Vernacular religious literature from fifteenth-century Germany is not known for being eloquent, creative, or interesting. When I proposed a dissertation topic that heavily involved the era’s didactic literature, one of the members of my committee responded, “Are you sure you want to do that?”
Yet fifteenth-century Germans produced more vernacular literature than any other time or place in the Middle Ages, and scholars estimate seventy to eighty percent of it was religious. [1] These books, however lacking in literary splendor, were wildly popular both to read and to write; they survive from clerical and lay libraries alike.
The context adds one more layer to the interesting (really!) German hagiography of Elisabeth Achler von Reute (1386-1420), written by her confessor Konrad Kügelin. Kügelin wins no prizes for his prosecraft, to be sure. He makes up for it with his ebulent enthusiasm for Achler’s sanctity and his obvious concern for her as a person. But most of all, he makes up for it through the often colorful stories he spins out of what was apparently a quiet and peaceful cloistered life.
Painting of Elisabeth Achler in the monastery at Ruete. Paulin Link, “The Good Beth,” Ostfildern, 1992.
Achler was a sister in a convent founded by Augustinian friar Kügelin and loosely affiliated with the Franciscan Order. As her Leben shows, she spent most of her adult life struggling to fit the mold of a late medieval holy woman. Above all, that mantle meant self starvation. Achler was either a star or a fraud—depending on whether you asked Kügelin or asked his portrayal of the convent’s other sisters.
Kügelin insists upon their suspicion (argwon) of Achler’s supposed miraculous inedia again and again through the Leben. He’s not reticent about the reason for the emphasis: it demonstrates Achler’s Christ-like forebearance in the face of persecution. Here, I’m going to look at two episodes depicting the sisters’ suspicion.
The first one is actually pretty cute, or at least, it would be cute if it weren’t so sad. One day, the sister assigned to the kitchen sets up to cook several pieces of meat. But when it’s time to eat, there are only two pieces left. When one sister wonders aloud where the meat went, the cook answers, “Oh, where all the other things must go—our cat with two legs must have taken it.” [2]
Cats, Aberdeen Bestiary, England ca. 1200 Aberdeen University Library, MS 24, fol. 23v.
The “cat with two legs” story is short and almost sweet, even if Kügelin was attempting to portray the sisters’ suspicion instead of their support for Achler’s efforts at sanctity. A second anecdote could likewise be spun as suspicion or concern. Realizing that Achler hasn’t been eating, one sister goes off to the town of Reute to buy “little fishes” that hopefully she will like. Achler dutifully eats them—demonstrating her adherence to monastic obedience, of course. But she almost immediately throws them back up, not even slightly digested. [3]
In both cases, Kügelin’s presentation of events can be read as suspicious sisters setting a deliberate trap with simmering meat on the stove or specially-purchased fish, or as concerned sisters desperately trying to get Achler to eat something. Rather than unravel that mystery, I’m going to take a more basic approach: Kügelin’s presentation of events can be read in the first place.
Eustachius Gabriel: Elisabeth on her death bed, accompanied by sisters and Konrad Kügelin, fresco, 1764, restored in 1875, in the Church in Reute.
Kügelin wrote numerous drafts of Achler’s Leben, which survive in multiple manuscripts. Their relationship was examined by Karl Bihlmeyer in 1932, who showed that the cat with two legs story and the little fishes episode are both new to one of the revisions. In the oldest version, the two anecdotes have only a faint presence. Regarding the first, Kügelin notes that some beans and lentils went missing from the kitchen. That’s the beginning and end of the “action” in a long paragraph emphasizing suspicion. No simmering meat, no cute comments. In the little fishes story, similarly, there are no trips to town and no little fishes. Achler eats something one day and promptly throws it up. [4]
Thus, Kügelin added or embellished stories from the likely first to the likely second drafts of Achler’s Leben.
