recent acquisitions – Page 14

Spotlight Exhibit: Constructing Shakespeare

January 2016

The posthumous First Folio printing of William Shakespeare’s plays in 1623 represents a landmark development in the history of English drama, rescuing some of the bard’s works that would have been lost forever. The earlier editions that do exist, however, differ markedly from the First Folio, and there is little evidence that Shakespeare oversaw their publication. What, then, is the “real” text?

The Shakespeare we know emerges from hundreds of years of this debate. Current holdings and recent acquisitions in Rare Books and Special Collections shed light on the discussion as it developed into the nineteenth century. Selections from the Second and Third Folio accompany printings by some of Shakespeare’s earliest critical editors, including the famous poet Alexander Pope and the moral censor Thomas Bowdler.

This month’s spotlight exhibit is curated by Daniel Johnson, English Literature and Digital Humanities Librarian, and accompanies the special traveling exhibit “First Folio! The Book that Gave Us Shakespeare, on tour from the Folger Shakespeare Library.” The exhibit is open to the public 9:00am to 7:00pm Monday through Friday and noon to 5:00pm on weekends, through January 29, 2016 (extended hours due to the “First Folio!” exhibit).

Polish Christmas Carols

Pastorałki by Tytus Czyżewski and Tadeusz Makowski

The images below depict Christmas celebrations by Gorals, the indigenous highlanders from the Carpathian Mountains in southern Poland. Dressed in traditional leather shoes with lacing, tight trousers with ornamented belts, and mountaineer hats with feathers, they gather joyfully to dance and sing.

This charming livre d’artiste is comprised of six Christmas poems (pastorałki) written by Polish Futurist poet Tytus Czyżewski (1880-1945) between 1919 and 1922. Tadeusz Makowski (1882-1932), a leading Polish artist of his time, designed the cover and produced six full-page woodcuts to accompany each poem. Both artists were living in Paris when this book was commissioned and published in 1925 as an inaugural edition by the Polskie Towarzystwo Przyjaciół Książki (Polish Society of Book Lovers). Czyżewski’s expressive verse and Makowski’s “primitive” woodcuts capture whimsical images from folk tradition and rituals of their native land. Rustic and textured hand-made paper with rough and even edges on which the book was printed also conveys a sense of folksiness.

The present copy is a special issue printed for Staniława Piotra, who was the first president of the Polskie Towarzystwo Przyjaciół Książki. It was acquired by the library in 2013.

This is the last post for 2015. Happy holidays to you and yours from Notre Dame’s Rare Books and Special Collections!

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Who’s Who in RBSC: Dan Johnson

With his excitement barely contained, Dan Johnson reveled in what a great addition this would be for RBSC—a map of Middle Earth annotated by J. R. R. Tolkien himself! Dan went on to explain that this map was recently discovered stuck in the renowned illustrator, Pauline Baynes’ personal copy of The Lord of the Rings and that it promises to be an important piece of Tolkien ephemera. “If only we had a Tolkien collection to justify pursuing this,” he lamented.

Dan’s enthusiasm and appreciation for the Inklings is among his many literary interests. He studied English literature, earning his BA from Bethany Lutheran College in Mankato, MN, and then went on to earn an MA from Wake Forest University. He is currently researching the supernatural in the 18th century. Part of this research examines the work of Charles Brockden Brown, the first major American novelist and Gothic fiction pioneer. He is finishing his dissertation, “Visible Plots, Invisible Realms,” en route to earning his PhD in English literature at Princeton University. All the while he is learning the ropes of the library world as the new English Literature and Digital Humanities librarian for Hesburgh Libraries.

Having come to Notre Dame in August, Dan quickly immersed himself in getting to know the collections, faculty, and students. Within the first couple of weeks, he was meeting with English students and faculty, and preparing classes that featured rare materials, including the works of Samuel Taylor Coleridge. He pulled out multiple editions of The Ancient Mariner and along with Professor Yasmin Solomonescu guided the students through Coleridge’s marginal glosses, talking about the book as artifact.

Tightly integrated with Dan’s interests in American and British literature from the 18th and 19th centuries is his fascination with how technology can enhance research in the Humanities. Dan founded and manages a digital archive of texts and digital humanities projects related to 18th- and 19th-century British and American literature called Scholar’s Grotto. This includes his own project, a scholarly edition of The Relief; or, Day Thoughts (1754), a parody and critique of graveyard poetry by Henry Jones, the “bricklayer poet.”

