Spotlight Exhibit: A Choir Book for Medieval Nuns

by Kristina Kummerer, Ph.D. student in the Medieval Institute

The February-March Spotlight, A Choir Book for Medieval Nuns, highlights one item from the Hesburgh Library’s Special Collections in order to showcase the activities of women religious in the Middle Ages. It features a small fifteenth-century manuscript from Poissy, France, which once belonged to a convent of Dominican nuns devoted to St. Louis (that is, King Louis IX of France, who ruled 1226-1270). This manuscript, called a Processional, would have been used by the nuns at Poissy as they moved through the ceremonial space in liturgical celebrations throughout the year.

Processional chants for Palm Sunday, cod. Lat. a 17, f. 7r

Each member of a procession likely held her own book as they processed. Nuns at Poissy, typically noblewomen, often personalized their Processionals with elaborate paintings of their personal patrons, family coats of arms, or convent community. Unlike most other surviving Processionals from this convent, of which there are many, this manuscript is surprisingly lacking in ornate decorations. Even on celebrations unique to their community, such as the Procession for the feast day of St. Louis, the decorations are standard for the genre. This, along with an ownership mark from the seventeenth century, may indicate that this Processional was a general community book under care of the chantress – the appointed musical leader of the liturgy – rather than personally owned.

Processional chants for St. Louis, cod. Lat. a 17, f. 44r

Even within a women’s community, the foremost leadership roles in the liturgy were primarily held by the male religious who oversaw the convent and its care. However, at the convent in Poissy, the nuns held an explicit liturgical role in certain ceremonies, including processions. This can be seen in this Processional’s rubrics (red-ink liturgical instructions).

For example, on Good Friday, after two priests (duo sacerdotes) sang Christ’s words in a ceremonial recapitulation of the Passion, this manuscript designates that two sisters (due sorores) sang a part assigned typically to male deacons. The choir (chorus) responded afterwards. Since it was unusual to include women as liturgical leaders, these rubrics indicate that women regularly used this manuscript and emphasize their agency and participation within the liturgy.


This exhibit was curated by Kristina Kummerer, a Ph.D. student in the Medieval Institute, as part of a curatorial assistantship in Rare Books and Special Collections. It can be viewed in 102 Hesburgh Library from 9:00 am – 5:00 pm on weekdays.

Upcoming Events: March 2024

Please join us for the following public events and exhibits being hosted in Rare Books and Special Collections:

Thursday, March 27 at 5:00pm | “The Actor’s Mind in the Russian Modernist Theater” a lecture by Alisa B. Lin (Ohio State University).


In the spring exhibition, Mapping the Middle Ages: Marking Time, Space, and Knowledge, primary objects bring to the fore the tension between literal and figurative arrangements of space, time, and knowledge during the Middle Ages.

This exhibition is curated by David T. Gura, PhD, Curator of Ancient and Medieval Manuscripts.


The current spotlight exhibits are Scripts and Geographies of Byzantine Book Culture (February – April 2024) and A Medieval Nun’s Choir Book (February – March 2024).


Special Collections is open regular hours during Notre Dame’s Spring Break (March 11-15), Monday through Friday, 9:30am – 4:30pm.

We will be closed on March 29, in observance of Good Friday, and open regular hours on Easter Monday.

Mapping the Middle Ages: Marking Time, Space, and Knowledge — RBSC 2024 Spring Exhibition is now open

Rare Books and Special Collections’ spring exhibition, Mapping the Middle Ages: Marking Time, Space, and Knowledge, is open and will run through July 31st. 

The tension between literal and figurative arrangements of space, time, and knowledge during the Middle Ages is brought to the fore through the primary objects that remain. Geography, whether real or imagined, manifests on the page to convey a variety of spatial arrangements: topography, pilgrimage, peripatetic liturgical procession, diaspora, and boundary marking. The materiality of medieval manuscript books expresses a similar reality: geographic colophons mark time and space, prayers localize devotion, and the communal memory of a journey commingled with hope and desperation survives in liturgical readings. Even the scattering of manuscript leaves through biblioclasty creates the boundary of what a book once was and what it has become.

Detail of a T and O Map, a world map based on Isidore of Saville’s description of the physical world. The O represents the earth and the T marks its three divisions: Europe, Asia, and Africa.
(cod. Lat. d. 7, f. 157v)

To map the Middle Ages is to journey through the space created by the objects and the individuals who used them. If we embrace a manuscript in the totality of itself, we form a new bond and continuity with those who have come before us. The manuscripts in this installation are drawn from the collection of the University of Notre Dame’s Hesburgh Library.