As a modern reader, I appreciate this development. As a scholar who told her concerned committee member, “Yes, I’m sure,” I also appreciate that Kügelin went against contemporary trends when he increased the entertainment value of the hagiography. He did the equivalent of writing out his sermons with great exempla already woven in.
Unfortunately and unfairly, I have to leave you—and more to the point, me—without a snappy conclusion regarding why Kügelin believed these later additions would strengthen the case for Achler’s sainthood. But look on the bright side. Two different versions of Achler’s hagiography have been in print since 1881 and 1932. What better time to start comparing them than 2020?
Cait Stevenson PhD in History University of Notre Dame
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[1] See, for example, Karl Ruh, “Geistliche Prosa,” in Europäisches Spätmittelalter, ed. Willi Ergräber, Neues Handbuch der Literaturwissenschaft 8 (Akademie Verlagsgesellschaft Athenaion, 1980), 565; Werner Williams-Krapp, “The Erosion of a Monopoly: German Religious LIterature in the Fifteenth Century,” in The Vernacular Spirit: Essays on Medieval Religious Litearture, ed. Renate Blumenfeld-Kosinski, Duncan Robertson, and Nancy Bradley Warren (Palgrave, 2002), 239.
[2] Anton Birlinger, ed., “Leben heiliger alemannischer Frauen I: Elisabeta Bona von Reute,” Zeitschrift für Sprache, Litteratur, und Volkskunde des Elsasses, Oberrheins und Schwabens 9 (1881): 280.
[3] Birlinger, 281.
[4] Karl Bihlmeyer, ed., “Die Schwäbishe Mystikerin Elsbeth Achler von Reute (d. 1420) und die Überlieferung dihrer Vita,” in Festgabe Philipp Strauch zum 80. Geburtstage am 23. September 1932, ed. Georg Baesecke and Ferdinand Joseph Schneider (Max Niemeyer Verlag, 1932), 101-102.
The expansion of the Oghuz Turks towards the Levant region in the early to mid- 11th century had crucial importance not only for the Middle eastern region but also world politics. The expansion of the Turkish political dominance in the region culminated in the Battle of Manzikert in 1071 which paved the way for various Turkish-speaking groups to migrate to Anatolia in the hopes of finding a new financial resource for their nomadic economic structure. The Turks conquereed to the region by the force of arms; however, as time passed, they began to adapt to the cultural, ecologic, politic and socio-economic realities of their new homelands. Their close interactions with the neighboring communities not only reshaped their physical appearances, economic structures, administrative and bureaucratic practices but also introduced them to new spiritual and religious beliefs. Contemporary scholarship in the area of interfaith and several cross-cultural studies have recently demonstrated how the Turks actually borrowed eschatological ideas and notions with respect to the end of the world and the developments that are expected to take place prior to this cataclysmic event.
Although interfaith and cultural exchange began taking place between the Greeks and Turks immediately after 1071 (and perhaps even before then), I would argue these interactions noticeably increased alongside the Turkish political expansion towards western Anatolia and Thrace especially after the late 1200s and early 1300s. The missionary activities of Turkish holy men and the tolerant attitudes of the state officials in these Turkish-controlled regions created an environment for Christians and Muslims to discuss various spiritual matters and learn more about each other’s faiths. In fact, one of the most influential Orthodox clerics, Gregory Palamas, was invited by the Ottoman court to converse about religion with a Muslim spiritual figure in the 1340s. Referring to several striking similarities between the Jesus Prayer and Dhikr practice, some scholars even argue that the influence of Islamic Sufi ideology encourages the appearance of Hesychasm in the Byzantine spiritual environment in this period.[1] Besides the Islamic ideological influence over Orthodox Christianity, it seems that some Christian beliefs also disseminated among the Muslim believers.
Christ as the apocalyptic Lamb with the cross on the throne surrounded with seven candlesticks. Chancel mosaic, 6th century CE.