Dan is quite excited about enhancing RBSC’s literary collections. He has acquired two significant additions: a 1725 edition of Shakespeare’s works edited by Alexander Pope and the 1818 second edition of The Family Shakespeare in Ten Volumes edited by Thomas Bowdler. Both of these will be featured in his upcoming Shakespeare spotlight exhibit in RBSC—this will be the first exhibit Dan has ever curated. It will coincide with RBSC’s hosting of First Folio! The Book that Gave Us Shakespeare, the Folger Shakespeare Library’s touring exhibit that will bring a First Folio of the bard’s plays to each of the 50 states, Washington, D.C., and Puerto Rico. Dan will also lead guided tours of both exhibits and invites everyone to brave the snow and come out to learn about Shakespeare.

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Recent Acquisition: Loome Catholic Modernism Collection

by Jean McManus, Catholic Studies Librarian

The Hesburgh Libraries recently acquired the Thomas M. Loome Collection in Catholic Modernism, which comprehensively covers books on Modernism in Catholic thought, with over 1500 volumes. The modernist movement, from the late 19^th into the 20^th century, concerned theological, philosophical, and methodological insights applied to the Church’s engagement with the modern world. The controversies generated by this debate by many European and American Catholics led to censure, papal encyclicals, and excommunications. The themes resonated and were in many ways resolved in the course of Vatican II, and can certainly be said to be relevant to the global church today.

The printed works cover output from Great Britain, France, Italy, and Germany, but also include primary works for Modernism in the Netherlands, U.S., Switzerland, and Austria. Most of these printed works were published during the years 1895-1912, but also include subsequent studies and monographs on Modernism and individual Modernists.

LoomeColl-004-cropped — 1893 manuscript (MSE-MD 3824-063) and 1928 letter to Gwen Green (MSE-MD 3824-104), both written by Friedrich von Hügel.

In addition to books, the collection includes manuscript material from several principal thinkers, including George Tyrrell (letters) and Friedrich von Hügel (correspondence with other thinkers and relatives). Thomas Loome, the compiler of the collection (and former owner/bookseller of Loome Theological Books, Stillwater, MN), has written widely on modernism, and the collection includes his extensive research notes, reprints, copies of archival sources, and correspondence concerning his research and the debates.

The Loome Catholic Modernism Collection monographs are housed in Rare Books and Special Collections, and can be found in the ND Catalog with the keywords “Loome Catholic Modernism Collection.” The manuscript and archival materials are being processed, and are accessible for use in the Special Collections reading room. Contact the department for more information about using the collection.

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Spotlight Exhibit: The Evgeniia Ginzburg and Antonina Axenova Collection

November 2015

This month’s spotlight exhibit features materials from the recently acquired archive of Evgeniia Ginzburg, the most famous woman prisoner of Stalin’s GULAG, and Antonina Axenova (Ginzburg’s adopted daughter).

MSE-REE_0021-109_1969a-cropped — Evgeniia Ginzburg in her Moscow apartment, 1968.

Evgeniia Solomonovna Ginzburg (1904-1977) was a journalist and teacher who wrote an acclaimed autobiographical account of her 18-year journey through the Stalin GULAG. Ginzbrug’s epic story, which has been translated into many languages, was published in English in two volumes: Journey into the Whirlwind (1967) and Within the Whirlwind (1981). To this day her work remains one of the most significant and widely-read women’s memoirs about life and death in the Stalin camps.

Born in the Kolyma camps in 1946, Antonina Pavlovna Axenova was adopted by Ginzburg in 1949. Axenova later became a theater and movie actress. She has also worked tirelessly collecting materials to preserve the memory and legacy of her mother.

The exhibit is timed to coincide with a visit to Notre Dame by Antonina Axenova and the filmmaker, Mario Damolin, who premiered his new documentary film about Evgeniia Ginzburg entitled Tightrope Walk on November 5 at the DeBartolo Performing Arts Center.

More than 7 boxes constitute the archive which consists of documents, letters, photographs, and some manuscripts relating to Ginzburg’s arrest and her life in the camps as well as materials about Axenova’s professional life. The finding aid is near completion and will be accessible to researchers in the near future.

