Upcoming Events: November 2023

Please join us for the following public events and exhibits being hosted in Rare Books and Special Collections:

Thursday, November 2 at 5:00pm | Italian Research Seminar: “The Dilemmas of Friendship in Dante’s Italy” by Elizabeth Coggeshall (Florida State).

Thursday, November 9 at 5:00pm | Book Presentation: La vita dell’altro. Svevo, Joyce: Un’amicizia geniale by Enrico Terrinoni (Affiliate of the Center for Italian Studies). Terrinoni will be joined by Sara Boezio, Charles Leavitt, and Clíona Ní Ríordáin for a roundtable discussion of his book. This event is co-sponsored by the Center for Italian Studies and the Keough-Naughton Institute for Irish Studies.

Thursday, November 30 at 4:30pm | Making and Unmaking Emancipation in Cuba and the United States: A Panel Discussion.

A tour of Hesburgh Libraries’ Fall 2023 exhibition, Making and Unmaking Emancipation in Cuba and the United States, precedes the panel discussion (4:30 – 5:00pm). A reception will follow the panel discussion, in the Hesburgh Libraries Scholar’s Lounge.

Free and open to the public; no tickets required.


The exhibition Making and Unmaking Emancipation in Cuba and the United States is now open and will run through the fall semester.

A curator-led tour, open to the public, will be held noon–1:00pm on the following upcoming Friday: November 17. Tours of the exhibit may also be arranged for classes and other groups by contacting Rachel Bohlmann at (574) 631-1575 or Rachel.Bohlmann.2@nd.edu.


The November spotlight exhibits are Football and Community at Historically Black Colleges and Universities (August – December 2023) and Path to Sainthood: Brother Columba O’Neill (October – November 2023).

RBSC will be closed during the University of Notre Dame’s Thanksgiving Break, November 23 – 24.

Upcoming Events: October 2023

Please join us for the following public events and exhibits being hosted in Rare Books and Special Collections:

Thursday, October 5 at 5:00pm | Italian Research Seminar: “The Archival Turn and Network Approach: Examining Evolving Translation Practices and Discourses in the British Publishing Firm Complex, 1950s-1980s” by Daniela La Penna (University of Reading, UK).

Thursday, October 24 at 5:00pm | McBrien Special Collections Lecture Series: “Chief O’Neill in Ten Tunes” by Dr. Seán Doherty (Dublin City University).

Captain Francis O’Neill’s collection 1001 Gems: The Dance Music of Ireland (1907) is so important to the world of Irish traditional music that it’s sometimes called the Bible or simply, ‘The Book’. Starting as a pandemic project, the Irish composer and musicologist Seán Doherty analyzed all 1001 tunes in this influential collection. In this lecture and performance, Seán will discuss the music along with O’Neill’s biography and will play tunes linked to key moments in Chief O’Neill’s life.

Captain O’Neill donated his personal library to the University of Notre Dame, where it is held at the Hesburgh Library. Dr. Doherty’s research visit is supported by the Keough-Naughton Library Research Award in Irish Studies.


The exhibition Making and Unmaking Emancipation in Cuba and the United States is now open and will run through the fall semester.

Curator-led tours, open to the public, will be held noon–1:00pm on the following upcoming Fridays: October 13 and 27 [tour on 10/27 cancelled], and November 17.

Tours of the exhibit may also be arranged for classes and other groups by contacting Rachel Bohlmann at (574) 631-1575 or Rachel.Bohlmann.2@nd.edu.


The October spotlight exhibits are Football and Community at Historically Black Colleges and Universities (August – December 2023) and Path to Sainthood: Brother Columba O’Neill (October – November 2023).

RBSC will be open regular hours (9:30am – 4:30pm) during the University of Notre Dame’s Fall Break, October 16 – 20.

