Marauders in the US Capitol: Alt-right Viking Wannabes & Weaponized Medievalism

Vikings are a very hot topic right now; there’s no question. Within the thriving genre of medievalism, Vikings have recently proven an especially sexy and profitable subject for contemporary pseudo-historical fiction, particularly in television series like the History Channel’s Vikings (2013) and Netflix’s The Last Kingdom (2015). Both these series are fundamentally anachronistic and closer in many ways to medieval fantasy than an accurate historical representation of the early medieval period known as the Viking Age (793–1066 CE). Inaccuracies are, of course, not unique to medievalism involving Vikings, and historical liberties are more abundant in historical fiction set in ancient and medieval times.

Bjǫrn “Ironsides” son of Ragnarr Loðbrók from the final season of the History Channel’s Vikings (2019).

Still, these television shows are very popular and therefore highly influential. Even the anachronisms and inaccuracies in popular medievalism provide effective conversation starters when teaching the subject by offering both a hook into the material and a chance to separate fact from fiction. But, in today’s world by far the most important reason for medievalists to know the trends in popular medievalism and engage with this media directly is white nationalism. As scholars of the period, we must be aware of information, misinformation and disinformation that is being widely disseminated if we are to have any hope of using our voices to help debunk, nuance and contextualize shows like Vikings and The Last Kingdom with a watchful eye toward white supremacist interpretations and appropriations.

King Haraldr “Fairhair” leads his army in the final season of History Channel’s Vikings (2019).

Many medievalists of color have sounded the alarm—again and again—warning that this monster lurked in the shadows. Over five years ago, Sierra Lomuto stressed how “When white nationalists turn to the Middle Ages to find a heritage for whiteness—to seek validation for their claims of white supremacy—and they do not find resistance from the scholars of that past; when this quest is celebrated and given space within our academic community, our complacency becomes complicity” (2016).

In the wake of the riotous “Unite the Right” rally in Charlottesville in 2017, where some alt-right protesters donned crusader and Viking garb, scholars such as Dorothy Kim, Mary Rambaran-Olm and others have repeatedly warned the field of the dangerous appropriations of the medieval by white supremacists. Immediately following Charlottesville, Kim insightfully cautioned her fellow medievalists that “The medieval western European Christian past is being weaponized by white supremacist/white nationalist/KKK/nazi extremist groups who also frequently happen to be college students” (2017). More recently, Rambaran-Olm has pointed out that “far-right identitarian groups [are] seeking to prove their superior ancestry by portraying the ‘Anglo-Saxons’ in ways that both promote English identity and national sociopolitical progress” (2019).

James Alex Fields Jr., who has been convicted of second-degree murder and sentenced to life in prison for killing an anti-racist protester in Charlottesville VA, is pictured in the group (second from the left, wearing dark glasses), holding a round shield with white supremacist symbolism. Photo credit: Lidia Jean Kott (August 12th, 2017).

Moreover, alt-right activists have postured as pseudo-medievalists in order to further these white supremacist narratives and misappropriations of the Middle Ages. For example, Milo Yiannopoulos is known for his ad hominem editorial “The Middle Rages” that targets numerous medievalists of color. Still somehow, the “jousting” between medievalists of color and the alt-right was not enough to shake many white medievalists into action, despite the very real threat posed by white supremacist weaponization of the medieval.

Since the Nazi appropriation and sacralization of the “Germanic” in the service of white supremacy, medieval literature—especially Scandinavian myth and legend—has been rhetorically mobilized as an imagined “pure white” era in Northern Europe prior to encountering and intermingling with nonwhite peoples, despite clear historical evidence of multi-cultural trade interactions between ancient and medieval peoples. This ideology has infiltrated the neopagan religion known as “Odinism,” which varies widely and spans the political spectrum, but harbors a perverse, neo-Nazi strain (sometimes called Wotansvolk meaning “Odin’s Folk”) that has long haunted the movement.

Oðinn wandering after the battle from first season of History Channel’s Vikings (2013).

