Evgeniia Ginzburg and Antonina Axenova Collection

Ginzburg and Axenova in Magadan, 1953.

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The Evgeniia Ginzburg and Antonina Axenova Collection is now open to students and researchers. The collection consists of several parts. The most important part revolves around Evgeniia Ginzburg (1904-1977), who spent 18 years in the Stalin GULAG and who chronicled those years in her memoir translated into English as: Journey into the Whirlwind and Within the Whirlwind. Ginzburg’s classic work is one of the earliest revelations of the Stalin camps and remains one of the most significant. The collection contains arrest documents, letters, some manuscript material, and many original photographs.

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Antonina Axenova with Evgenii Karelskikh in the movie I Serve on the Frontier (Lenfilm, 1974).

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Another part of the collection revolves around Antonina Axenova, who was born in the Kolyma camps and who was adopted by Ginzburg in 1949. Axenova became a film and stage actress, and the archive includes her documents, letters, photographs, scripts, programs, playbills, broadsides, and advertisements. Beisdes her career Axenova has also dedicated herself to preserving the legacy of her mother. She visited former KGB archives, made several trips back to the sites of the camps in the Kolyma region, and gathered together all of the material in the archive.

For a description of the collection’s over 700 items, see the finding aid. The collection also includes almost 100 books from the libraries of Ginzburg and Axenova. These books have been cataloged and can be located through the online catalog.

Spotlight Exhibit: Constructing Shakespeare

January 2016

The posthumous First Folio printing of William Shakespeare’s plays in 1623 represents a landmark development in the history of English drama, rescuing some of the bard’s works that would have been lost forever. The earlier editions that do exist, however, differ markedly from the First Folio, and there is little evidence that Shakespeare oversaw their publication. What, then, is the “real” text?

The Shakespeare we know emerges from hundreds of years of this debate. Current holdings and recent acquisitions in Rare Books and Special Collections shed light on the discussion as it developed into the nineteenth century. Selections from the Second and Third Folio accompany printings by some of Shakespeare’s earliest critical editors, including the famous poet Alexander Pope and the moral censor Thomas Bowdler.

This month’s spotlight exhibit is curated by Daniel Johnson, English Literature and Digital Humanities Librarian, and accompanies the special traveling exhibit “First Folio! The Book that Gave Us Shakespeare, on tour from the Folger Shakespeare Library.” The exhibit is open to the public 9:00am to 7:00pm Monday through Friday and noon to 5:00pm on weekends, through January 29, 2016 (extended hours due to the “First Folio!” exhibit).

Upcoming Events: January

“First Folio! The Book that Gave Us Shakespeare” on tour from the Folger Shakespeare Library will arrive at Rare Books and Special Collections in the Hesburgh Library during the first days of 2016 as one of the first stops of the exhibit’s yearlong nationwide tour. The exhibit will open on Wednesday, January 6 with a special ribbon-cutting ceremony (read more below).

On-Going Exhibits

First Folio Exhibit

January 6th – January 29th
Rare Books & Special Collections (102 Hesburgh Library)

9:00am – 7:00pm  Mondays through Fridays
noon – 5:00pm  Saturdays and Sundays

Guided tours of the First Folio exhibit will be offered daily by Hesburgh librarians and curators — Monday, Wednesday and Friday at 3:30pm; Tuesday and Thursday at NOON; and Saturday and Sunday at 2:00pm.

Tours will meet by the entrance to Rare Books and Special Collections (102 Hesburgh Library, first floor). Reservations are not necessary. If you are planning to bring a group, please feel free to alert Rare Books and Special Collections directly about your visit: rarebook@nd.edu or 574-631-0290. Times are subject to change.

First Folio Banner, Costume Display and “Selfie Station”

January 3rd – end of January
1st Floor North Entrance Gallery, Hesburgh Library

View this self-guided exhibit whenever the library is open.

“Constructing Shakespeare” — a Spotlight Exhibit of RBSC Shakespeare Books

January 6th – January 29th
Rare Books & Special Collections (102 Hesburgh Library)

9:00am – 7:00pm  Mondays through Fridays
noon – 5:00pm  Saturdays and Sundays

Special Events

Ribbon Cutting Ceremony

Wednesday, January 6 at 4:16pm
1st Floor North Entrance Gallery, Hesburgh Library

In January, Shakespeare at Notre Dame kicks off “SHAKESPEARE: 1616-2016,” a yearlong series of performances, conferences and special events commemorating the 400th anniversary of William Shakespeare’s death and his legacy. The First Folio exhibit and Notre Dame’s year-long celebration officially launch at 16:16 (4:16 p.m.) Jan. 6 with the ribbon-cutting ceremony in the Hesburgh Library’s new North Entrance Gallery.