Daughters of Our Lady: Finding a Place at Notre Dame

In 2022, the University of Notre Dame celebrates fifty years of being a coeducational institution. Daughters of Our Lady: Finding a Place at Notre Dame joins the year-long celebrations occurring throughout campus. This exhibit presents a selection of correspondence, articles, documents, and other materials from the Notre Dame Archives that record the journey toward coeducation. 

The transition to fully include women in all aspects of student life was a long, winding, and sometimes bumpy road. Since the 1910s, women have been studying at and earning degrees from Notre Dame. For the most part, their experiences were exclusive to the Summer School Program, which was established in 1918. However, by the 1960s, it was clear that Notre Dame, like its peers, had to pursue coeducation to remain a relevant, top-tier university.

Notre Dame became coeducational in the fall of 1972, but it would take years for women to be fully integrated into undergraduate life. Women struggled for representation in the classrooms, in student organizations, and on the athletic fields. This exhibit takes a look back at the pioneering women who have helped shape Notre Dame for over one hundred years.

This exhibit is curated by Elizabeth Hogan, Senior Archivist for Photographs and Graphic Materials.


2022 Fall Exhibit Open House Tours

  • Friday, October 14, 3:00-4:00pm (Stanford Weekend)
  • Friday, November 4, 3:00-4:00pm (Clemson Weekend)
  • Friday, November 18, 10:30-11:30am (Boston College Weekend)

Stop by Hesburgh Library’s Rare Books & Special Collections exhibit gallery and explore “Daughters of Our Lady: Finding a Place at Notre Dame.” Exhibit curator, Elizabeth Hogan, will be available to walk you through the exhibit and answer questions. No registration is necessary.


All exhibits hosted in Special Collections are free and open to the public during regular business hours.

Please note: the west concourse of the Hesburgh Library is currently under renovation, however, Rare Books & Special Collections is still accessible. 

Opportunities for Research Visits to Notre Dame’s Special Collections

The Rare Books and Special Collections at Hesburgh Library welcomes visiting scholars whether they wish to consult one book or to spend many days immersed in our collections.

A number of research grants and awards are made available by a variety of institutions which may be of interest to people considering travelling for research visits. These are administered and funded by various groups, and so the information in this blogpost is intended to serve as a signpost to different opportunities, and to encourage readers to follow the links to the relevant grants and awards.

Dante Studies Travel Grants

With the Devers Family Program in Dante Studies, the Center for Italian Studies co-sponsors travel grants for faculty and graduate students from other institutions whose research would benefit from on-site access to Notre Dame’s special collections on Dante, the Ambrosiana archive, or other of its Italian holdings. For more information, please contact devers@nd.edu.

The Italian Studies Library Research Award

The Center for Italian Studies and Notre Dame International jointly administer an Italian Studies Library Research Award. This award provides grant funding for scholars to use the collections of the Hesburgh Libraries for research in Italian studies. Research awards are intended to defray the cost of travel and accommodation for research visits of one to three weeks in duration. Applications from international locations are encouraged. Read more about this award and access the application on the Center for Italian Studies’ website.

Keough-Naughton Library Research Award in Irish Studies

The Keough-Naughton Library Research Award provides grant funding to assist scholars who travel to the Notre Dame campus to use the collections of the Hesburgh Libraries for research in all aspects of Irish studies. This award is funded and administered jointly by the Keough Naughton Institute for Irish Studies and Notre Dame International. Information and application instructions for this grant may be found on the Keough-Naughton Institute for Irish Studies website.

Cushwa Center Research Travel Grants

The Cushwa Center provides research grants for the Study of Catholicism in America. Information on their opportunities for research in the University of Notre Dame Archives and the Hesburgh Libraries may be found on the Cushwa Center’s Research Travel Grants page.

Hibernian Research Awards

Funded by an endowment from the Ancient Order of Hibernians and Ladies Ancient Order of Hibernians, these annual awards provide travel funds to support the scholarly study of Irish and Irish American history. This grant is administered by the Cushwa Center of Catholic Studies. Information is available on the Grant Opportunities page of the Cushwa Center’s website.