This exhibit is curated by David T. Gura, Ancient and Medieval Manuscripts Librarian. This and other exhibits within the Hesburgh Libraries are generously supported by the McBrien Special Collections Endowment.

All exhibits are free and open to the public during business hours. Exhibition tours may be arranged for classes and other groups by contacting David T. Gura at (574) 631-6489 or dgura@nd.edu.

Upcoming Events: February 2024

Please join us for the following public events and exhibits being hosted in Rare Books and Special Collections:

Thursday, February 1 at 5:00pm | Italian Research Seminar: “Leonardo da Vinci’s Way of Seeing Water. Wetlands, Mapping, and the Art of Painting” by Francesca Fiorani (University of Virginia).

Thursday, February 29 at 5:00pm | Italian Research Seminar: M.A. Students Presentations (University of Notre Dame) — This semester’s speakers are: Fabiola D’Angelo and Peter Scharer.


In the spring exhibition, Mapping the Middle Ages: Marking Time, Space, and Knowledge, primary objects bring to the fore the tension between literal and figurative arrangements of space, time, and knowledge during the Middle Ages. Geography, whether real or imagined, manifests on the page to convey a variety of spatial arrangements: topography, pilgrimage, peripatetic liturgical procession, and boundary marking. The materiality of medieval manuscript books expresses a similar reality through geographic colophons, regional markings of book production, devotional locals, and even the dispersing of manuscripts through modern-day biblioclasty.

To map the Middle Ages is to journey through the space created by the objects and the individuals who used them. The manuscripts in this installation are drawn from the collection of the University of Notre Dame’s Hesburgh Library.

This exhibition is curated by David T. Gura, PhD, Curator of Ancient and Medieval Manuscripts.


The current spotlight exhibits are Football and Community at Historically Black Colleges and Universities and A Warning Against Rum in Early America. Both spotlights will change out in February, check our website for more details in the near future.

Welcome Back! Spring 2024 in Special Collections

Rare Books and Special Collections welcomes students, faculty, staff, researchers, and visitors back to campus for Spring ’24! Here are a variety of things to watch for in Special Collections during the coming semester.

Spring 2024 Exhibition: Mapping the Middle Ages: Marking Time, Space, and Knowledge

The tension between literal and figurative arrangements of space, time, and knowledge during the Middle Ages is brought to the fore through the primary objects that remain. Geography, whether real or imagined, manifests on the page to convey a variety of spatial arrangements: topography, pilgrimage, peripatetic liturgical procession, and boundary marking. The materiality of medieval manuscript books expresses a similar reality: geographic colophons, the regional markings of book production, devotional locals, and even the dispersing of manuscripts through modern-day biblioclasty.

To map the Middle Ages is to journey through the space created by the objects and the individuals who used them. The manuscripts in this installation are drawn from the collection of the University of Notre Dame’s Hesburgh Library.

Curated by David T. Gura, PhD, Curator of Ancient and Medieval Manuscripts.

This exhibition is being held in conjunction with the annual meeting of the Medieval Academy of America, which will be hosted March 14–16, 2024, at the University of Notre Dame.

Stop in regularly to see our Collections Spotlights

Fall Spotlight, continued through the end of January: Football and Community at Historically Black Colleges and Universities

This exhibit features a selection of sources from the Joyce Sports Research Collection that document and preserve the history of football at Historically Black College and Universities (HBCUs). During the era of Jim Crow segregation, the vast majority of African American college students and student athletes attended HBCUs.

Many of the yearly gridiron contests between rival institutions developed into highly anticipated annual events that combined football with larger celebrations of African American achievement and excellence. The programs, media guides, ephemera, guidebooks, and other printed material on display document the athletic accomplishments, the celebrations, the spectacle, and the community-building that accompany football at Historically Black Colleges and Universities.

Curated by Greg Bond, Curator of the Joyce Sports Research Collection and the Sports Subject Specialist for Hesburgh Libraries.

December-January Spotlight: A Warning Against Rum in Early America

Displayed in the spotlight is a 1835 poster commemorating a Salem, Massachusetts minister’s attack on a neighbor for distilling and selling rum. This particular copy was partially hand-colored in watercolor, preserved with a cloth backing, folded, and bound into a pocket-sized leather cover. The broadside is part of Hesburgh Library’s Rare Books and Special Collections’ collection of prints, posters, and broadsides.