The exhibit is curated by Ken Kinslow, Manuscripts Processing Librarian, and is open to the public 9:00am to 5:00pm, Monday through Friday, through December 11, 2015.

Recent Acquisition: Rare Biography of Pope Paul IV

by Alan Krieger, Theology and Philosophy Librarian

We’ve recently acquired Antonio Caraccioli’s De vita Pauli Quarti Pont. Max.: collectanea historica (Coloniae Ubiorum, 1612), a rare biography of Pope Paul IV, whose pontificate spanned May 1555-August 1559.

Although his reign took place during the period of the Council of Trent (1545-63) and thus the “first wave” of the Catholic Reformation, he did not call or preside over any of the council’s sessions; however, he did address the problem of clerical corruption in Rome. Born Gian Pietro Carafa, he is reputed to have had a rather harsh and unyielding disposition and is probably best known for strengthening the Roman Inquisition and introducing the Index Librorum Prohibitorum (Index of Prohibited Books). This work is held by only two other North American libraries.

Also recently acquired is an interesting and rare incunable, Johannes Marchesinus’ Mamotrectus Super Bibliam, published in Venice by Johannes Rubeus in 1498. The work was originally written near the end of the 13th century and, as a guide to the Latin Vulgate consisting of nearly 1300 separate articles, was an extremely influential Franciscan school text in the education of clergy throughout the late Middle Ages.

The first printed edition was issued in Mainz (Germany) by Peter Schoffer in 1470; only three other North American institutions hold the version we have just acquired.

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Spotlight Exhibit: Building the Yeats Collection

October 2015

This month’s spotlight exhibit is curated by Aedín Ní Bhróithe Clements, Irish Studies Librarian, and features 6 volumes from 32 recently acquired books written by W. B. Yeats or associated with the Yeats family.

W. B. Yeats (1865-1939) was a leading figure in the Irish Literary Revival. One of the greatest poets of his time, he was also a major force behind Ireland’s national Theatre, the Abbey, and had a great and lasting impact on Irish culture and literature. Yeats was awarded the Nobel Prize for Literature in 1923.

Visiting professor John Kelly alerted the Library to the availability of the Yeats collection of American scholar and bibliographer Milton McClintock Gatch. In all, 32 volumes from the Gatch Collection have been added to the Hesburgh Library.

This adds significantly to the already rich Yeats Collection at the Hesburgh Library. Besides editions of books by W. B. Yeats, the Library holds a collection of Abbey Theatre Programmes, a Cuala Press collection (the printing press of the Yeats sisters) and a considerable collection of books illustrated by Jack B. Yeats.

The exhibit is open to the public 9:00am to 5:00pm, Monday through Friday, through October 30, 2015.

Recent Acquisition: A Calendar Leaf for May

by Dr. David T. Gura, Curator, Ancient and Medieval Manuscripts

MSS_Frag_I_33-1r — Notre Dame (Ind.), Univ. of Notre Dame, Hesburgh Library, Frag. I. 33

A newly acquired fragment (Frag. I. 33) provides a representative specimen of a historiated calendar from a fifteenth-century book of hours from France. The leaf contains the feast days of saints and other liturgical celebrations for the month of May. The entries are written in French using a double-graded system which invokes a deluxe presentation with a utilitarian element. Feasts written in gold are celebrated at a higher grade (e.g. as a solemnity) than the others. Those written in red and blue inks are celebrated at the same level, and the colors alternate purely for aesthetic purposes.

MSS_Frag_I_33-1r-inital — Dentelle initial KL marking the *Kalends* of May (first of the month). Frag. I. 33 (detail)

The outer border is decorated with black and gold rinceaux and contains acanthus leaves and other floral motifs. A similar piece border sprays from the initials KL in the upper inner margin (for Kalends, Latin for the first day of a month—hence our term ‘Calendar’).

The labors for the month of May are those of the nobility: courtly love and falconry. The lower margin features a miniature (below) which depicts both activities. The two lovers on horseback are engaged in courtship while on the hunt. The man holds a green branch, a symbol of fertility. A white hunting dog follows the couple closely on the ground, and the man’s falcon is perched on his left hand.