Upcoming Events: August 2022

Please note that the corridor outside RBSC has construction barriers due to ongoing library renovations, but we remain open regular hours.

There are no public events currently scheduled for August. Please check back for events being hosted in Rare Books and Special Collections during September.


An exhibition of materials from the University of Notre Dame Archives reflecting on the 50th anniversary of coeducation at Notre Dame will open mid-August and run through the fall semester.

The current spotlight exhibits are Three Sisterhoods and Two Servants of God (June – August 2022) and Fifties Flair and Seventies Feminism Presented by Two Magazines (May – August 2022). The latter exhibit will be replaced towards the end of August by an exhibit showcasing two recently acquired World War II era photo albums featuring original photographs from the within and outside of the Warsaw Ghetto’s walls.

RBSC will be closed Monday, September 5th,
for Labor Day.

Three Sisterhoods and Two Servants of God

Materials displayed in this spotlight exhibit come from the collections of Rare Books & Special Collections (RBSC) and The University of Notre Dame Archives. Please note that the corridor outside RBSC has construction barriers, but we remain open to all.

by Jean McManus, Catholic Studies Librarian

The Sisters of Loretto (SL) founded 1812 as The Friends of Mary at the Foot of the Cross, Washington County, Kentucky

The Oblate Sisters of Providence (OSP) founded 1829, Baltimore Maryland

The Franciscan Sisters of Perpetual Adoration (FSPA) founded 1849, Wisconsin

These three distinct societies of women religious, featured in the June-July Special Collections spotlight exhibit, have their origins in the 19th century United States, on the frontier, among immigrant Catholics in the east, and in the Midwest, with varying experiences in relation to slavery, racial segregation, and discrimination in the American Catholic milieu. In their different places and motherhouses, these groups of sisters have cared for orphans and widows, educated children, and all have continuously responded to the “needs of the time,” in the words of Sister Rita Michelle Proctor, OSP, the current Superior General of the Oblate Sisters of Providence. Gender, race, religion, and place shaped and continue to shape their stories. 

Sisters of Loretto

The Sisters of Loretto were founded as the Friends of Mary at the Foot of the Cross in 1812, among the earliest sisterhoods established in the United States. The founding Sisters—Mary Rhodes, Ann Havern, and Christina Stuart—worked with Belgian missionary Fr. Charles Nerinckx, who became their clerical founder. Nerinckx supported the new society by writing their Rule, helping to build Little Loretto, their first home, and commissioning the print displayed here. The landscape in the engraving is fantastically rendered via the European imagination by the Belgian printer, but also rather accurate in portraying the rough hewn buildings, barefoot sisters, and split rail fence around their buildings.

The Sisters of Loretto relied on enslaved people to provide labor at their several missions before Emancipation, and also brought some African American women into the society as oblates, with different rules and professions. The story is not simple or altogether documented in the archives. The Sisters of Loretto today are present in the United States, and around the world, and center education, peace and justice in their work. More historical investigation appears in the LOREtto blog posts, written from the archives at the motherhouse in Kentucky. In 2000, the community erected a memorial to honor persons enslaved at their missions. Sisters of Loretto continue reckoning with their historical relationships with people of color at Little Loretto and other places, as they research their own and related archives regarding slavery and Native American children at Loretto-run schools.

Klyn Loretten in Noord-America. Petit Lorette Etats Unis de L’Amerique. Little Loretto Kentucky United States of America. [Belgium], 1816. [Hesburgh Library, Special Collections Prints • PRINT-1816-01-F1]

Oblate Sisters of Providence and Mother Mary Lange

Foundress Mother Mary Lange of the Oblate Sisters of Providence was still alive in Baltimore when members of the order responded to the invitation of Rev. Ignatius Panken, S.J., to educate Black Catholic children in St. Louis in 1880. They marked anniversaries of service in education and care of orphans in 1905 with a celebration and printed souvenir. The extension of their mission to St. Louis was consistent with the principles of their founding.

