Medieval Wanderlust and Virtual Wayfinding

Google “wanderlust” and you’ll be greeted by a barrage of images of stunning landscapes, wrinkled maps, and relatively-unoriginal tattoos. The word, now tagged over fifty million times on Instagram, denotes “an eager desire or fondness for wandering or travelling” and has clearly captured the popular imagination, earning articles on BuzzFeed and finding itself titling disappointing movies.  Though the word itself only entered the English language around the beginning of the twentieth century, the concept — according to cognitive theorists — is likely as old as humanity itself. Nancy Easterlin, in her chapter, “Cognitive Ecocriticism: Human Wayfinding, Sociality, and Literary Interpretation,” argues that humans have innate needs to “travel in time and through space without getting lost” as a means for gathering resources, seeking refuge, and obtaining knowledge.1 Wayfinding, this human drive to explore and attach meaning to the world around us, establishes an important cognitive basis for our contemporary obsession with wanderlust. But what happens when our ability to navigate our environments is limited? And is this sudden cultural obsession with travel, with all of its racist and classist baggage, really a new phenomenon?

Religious pilgrimage — a journey “made to a sacred place as an act of religious devotion” — may at first glance have little in common with the contemporary wanderlust fever, but in the late medieval period, faithful pilgrims often went to great lengths to traverse the known world in order to visit many of the same landmarks populating Instagram pages today. Pilgrimages were typically undertaken by groups of travelers, and these journeys could be as short as Chaucer’s famous trip from London to Canterbury or as long as medieval mystic Margery Kempe’s voyage from Lynn to Jerusalem. Records of these pilgrimages prefigure many of the critiques of present-day travel — namely, that “the experience of travel [was] exotic” and “the purview of the privileged.”2 Despite this, I wish to read pilgrimage — one of the most common types of medieval travel — as motivated not just by religious devotion, but by a human cognitive need to wander.

This reading is facilitated by accounts of medieval religious devotees who found themselves confined, enclosed, or otherwise unable to undertake the physical pilgrimages, yet nevertheless invented means to satisfy this cognitive urge. In his work with the itinerary maps of thirteenth-century Benedictine monk Matthew Paris, Daniel K. Connolly demonstrates that “cloistered monks, though discouraged from going on pilgrimages to the earthly city [of Jerusalem], could nonetheless use Matthew’s maps for an imaginative journey to the Heavenly Jerusalem.”These imagined journeys, I believe, were abetted by the map’s engagement with the same cognitive processes that human beings experience when wayfinding, or moving through physical space. This map (pictured below), depicts the Holy Land from a bird’s-eye perspective — cognitive scientists call this a “survey” perspective, in contrast to the horizontal “route” perspective experienced when actually traveling through a location.4 At first glance, this seems odd — how does this survey perspective aid imagined travel experiences, when human beings generally experience travel through a horizontal route-based perspective? The answer, in all too-human fashion, has to do with time.

Matthew Paris’ itinerary map. The physical action of unfolding the tabs on this map may have helped monks immerse themselves in the imaginative travel experience. British Library Royal MS 14 C VII, f.4r.

Spatial cognitive researchers theorize that human beings initially conceive of new environments horizontally, using route-based perception; in recall, first-time travelers imagine themselves at the center of their memories, with the environment situated around them. Over time, however, we restructure this mental image, creating survey knowledge of a location — in other words, the more time we spend in a location, the more we’re able to imagine from a bird’s-eye view. The map of Matthew Paris, as a tool for imaginative travel, reflects this cognitive restructuring. If the point of a pilgrimage is to allow a traveler to truly immerse themselves in the historical life of Christ in the world that he knew, then an imaginative traveler needed to experience the world as Christ did: through a complex, survey perspective.

Logan Quigley
Ph.D. Student
University of Notre Dame


1. Nancy Easterlin, “Cognitive Ecocriticism: Human Wayfinding, Sociality, and Literary Interpretation,” Introduction to Cognitive Cultural Studies, ed. Lisa Zunshine (Baltimore: Johns Hopkins University Press, 2010).

