rbsc – Page 39 – RBSC at ND

Bram Stoker’s Manuscript of His Lecture on Abraham Lincoln

Bram Stoker (1847-1912), when he was manager of the renowned English actor Henry Irving, made many trips to the United States. Over the course of these visits and perhaps after meeting the poet Walt Whitman in 1884, he became intrigued by Abraham Lincoln. In the late 1880s and 1890s, Stoker lectured on Lincoln at numerous venues in both the United States and Europe.

In composing his lecture, Stoker drew on many of the standard sources of the day and also quotes Whitman. Stoker emphasizes slavery throughout and Lincoln’s role as emancipator. A long prelude provides background on the “peculiar institution” in the United States and the sectional crisis of the 1850s. Then follows the life of Lincoln proper. Stoker’s attitude toward his subject is reverent in the extreme. Explaining that “the hour had come for the final struggle . . . between slavery and freedom,” Stoker reiterates to the audience in introducing his subject, “The hour had come—and with it . . . came the man—Abraham Lincoln.”

Notre Dame holds the original, working copy of Bram Stoker’s 152-page, unbound manuscript. Approximately half of the Notre Dame manuscript is a single, essentially sustained narrative though deletions, additions, and corrections abound. The rest consists of variations on portions of that narrative inserted, perhaps, to suit a particular audience.

MSE-IR_5304-1B-019r — Folio 19r, showing the first example of the beginning of the lecture (MSE/IR 5304-1B).

MSE-IR_5304-1B-098r — Folio 98r, showing a variation on the beginning of the lecture (MSE/IR 5304-1B).

MSE-IR_5304-1B-099r — Folio 99r, showing another version of the beginning of the lecture (MSE/IR 5304-1B).

MSE-IR_5304-1B-160r — Folio 160r, showing a third version of the beginning of the lecture (MSE/IR 5304-1B).

Recent Acquisition: Buddhist Art

by Hye-jin Juhn, East Asian Studies Librarian

The Hesburgh Libraries recently acquired two resources that serve as important scholarly sources for those who study Chinese/Tibetan Buddhism and Buddhist art. These resources are the highly-regarded 1970s reprints of original publications from the 1920s:

The Thousand Buddhas: Ancient Buddhist Paintings from the Cave-temples of Tun-huang on the Western Frontier of China. Recovered and described by Sir Aurel Stein, with an introductory essay by Laurence Binyon

This Tokyo reprint (1978) was praised by Dr. W. Pachow, a Chinese Buddhist scholar, as a “extraordinary” and “very valuable.” His review that appeared on The Journal of the International Association of Buddhist Studies in 1981 is a worthy introduction to the resource that includes a detailed description of the size and composition of the folio and its contents. Also important to note is Dr. Pachow’s point about a few unintended misinterpretations by Sir Aurel Stein who did not understand Chinese.

Die buddhistische Spätantike in Mittelasien: Ergebnisse der Kgl. preussischen Turfan-Expeditionen (Postancient Buddhist Culture in Central Asia: Results of the Royal Prussian Turfan-Expedition). Records of items recovered and described by Albert von Le Coq.

This 1973-1975 print of the original Berlin edition (1922-1933) consists of seven volumes. Detailed descriptions about the first five volumes are available online.

The publications symbolically represent the early 20th century history of the Silk Road where long-lost cultural relics were discovered and then disappeared again, some of them permanently. Peter Hopkirk’s Foreign Devils on the Silk Road: The Search for the Lost Cities and Treasures of Chinese Central Asia is a classic that tells of of the brave expeditions the above authors are credited with (or the blatant exploitation that they are accused of).

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Upcoming Events: February and early March

Please join us for the following events being hosted in Rare Books and Special Collections:

Thursday, February 25th at 4:30pm |The Italian Research Seminar: Graduate Student Presentations —Sponsored by Italian Studies at Notre Dame.

Thursday, March 17th at 4:30pm | The Italian Research Seminar: “Toxic Tales: Narrating Dioxin in Contemporary Italy” by Monica Seger (William and Mary) — Sponsored by Italian Studies at Notre Dame.

There will be three new exhibits opening during the month of February:

Easter 1916: The Irish Rebellion | 2016 marks the centenary of the Easter Rising, the rebellion that led to the eventual establishment of an Irish Free State. At the Hesburgh Libraries Rare Books and Special Collections Department, a special exhibit to mark this centenary will be on display from February 12^th until April 28^th.

