Research at the Bibliothèque Nationale du Royaume du Maroc

It is always daunting to start research in a new location; it is perhaps more so when you are one of the first people (if not the first) from your institution to arrive there and the advice you have to go on is whatever one can glean off of a library website, if that even exists. The aim of this post is to provide information about conducting research at the National Library of the Kingdom of Morocco, from getting a researcher card and gaining access to the collection to requesting manuscripts and getting digital copies for future use as well as other information about library services.

Getting there and Gaining Access

The Bibliothèque Nationale du Royaume du Maroc (henceforth BNRM) is the new name for what used to be the Bibliothèque General.  Founded in 1924 and renamed in 2003
Bibliothèque Nationale du Royaume du Maroc, the library now occupies a beautiful new building on Avenue Ibn Khaldoun in the Agdal neighborhood of Rabat, Morocco.  Easily accessible by car and by the Rabat Tram (Station: Bibliothèque Nationale), it is also a 30 minute walk from the neighborhoods of L’Océan and Hassan and a 15 minute walk from the Rabat Ville Train Station.

The BNRM is open M-F 9:00-21:00 and Saturday 9:00 – 18:00, with reduced hours during the month of Ramadan (M-F 9:00 -15:00).  The four main sections of the library are the Espace Grand Public, Espace cherchéres, Espace collections spécialisées, and Espaces audiovisuals et malvoyants.  There is also an auditorium on the ground floor, a public lobby where artwork and various cultural installations reside, as well as a café with an outdoor terrace on the second level.  At the end of the lobby on the left there is the bag check, bathroom, and the Inscription (Registration) office.  Requests can be done in French or in Moroccan Arabic.  For those who speak only Modern Standard Arabic (MSA) your interactions will be a bit more limited; be prepared to have staff, especially those working at the security level, to reply only in Moroccan Arabic to your MSA.

In order to gain access to the library, one needs to complete and print the Inscription form provided on the BNRM Website BNRM Website, then bring that, a copy of your passport, proof of University affiliation and/or your Letter D’Attestation (in French or Arabic) stating your research, and 150 MAD to the Inscription office.  If you can’t print your Inscription form —the system does not like to work with Mac OS— bring everything else with you when you go and tell them your situation; usually people are forgiving and will print everything there.  Once you have given them your paperwork and paid the fee (if they are nice, you might only get charged 100 MAD), they will print your library card.  The card is valid for one year and can be renewed by completing the same process outlined above.  Unlike other libraries, such as the Biblioteca Nacional de España, you do not have to register your computer or electronic devices with the BNRM.

The Library Itself

Bags, purses, folders, and laptop cases are not allowed in the BNRM; they must be checked at the bag check.  However, you are allowed to bring your laptop, your phone, a small bottle of water, pens, pencils, and notebooks. Once you’ve checked your bag at the bag check, you enter the library by going through the main turnstile. Tap your library card on the card reader to pass through.

The Espace Grand Public is down the hallway on your right.  A large, 2 story reading room with open stacks access to a number of books, the majority in Arabic but a sizable minority of French publications with other European languages thrown into the mix, the Espace Grand Public is a popular space for university students to study.  The books are catalogued according to the Dewy Decimal System though shelving can get a bit creative within the sections themselves.  At the far end of the Espace Grand Public is a copy room where you can request photocopies of books for a small fee.  Usually a couple of pages costs 1 Moroccan dirham (MAD), approximately 10¢, whereas 50 pages will cost around 25 MAD (approximately $2.50).  At present, there are two scanners in the Espace Grand Public but they are not operational.

NB: One cannot request an entire copy of a book; for that, best to download a scanner app to a tablet or phone and make a scan using the camera.

The Espace Cherchères is a separate area towards the back of the library on the right; to gain access to the EC, you again pass through a turnstile.  If your card does not let you pass, go back to Inscriptions and report the problem.  Inside the EC there are several large tables with outlets on the first and second floors, additional reference books, microfilm readers, computers for searching the library catalog, and the request desk.

Catalogs and Websites

The website for the BRNM is in French and Modern Standard Arabic but the majority of the catalog holdings are in Arabic.  This can be a bit frustrating if you are working off of Latin transcriptions of Arabic titles but you can always give the title to one of the librarians and they can look it up for you.  Alternatively, you can also find the item via Latin transcription on World Cat and then click on the link to the Bibliothèque Nationale to get the call number.

For manuscripts, one must search on the BNRM website in Arabic search on the BNRM website in Arabic or download one of the manuscript catalogs to look up the call number.  The catalogs are a good place to start if you want to browse but in order to find a specific manuscript, it is best to just go directly to the online catalog.