A certain Ottoman Sufi by the name of Ahmed Bican who lived in fifteenth century Gallipoli seems to have possessed an extensive knowledge about the Byzantine apocalyptic traditions. In his book, Dürr-i Meknûn, not only he did refer to several Byzantine messianic beliefs, but he also refashioned them with an Islamized veneer. For example, although there is no certain date regarding the end of the world in the theology, adopting the Byzantine tradition, adopted the opinion that doomsday will take place in 1492. What is even more noteworthy is his familiarity with the Byzantine liturgical calendar. It seems that he was personally aware of the Byzantine system since he states that Byzantine scholars determined the era of humankind as 7000 years; however, since Muslims use a lunar calendar instead of solar calendar, he notes that it should be regarded as 7200 years by the Muslims.
Furthermore, a general belief about the blonde people in Byzantine apocalyptic and messianic expectations can be observed in Bican’s work too. According to these, the Byzantine peoples believed that their capital, the city of Constantinople, will fall to their enemies one day; however, a blonde nation from the northern regions will soon appear to help the Greeks to ‘liberate’ their previous possession, expelling the Muslims as far as Syria. In his work, Bican also stated that one of the “blonde peoples” from the northern regions will indeed recapture Constantinople and expel the Muslims soon but he also made some additions to the story. Attributing a messianic role to the Ottoman ruler, he argued that the sultan will appear in this desperate situation and be able to defeat the blonde people by recapturing Constantinople for the second time, glorifying the religion of Islam.
Georgios Klontzas, “The Last Judgement” (1540-1608).
Yet lastly, Bican seems to have been aware of a Greek messianic tradition prophesizing “the return of the king” which promises a rightful ruler will reclaim the throne of Constantinople. The Laskaris dynasty which came to power in Nicaea after 1204 had a special importance for western Anatolians since Laskarid rulers initiated an economic development program in the region and successfully protected the eastern borders against the Turcoman incursions in this period. When Michael Palaeologus usurped the Byzantine throne in 1261 by imprisoning and then blinding John, the last Laskarid ruler of the empire, the western Anatolian Byzantines began developing stories, predicting his expected return. Cyril Mango argues this belief even spread to the European half of the empire since a prophecy which was circulated in the 13th century tells about a civil war that would take place in Constantinople. According to this prophecy, he argues, at the end of the civil war, as an old and shabbily dressed man, John Laskaris would appear in Constantinople to be crowned by the angels. His shabbily dress and his old age refers to the imprisonment case and signals that a civil war will take place in his later years. After the enthronement, the angels will give him a sword, saying; “Take courage, John, vanquish the enemy!”
Depiction of a Deviant Dervish from the Early Ottoman Period (Abdal-i Rum), in The Nauigations, Peregrinations, and Voyages,Made into Turkie by Nicholas Nicholay Daulphinois, trans. T. Washington the Younger, 103r.
In Bican’s work, I think, it is possible to observe several clues about this late Byzantine apocalyptic expectation since Bican also talks about a civil war that would wake place in Constantinople. According to his interpretation, the fighting parties will be led by two military figures who have these initials in their name: “M” and “S”. Although, I think, “M” might represent Michael Palaeologus, “S” does not match with John’s initial. However, I argue that this letter might be modified in a later period due to Bican’s concern with adjusting it to a specific contemporary ruler. It is also within the boundaries of possibility that “S” stands for the second and last consonants of the dynastic name of John: Laskaris. Although the events were given in a very fragmented nature in this work, Bican also points out an imprisonment case, saying that the imprisoned will soon take the throne by defeating his enemy which has a clear resemblance with John Laskaris’ imprisonment by Michael.