Curated by Rachel Bohlmann, Curator of North Americana at Hesburgh Libraries.

These and other exhibits within the Hesburgh Libraries are generously supported by the McBrien Special Collections Endowment.

All exhibits are free and open to the public during regular hours.

Special Collections’ Classes & Workshops

Throughout the semester, curators will teach sessions related to our holdings to undergraduate and graduate students from Notre Dame, Saint Mary’s College, and Holy Cross College. Curators may also be available to show special collections to visiting classes, from preschool through adults. If you would like to arrange a group visit and class with a curator, please contact Special Collections.

Upcoming Events

Thursday, February 1st at 5:00pm | The Spring 2024 Italian Research Seminar and Lectures will begin with a lecture by Francesca Fiorani (University of Virginia), “Leonardo da Vinci’s Way of Seeing Water. Wetlands, Mapping, and the Art of Painting.”

Learn more about this and other Events in Italian Studies.

Recent Acquisitions

Special Collections acquires new material throughout the year. Watch this blog for information about recent acquisitions.

Upcoming Events: December 2023

Please join us for the following public events and exhibits being hosted in Rare Books and Special Collections:

Thursday, December 7 at 5:00pm | Italian Research Seminar: “Desire, Anxiety, Shame: Transatlantic (Re)Mediations and ‘Italian Culture'” by Loredana Polezzi (Stony Brook University).


The exhibition Making and Unmaking Emancipation in Cuba and the United States is now open and will run through the fall semester.

Tours of the exhibit may also be arranged for classes and other groups by contacting Rachel Bohlmann at (574) 631-1575 or Rachel.Bohlmann.2@nd.edu.


The December spotlight exhibits are Football and Community at Historically Black Colleges and Universities (August – December 2023) and TBD (December 2023 – November 2024).

Rare Books and Special Collections will be closed for Notre Dame’s Christmas and New Year’s Break
(December 22, 2023, through January 1, 2024).

We otherwise remain open for our regular hours during Reading Days and Exams, and welcome those looking for a quiet place to study.

Upcoming Events: November 2023

Please join us for the following public events and exhibits being hosted in Rare Books and Special Collections:

Thursday, November 2 at 5:00pm | Italian Research Seminar: “The Dilemmas of Friendship in Dante’s Italy” by Elizabeth Coggeshall (Florida State).

Thursday, November 9 at 5:00pm | Book Presentation: La vita dell’altro. Svevo, Joyce: Un’amicizia geniale by Enrico Terrinoni (Affiliate of the Center for Italian Studies). Terrinoni will be joined by Sara Boezio, Charles Leavitt, and Clíona Ní Ríordáin for a roundtable discussion of his book. This event is co-sponsored by the Center for Italian Studies and the Keough-Naughton Institute for Irish Studies.

Thursday, November 30 at 4:30pm | Making and Unmaking Emancipation in Cuba and the United States: A Panel Discussion.

A tour of Hesburgh Libraries’ Fall 2023 exhibition, Making and Unmaking Emancipation in Cuba and the United States, precedes the panel discussion (4:30 – 5:00pm). A reception will follow the panel discussion, in the Hesburgh Libraries Scholar’s Lounge.

Free and open to the public; no tickets required.


The exhibition Making and Unmaking Emancipation in Cuba and the United States is now open and will run through the fall semester.

A curator-led tour, open to the public, will be held noon–1:00pm on the following upcoming Friday: November 17. Tours of the exhibit may also be arranged for classes and other groups by contacting Rachel Bohlmann at (574) 631-1575 or Rachel.Bohlmann.2@nd.edu.


The November spotlight exhibits are Football and Community at Historically Black Colleges and Universities (August – December 2023) and Path to Sainthood: Brother Columba O’Neill (October – November 2023).

RBSC will be closed during the University of Notre Dame’s Thanksgiving Break, November 23 – 24.

Upcoming Events: October 2023

Please join us for the following public events and exhibits being hosted in Rare Books and Special Collections:

Thursday, October 5 at 5:00pm | Italian Research Seminar: “The Archival Turn and Network Approach: Examining Evolving Translation Practices and Discourses in the British Publishing Firm Complex, 1950s-1980s” by Daniela La Penna (University of Reading, UK).