Mother Mary Lange

From the souvenir program of the Silver Jubilee of the Oblate Sisters of Providence in Saint Louis, Missouri, 1905.

In 1828, Elizabeth Lange, who was born into a Catholic family and educated in Cuba, had emigrated to a French-speaking Catholic enclave in Baltimore and was already teaching Black children at a school in her home. Urged by the French Sulpician priest who became their ecclesiastical director, Fr. James Joubert, Elizabeth Lange (who became Sister Mary Elizabeth Lange) with fellow teacher, Maria Balas (who became Sister Mary Frances), Rosine Boegue (who became Sister Mary Rose), and Almaide Duchemin (who became Sister Mary Therese) began the work to minister to the children of Haitian refugees by making formal professions in July 1829. As the OSP website history proclaims, “The Oblate Sisters of Providence is the first successful Roman Catholic sisterhood in the world established by women of African descent.” The cause for sainthood for Mother Mary Lange recognizes her heroic virtue in founding and sustaining the Oblate Sisters of Providence to educate African American Catholic children in Baltimore and beyond. Her cause for beatification was opened in 2004, and she is a Servant of God. 

Oblate Sisters of Providence moved to St. Louis in 1880 and taught Black Catholic children at St. Elizabeth School. Changes in parish makeup led the Sisters to establish St. Frances’ Orphan Home (1882-1952) and St. Rita’s Academy (1912-1950), both ministering originally to girls. Eventually the order founded schools in eighteen states–by the 1950s there were over 300 OSP Sisters teaching and caring for Black children.

St. Frances’ Orphan Home First Communion, 1902.

From the souvenir program of the Silver Jubilee of the Oblate Sisters of Providence in Saint Louis, Missouri, 1905. [MO St Louis – OSP, 1905, PROW 10/02. University of Notre Dame Archives.]

The two items featured in this exhibit point to 25 years of sustained effort and growth by the OSP Sisters in the St. Louis area. The interior pages feature an iconic photograph of foundress Mother Mary Lange, with a short history of the order. Also included are photographs from the St. Louis missions, such as the “First Communion class of the orphans, 1902,” showing 18 girls, two Oblate Sisters, and one white priest.  Later, in 1930, a Golden Jubilee was celebrated, marking 50 years in the St. Louis area. The challenging circumstances faced by the OSP Sisters in St. Louis are well documented in Ann Rosentreter’s 2016 thesis, Black, Catholic, and female : the Oblate Sisters of Providence in St. Louis, Missouri, during the interwar years.

Franciscan Sisters of Perpetual Adoration and Sister Thea Bowman

Left:  Lead Me, Guide Me : the African American Catholic Hymnal. Chicago: G.I.A. Publications, 1987.
[National Black Catholic Clergy Caucus, CNBC 15/12. University of Notre Dame Archives.]

Center: Sister Thea Bowman, FSPA, portrait, ca. 1990 [University President Rev. Edward “Monk” Malloy (1987-2005): Graphics, GPML #1996-6 box B:37, University of Notre Dame Archives.]

Right: Lead Me, Guide Me–Book of Signatures, 1987 [National Black Catholic Clergy Caucus, CNBC 15/62. University of Notre Dame Archives.]

Finally, we have a glimpse of the work of the Franciscan Sister of Perpetual Adoration, Sister Thea Bowman, now a Servant of God, who was educated by the FSPA Sisters in her home town of Canton, MS, became a convert to Catholicism at age 9, and entered the order as a determined 15 year old girl. She taught and worked for racial reconciliation in the Catholic church, and evangelized through song, particularly advocating for a Black Catholic tradition. Sister Thea Bowman died in March, 1990, and weeks later the University of Notre Dame honored her with the Laetare Medal, the first time the medal was given posthumously. 

The Franciscan Sisters of Perpetual Adoration have long pursued their mission of education along with their devotional practice of perpetual adoration. The Sisters continue to lift up Sister Thea Bowman by supporting her cause for sainthood, and the foundation started with her input and name. The Sister Thea Bowman Black Catholic Education Foundation provides scholarships for Black students to attend Catholic colleges and universities.