Messianic and apocalyptical intellectual exchange constitute a small part of interactions between the various groups of Christians and Muslims, who have lived in the Middle East and the Balkans side by side for the centuries. There are many more cultural and religious interactions between these people in this regard including but not limited to spread of brotherhood (futuwwa) institutions from the crusader states to the Muslim world in the Levant region. Although scholars have begun turning their focus to these borrowings in the eastern Mediterranean in the last couple of decades, there are still a long way to traverse since western Anatolia and the Balkans have received less attention so far. Hopefully, as the winds of time are changing, more scholars and students will become curious about the relations, interactions and shared traditions between Christians and Muslims in Istanbul and beyond.
Husamettin Simsir PhD Candidate in History University of Notre Dame
Further Reading
Arnakis, G. Georgiades. “Gregory Palamas among the Turks and Documents of His Captivity as Historical Sources.” Speculum, Vol. 26, No. 1 (1951): 104-118.
Bican, Yazıcıoğlu Ahmed. Dürr-i Meknun. Trans. Necdet Sakaoğlu. İstanbul: Tarih Vakfı Yurt Yayınları, 1999.
Karamustafa, Ahmet. God’s Unruly Friends. Utah: University of Utah Press, 1994.
Preiser-Kapeller, J. “Webs of conversion. An analysis of social networks of converts across Islamic-Christian borders in Anatolia, South-eastern Europe and the Black Sea from the 13th to the 15th cent.” Workshop Cross-cultural life-worlds, Institute for Byzantine Studies, Austrian Academy of Sciences, Bamberg 2012.
Şahin, Kaya “Constantinople and the End Time: The Ottoman Conquest as a Portent of the Last Hour” Journal of Early Modern History 14 (2010): 317-354.
Shawcross, Teresa. “In the Name of the True Emperor: Politics of Resistance after the Palaiologan Usurpation” Byzantinoslavica 66 (2008): 203-229.
Spanos, Apostolos. “Imperial Sanctity in Byzantium: The case of the emperor John III Vatatzes” Research Gate 10.13140/RG.2.1.3635.6248.
[1] Nicol defines the prayer practice in the Eastern Christian tradition as follows: “in the solitude of his cell, the monk must sit with chin resting on his breast and eyes fixed upon his navel. Then, while carefully regulating his breathing, he must say over the Jesus-Prayer.” Donald M. Nicol, Church, and Society in the Last Centuries of Byzantium (Cambridge: Cambridge University Press, 2008) 38.
With Witch ranked the most popular costume nationwide, Frightgeist reports, “There’s a frighteningly high chance you will see a Witch costume on Halloween this year” – and these costumes will likely share some similarities. Asked to describe the physical features of a witch, we tend to list tropic characteristics like those returned through a Google search: she is old and ugly with a hooked nose and green or otherwise sallow skin. First and foremost, however, the witch is a woman.
The iconic Wicked Witch of the West, played by Margaret Hamilton in The Wizard of Oz (1939).
The last known execution for witchcraft was recorded in 1782, at which time some 110,000 people had been tried and up to 60,000 had been executed – most of them women.[1] Not quite as well-known as the witch trials themselves, the Malleus maleficarum, or the Hammer of Witches, served not only as an extensive manual for the identification of witches but also advocated for their extermination.
But even before the publication of the Malleus in 1487, there was De secretis mulierum, or On the Secrets of Women, an immensely popular treatise composed in the late-thirteenth or early-fourteenth century that still survives in more than 80 manuscripts. Drawing from medieval medical philosophy, the Secrets branded women as evil based on their biological composition and helped lay the foundation for the figure of the witch, which resulted in the deaths of so many women.
Specifically, the ideas about sexuality solidified through the intersections of medicine and religion situated women not merely as inferior to men but as polluted both physiologically and psychologically, via which they were eventually posited as predisposed to evil. The anatomical traits that distinguished women and men situated the sexes as binary opposites: they were a heterogenous, hierarchical pair. In conjunction with humoral theory, female softness and weakness were attributed to the body’s cool composition, while male strength and hardness were generated by their hot and dry climates.