2. Kathryn M. Rudy, Virtual Pilgrimages in the Convent: Imagining Jerusalem in the Late Middle Ages (Turnhout: Brepols Publishers, 2011).

3. Daniel K. Connolly, “Imagined Pilgrimage in the Itinerary Maps of Matthew Paris,” Art Bulletin (81:4), 598.
Ehrenschwendtner, Marie-Luise. “Virtual Pilgrimages? Enclosure and the Practice of Piety at St. Katherine’s Convent, Augsburg.”…

4. Montello, et. al. “Real Environments, Virtual Environments, maps.” Human Spatial Memory, 261.

Lordship, Violence, and other Shenanigans in the Morgan Picture Bible

One of the best sources for a good understanding of the ways lordship was enacted in the medieval period is to take a good look at manuscript illustrations. Historians have used the Morgan Bible, commissioned in the 1240s by Louis IX, to reconstruct the material culture of thirteenth-century France, but even more useful is the access the manuscript gives us to rituals of power in the period. The first image includes King’s Saul’s anointment as king of Israel.  It is identical to the form that a thirteenth-century coronation ritual would take.

The Morgan Bible is useful as an exemplar of manuscript transmission. Below, one gets a clear look at the Latin biblical quotations at the top and bottom, as well as the Persian and Judeo-Persian inscriptions added during the manuscript’s seventeenth-century tenure at the court of Shah Abbas, King of Persia. This is even more remarkable when one realizes that the Bible originally had no text, each script was added later as the manuscript traveled.

Saul and the Army of Israel battle the Amalekites, Saul is anointed King by Samuel. Morgan MS M.638 (fol. 23v) http://www.themorgan.org/collection/crusader-bible/46

It’s easy to tell right away that this is a royal manuscript. Red, blue, and green inks serve to correct or decorate texts of all kinds, but the palate range  of this project and the detail of the depictions could only be funded by royal patrons. The image of Goliath below gives a stark depiction of thirteenth-century arms, and if you look closely, you can see the stone embedded in Goliath’s head!

David faces Goliath and Beheads him with his own sword! Morgan MS M.638 (fol. 28v)– http://www.themorgan.org/collection/crusader-bible/56

Although recent work on the nobility of the High Middle Ages argues convincingly that aristocrats were far more literate than previously thought, one wonders if the Old Testament was chosen largely so the court could enjoy lavish illustrations of horrific violence. (Paul, 2013, 2006 Clanchy, 1978)

It is simple to identify characters in the Morgan Bible. King Saul is consistently drawn in orange and Jonathan is always dressed in grey while armed. David’s wardrobe changes consistently throughout, perhaps to emphasize his passage from shepherd boy to king in Israel. Below, he has adopted the clothes of a thirteenth century courtly youth and lord.

Jonathan warns David of Saul’s treachery, David doesn’t look too surprised… Morgan MS M.638 (fol. 30r) http://www.themorgan.org/collection/crusader-bible/59

Good lords always take counsel from their friends, even if your friend happens to be the son of the man who consistently tries to kill you!

Below is an illustration of the Israelites’ final battle with the Amalekites. Usually only the Israelites wear the large great helms worn by higher-status men at arms. If one looks closely, the scribe has inscribed ‘IOYOUSE’ onto the sword of a Philistine. Song of Roland, anyone?

Jonathan Sapp
University of Notre Dame

Footnotes:

Nicholas Paul, To Follow in Their Footsteps: The Crusades and Family Memory in the High Middle Ages (Ithaca: Cornell University Press, 2013)

Michael T. Clanchy, From Memory to Written Record: England, 1066-1307, 3rd. edn. (Wiley-Blackwell, 2012)

Jonathan and King Saul meet their deaths in a final battle against the Amalekites. Morgan MS M.638 (fol. 34v) http://www.themorgan.org/collection/crusader-bible/68#

Working in the Archives – The Rijksarchief te Gent

RA Gent, K56, Klooster de Filledieusen

This post contributes to our ongoing special series, “Working in the Archives.” Previously, our bloggers have explained the archival procedures in Morocco and in France. Today, I will discuss some strategies and tips to make a trip to the The Rijksarchief te Gent in Belgium a productive one.  