Odinism—named for the chief Scandinavian god of war, Odin—refers to modern New Age interpretations of indigenous religion in pre-Christian Scandinavian, and The Southern Poverty Law Center reported that “A neo-Pagan religion drawing on images of fiercely proud, boar-hunting Norsemen and their white-skinned Aryan womenfolk is increasingly taking root among Skinheads, neo-Nazis and other white supremacists across the nation” more than twenty years ago. More recently, “Anglo-Saxon” neopaganism, sometimes called “Heathenry” to further ground their practice in the language of the culture they idolize, has grown and frequently provides a haven for white supremacist rhetoric.

Jacob Anthony Chansley, a.k.a. Jake Angeli, the “Q Shaman,” was one of several protesters to storm the US Capitol. Photo credit: Win McNamee, Getty Images (January 6th, 2021).

The alt-right has mobilized medievalism toward nefarious ends, fashioning harmful narratives of white supremacy, which have been rhetorically weaponized by domestic terrorists such as the “Q Shaman” also known as Jake Angeli, but whose real name is Jacob Anthony Chansley. As a QAnon promoter and influencer, Chansley is described as a pseudo-celebrity at alt-right rallies, flashing his tattoos, including three prominent Norse symbols: Thor’s Hammer [Mjǫllnir], the Valknut and the World Tree [Yggdrasil]. All three were proudly displayed as he sat in Vice President Mike Pence‘s seat in the Senate, after the Pence was forced to retreat from the angry mob calling for his head.

The pro-Trump mob breeched security, and demonstrators entered the Capitol as Congress debated the 2020 electoral vote certification. Photo credit: Saul Loeb (AFP), Getty Images (January 6th, 2021).

Moreover, Chansley’s horned helmet (while almost certainly referencing other traditions as well) represents a continuation of the Victorian anachronistic introduction of horned helms on Vikings and Valkyries, drawn from classical depictions of Roman Victories. Chansley’s flag-spear may be intended as a reference to Odin’s spear, Gungnir, which further points to white nationalist medievalism. In the case of his horned helmet, Chansley’s ignorance is on full display, as his caricature more closely resembles the ahistorical symbol of the Minnesota Vikings’ football team than anything remotely resembling what a medieval Viking might have looked like. Chansley joined with other pro-Trump supporters to form a violent mob which stormed the United States Capitol on January 6th, 2021.

A man shouts and brandishes his shield as pro-Trump mob gathers in front of the U.S. Capitol Building in Washington. Photo credit: Leah Millis, Reuters (January 6th, 2021).

Of course, it must be emphasized that this insurrection was perpetrated specifically by a pro-Trump “Stop the Steal” MAGA mob, there in support of the president’s blatantly false and dangerous claims that there was election-altering voter fraud during the recent 2020 presidential election (which he soundly lost to Democratic rival Joe Biden). This mob, incited by the president, sought to disrupt the lawful process outlined in the US Constitution by any means necessary in order to overturn a free and fair election.

Donald Trump’s boasting, belligerence and greed does link him with warrior ethics which sustain predatory economies and the Viking activities of marauding, feuding and plundering. The ironic Twitter account, “Beowulf Trump” (discontinued after Trump’s election in 2016), highlights this rhetorical connection by comparing the president’s macho posturing and self-aggrandizing campaign promises to hyperbolic boasts and egoistic attitudes in Beowulf. There were indeed marauders in the Capitol Building on January 6th, and alongside Trump’s red hats, outfitted in army camouflage and waving Trump or Confederate flags, were alt-right Viking wannabes.

This week, the academy has been quick to respond. Alfred Thomas compared the storming of the US Capitol Building to the Peasants Revolt of 1381, although Miriam Müller has disputed this analogy, prompting Thomas to further clarify his argument. Ken Mondschein considered Rudy Giuliani’s terrifying invocation of “trial by combat” in order to spur the MAGA mob into action, and Giuliani later likened his use of the phrase to its function in HBO’s Game of Thrones (2011), which he inaccurately described as “that very famous documentary about fictitious medieval England.” Matthew Gabriele reflected on the role of medievalism in the seditious attack at the Capitol Building, pointing out that like at Charlottesville, in addition to Viking-oriented medievalism, rioters also sported crusader symbolism to signal their white nationalism. Helen Young responded to the incident by offering an explanation of why white supremacists often embrace medieval symbolism, noting that “the association of European Middle Ages and white identities reflect modern racism more than medieval realities.” She emphasizes that “Medievalist symbols have been linked to white European identities for centuries. Their use by violent extremists mean that this connection can not be denied, ignored or thought of as a neutral choice.”