Diagram illustrating the relationship of the four humors, depicted as radiating diagonally from the center, to the temperaments, planets, and seasons (c. 1450-1475), The Morgan Library & Museum MS B.27.
Menstrual blood and semen, according to medieval physicians, were the defining essences of woman and man and were starkly contrasted in terms of their character. Menstrual blood was seen as an excess and, therefore, as physical evidence of the defectiveness of the female body because “it marked the inability of the body to become warm enough to refine blood.”[2] The blood itself was considered toxic because it was comprised of “unrefined impurities.”[3]
Schematic diagram of a uterus, one of the earliest surviving anatomical drawings from Western Europe (c. 1250-1310), Bodleian MS Ashmole 399, f. 13v.
Although semen was thought to be a form of blood, it was blood that had been transformed into a precious substance within the testicles after traveling down the spinal cord from the brain.[4] Through its direct connection with the brain, male sexuality was associated with cognitive activity and rational, measured behavior. Women’s sexuality was posited as opposite: their bodies were considered passive, but women themselves were considered “profoundly sexual.”[5] The womb was central to the understanding of female anatomy and determined women’s passivity in contrast to men’s activity, as well as her association with the physical body. Moreover, women were characterized as open in relation to their genitalia, which subsequently indicated their openness to sexual activity and informed the idea that women were inherently lustful.[6]
In an image accompanying the first of the seduction scenes in Sir Gawain and the Green Knight (c. 1400), the Lady stands over Gawain while he lies asleep, apparently naked, British Library MS Cotton Nero A.x., f. 125/129r.
Attitudes toward women’s sexuality were also influenced by Christian beliefs, which associated sex with original sin. As the descendants of Eve, women were deeply connected with desire and consistently constructed as temptresses. In effect, they disproportionately bore responsibility where temptations of the flesh were concerned. Church fathers considered men “strong, rational, and spiritual by nature,” while women were “not only soft, but carnal,” in short, they “embodied sexuality” and continuously reproduced Eve’s initial temptation of Adam.[7]
Illuminated image of The Fall of Man, depicting Adam and Eve holding fruit from the Tree of Knowledge to their mouths and a female-headed serpent entwined around the trunk between them, Ramsey Psalter leaves (c. 1300-1310), The Morgan Library & Museum MS M.302, f. 1r.
Drawing upon both biology and theology, medieval medicine synthesized the phallocentric understandings of women’s bodies and their perceived proclivity for sex and sin. While intercourse was believed to negatively alter men’s bodily composition, it was considered necessary for women, who were more likely to suffer from a lack of sexual activity. Menstrual blood was considered superfluous and conflated with pollution: its retention harmed the woman whose body failed to purge its humoral excess, and its expulsion threatened to poison others, causing illness and even death. Because their bodies were viewed as toxic, women were considered largely responsible for the transmission of diseases, especially those associated with sexual activity.
Marginal image of a leprous beggar ringing a bell from The Evesham Pontifical (c. 1400), British Library MS Lansdowne 451, f. 127r.
The Secrets then transmuted medical philosophy into overt misogyny and deemed women dangerous explicitly in relation to their sexuality. A particularly poignant passage describes the process by which women, essentially, drained and absorbed men’s life force through sex:
“The more women have sexual intercourse, the stronger they become, because they are made hot from the motion that the man makes during coitus. Further, male sperm is hot because it is of the same nature as air and when it is received by the woman it warms her entire body, so women are strengthened by this heat.”[8]
Describing menstruation as a time during which “many evils” arise, the Secrets cautions against intercourse, warning men that women are prone and prepared to deliberately cause them harm: “For when men have intercourse with these women it sometimes happens that they suffer a large wound and a serious infection of the penis because of iron that has been placed in the vagina.”[9] According to a commentary that often circulated with the manuscript, the man may not even notice that he has been wounded by the iron vindictively concealed within the vagina “because of the exceeding pleasure and sweetness of the vulva,”[10] an ominous addendum that vividly draws together desire, danger, and disease at the site of the female body.