Native American Literature Before 1924 | Spring Semester Spotlight Exhibit

Coronelli’s Nouvelle France, 1688 | Febuary Spotlight Exhibit

Please note also that Rare Books and Special Collections will be closing early at 2:00pm on Friday, February 5th, for a departmental event.

Evgeniia Ginzburg and Antonina Axenova Collection

Ginzburg and Axenova in Magadan, 1953.

MSE/REE 0021-87

The Evgeniia Ginzburg and Antonina Axenova Collection is now open to students and researchers. The collection consists of several parts. The most important part revolves around Evgeniia Ginzburg (1904-1977), who spent 18 years in the Stalin GULAG and who chronicled those years in her memoir translated into English as: Journey into the Whirlwind and Within the Whirlwind. Ginzburg’s classic work is one of the earliest revelations of the Stalin camps and remains one of the most significant. The collection contains arrest documents, letters, some manuscript material, and many original photographs.

MSE-REE_0021-192 — Antonina Axenova with Evgenii Karelskikh in the movie *I Serve on the Frontier* (Lenfilm, 1974).

MSE/REE 0021-192

Another part of the collection revolves around Antonina Axenova, who was born in the Kolyma camps and who was adopted by Ginzburg in 1949. Axenova became a film and stage actress, and the archive includes her documents, letters, photographs, scripts, programs, playbills, broadsides, and advertisements. Beisdes her career Axenova has also dedicated herself to preserving the legacy of her mother. She visited former KGB archives, made several trips back to the sites of the camps in the Kolyma region, and gathered together all of the material in the archive.

For a description of the collection’s over 700 items, see the finding aid. The collection also includes almost 100 books from the libraries of Ginzburg and Axenova. These books have been cataloged and can be located through the online catalog.

“Fighting Words” digital exhibit

Notre Dame’s Rare Books and Special Collections is home to perhaps the strongest institutional collection of boxing-related books and periodicals in the United States. A selection of these wonderful materials may now be experienced virtually, via the digital exhibit Fighting Words: English and American Boxing Literature from the Joyce Sports Collection.

Modern prizefighting is of English origin, and had developed a distinctive culture with a rich and abundant literature by the turn of the nineteenth century. Fighting Words includes many scarce items from this so-called golden age of English pugilism (ca. 1790-1830). It then carries the story forward to the United States, which by the second half of the 19th century had become the fight game’s new center of gravity. Publishers like Richard Kyle Fox (The National Police Gazette) and Nathaniel “Nat” Fleischer (The Ring) were central to prizefighting’s emergence from illegality into the American sporting mainstream. The exhibit concludes with materials from the 1950s, hearkening the erosion of U.S. boxing culture in the second half of the 20th century.

Questions and comments should be directed to George Rugg, the Joyce Collection’s curator.

Spotlight Exhibit: Constructing Shakespeare

January 2016

The posthumous First Folio printing of William Shakespeare’s plays in 1623 represents a landmark development in the history of English drama, rescuing some of the bard’s works that would have been lost forever. The earlier editions that do exist, however, differ markedly from the First Folio, and there is little evidence that Shakespeare oversaw their publication. What, then, is the “real” text?

The Shakespeare we know emerges from hundreds of years of this debate. Current holdings and recent acquisitions in Rare Books and Special Collections shed light on the discussion as it developed into the nineteenth century. Selections from the Second and Third Folio accompany printings by some of Shakespeare’s earliest critical editors, including the famous poet Alexander Pope and the moral censor Thomas Bowdler.

This month’s spotlight exhibit is curated by Daniel Johnson, English Literature and Digital Humanities Librarian, and accompanies the special traveling exhibit “First Folio! The Book that Gave Us Shakespeare, on tour from the Folger Shakespeare Library.” The exhibit is open to the public 9:00am to 7:00pm Monday through Friday and noon to 5:00pm on weekends, through January 29, 2016 (extended hours due to the “First Folio!” exhibit).

Upcoming Events: January

“First Folio! The Book that Gave Us Shakespeare” on tour from the Folger Shakespeare Library will arrive at Rare Books and Special Collections in the Hesburgh Library during the first days of 2016 as one of the first stops of the exhibit’s yearlong nationwide tour. The exhibit will open on Wednesday, January 6 with a special ribbon-cutting ceremony (read more below).