The State Archives in Gent is one of the major depositories of medieval manuscripts in Belgium. I resided and researched in Gent for nine months and hope this blog will help scholars who are traveling to Gent, to the Rijksarchief, to complete research in a short amount of time and with limited knowledge of the city.

Below, I will discuss the practical knowledge needed to make an archive visit productive: how to get to the Rijksarchief from the train station (Station Gent-Sint-Pieters), what is needed to access the archive, how to search for material, how to request that material, and how long the material takes to arrive. Additionally, I will mention some quality of life information- a good place for lunch, for coffee, and for dinner and a drink after a long day in the archive.

How to Get There- Bagattenstraat 43, 9000 Gent

The train to Gent from Brussels Airport (BRU) takes either an hour or an hour and a half, depending on the available trains at the airport when you land. One can take any train going to Brussels Central and switch trains there to arrive faster. Train travel in Brussels is quite easy, with train times and destinations presented in Flemish, French, and English (most of the time, but not always). Upon arriving in Gent-Sint-Pieter’s, there are three easy ways to get to the Rijksarchief- tram, taxi, or by foot.  Taking a taxi in Gent is a bit pricey, so if one is on a budget, taking the tram or walking is the better option.

There is a tram that runs regularly from the front of Sint-Pieter’s Station. It is on the Red Line (1) that goes straight into the city center. The stop on the Red Line next to the Rijksarchief is called Verlorenkost. The stop is one street before Bagattenstraat, the street on which the archive is located.

To walk from the train station, one will want to follow the same path as the tram: first, take Konigen Elisabethlaan away from the station; after about a quarter of a mile, bear to the left onto Kortrijkseestenweg; remain on this street through a major intersection. The street changes in name to Kortrijksepoortstraat; continue on this street until you reach Bagattenstraat on the right, and the archive is the third building on the left. It is a large white building.

What You Need to Access the Archive

To access the material in the archive, one needs a research card (Lezerskaart). One can spend 5 euros for a weeklong visitor’s research card, or one can spend 20 euros for a yearlong card. You must show your personal reader’s card at every visit. It can be purchased on-site: the annual card gives access to all the reading rooms of the State Archives of Belgium. If one has a student card from the University of Gent, the card is half price.

How to Search For Material

RA Gent K54, Grauwe Zusters bij Sint-Jans
RA Gent K52, Klooster van Arme Klaren

One can search the Rijksarchief online at arch.be/. However, many of the inventories of the collections held in the archive are not online, and can only be consulted in-person. The inventories are shelved on the second floor in the reading room.

To fully understand what the inventories and search tools say, one needs to have some grasp of Dutch. Most of the finding tools are only in Dutch, although one can ask the staff for clarifications and assistance. At minimum, bring a Dutch dictionary, as there is no Wi-Fi at the archive to look up words and phrases online.

How to Request Material and its Arrival Time

To request a manuscript, one can email the archive a day before to have the material ready in the morning. Otherwise, you must request them in person. The manuscripts are brought to the reading room on the top of every hour, so plan your time accordingly.

Quality of Life

In terms of walkability, Gent is a very manageable city. While it only takes about 15 minutes to walk to the city center from the Rijksarchief, there are nearby cafes and restaurants that are of excellent quality and affordable. My favorite spot near the archive is Vooruit- a restaurant at the other end of Bagattenstraat. It has good food at a good price, with a daily special every day. Vooruit also has excellent coffee. For an afterwork drink or game of pool, turn right out of the archive and go two buildings down to Kaptein Kravate.

Sean Sapp
University of Notre Dame