Desire and danger similarly coalesce in Sarah Stephens’ role in The VVitch (2015). Set in Puritan New England in 1630, the film portrays the destruction of a pious family whose fear of witchcraft spreads among them like a disease.
Even body parts not in direct contact with menstrual blood could become infected during menstruation. The Secrets describes the process by which a serpent is generated following the planting of hairs from a menstruating woman,[11] a proposition that viscerally evokes women’s connection with Eve and, more pointedly, with the devil.
A witch attempts to entice the young protagonist with a snake she removes from her handbag in The Witches (1990), based on the novel by Roald Dahl. Moments later, she places its body around her neck and then begins whispering to the creature. The 2020 remake emphasizes the connection between witches and snakes at several points in its revised plot, including the snake-like resemblance of the witches themselves.
Older women were considered especially dangerous when their periods became intermittent, even more so following menopause when they failed to discharge superfluous fluid from their bodies and became increasingly noxious as a result. A passage from the Secrets explains as follows:
“If old women who still have their periods, and certain others who do not have them regularly, look at children lying in the cradle, they transmit to them venom through their glance … One may wonder why old women, who no longer have periods, infect children in this way. It is because the retention of the menses engenders many evil humours, and these women, being old, have almost no natural heat left to consume and control this matter, especially poor women, who live off nothing but coarse meat, which greatly contributes to this phenomenon. These women are more venomous than the others.”[12]
As the passage indicates, women who ceased to menstruate and subsisted on meager means were additionally threatening, a claim that further ostracized those already existing at outer margins of class society.
Located deep in the woods but eschewing its candy coating for far scarier fare, the witch’s house in Gretel and Hansel (2020) distances her from society, a feature that pervades both folkloric and popular culture representations of the witch.
The innate malice of women’s bodies, illustrated so poignantly in the Secrets, was a disparaging ideological assemblage disseminated throughout the late Middle Ages, which became ingrained and interpreted in a way that unequivocally connected women’s sexuality with evil. The treatise emphasizes the wickedness of women’s physiological composition and psychological character and elevates their social stigma to its medieval pinnacle, perfectly epitomized in the text’s avowal that “woman has a greater desire for coitus than a man, for something foul is drawn to the good.”[13] And of course, men were not the only ones at risk; the innocent victims often included children.
The Sanderson sisters, from Disney’s ‘Hocus Pocus’ (1993), who despite their humorous depiction draw their strength by sapping the life from children.
It is these misogynistic ideas about women’s sexuality that seeded their demonization in the years that followed, as the Secrets served as a direct source for the Malleus maleficarum. Indeed, the most famous statement from the Malleus explicitly connects witchery with ideas about women’s sexuality rooted in the medieval period: “All witchcraft comes from carnal lust, which is in women insatiable.”[14]
Women giving wax dolls to the devil, The History of Witches and Wizards, 1720, Wellcome Collection, London, U.K.
Emily McLemore PhD Candidate in English University of Notre Dame
[2] Joyce Salisbury, “Gendered Sexuality,” Handbook of Medieval Sexuality, edited by Vern L. Bullough and James A. Brundage, New York and London: Garland Publishing, Inc. (1996): 81-102, at 89.
[4] Danielle Jacquart and Claude Thomasset, Sexuality and Medicine in the Middle Ages, translated by Matthew Adamson, Cambridge: Polity Press (1988), at 13.
[8] Helen Rodnite Lemay, Women’s Secrets: A Translation of Pseudo-Albertus Magnus’ De Secretis Mulierum with Commentaries, Albany: State University of New York Press (1992), at 127.
[12]Les Admirables secrets de magie du Grand Albert et du petit Albert, MS Paris, Bibliothéque nationale, Latin 7148, fol. 2 r. 9 v., translated by Jacquart and Thomasset, Sexuality and Medicine in the Middle Ages, at 75.