One result of Sister Thea’s evangelization and ministry is this 1987 hymnal, Lead Me, Guide Me, a collaborative project with a host of Black Catholics that includes her essay, “The Gift of African American Sacred Song.” The hymnal signature book includes hundreds of signatures, many dated May 23, 1987, a month after the publication of Lead Me, Guide Me. Perhaps it was a book launch and celebration? Sr. Thea Bowman was part of it, as her signature attests.

Prayer Books of German Catholics in Eighteenth-Century America

by Jean McManus, Catholic Studies Librarian

We recently acquired a manuscript German Catholic prayer book, made in Pennsylvania in 1799. Following is a short description of what we know about this particular manuscript book, and a comparison with a printed German Catholic prayer book that was published in Baltimore around the same time (1795).

Kary, Simon.  Manuscript on paper, in German. Catholic prayer book. Pennsylvania, 1799. 136 pp. Original block-printed wrappers preserved inside; early inked annotations in German on inside of original front wrapper and elsewhere.

This beautiful manuscript’s opening page describes its contents:

…sich befinden in Andachtübung Gott deß Morgens, und Abends, bey den Heiligen Meß, Beicht und Kommunion Gebettern zu sprechen. Wie auch unterschiedliche Getbetter zu Christo, und Maria, auf die fürnehmsten FestTage deß Jahrs. Und auch Gebetter zu dem Heiligen Gottes zu finden sein. Zu grössern Ehr und Seelen Trost. Geschrieben worden von dem Simon Kary im Jahr 1799.

..they are [for] devotional practice to pray to God in the morning and in the evening, at the Holy Mass, confession and communion prayers. As well as different prayers for Christ and Mary on the most noble feast days of the year. And prayers to the Holy of God can also be found. To greater honor and consolation to souls. Written by Simon Kary in 1799

Simon Kary wrote his prayer book in the style that was current in the “Pennsylvania Dutch” region, a typical German-American fraktur style, including beautiful floral decorations and lettering. The 136-page manuscript even has its original block-printed paper wrappers, which shows that people took some care of it for over 220 years. The small book certainly had use, as smudges, dirt, oil, and handwritten additions attest. Perhaps most poignant is the inscription from a 19th c. owner opposite the manuscript title page, which reads in translation: “Forget not your father and your mother, for they have died. My most honored father died on 17th March in the year of the Lord [1]784. My beloved mother died on 6th December in the year of the Lord [1]801. The 14th November in the year of the Lord [1]803. M.S. in the sign of the fish.”

Who owned this unique prayer book? First, Simon Kary in 1799; then “M.S.,” who added the note about parents inside the front wrapper by 1803; later there is an early-19th-century ownership signature of “Anna Holzinger” on the title-page, and a pencil signature of “Theresa” in the lower margin of the title page. It would be hard to tell the particular story of this manuscript prayer book with only these clues, but it is an exemplar of a tradition of writing.

Our bookseller notes that German-American Catholic fraktur prayer books are rare but not unknown; there is a nearly contemporary example in the renowned collection of fraktur at the Free Library of Philadelphia, which contains a “Himmlischer Palm Zweig Worinen die Auserlesene Morgen Abend Auch Beicht und Kommunion Wie auch zum H. Sakrament In Christo und seinen Leiden, wie auch zur der H. Mutter Gottes, 1787” (item no: frkm064000). 

In 1799 the German population in the U.S. is estimated to have been between 85,000 and 100,000 individuals, the vast majority being Protestants of one stripe or another. German Catholics were a very small minority, and concentrated in Pennsylvania. A 1757 count of Catholics in Pennsylvania, both Irish and Germans, compiled from several sources, totalled only 1365 people. Pennsylvania German Catholics were served first by Jesuits sent from Maryland, where half the population was Catholic. German Jesuit missionaries established the mission of The Sacred Heart at Conewago (circa 1720) and Father Schneider’s mission church in Goshenhoppen (circa 1740). There was also a tradition of fraktur birth and baptismal certificates among Protestants and Catholics in this era. Nevertheless, the Kary prayer book now in the Hesburgh Library is exceptionally rare. 