On-Going Exhibits

First Folio Exhibit

January 6th – January 29th
Rare Books & Special Collections (102 Hesburgh Library)

9:00am – 7:00pm Mondays through Fridays
noon – 5:00pm Saturdays and Sundays

Guided tours of the First Folio exhibit will be offered daily by Hesburgh librarians and curators — Monday, Wednesday and Friday at 3:30pm; Tuesday and Thursday at NOON; and Saturday and Sunday at 2:00pm.

Tours will meet by the entrance to Rare Books and Special Collections (102 Hesburgh Library, first floor). Reservations are not necessary. If you are planning to bring a group, please feel free to alert Rare Books and Special Collections directly about your visit: rarebook@nd.edu or 574-631-0290. Times are subject to change.

First Folio Banner, Costume Display and “Selfie Station”

January 3rd – end of January
1st Floor North Entrance Gallery, Hesburgh Library

View this self-guided exhibit whenever the library is open.

“Constructing Shakespeare” — a Spotlight Exhibit of RBSC Shakespeare Books

January 6th – January 29th
Rare Books & Special Collections (102 Hesburgh Library)

9:00am – 7:00pm Mondays through Fridays
noon – 5:00pm Saturdays and Sundays

Special Events

Ribbon Cutting Ceremony

Wednesday, January 6 at 4:16pm
1st Floor North Entrance Gallery, Hesburgh Library

In January, Shakespeare at Notre Dame kicks off “SHAKESPEARE: 1616-2016,” a yearlong series of performances, conferences and special events commemorating the 400th anniversary of William Shakespeare’s death and his legacy. The First Folio exhibit and Notre Dame’s year-long celebration officially launch at 16:16 (4:16 p.m.) Jan. 6 with the ribbon-cutting ceremony in the Hesburgh Library’s new North Entrance Gallery.

Formal remarks will precede the official ribbon cutting beginning with Scott Jackson (Executive Director of Shakespeare at Notre Dame), followed by Diane Walker (Edward H. Arnold University Librarian), Rev. John I. Jenkins, C.S.C. (President of the University of Notre Dame), Pete Buttigieg (Mayor of South Bend), and John T. McGreevy (I.A. O’Shaughnessy Dean of the College of Arts and Letters).

“Folio Fridays” Lecture Series

January 8 at 4:00pm | Printed Shakespeare: Quartos, Folios, and the History of Books by Jesse Lander (Chair, Department of English)
Rare Books & Special Collections, Hesburgh Library

January 15 at 4:00pm | Mobile Shakespeare by Elliott Visconsi (Chief Academic Digital Officer)
Rare Books & Special Collections, Hesburgh Library

January 22 at 4:00pm | Mr. William Shakespeare’s Comedies, Histories, & Tragedies by Peter Holland (McMeel Family Chair in Shakespeare Studies)
Rare Books & Special Collections, Hesburgh Library

January 29 at 4:00pm |Centuries of Shakespeare by Michael Witmore (Director, Folger Shakespeare Library)
Carey Auditorium, Hesburgh Library

All four 90-minute lectures are free, open to the public, and located within the Hesburgh Library.

Shakespeare Week: January 18–22

During the third week of the First Folio exhibit – Monday, January 18 through Friday, January 22 – there will be increased traffic from 9am–3pm. Shakespeare at Notre Dame will be leading 90-minute encounters with over 1000 students from throughout Indiana and Southern Michigan.

Please be aware that access to the First Folio exhibit and to Rare Books and Special Collections resources will be limited during this time.

Polish Christmas Carols

Pastorałki by Tytus Czyżewski and Tadeusz Makowski

The images below depict Christmas celebrations by Gorals, the indigenous highlanders from the Carpathian Mountains in southern Poland. Dressed in traditional leather shoes with lacing, tight trousers with ornamented belts, and mountaineer hats with feathers, they gather joyfully to dance and sing.