Though a product of biblioclasty from a period unknown, Frag. I. 33 still retains aspects which provide clues to its place of origin and location of use. For example, the Translation of the relics of St. Ouen celebrated on May 5 points towards the diocese of Rouen, which is located in the region of Upper Normandy. St. Ouen—also known as Audoin, Audoenus, or Dado—became bishop of Rouen in 641, and died in the last decades of the seventh century. A Gothic church bearing his name (the Basilica of St. Ouen) still stands in the city of Rouen.

Bibliography: David T. Gura, A Descriptive Catalogue of the Medieval and Renaissance Manuscripts of the University of Notre Dame and Saint Mary’s College. Forthcoming 2016.

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Recent Acquisition: World War I Scrapbooks of U.S. Army Officer from Bloomington, Indiana

by George Rugg, Curator, Americana

4 volumes, 29 cm., 678 leaves, with typescript, photographs, postcards, maps and other published illustrations, typed and handwritten documents, and drawings tipped and bound in; 3 additional folders; 1 linear foot.

From August 1917 to May 1919 Humphrey Mahan Barbour (1894-1983) of Bloomington, Indiana served as an officer in the U.S. Army’s 150th Field Artillery Regiment, attached to the 42nd (Rainbow) Division. From February to November 1918 he saw periodic action on the Western Front, fighting at the 2nd Battle of the Marne, at Saint-Mihiel, and in the Meuse-Argonne offensive. On 1 July 1918 he was promoted from 1st lieutenant to captain, and command of the 150th Field Artillery’s Battery B.

Opening, three full length portraits of soldiers at left (two and one), text from July 12, 1918, at right. — Volume 2, opening 95v-96r.

At some point after the war Barbour compiled an extensive four-volume illustrated narrative of his military experiences, entitled “With the 42nd Division, 1917-19.” Around 220 typed pages of memoir, drawn by Barbour from wartime letters and perhaps a journal, are interspersed with more than 400 photographic prints, photo postcards, and published halftones relevant to the text. Also present are more than 500 printed, typed, and manuscript documents and bits of ephemera preserved by Barbour: division and regimental orders, memoranda, reports, and plans; handwritten notes from the battery commanding officer; fire orders and reports of fire; and drawings of sections of the front.

The Barbour scrapbooks were purchased by the Hesburgh Libraries in 2015.

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Recent Acquisition: Sacramentary of Henry II

by Julia Schneider, Medieval Studies Librarian

Notre Dame’s Medieval Institute has recently added the Sacramentary of Henry II to its substantial original-format facsimile collection. Original-format facsimiles are reproductions of important works that are intended to mimic the original. They are highly detailed, specialized, and provide insights into various aspects of intellectual history.

München, Bayerische Staatsbibliothek, Clm 4456, fol. 11r, is known as the coronation image of Henry II. In the image, Henry is crowned by Christ, as angels in the two windows beside Christ bring him his lance and sword. He is being supported by Saint Ulrich on the left and Emmeram on the right.

This sacramentary was a ceremonial service book for Mass to be used by the celebrant, and commissioned by Henry II, the Duke of Bavaria. Henry was crowned Holy Roman Emperor (1014-1024) by Boniface VIII and was known as a builder of the empire north of the Alps, as well as for being deeply religious. He considered himself to be “the Ruler of the House of God,” following in the footsteps of his not-so-distant ancestor, Charlemagne (d. 814), and thus was a great patron of the Bavarian church. The founder of the See of Bamberg, Henry and his wife Kunegunde were both canonized and are interred in the cathedral of Sts. Peter and Georg there.

Henry’s sacramentary is the epitome of a deluxe manuscript; it is made of calf and sheep skin, and its luxurious illuminations, decorated initials, elaborately designed marginalia, use of gold and silver lettering throughout the manuscript, and sumptuous goldsmith’s decorated binding with ivory decorative plate made this a book truly worthy of an emperor and one that the emperor thought worthy to celebrate the sacred liturgy. The original was produced in the scriptorium of the Benedictine monastery of St. Emmeram at Regensburg, later made its way to Bamberg, and is now in the Bayerische Staatsbibliothek in Munich, leaving its location in the vault only rarely. Unlike the original, the facsimile, though not inexpensive to purchase, is not priceless. Because it is not the original medieval manuscript, it may be handled, offering students and scholars the opportunity to learn about the sacramentary itself and aiding them in gaining insight into the history of medieval book production, liturgy, and art history.

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