Formal remarks will precede the official ribbon cutting beginning with Scott Jackson (Executive Director of Shakespeare at Notre Dame), followed by Diane Walker (Edward H. Arnold University Librarian), Rev. John I. Jenkins, C.S.C. (President of the University of Notre Dame), Pete Buttigieg (Mayor of South Bend), and John T. McGreevy (I.A. O’Shaughnessy Dean of the College of Arts and Letters).

“Folio Fridays” Lecture Series

January 8 at 4:00pmPrinted Shakespeare: Quartos, Folios, and the History of Books by Jesse Lander (Chair, Department of English)
Rare Books & Special Collections, Hesburgh Library

January 15 at 4:00pm | Mobile Shakespeare by Elliott Visconsi (Chief Academic Digital Officer)
Rare Books & Special Collections, Hesburgh Library

January 22 at 4:00pmMr. William Shakespeare’s Comedies, Histories, & Tragedies by Peter Holland (McMeel Family Chair in Shakespeare Studies)
Rare Books & Special Collections, Hesburgh Library

January 29 at 4:00pm |Centuries of Shakespeare by Michael Witmore (Director, Folger Shakespeare Library)
Carey Auditorium, Hesburgh Library

All four 90-minute lectures are free, open to the public, and located within the Hesburgh Library.

Shakespeare Week: January 18–22

During the third week of the First Folio exhibit – Monday, January 18 through Friday, January 22 – there will be increased traffic from 9am–3pm. Shakespeare at Notre Dame will be leading 90-minute encounters with over 1000 students from throughout Indiana and Southern Michigan.

Please be aware that access to the First Folio exhibit and to Rare Books and Special Collections resources will be limited during this time.

Polish Christmas Carols

Pastorałki by Tytus Czyżewski and Tadeusz Makowski

The images below depict Christmas celebrations by Gorals, the indigenous highlanders from the Carpathian Mountains in southern Poland. Dressed in traditional leather shoes with lacing, tight trousers with ornamented belts, and mountaineer hats with feathers, they gather joyfully to dance and sing.

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This charming livre d’artiste is comprised of six Christmas poems (pastorałki) written by Polish Futurist poet Tytus Czyżewski (1880-1945) between 1919 and 1922. Tadeusz Makowski (1882-1932), a leading Polish artist of his time, designed the cover and produced six full-page woodcuts to accompany each poem. Both artists were living in Paris when this book was commissioned and published in 1925 as an inaugural edition by the Polskie Towarzystwo Przyjaciół Książki (Polish Society of Book Lovers). Czyżewski’s expressive verse and Makowski’s “primitive” woodcuts capture whimsical images from folk tradition and rituals of their native land. Rustic and textured hand-made paper with rough and even edges on which the book was printed also conveys a sense of folksiness.

The present copy is a special issue printed for Staniława Piotra, who was the first president of the Polskie Towarzystwo Przyjaciół Książki. It was acquired by the library in 2013.

 

This is the last post for 2015. Happy holidays to you and yours from Notre Dame’s Rare Books and Special Collections!

 


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Who’s Who in RBSC: Dan Johnson

Dan JohnsonWith his excitement barely contained, Dan Johnson reveled in what a great addition this would be for RBSC—a map of Middle Earth annotated by J. R. R. Tolkien himself! Dan went on to explain that this map was recently discovered stuck in the renowned illustrator, Pauline Baynes’ personal copy of The Lord of the Rings and that it promises to be an important piece of Tolkien ephemera. “If only we had a Tolkien collection to justify pursuing this,” he lamented.

Dan’s enthusiasm and appreciation for the Inklings is among his many literary interests. He studied English literature, earning his BA from Bethany Lutheran College in Mankato, MN, and then went on to earn an MA from Wake Forest University. He is currently researching the supernatural in the 18th century. Part of this research examines the work of Charles Brockden Brown, the first major American novelist and Gothic fiction pioneer. He is finishing his dissertation, “Visible Plots, Invisible Realms,” en route to earning his PhD in English literature at Princeton University. All the while he is learning the ropes of the library world as the new English Literature and Digital Humanities librarian for Hesburgh Libraries.

Having come to Notre Dame in August, Dan quickly immersed himself in getting to know the collections, faculty, and students. Within the first couple of weeks, he was meeting with English students and faculty, and preparing classes that featured rare materials, including the works of Samuel Taylor Coleridge. He pulled out multiple editions of The Ancient Mariner and along with Professor Yasmin Solomonescu guided the students through Coleridge’s marginal glosses, talking about the book as artifact.