NB: For those who are following references pre 2003, note that letters associated with manuscripts are now  using the Arabic rather than the Latin alphabet.  Thus MS 419 G becomes MS 419 ج , K becomes ك  and N becomes ن

MS 419 ج

Requesting Manuscripts

About 80% of the BNRM’s manuscript holdings are digitized and they have a number of microfilms of manuscript collections from other libraries, including the Arabic manuscripts held at El Escorial in Spain.  Actual manuscripts are only given out to those researchers who are doing codicology work and who are requesting specific manuscripts.

To request a microfilm, fill out the request form at the request desk in either French and Arabic, complete with the shelf number.  Once you put in your request, the librarian will fetch the microfilm and set it up on one of the viewers.

The viewers are not the greatest for actually working off of the manuscripts so it is best to find what you need within the manuscript, noting the page numbers and then put in a request for a digital copy at the request desk.  In order to complete this request you will need another copy of your passport page and your Lettre d’Attestation, as well as additional money.  The librarian will write out two copies of your request, then ask you for your name, contact information including email address and/or phone number, and whether or not you want the scan emailed to you or on a disk.  You will also need to sign both copies of the form, then take one of them to an administrative office on the other side of the library; it is at that office where you will pay for the copy.  For the record, 10 manuscript folios cost 20 MAD ($2).  After paying, take your receipt back to the Request Desk in Espace Cherchères and give it to the librarian.   Your digital copy will be ready in a day or two.

Final Notes

The BRNM is a popular spot for university students since they can get access at a reduced rate; expect the place to get crowded in the afternoon and into the evening come the end of term (usually January and July).  Only upper level students, however, can gain access to the Espace Cherchères.

Water bottles are allowed but you must keep your water bottle on the floor by your chair, not on the table.  A guard (speaking Moroccan Darija) will come by and remind you if you forget, even if the bottle is empty.  Also, don’t bring water with you during Ramadan if you can help it.

There are two bathrooms, one on the ground floor and one on the upper floor, but you need to go out through the turnstile to get to them.  They are very clean but notoriously lacking in toilet paper; keep a pack of tissues with you.  The upstairs toilets also have places to wash for ritual prayer and to fill up your water bottle.

The cafe does breakfast lunch and dinner for about 30-50 MAD ($3-5) depending upon what you order.  The coffee and tea is a bit overpriced for what you’re getting but the food is solid.  It is also a popular place for students as you do not need to have a library card to enter the area.  The cafe is closed during Ramadan.

There is Wi-Fi but it is slow; if you’re working off of the cloud or just trying to open your email on your laptop you will get frustrated.   Consider adding internet credit to your local phone and tethering your laptop to it order to work with minimal disruptions.

Additional Resources

l’histoire de la Bibliothèque Générale et Archives

What Lies Beneath: The Reliability of Watermarks as a Method for Telling Time

Rijksarchief te Gent K91 1r.

As a child of the 1990s, I remember well when US currency turned into a magic trick to show your other classmates in school: hold a bill up to the light and a president’s face would stare back at you. This “trick” was simply a watermark. In the late 1990s, American bills began to be printed with watermarks, those presidents’ faces, to deter counterfeiters. The watermark is not a modern innovation, nor was it created to prevent counterfeiting. It was a medieval creation, one used primarily to show the maker of the paper, but also the place in which the paper was made, and (less often) when the paper was made.

For this blog, I would like to discuss the risks of this third purpose of medieval watermarking- using watermarking as a means to date paper. I will rely upon two manuscript collections of the Rijksarchief te Gent, numbers K91 and K98, to demonstrate the uncertainty of watermark dating. Holding K98 is a “verzameling watermerken”- a collection of medieval watermarks beginning in 1386 and ending around 1500. The watermarks come from the Abbey of Saint Bavo’s in Gent, a prominent and powerful abbey within the medieval city.

The watermark collection is indeed just that- a bundle of loose leaves of paper, that for the most part, are not medieval at all. In examining the bundle of paper, one sees watermarks with an assigned date of the mark in the top left corner of the page, ranging from the late fourteenth to the late fifteenth century. However, most of the paper upon which these watermarks are imprinted or drawn are from the sixteenth and seventeenth centuries, with some drawings added later on carbon paper in the twentieth century.

Rijksarchief te Gent K98 1386.

As one can see below, the watermarks have been impressed on the paper, with the top sheet having an outline of the watermark done in pencil, and later sheets having only the watermark itself.