Man who joined the pro-Trump mob wearing the Templar Cross of European crusaders. Photo credit: Samuel Corum, Getty Images (January 6th, 2021).

On January 13th, the Medieval Academy of America issued a direct response to the insurrection acknowledging the “presence of pseudo-medieval symbols and costumes among the rioters in the Capitol” and recognizing “our discipline’s complicity in the racist narratives of the past, and our responsibility to advocate unequivocally for anti-racism both in our policies as an organization, and in our teaching and scholarship as individuals.” More white medievalists need to be willing to stare this beast in the face and recognize that it is our problem too. It is my view that we should not idly concede medieval studies to the likes of white supremacists. We must respond. Failing to do so—for far too long—makes us complicit. We need to actively reject white supremacy. We must correct and denounce the alt-right’s misappropriations of the medieval both publicly and in the classroom by identifying these dangerous narratives as white nationalist propaganda.

If what we all witnessed last week is any indication of the widespread public ignorance we as scholars are up against, we surely have our work cut out for us. As medievalists, we must heed well the warnings of our colleagues of color and more forcefully and ubiquitously address the problematic phenomenon of white nationalist weaponizing of the medieval. Let me add my voice to those within the academy who are calling attention to this dire issue: the recent use of medieval symbolism during the insurrection at the US Capital is but the latest in a horrific trend that cannot be ignored in the field and must be loudly condemned as nonfactual and nonsensical white supremacist rhetoric in the guise of medievalism.

Richard Fahey
PhD in English
University of Notre Dame

Further Reading

Baker, Peter. “Anglo-Saxon Studies After Charlottesville: Reflections of a University of Virginia Professor.” Medievalists of Color (2018).

Barnes, Sophia. “Capitol Rioter Seen in Horned Hat, Carrying Spear Arrested: US Attorney.” 4 Washington (2021).

Chazan, Robert. “The Arc of Jewish Life in the Middle Ages.” The Public Medievalist (2017).

Cole, Richard. “Make Ásgarðr Great Again!Medieval Studies Research Blog. University of Notre Dame (2017).

Connelly, Eileen AJ. “Jake Angeli, Capitol rioter in horned helmet, arrested by Feds.” New York Post (2021)

Dockray-Miller, Mary. “Old English Has a Serious Image Problem.” JSTOR Daily (2017).

Elliott, Andrew B.R. “A Vile Love Affair: Right Wing Nationalism and the Middle Ages.” The Public Medievalist (2017).

Elliott, Josh K. “Horn-helmed QAnon rioter among far-right ‘stars’ in U.S. Capitol attack.” Global News (2021).

Fahey, Richard. “Internet Trolls: Monsters Haunting the World Wide Web.” Medieval Studies Research Blog. University of Notre Dame (2020).

—. “Mearcstapan: Monsters Across the Border.” Medieval Studies Research Blog. University of Notre Dame (2018).

—. “Monstrous Ethiopians? Racial Attitudes and Exoticism in the Old English ‘Wonders of the East’.” Medieval Studies Research Blog. University of Notre Dame (2017).

—. “Woden and Oðinn: Mythic Figures of the NorthMedieval Studies Research Blog. University of Notre Dame (2015).

Franke, Daniel. “Medievalism, White Supremacy, and the Historian’s Craft: A Response.” Perspectives on History (2017).

Gabriele, Matthew. “Vikings, Crusaders, Confederates: Misunderstood Historical Imagery at the January 6 Capitol Insurrection.” Perspectives on History (2021).