Tightly integrated with Dan’s interests in American and British literature from the 18th and 19th centuries is his fascination with how technology can enhance research in the Humanities. Dan founded and manages a digital archive of texts and digital humanities projects related to 18th- and 19th-century British and American literature called Scholar’s Grotto. This includes his own project, a scholarly edition of The Relief; or, Day Thoughts (1754), a parody and critique of graveyard poetry by Henry Jones, the “bricklayer poet.”

Dan is quite excited about enhancing RBSC’s literary collections. He has acquired two significant additions: a 1725 edition of Shakespeare’s works edited by Alexander Pope and the 1818 second edition of The Family Shakespeare in Ten Volumes edited by Thomas Bowdler. Both of these will be featured in his upcoming Shakespeare spotlight exhibit in RBSC—this will be the first exhibit Dan has ever curated. It will coincide with RBSC’s hosting of First Folio! The Book that Gave Us Shakespeare, the Folger Shakespeare Library’s touring exhibit that will bring a First Folio of the bard’s plays to each of the 50 states, Washington, D.C., and Puerto Rico. Dan will also lead guided tours of both exhibits and invites everyone to brave the snow and come out to learn about Shakespeare.

 


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Upcoming Events: December and January

Rare Books and Special Collections will be closed for Christmas and New Year’s Break (December 24, 2015, through January 5, 2016). We remain open for our regular hours during Reading Days and Exams, and welcome those looking for a quiet place to study.

In January, RBSC will be host to the exhibit First Folio! The Book that Gave Us Shakespeare, on tour from the Folger Shakespeare Library. Notre Dame marks the official first stop of the First Folio national tour and exhibit. Shakespeare at Notre Dame, along with faculty from the College of Arts and Letters, and members of the distinguished Shakespeare residency company Actors from the London Stage will also host the “Folio Fridays” Lecture Series, performances, workshops, and special displays throughout the month of January to complement this momentous occasion.

The exhibit will open on Wednesday, January 6 with a special ribbon-cutting ceremony.

Recent Acquisition: Loome Catholic Modernism Collection

by Jean McManus, Catholic Studies Librarian

The Hesburgh Libraries recently acquired the Thomas M. Loome Collection in Catholic Modernism, which comprehensively covers books on Modernism in Catholic thought, with over 1500 volumes. The modernist movement, from the late 19th into the 20th century, concerned theological, philosophical, and methodological insights applied to the Church’s engagement with the modern world. The controversies generated by this debate by many European and American Catholics led to censure, papal encyclicals, and excommunications. The themes resonated and were in many ways resolved in the course of Vatican II, and can certainly be said to be relevant to the global church today.

The printed works cover output from Great Britain, France, Italy, and Germany, but also include primary works for Modernism in the Netherlands, U.S., Switzerland, and Austria. Most of these printed works were published during the years 1895-1912, but also include subsequent studies and monographs on Modernism and individual Modernists.

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1893 manuscript (MSE-MD 3824-063) and 1928 letter to Gwen Green (MSE-MD 3824-104), both written by Friedrich von Hügel.

In addition to books, the collection includes manuscript material from several principal thinkers, including George Tyrrell (letters) and Friedrich von Hügel (correspondence with other thinkers and relatives). Thomas Loome, the compiler of the collection (and former owner/bookseller of Loome Theological Books, Stillwater, MN), has written widely on modernism, and the collection includes his extensive research notes, reprints, copies of archival sources, and correspondence concerning his research and the debates.

The Loome Catholic Modernism Collection monographs are housed in Rare Books and Special Collections, and can be found in the ND Catalog with the keywords “Loome Catholic Modernism Collection.” The manuscript and archival materials are being processed, and are accessible for use in the Special Collections reading room. Contact the department for more information about using the collection.

 


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Who’s Who in RBSC: Natasha Lyandres

nlyandresLetters written by and to Lady Byron—these are among the many rich surprises Natasha Lyandres has found in Rare Books and Special Collections (RBSC) since she joined the department in Fall 2013 as Head of Special Collections.

Before joining RBSC, Natasha studied Art History at Moscow State University and then earned a Master of Library and Information Science degree from San Jose State University. She has held positions as Special Projects Librarian for the Hoover Institution Library and Archives at Stanford University, Reference Librarian for the Joyner Library at East Carolina University, and Head of Acquisition Resources and Discovery Services at Notre Dame.

The main focus for her, according to Natasha, is working with her staff to make RBSC collections more visible and accessible to students, faculty, and researchers. This involves processing collections and making them discoverable in the library’s online catalog and on the department’s website. She and her staff also make the intellectual content of their collections understandable to specialists and non-specialists alike by providing descriptions on the RBSC website, talking to individuals, teaching classes in RBSC, and co-teaching courses with campus faculty.