This charming livre d’artiste is comprised of six Christmas poems (pastorałki) written by Polish Futurist poet Tytus Czyżewski (1880-1945) between 1919 and 1922. Tadeusz Makowski (1882-1932), a leading Polish artist of his time, designed the cover and produced six full-page woodcuts to accompany each poem. Both artists were living in Paris when this book was commissioned and published in 1925 as an inaugural edition by the Polskie Towarzystwo Przyjaciół Książki (Polish Society of Book Lovers). Czyżewski’s expressive verse and Makowski’s “primitive” woodcuts capture whimsical images from folk tradition and rituals of their native land. Rustic and textured hand-made paper with rough and even edges on which the book was printed also conveys a sense of folksiness.

The present copy is a special issue printed for Staniława Piotra, who was the first president of the Polskie Towarzystwo Przyjaciół Książki. It was acquired by the library in 2013.

This is the last post for 2015. Happy holidays to you and yours from Notre Dame’s Rare Books and Special Collections!

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Who’s Who in RBSC: Dan Johnson

With his excitement barely contained, Dan Johnson reveled in what a great addition this would be for RBSC—a map of Middle Earth annotated by J. R. R. Tolkien himself! Dan went on to explain that this map was recently discovered stuck in the renowned illustrator, Pauline Baynes’ personal copy of The Lord of the Rings and that it promises to be an important piece of Tolkien ephemera. “If only we had a Tolkien collection to justify pursuing this,” he lamented.

Dan’s enthusiasm and appreciation for the Inklings is among his many literary interests. He studied English literature, earning his BA from Bethany Lutheran College in Mankato, MN, and then went on to earn an MA from Wake Forest University. He is currently researching the supernatural in the 18th century. Part of this research examines the work of Charles Brockden Brown, the first major American novelist and Gothic fiction pioneer. He is finishing his dissertation, “Visible Plots, Invisible Realms,” en route to earning his PhD in English literature at Princeton University. All the while he is learning the ropes of the library world as the new English Literature and Digital Humanities librarian for Hesburgh Libraries.

Having come to Notre Dame in August, Dan quickly immersed himself in getting to know the collections, faculty, and students. Within the first couple of weeks, he was meeting with English students and faculty, and preparing classes that featured rare materials, including the works of Samuel Taylor Coleridge. He pulled out multiple editions of The Ancient Mariner and along with Professor Yasmin Solomonescu guided the students through Coleridge’s marginal glosses, talking about the book as artifact.

Tightly integrated with Dan’s interests in American and British literature from the 18th and 19th centuries is his fascination with how technology can enhance research in the Humanities. Dan founded and manages a digital archive of texts and digital humanities projects related to 18th- and 19th-century British and American literature called Scholar’s Grotto. This includes his own project, a scholarly edition of The Relief; or, Day Thoughts (1754), a parody and critique of graveyard poetry by Henry Jones, the “bricklayer poet.”

Dan is quite excited about enhancing RBSC’s literary collections. He has acquired two significant additions: a 1725 edition of Shakespeare’s works edited by Alexander Pope and the 1818 second edition of The Family Shakespeare in Ten Volumes edited by Thomas Bowdler. Both of these will be featured in his upcoming Shakespeare spotlight exhibit in RBSC—this will be the first exhibit Dan has ever curated. It will coincide with RBSC’s hosting of First Folio! The Book that Gave Us Shakespeare, the Folger Shakespeare Library’s touring exhibit that will bring a First Folio of the bard’s plays to each of the 50 states, Washington, D.C., and Puerto Rico. Dan will also lead guided tours of both exhibits and invites everyone to brave the snow and come out to learn about Shakespeare.

This work is licensed under a Creative Commons Attribution 4.0 International License.

Upcoming Events: December and January

Rare Books and Special Collections will be closed for Christmas and New Year’s Break (December 24, 2015, through January 5, 2016). We remain open for our regular hours during Reading Days and Exams, and welcome those looking for a quiet place to study.

In January, RBSC will be host to the exhibit First Folio! The Book that Gave Us Shakespeare, on tour from the Folger Shakespeare Library. Notre Dame marks the official first stop of the First Folio national tour and exhibit. Shakespeare at Notre Dame, along with faculty from the College of Arts and Letters, and members of the distinguished Shakespeare residency company Actors from the London Stage will also host the “Folio Fridays” Lecture Series, performances, workshops, and special displays throughout the month of January to complement this momentous occasion.

The exhibit will open on Wednesday, January 6 with a special ribbon-cutting ceremony.