—, and Mary Rambaran-Olm. “The Middle Ages Have Been Misused by the Far Right. Here’s Why It’s So Important to Get Medieval History Right.” Time (2019). 

—. “Islamophobes want to recreate the Crusades. But they don’t understand them at all.” The Washington Post (2017). 

Goodman, Lawrence. “Jousting With the Alt-Right.” Brandeis Magazine (2019).

Greenspan, Rachel E., and Haven Orecchio-Egresitz. “A well-known QAnon influencer dubbed the ‘Q Shaman’ has been arrested after playing a highly visible role in the Capitol siege.” Business Insider (2021). 

Heng, Geraldine. “Why the Hate? The Invention of Race in the European Middle Ages, and Race, Racism, and Premodern Critical Race Studies Today.”  In the Middle  (2020). 

—. The Invention of Race in the European Middle Ages. Cambridge: Cambridge University Press, 2018.

Höfig, Verena. “Vinland and white nationalism.” In From Iceland to the Americas: Vinland and historical imagination, ed. Tim William Machan and Jón Karl Helgason. Manchester University Press, 2020.

Hsy, Jonathan. “Antiracist Medievalisms: Lessons from Chinese Exclusion.” In the Middle  (2018). 

Kim, Dorothy. “The Question of Race in Beowulf.” JSTOR Daily (2019). 

—. “White Supremacists have Weaponized an Imaginary Viking Past. It’s Time to Reclaim the Real History.” Time (2019). 

—. “Teaching Medieval Studies in a Time of White Supremacy.” In the Middle (2017).

—. “The Unbearable Whiteness of Medieval Studies.” In the Middle (2016). 

Knight, Ellen. “The Capitol Riot and the Crusades: Why the Far Right Is Obsessed With Medieval History.” Teen Vogue (2021).

Lee, ArLuther. “Protester in Viking headdress ID’d as Trump supporter, not Antifa.” The Atlanta Journal-Constitution (2021).

Little, Becky. “How Hate Groups are Hijacking Medieval Symbols While Ignoring the Facts Behind Them.” History.com (2018). 

Livingstone, Josephine. “Racism, Medievalism, and the White Supremacists of Charlottesville.” The New Republic (2017)

Lomuto, Sierra. “Public Medievalism and the Rigor of Anti-Racist Critique.” In the Middle (2019). 

—. “White Nationalism and the Ethics of Medieval Studies.” In the Middle (2016).

Luginbill, Sarah. “White Supremacy and Medieval History: A Brief Overview.” Erstwile: A History Blog (2020). 

Mas, Liselotte. “Auschwitz, QAnon, Viking tattoos: the white supremacist symbols sported by rioters who stormed the Capitol.” The Observers (2021).

Mills, Ryan. “The ‘Q Shaman’ on Why He Stormed the Capitol Dressed as a Viking.” National Review (2021).

Mondschein, Kenneth. “Trial by Combat: Medieval and Modern.”Medievalist.net (2021).

Müller, Miriam. “Revolting Peasants, Neo-Nazis, and their Commentators.” Medievally Speaking (2021).

Narayanan, Tirumular. “Frazetta’s “Death Dealer” and the Question of White Nationalist Iconography at Fort Hood.” Medieval Studies Research Blog. University of Notre Dame (2020).

Olusoga, David. “Black people have had a presence in our history for centuries. Get over it.” The Guardian (2017).

Perry, David. “How to Fight 8chan Medievalism – and Why We Must.” Pacific Standard. (2019).

—. “What to Do When Nazis are Obsessed with Your Field.” Pacific Standard. September 6, 2017. 

—. “White supremacists love Vikings. But they’ve got history all wrong.” The Washington Post. (2017). 

Rambaran-Olm, Mary. “Misnaming the Medieval: Rejecting “Anglo-Saxon” Studies.” History Workshop (2019).

—. “Anglo-Saxon Studies [Early English Studies], Academia and White Supremacy.” Medium (2018).

Reed, Sam. “Here’s the Story Behind Those Viking Helmets at the Capitol.” In Style (2021).