Our bookseller, Philadelphia Rare Books & Manuscripts Company, stated that “There were no German-language Catholic prayer books published in the U.S. until the 19th century, so those wishing to have one before then had to have a bookstore import it or engender one in manuscript.”

Catholisches Gebät-Buch. Baltimore: Samuel Saur, 1795.

Rare Books Extra Small
BX 2184 .C37 1795

However, we have a fine example of a German Catholic prayer book, printed in Baltimore in 1795 by Samuel Saur (1767-1820). Saur was a grandson of the Philadelphia (Germantown) printer Christopher Sauer (also Sower), famous for printing the whole bible in German in 1743. That 1743 bible was the translation of Martin Luther, and the Sauers were not Catholics. Printers such as the Irish immigrant Mathew Carey (arriving in Philadelphia in the 1780s) and later generations of Sauers, printed all manner of Catholic, Protestant, and secular materials, in a number of languages.

Samuel Sauer began his working life in Germantown, but eventually moved to Baltimore, where he advertised his unique-to-the-city skills of printing in English and German. One of his early Baltimore imprints was the Catholisches Gebät-Buch, published the year he set up shop in the city. Over the course of his 25 years in Baltimore, Saur printed a number of Catholic titles in German, as well as many Pietist works, almanacs, and newspapers. Certainly his location in Catholic Baltimore gave him the commissions for things Catholic, and the relative proximity of Baltimore to Pennsylvania gave him access to most of the German readers in the U.S. 

The Simon Kary German prayer book of 1799 likely represents the middle to end of the era of the self-made manuscript for Catholic devotional purposes, while the Catholisches Gebät-Buch of Samuel Saur shows the arc of the German language printers accommodating the differing religious affiliations of the German immigrants, in order to make a living. There remain many questions to ask about the particular prayers contained in these two works, and questions about their Catholic readers.

Thanks to the Philadelphia Rare Books & Manuscripts proprietors for sharing their research with us.

For further information, see the articles below:

The Catholic Church in Colonial Pennsylvania, by Sister Blanche Marie
(Convent of St. Elizabeth, Convent, NJ). Pennsylvania History, vol. 3, no. 4, October 1936, pp. 240-258.

Durnbaugh, Donald F. “Samuel Saur (1767-1820): German-American printer and typefounder.” Society for the History of the Germans in Maryland, vol. 42nd Report, 1993, pp. 64-80.

Teaching During COVID

Last week, a group of librarians participated in a large history class on Global Catholicism taught by Professor John McGreevy. Ideally, the fifty-five students would have visited the Special Collections and seen artifacts relating to different aspects of Catholic history throughout the world.

This year, students assembled on Zoom, and our preparation for the class included making digital images or identifying online digital surrogates. We also organized our selection of artifacts in an online library guide so that students could explore at their own pace. Each student is expected to write about one of these items.

Some items in our selection were already available digitally in different platforms.

For examile, our digital exhibition, “Preserving the Steadfastness of Your Faith”: Catholics in the Early American Republic, allows readers to explore American Catholic history.

“Preserving the Steadfastness of Your Faith”: Catholics in the Early American Republic. Digital Exhibition, Hesburgh Libraries.

In the case of the Chinese Catholic posters, Hye-jin Juhn complemented the digital exhibit of our own collection with a link to a digital collection at another library.

In some cases, we identified another copy on a platform such as Hathi Trust or the Internet Archive.

In presenting to the class, we assembled on zoom and each shared a screen and introduced our selections to an attentive class. While students missed the opportunity to see the physical items, as compensation, all fifty-five students could simultaneously view each item without peering over one another’s shoulders.