Rijksarchief te Gent 1389.
Rijksarchief te Gent 1389-1.
Rijksarchief te Gent 1390.
Rijksarchief te Gent 1390-1.

 

The archival inventory reads as if this collection of watermarks has been consistently compiled from the late fourteenth century by St. Bavo’s monks as a means to keep up with the numerous watermarks employed by the abbey.  Instead, the collection is a later, early modern creation used a means of dating the watermarks used in earlier centuries. But how effective and accurate are these watermark dates? Thankfully for our purpose here, the manuscript K91 helps to answer this issue. K91 contains the yearly accounts of St. Bavo’s from the late 1300s to the late 1400s, allowing us to see how well these watermarks, dated by year, correspond to yearly entries in other documents from St. Bavo’s in the fourteenth and fifteenth centuries.

Rijksarchief te Gent 1480.

Above, I have included the watermark for the year from 1480. It is the letter “P,” with a cross attached to the top of the letter and a bifurcated descender. According to the watermarking dating system of St. Bavo’s, this letter should only appear after 1480. However, in consulting the K91 account book (1384-1417), I found something quite different. The “P” first arises in the year 1402 of the accounts, a whole 78 years before it appears in the watermark compilation.

Rijksarchief te Gent K91 32r.
Rijksarchief te Gent K91 35r.

The clearest example is the “P” on the opening page of the account for the year 1403, the image K91 35r. just above. Perhaps this “P” is an exception? A dating oversight by the monks? In fact, it is the rule. Throughout the years for which account books survive, (1384-1417 & 1461-1498), very rarely do the accounts line up with the prescribed watermarks for that year. One watermark nearly hits the collection date, the watermark of 1395, the bow. The bow does not occur in 1395, but it does show up three years later in 1398, a much more reasonable margin of error.

Rijksarchief te Gent K98 1395.
Rijksarchief te Gent K91 23r.

The explanation for the inconsistency of the bow watermark is quite simple and known to many medievalists already. The monks of St. Bavo’s bought paper from a particular paper maker and they used that paper for many years. This is evident in the appearance of multiple watermarks in the same year of accounts (see the year 1403 in K91). The problematic example of the letter “P” presents a larger issue because the watermark appears far earlier than it should. It is not the only example of this phenomenon either- the watermark of 1410, a crown with a cross, first appears in the account books in 1407.

Rijksarchief te Gent K98 1410.
Rijksarchief te Gent K91 60r.

Based on the examples above, the efforts of the monks of St. Bavo’s were misguided in their attempt to coherently construct a means of dating their earlier documents. We know the monks were not papermakers themselves, so they did not have access to the wire frames with watermark outlines. These monks used their own watermarked documents to create their dating system, but they certainly did not rely upon the account books. If they had done so, they could not have drawn the conclusions they did. Perhaps they used a no-longer extant corpus of charters, but even in that case, the medieval monks of St. Bavo’s did not use watermarked paper in such a systematic and chronologically coherent way. They used the paper when they needed it- sometimes this was paper from decades earlier, sometimes this was new paper.

Further Reading-

Brown, Michelle P. Understanding Illuminated Manuscripts: A Guide to Technical Terms. Los Angeles: Getty Publications, 1994.

Briquest Online- http://www.ksbm.oeaw.ac.at/_scripts/php/BR.php

Uscurrency.gov

Arch.be/index.php?l=en

 

What’s in a name?

Titular Confusion in the Economic Records of Late Medieval Burgundy

Queen Elizabeth II. The Earl of Grantham. The King in the North. Rank and titles from popular television shows like The Crown, Downton Abbey, and Game of Thrones capture the modern imagination with images of conniving courts, opulent balls, and fancy dinners. But what did rank and title signify to the medieval mind? This question has provided the backdrop for some of the most prominent works of medieval scholarship, and the question has continued to interest and influence current work. One medieval society, in particular, had a healthy respect for, and perhaps an unhealthy obsession with, titles and status: late medieval Burgundy, the Grand Duchy of the West.

Burgundy earned its name of “Grand Duchy,” by the power of its statecraft and economy. At any given point, the Duke had a massive entourage of counselors. For major affairs of state, such as making peace with France, the numbers could go into the hundreds of men (Russell, Congress of Arras). The Duke kept very careful economic records of his payments to his subordinates at court, in what is called the Recette Générale. In studying the Recette, one is immediately struck by the length and structure of the titles of each person receiving payment. Titles mattered to the people of Burgundy. The order in which their titles were listed mattered too:

Archives départementales du Nord série B 1945, f. 330v.