Romey, Kristin. “Decoding the hate symbols seen at the Capitol insurrection.” National Geographic (2021).

Schuessler, Jennifer. “Medieval Scholars Joust With White Nationalists. And One Another.The New York Times (2019).

Steinbuch, Yaron. “Shirtless man in horned helmet at Capitol protest identified as QAnon backer.New York Post (2021).

Sturtevant, Paul B. “Leaving “Medieval” Charlottesville.” The Public Medievalist (2017).

Symes, Carol. “Medievalism, White Supremacy, and the Historian’s Craft.” Perspectives on History (2017).

Thomas, Alfred. “1381, 2021, And All That.” Medievally Speaking (2021).

—. “Politics in a Time of Pandemic: The Peasants’ Revolt of 1381 and the Storming of the Capitol by Trump Supporters in Historical Perspective.” Medievally Speaking (2021).

Vinje, Judith Gabriel. “Viking symbols “stolen” by racists.” The Norwegian American (2017). 

Whitaker, Cord J. “Game of Thrones’ Peasants are a Problem of White Supremacy – and It’s Victims, too.” In the Middle (2019). 

Young, Helen. “Why the far-right and white supremecists have embraced the Middle Ages and their symbols.” The Conversation (2021).

—. “White Supremacists love the Middle Ages.” In the Middle (2017). 

—. “Re-making The Real Middle Ages (TM).” In the Middle (2014).

We Were Here First: a Medievalist’s View of the Reformation

The 500th Anniversary of the Reformation in 2017 produced celebratory lectures, books and ecumenical services worldwide, but Medievalists, those whose job it is to know what the Reformation was reformed from, were mostly not on the radar.[1] This is nothing new, alas: the name “Early Modern” itself implies, or rather, insists that not much could have happened or been invented before “Early.”  Our irrelevance dates back at least to 1905 when Weber published Die protestantische Ethik und der Geist des Kapitalismus (The Protestant Ethic and the Spirit of Capitalism).  As Yale’ s Reformation historian, Carlos Eire, noted in his celebratory 2017 lecture:

Over one hundred years ago, Max Weber argued that Protestantism “disenchanted” the world and eliminated “magic” from it. Today, as we celebrate the 500th anniversary of the Protestant Reformation, … this assertion needs to be reappraised. Did Protestants really vanquish “magic,” and, if so, what was that “magic,” exactly, or the “disenchantment” that accompanied its demise? Exploring the various ways in which Protestantism redefined the sacred might…allow us to appreciate more fully what the Protestant Reformation bequeathed to the world.[2]

Eire’s clarion call to discover how Protestantism redefined the sacred is refreshing, but, as he notes, the ghost of Weber remains a stumbling block, leaving Protestantism misunderstood. So, too, I would add, his ghostly presence leaves the Middle Ages misunderstood, and underestimated, too.  Our period is the “enchanted” world that Protestants allegedly lost, like Adam and Eve all over again,  just a placeholder in someone else’s historiography. So, since these misconceptions are costly for mutual understanding and in shrinking market shares of the Humanities, let’s take a moment to remember what the Medieval era bequeathed the Reformation, and how heavily Luther and all who came after depended on it.

A 1617 broadside on the centenary of the German Reformation, “Göttlicher Schrifftmessiger…,” showing Luther’s posting of the 95 Theses in Wittenberg. His over-sized pen knocks off the tiara of Pope Leo X. 

Weber had argued that the “ascetic” strand in Protestant ethics was a major factor in the rise of Western capitalism, and that the “disenchantment”(Entzauberung) so evident in Modernity stemmed originally from a devaluation of mysticism, “magic” and other (supposedly) pre-Modern worldviews.  For Weber, “disenchantment” grew out of mental habits of “rationalization,” which, along with burgeoning bureaucracy and valorization of the scientific, contributed to modern secularism. Little did Weber know that the Middle Ages were rife with their own forms of rationalization, bureaucracy, and secularism (scholasticism, laicization of the civil service, and disillusionment with clerical corruption and schism). In contrast, for traditional societies, Weber argued, “the world remains a great enchanted garden”.[3]