In other adventures in the online world, Rachel Bohlmann and  Erika Hosselkus offered a workshop for students working on primary source-based projects through the Nanovic Institute. Five of the six people who registered were graduate students. This is one indication of an increased interest among our young scholars in finding primary sources online.

Teaching during COVID has meant an understandable and practical focus on finding primary sources online. I’ve appreciated having to double down on primary source databases and realize that we’ve all probably taken them for granted more than a little. Still, while this is in general a fine reminder of how far online primary source databases have come in the last decades, I miss using physical collections in my library classes, and getting students excited about examining a source right in front of them. 

 One theme I’ve noticed is that I think students and faculty are certainly more interested in hearing about online resources. I feel a slight shift toward more attention, especially to hearing about how to do more than just basic keyword searches. 

– Rachel Bohlmann, American History and American Studies Librarian

Besides our adventures in screen-sharing, Monica Moore bravely taught an online class where she staged a selection of rare French books in our seminar room, speaking, showing books and turning pages beneath an overhead camera, all on Zoom — a kind of double-level filmed class. This was the closest simulation we have tried so far of a physical class in which students and librarian interact with the materials.

Frank Duff. Edel Quinn. This is an example of a Catholic pamhlet in our collection of Irish Pamphlets, where we identified a surrogate on the Internet Archive.

From our experiences, we have learned that once we understand what a professor hopes to gain by introducing students to our special collections, we can work together to develop a successful, and dare we say stimulating, class.


Narratives about the Corby Statues—at Gettysburg and on Campus

by Rachel Bohlmann, American History Librarian and Curator

The story behind the statues is well known: a young CSC priest, William Corby, offered a general absolution to members of the Irish Brigade, part of the Second Corps of the Union’s Army of the Potomac, minutes before the soldiers engaged in fierce fighting late on the second day of the battle at Gettysburg (July 2, 1863).

Corby served as chaplain to the 88th New York Infantry, which was part of the famous Irish Brigade. This group of soldiers were mostly Irish and Irish-American Catholics from New York and Philadelphia who were formed from five regiments: three from New York (the 69th Infantry, 63rd Infantry, and 88th Infantry), the 28th Massachusetts Infantry, and the 116th Pennsylvania Infantry. After the war Corby returned to the University of Notre Dame where resumed his teaching position; he later became the school’s president.

The priest had given general absolution to his flock of mostly Irish Catholic soldiers before, most notably at Antietam in September 1862, just before the brigade suffered heavy casualties. But this time, as fighting raged around the soldiers at Gettysburg, when Corby climbed up on a boulder and spoke, not just the Irish Brigade but the whole Second Corps fell silent. It was a moment that many officers and soldiers remembered later. For many Catholics it came to mean recognition, if not full acceptance, by their non-Catholic fellow Americans.

Less well known is how the statues materialized. The Catholic Alumni Sodality of Philadelphia spearheaded the project and reported it in this pamphlet. The sodality had been formed in 1902 to promote faith and collegiality among Catholic men who were college graduates. The sodality implemented the statues’ financing and creation, but it acted on an idea of St. Clair Mulholland, commander of the 116th Pennsylvania Infantry Regiment and witness to Corby’s actions at Gettysburg.

The Irish-born Mulholland was just 23 years old when he began serving as a Lieutenant Colonel of the 116th Pennsylvania Infantry in 1862. He fought in some of the war’s major battles, including Fredericksburg, Chancellorsville, Spotsylvania Court House, Cold Harbor, and of course, Gettysburg.

After the war Mulholland dedicated himself to commemorating Civil War soldiers, particularly the Irish Brigade. In 1888 he led the initiative to raise a monument to the brigade at Gettysburg. The Alumni Sodality of Philadelphia embraced the idea of creating a memorial to Corby only after a member heard Mulholland speak movingly about the incident. It was a speech the old soldier had given countless times over the years.

