UK: Cambridge University Press, 2003), 13–20, at 13.

[6] Jocelyn Wogan-Browne, “‘Invisible Archives?’ Later Medieval French in England,” Speculum 90, no. 3 (July 2015), 653–73. For more on levels of reading Latin, see Bell, What Nuns Read, 59–60; and Malcolm B. Parkes, “The Literacy of the Laity,” in Scribes, Scripts, and Readers: Studies in the Communication, Presentation, and Dissemination of Medieval Texts1976 (London: Hambledon Press, 1991), 275–97, at 275.

[7] On the cult of St. Anne and the teaching of reading, see Nicholas Orme, Medieval Children (New Haven, CT: Yale University Press, 2001), 244–45; and Clanchy, “Did Mothers Teach their Children to Read?,” in Motherhood, Religion, and Society in Medieval Europe, 400–1400: Essays Presented to Henrietta Leyser, ed. Conrad Leyser and Lesley Smith (Farnham, UK: Ashgate, 2011), 129–53. For further examples and a detailed analysis of the Education of the Virgin motif, see Wendy Scase, “St. Anne and the Education of the Virgin,” in England in the Fourteenth Century: Proceedings of the 1991 Harlaxton Symposium, ed. Nicholas Rogers (Stamford, UK: Paul Watkins, 1993), 81–98.

[8] For a discussion of this window, see Orme, Medieval Children, 244–45.

[9] Boys (especially royal princes) typically followed the same path of moving from the nursery into the care of an educator-caretaker: pedagogus (a term used into the eleventh century) or magister or me[i]stre (terms in use from the twelfth century forward) (Orme, From Childhood to Chivalry, 19).

[10] Excellent reading on the education of girls in nunneries is found in Eileen Power, Medieval English Nunneries, c. 1275 to 1535 (Cambridge, UK: Cambridge University Press, 1922); Alexandra Barratt, “Small Latin? The Post-Conquest Learning of English Religious Women,” in Anglo-Latin and Its Heritage, Essays in Honour of A. G. Rigg on His 64th Birthday, ed. Siân Echard and Gernot R. Wieland (Turnhout, Belgium: Brepols, 2001), 51–65; and J. G. Clark, “Monastic Education in Late Medieval England,” in The Church and Learning in Late Medieval Society: Essays in Honour of R. B. Dobson; Proceedings of the 1999 Harlaxton Symposium, ed. Caroline Barron and Jenny Stratford (Donington, UK: Shaun Tyas/Paul Watkins, 2002), 25–40; and Dorothy Gardiner, English Girlhood at School: A Study of Women’s Education Through Twelve Centuries (Oxford, UK: Oxford University Press, 1929).

[11] Robert of Torigni [Robertus de Monte], Historia nortmannorum liber octavus de Henrico I rege anglorum et duce northmannorum, ed. J.-P. Migne, Patrologia cursus completus, series latina 149 (Paris, 1853), col. 886; translated in “History of King Henry the First, by Robert de Monte,” ed. Joseph Stevenson, The Church Historians of England vol. 2, part 1 (London, 1858), 10.

[12] Transcribed in Symeonis Dunelmensis Opera et Collectanea, ed. J. Hodgson Hinde, vol. 1 (London, 1868), at 238, 241, from the version preserved in London, British Library, Cotton MS Tiberius D iii, fols. 179v–186r (late twelfth century).