Mercifully, Weber’s patronizing vision is mostly behind us, but not far enough. Eire argues, rightly I think, that types of “enchantment” survived on both sides of the Reformation Protestant-Catholic divide, with different emphases in each religious culture, and, I’d stress, different aesthetics: e.g. Protestant painters like Rembrandt painted less medieval iconography, but experimented with inner and outer light; Protestant poets like Spenser reinvented medieval romance’s “enchanted” world as a four-part invention of inner and outer voices. But still missing from this more holistic picture is the recognition that, however many “disenchanting” attitudes one believes Protestants unleashed, they were already unleashed in the Middle Ages, itself as varied and unstable as any other period in history.

Medieval views of the supernatural were complicated at best, and often not naïve. Moreover, many forms of “disenchantment” flourished throughout Middle Ages, not just in the Late Middle Ages, the “age of decline” some Reformation historians conveniently blame. Carlos Eire noted the fact that many atheists were willing to die for their beliefs in the Spanish Inquisition, heralding a newer age, but I’d note that the High Middle Ages, too, saw many doubters who faced parallel dangers  (e.g. in England from 1161 onwards).[4] Books were even written to try to turn doubters: e.g. Peter of Cornwall, an Austin canon and prior of Trinity, Aldgate, tells us c. 1200 that he compiled his massive Liber Revelationum (now London, Lambeth Palace MS 51) to convince “unbelievers”:

“Since there are still some who believe that there is no God and the world is ruled by chanceand many who believe only what they see … I (ego, Petrus ecclesie S. Trinitatis Lundonie) have collected out of the lives and acts of the saints, these revelations and visions… . I have confined myself to those which occurred since Christ’s passion, excluding from my view the Old and New Testaments, to which all have access.”[5]

Whoever these unbelievers were, then, they were highly literate, apparently readers of Latin with access to the Old and New Testament – part of the establishment.  Medieval attitudes toward vision could range widely from the devout, like Peter (who nonetheless verified his witnesses officially) to skeptics, like Archbishop John Pecham (who in the 1270s questioned Hildegard of Bingen’s visions using historiographical methods worthy of later Renaissance humanists), to outright deniers, like John Wyclif (who denounced Hildegard’s visions as “extra fidem Scripture”).[6]

Without this range and complexity, the Reformation’s doubts, queries and changes would have been unimaginable, because their writers and reformers would have had less legal and theological precedent. In fact, I’d argue, Luther himself benefited enormously from medieval academic protections and precedents, achievements hard won via the legal and theological challenges of evolving academic institutions. These are the gifts that Medieval writers offered posterity, too often missed in the rush to pigeonhole the Middle Ages as simply “Other.”

Disputatio pro declaratione virtutis indulgentiarum(The “95 Theses”), Nuremberg, Hieronymus Höltzel, 1517

What allowed Luther in 1517, then a Wittenberg professor of moral theology, to commit his famous act (actually a routine act at the time[7]) of nailing up theological propositions for dispute was the fact that medieval universities had rights and privileges. He posted the Ninety-Five Theses (or Disputation on the Power of Indulgences) on the door of the Castle church (in fact, often used as Wittenberg’s university “billboard”), an action that depended upon a series of medieval inventions and precedents. First, a university had a right to some degree of self- governance independent of the local bishop, and to some forms of academic freedom (not so large as our own, but worthy ancestors of them). So, for instance, in 1290 Godfrey of Fontaine wrote his Quodlibet VII on whether a master of theology may contradict an article condemned by a bishop (“Utrum magister in theologia debet dicere contra articulum episcopi si credit oppositum esse verum”), deciding, strikingly, that on truths necessary to salvation a theologian should not comply with a condemnation he disagreed with, even if others are “scandalized” by his disobedience.[8]  Those outside of the protection of the university could be less fortunate: Godfrey later wrote an approbation of Marguerite Porete’s mystical work, which, however, did not prevent her tragic execution in 1310. Second, Luther had access to the technologies of medieval book and pamphlet production – like the university, the printing press, too, was a medieval invention,[9] but the pamphlet genre was even earlier, as was the broadside.[10] Third, in medieval university contexts, lists of “points” or topics for disputation were common, while “conclusions,” a related genre, were considered more aggressive. Famously in England, the Twelve Conclusions of the Lollards were affixed to the doors of both St. Paul’s and Westminster Hall in 1395, though the genre does not itself imply heresy.[11] In fact, medieval universities had developed a very specific set of loopholes for academic freedom, from the famous Paris condemnations of 1277 (which reached even to Thomas Aquinas), through John XXII’s persecutions of dissenting academics, and beyond, resulting in an intellectual tradition of disputations probing the one problem that could override any episcopal censure: the question of what was necessary to salvation.[12] I would argue, then, that it was precisely on such matters of “truths necessary to salvation” that many reformers, including Luther, benefited from a protective umbrella, to some real extent, developed – and not without pain and sacrifice – by academics in the Middle Ages.  Lest we forget.