The sodality hired sculptor Samuel Murray to create the monument. It was placed at Gettysburg, amid an extensive program of speeches and dignitaries, on October 29, 1910. A replica, created by the artist, was mounted on Notre Dame’s campus on Decoration Day (now called Memorial Day), 1911.

Mulholland and the sodality were not unique in remembering those who served. Between the end of the war and the 1930s thousands of Civil War monuments rose around the nation. As we have seen in recent disputes over monuments in the United States, public statues have multiple uses and their meanings change over time. Monuments evoke the past even as they convey contemporary expectations about class, race, gender, and religion.

As this pamphlet reminds us, Corby’s memorialization was about more than the priest’s service. It created a narrative of Catholic loyalty and patriotism at a time when American nativism was again on the rise, sparked by large immigration from southern and eastern Europe. By focusing on a priest rather than on Catholic soldiers, the statue’s creators deemphasized the larger Irish Catholic experience of the war, fueled as it was by a mix of American patriotism, Irish Republicanism, and economic need. The image reinforced instead a message of cleric-led, middle-class Irish American respectability. [1]

 

 

[1] Randall M. Miller, “Catholic Religion, Irish Ethnicity, and the Civil War,” in Religion and the American Civil War, Randall M. Miller, Harry S. Stout, and Charles Reagan Wilson, eds., (New York: Oxford University Press, 1998), 285-86.


A happy Memorial Day to you and yours
from all of us in Notre Dame’s Special Collections!

2016 post: Memorial Day: Stories of War by a Civil War Veteran
2017 post: “Memorial Day” poem by Joyce Kilmer
2018 post: “Decoration Day” poem by Henry Wadsworth Longfellow
2019 post: Myths and Memorials


During June and July the blog will shift to a summer posting schedule, with posts every other Monday rather than every week. We will resume weekly publication August 10th.

Upcoming Events: April and early May

Please join us for the following event being hosted in Rare Books and Special Collections:

Thursday, April 4, 5:00pm | Medieval Institute Byzantine Series Lecture: “The Gospel of John in the Byzantine Tradition” by Fr. John Behr (St. Vladimir’s Seminary)

Thursday, April 11, 4:00pm | The Work of Our Hands Exhibition Guided Walking Tour and Discussion

The tour will commence at 4:00 p.m. in the Hesburgh Library Lobby and will continue to three sites across campus where liturgical vestments are exhibited. Guests will be guided through the Sacristy Museum at the Basilica of the Sacred Heart, Rare Books and Special Collections at the Hesburgh Library, and the Scholz Family Gallery at the Snite Museum of Art.

A panel discussion will be held in the Annenberg Auditorium of the Snite Museum of Art (lower level) following the tour, and then a reception in the Atrium of the Snite.

Thursday, April 18 at 5:00pmThe Italian Research Seminar: “De Sica’s Genre Trouble: Rom-Coms against Fascism?” by Prof. Lorenzo Fabbri (Minnesota, Twin Cities).

Sponsored by the Center for Italian Studies.


The spring exhibitAs Printers Printed Long Ago. The Saint Dominic’s Press 1916-1936, curated by Dennis Doordan (Emeritus Professor, Notre Dame School of Architecture), opened in January and runs through the summer. The exhibition features different types of publications and posters produced by Saint Dominic’s Press, setting the story of the press within the larger history of the private press movement in England and examining its artistic as well as literary achievements.

The current spotlight exhibits are: Purchas his Pilgrimes and John Smith (March 2019), and The Work of Our Hands: A multi-venue exhibition of liturgical vestments organized in conjunction with the Notre Dame Forum 2018-19: “The Catholic Artistic Heritage: Bringing Forth Treasures New and Old” (March – early June 2019).

If you would like to bring a group to Special Collections or schedule a tour of any of our exhibits, please email rarebook @ nd.edu or call 574-631-0290.


Rare Books and Special Collections will be closed April 19
in observance of Good Friday.

We will reopen at 9am on Monday, April 22, 2019.