Natasha is also curator of Russian and Eastern European collections. She continually searches for rare and unique materials that support the existing collection strengths and the research interests of Notre Dame teaching faculty. Among her recent acquisitions are avant-garde Russian and Polish rare books, materials by Aleksandr Solzhenitsyn and Joseph Brodsky, both recipients of the Nobel Prize for Literature, as well as documents about extraordinary lives of their interesting but less well-known contemporaries. Currently, she is working with the department’s manuscript processor, Ken Kinslow, to finalize the processing of and finding aid for the Elizabeth Markstein papers she acquired.

When asked if there is an item she dreams about acquiring for RBSC, Natasha replied without hesitating, “Kazimir Malevich’s On New Systems in Art: Statics and Speed—this is a phenomenal work by one of the most important artists of the twentieth century!” Natasha’s interests extend beyond art and manuscripts. She is currently immersed in The Millionaire and the Bard: Henry Folger’s Obsessive Hunt for Shakespeare’s First Folio by Andrea Mays. This page-turning read is setting the stage for the upcoming exhibit RBSC is hosting, First Folio! The Book that Gave Us Shakespeare, January 6-30, 2016. Notre Dame is the sole Indiana site to host the Folger Shakespeare Library’s national traveling exhibition of Shakespeare’s First Folio.

Natasha’s parting words returned us to the department and its staff. Admitting that she really enjoys working with the breadth of RBSC’s collections, she said in no uncertain terms that the highlight for her is “working with the people first and foremost because of the knowledge they possess about so many different things and because they are all so enthusiastic about what they do.”

 


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Spotlight Exhibit: The Evgeniia Ginzburg and Antonina Axenova Collection

November 2015

This month’s spotlight exhibit features materials from the recently acquired archive of Evgeniia Ginzburg, the most famous woman prisoner of Stalin’s GULAG, and Antonina Axenova (Ginzburg’s adopted daughter).

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Evgeniia Ginzburg in her Moscow apartment, 1968.

Evgeniia Solomonovna Ginzburg (1904-1977) was a journalist and teacher who wrote an acclaimed autobiographical account of her 18-year journey through the Stalin GULAG. Ginzbrug’s epic story, which has been translated into many languages, was published in English in two volumes: Journey into the Whirlwind (1967) and Within the Whirlwind (1981). To this day her work remains one of the most significant and widely-read women’s memoirs about life and death in the Stalin camps.

Born in the Kolyma camps in 1946, Antonina Pavlovna Axenova was adopted by Ginzburg in 1949. Axenova later became a theater and movie actress. She has also worked tirelessly collecting materials to preserve the memory and legacy of her mother.

The exhibit is timed to coincide with a visit to Notre Dame by Antonina Axenova and the filmmaker, Mario Damolin, who premiered his new documentary film about Evgeniia Ginzburg entitled Tightrope Walk on November 5 at the DeBartolo Performing Arts Center.

More than 7 boxes constitute the archive which consists of documents, letters, photographs, and some manuscripts relating to Ginzburg’s arrest and her life in the camps as well as materials about Axenova’s professional life. The finding aid is near completion and will be accessible to researchers in the near future.

The exhibit is curated by Ken Kinslow, Manuscripts Processing Librarian, and is open to the public 9:00am to 5:00pm, Monday through Friday, through December 11, 2015.

Recent Acquisition: Rare Biography of Pope Paul IV

by Alan Krieger, Theology and Philosophy Librarian

BOO_003873354-000ad_eWe’ve recently acquired Antonio Caraccioli’s De vita Pauli Quarti Pont. Max.: collectanea historica (Coloniae Ubiorum, 1612), a rare biography of Pope Paul IV, whose pontificate spanned May 1555-August 1559.

Although his reign took place during the period of the Council of Trent (1545-63) and thus the “first wave” of the Catholic Reformation, he did not call or preside over any of the council’s sessions; however, he did address the problem of clerical corruption in Rome. Born Gian Pietro Carafa, he is reputed to have had a rather harsh and unyielding disposition and is probably best known for strengthening the Roman Inquisition and introducing the Index Librorum Prohibitorum (Index of Prohibited Books). This work is held by only two other North American libraries.

BOO_004173426-002Also recently acquired is an interesting and rare incunable, Johannes Marchesinus’ Mamotrectus Super Bibliam, published in Venice by Johannes Rubeus in 1498. The work was originally written near the end of the 13th century and, as a guide to the Latin Vulgate consisting of nearly 1300 separate articles, was an extremely influential Franciscan school text in the education of clergy throughout the late Middle Ages.

The first printed edition was issued in Mainz (Germany) by Peter Schoffer in 1470; only three other North American institutions hold the version we have just acquired.

 


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