Medieval stained glass fragments gather after destruction by Cromwell’s soldiers, Ripon Cathedral, Yorkshire.

So, when medievalists look at Luther 500 years later, they think not of rupture, but continuities – all the earlier times history came so close. Instead of thinking of the Reformation like the smashed fragments from Ripon Cathedral’s medieval windows (above), we probably think instead of one of the literally thousands of intact medieval windows across Europe, like the one from York’s Holy Trinity Goodramgate (below) of family-friendly saints smiling down upon the altar for centuries, over the Early Modern tablets bearing the Creed and Commandments in English.[13]  What divides us is never greater than what unites us.

15th-c East window of Holy Trinity, Goodramgate, York, with (bottom row) female saints, biblical families and Holy Trinity (centre). For close-ups of each see Corpus Vitrearum.

 

The same window in situ, with Early Modern tables of Creed and Ten Commandments above the altar.

 

Kathryn Kerby-Fulton, Emeritus Professor
University of Notre Dame

 

Notes:

[1]My thanks to Mike Johnston for creating one welcome exception, Purdue University’s The Meaning of the Reformation” conference where this paper was first given Nov., 2017.

[2]I quote here from Eire’s blurb for “Reshuffling the Seen and the Unseen: A Reappraisal of the Legacy of the Reformation,” given Oct. 17, 1017 at University of Victoria for The 500th Anniversary of the Reformation series. See Eire’s, Reformations: The Early Modern World, 1450-1650 (New Haven, 2016).

[3]Max Weber, The Sociology of Religion(Boston, 1971) p. 270.

[4]See the Chronology Chart in K. Kerby-Fulton, for Books Under Suspicion: Censorship and Tolerance of Revelatory Writing in Late Medieval England(Notre Dame, 2006) xix –lii (BUS); and “Skepticism, Agnosticism and Belief: The Spectrum of Attitudes Toward Vision in Late Medieval England,” in Women and the Divine in Literature before 1700: Essays in Memory of Margot Louis, ed. K. Kerby-Fulton (Victoria, 2009) 1-18.

[5]Quoted here from Robert Easting and Richard Sharpe, “Peter of Cornwall, The Visions of Aisli and his Sons,” Mediaevistik(1998): 248, from Peter’s Prologue.

[6]Kerby-Fulton,“Skepticism.”

[7]Andrew Pettigree, Brand Luther(London, 2015) 71. The Castle Church functioned as a classroom in the university, and its door was used as a billboard.

[8]BUS, 38-9.  For a similar case involving the privileges and liberties of Oxford (libertatum et privilegiorum universitatis Oxoniensis), see BUS,3.

[9]In Europe, but in China mechanical printing dates from the 8thc. C.E.

[11]Hudson, Select Wycliffite Writings, (Toronto, 1997) 150.

[12]BUS, 35.

[13]Sarah Brown, “Reformation, Iconoclasm and Restoration Stained Glass in England c1540-1830” http://www.buildingconservation.com/articles/english-stainedglass/english-stainedglass.htm.