The picture above is a standard entry in the Recette Générale. It reads (translated from middle French) “to the Reverend father in God, the bishop of Bethlehem, counselor and confessor to monseigneur the duke.” The order of the confessor’s titles here is consistent with the economic records in Lille: first came the appellation, here “reverend father in God,” but it could also be something like “sir,” or “my lord.” Following next generally was the name of the individual, which is omitted in this instance. Luckily we do know the name of this confessor was Friar Laurens Pignon from payments in earlier records. After the name came the confirmation of any title held by the payee and the place it was held. Here it is “the bishop of Bethlehem.” Lastly, the record includes the position (if any) the person in the entry held at court: “counselor and confessor of monseigneur the duke.”

With such careful attention placed on the titles, it is especially interesting when the accounts strayed from their standard formula. One mild variation is the exclusion of the episcopal title in payment to the confessor Pignon from two years earlier:

Archives départementales du Nord série B 1942, f. 56r.

As one can see, the expected “reverend father in God, the bishop” is missing. The receiver general has replaced the longer title with an abbreviated “monseigneur of Bethlehem.” Such a title does not indicate his episcopal role, although the normal positions at court are included, “counselor and confessor.” The omission of the first half of the bishop’s title is not especially surprising here. The confessor had appeared multiple times earlier in the accounts with his full title included (f. 27v-29r). In all likelihood, the explanation here is an instance of rushed record keeping. There was only one monsieur of Bethlehem, after all.

A more interesting “error” in the accounts concerning the confessor occurs in only one year of the Burgundian accounts: 1432, the same year that Pignon transferred from his old diocese of Bethlehem to the more prestigious diocese of Auxerre.

Archives départementales du Nord série B 1945, f. 60v.

Here, the title proceeds according to the expected formula: “to the Reverend father in god, the bishop of Auxerre, counselor and confessor of monseigneur the duke.” According to the careful naming conventions of the Recette Générale, the title of Auxerre should be found throughout the rest of the year. In fact, the opposite is true. The title of Auxerre appears one additional time in the accounts of 1432. However, the Duke of Burgundy pays Pignon ten more times in the year, always with the title of “Reverend father in god, the bishop of BETHLEHEM, counselor and confessor of monseigneur the duke.”

Archives départementales du Nord série B 1945, f. 103r.

The reversion by the Recette Générale to Pignon’s old title is undoubtedly an aberration- in the following years until his death in 1449, Pignon is identified as the Bishop of Auxerre. More importantly, the title of Bishop of Bethlehem no longer correctly referred to him- A fellow Dominican by the name of Dominic filled the post in 1433 (Eubel, Hierarchia Catholica vol. 2, 118).

There are a number of explanations for the oversight. The easiest one to dismiss would be the intentional disrespect of Friar Pignon by the Recette Générale by referring to him in a less prestigious way. No surviving evidence suggests that Pignon ever had issues with the Duke’s accountants. Indeed, he even helped them perform their duties in rare instances. Another explanation is that the members of the Recette Générale did not know of Pignon’s promotion- there were many members of the accounting body, sometimes with multiple receiver generals in a year. Perhaps the lower levels of the administration simply did not know of Pignon’s advancement to a higher bishopric. A third possibility is that the Recette Générale knew Pignon too well- again, Pignon shows up in the economic records every year he was in the Duke’s service, from 1412-1449. In 1432, he had been at court for 20 years and had been the Bishop of Bethlehem for almost a decade. To my mind, this is the most sensible and likely explanation.

This example of Laurens Pignon is meant to show something simple about the use of titles in the medieval period. Even a culture highly cognizant of standing, title, and rank made mistakes in this regard. The members of the Recette Générale knew Laurens Pignon, and had known him for many years. To them, he was the Bishop of Bethlehem, the counselor and confessor to the Duke. The promotion to Auxerre undoubtedly felt real to the confessor, but to the rest of court, it perhaps took more time to register.

Further Reading-

Blockmans, Wim, Antheun Janse (eds.). Showing Status: Representation of Social Positions in the Late Middle Ages. Turnhout: Brepols, 1999.

Duby, Georges. The Three Orders: Feudal Society Reimagined. Chicago: University of Chicago Press, 1982.

Eubel, Konrad. Hierarchia Catholica medii aevi vol. 2. Regensburg: Monasterii Sumptibus et typis librariae Regensbergianae, 1913.

Russell, Joycelyne Gledhill. The Congress of Arras, 1435: A Study in Medieval Diplomacy. Oxford: Oxford University Press, 1955.

http://www.archivesdepartementales.lenord.fr