Thursday, October 24 at 5:00pm | McBrien Special Collections Lecture Series: “Chief O’Neill in Ten Tunes” by Dr. Seán Doherty (Dublin City University).

Captain Francis O’Neill’s collection 1001 Gems: The Dance Music of Ireland (1907) is so important to the world of Irish traditional music that it’s sometimes called the Bible or simply, ‘The Book’. Starting as a pandemic project, the Irish composer and musicologist Seán Doherty analyzed all 1001 tunes in this influential collection. In this lecture and performance, Seán will discuss the music along with O’Neill’s biography and will play tunes linked to key moments in Chief O’Neill’s life.

Captain O’Neill donated his personal library to the University of Notre Dame, where it is held at the Hesburgh Library. Dr. Doherty’s research visit is supported by the Keough-Naughton Library Research Award in Irish Studies.


The exhibition Making and Unmaking Emancipation in Cuba and the United States is now open and will run through the fall semester.

Curator-led tours, open to the public, will be held noon–1:00pm on the following upcoming Fridays: October 13 and 27 [tour on 10/27 cancelled], and November 17.

Tours of the exhibit may also be arranged for classes and other groups by contacting Rachel Bohlmann at (574) 631-1575 or Rachel.Bohlmann.2@nd.edu.


The October spotlight exhibits are Football and Community at Historically Black Colleges and Universities (August – December 2023) and Path to Sainthood: Brother Columba O’Neill (October – November 2023).

RBSC will be open regular hours (9:30am – 4:30pm) during the University of Notre Dame’s Fall Break, October 16 – 20.

Making and Unmaking Emancipation in Cuba and the United States — RBSC’s Fall Exhibition is open!

Rare Books and Special Collections’ fall exhibition, Making and Unmaking Emancipation in Cuba and the United States, is open and will run through December 15th. 

This exhibition explores the fraught, circuitous and unfinished course of emancipation over the nineteenth century in Cuba and the United States. People — enslaved individuals and outside observers, survivors and resistors, and activists and conspirators — made and unmade emancipation, a process that remains unfinished and unrealized. 

Materials from Rare Books and Special Collections’ Latin American and U.S. collections are paired together to reflect on the history of enslavement and freedom beyond national borders. The show features books, manuscripts, maps, and prints, illustrating the array of formats held in RBSC and how they each shed light on historical experience. 

Making and Unmaking Emancipation in Cuba and the United States is curated by Rachel Bohlmann, Curator of North Americana and American History Librarian and Erika Hosselkus, Curator of Latin American Studies and Iberian Studies, and Associate University Librarian for Scholarly Resources and Services. 

Curator-led tours will be offered at noon on September 22, October 13 and 27 [tour on 10/27 cancelled], and November 17, 2023. They are free and no reservations are required. Exhibition tours may also be arranged for classes and other groups by contacting Rachel Bohlmann at (574) 631-1575 or rbohlman@nd.edu.

Please mark your calendars and join us on Thursday, November 30th at 4:30 pm in 102 Hesburgh Library for a panel program that delves more deeply into questions about enslavement and emancipation raised in the exhibition. The program also speaks to the challenges and opportunities in connecting broad audiences to new scholarly findings in the study of transatlantic slavery. A curators’ tour will precede the program; a reception will follow. 

This exhibition and related programming are generously supported by the Florence and Richard C. McBrien and Richard C. McBrien, Jr. Special Collections Librarian fund.

Upcoming Events: September 2023

Please join us for the following public events and exhibits being hosted in Rare Books and Special Collections:

Friday, September 1 at 2:00-4:00pm | Spotlight Exhibit Tour and Open House, Football and Community at Historically Black Colleges and Universities, with curator Greg Bond.

Brief remarks by the curator about the exhibit will begin at 2:15pm, but visitors will be able to see the exhibit and browse the additional historical material on display for the open house at any time between 2:00pm and 4:00pm.

Tuesday, September 19 at 4:00pm | Centering African American Writing in American Literature – American Studies Professor Korey Garibaldi will draw on his new book, Impermanent Blackness: The Making and Unmaking of Interracial Literary Culture in Modern America (Princeton, 2023), and on recent library acquisitions to discuss how, during the middle of the twentieth century, modern American literature and its production were interracial. He will explore multiple aspects of American literary creation, including how African American content has been embodied in dust jacket and cover designs, illustrations, the style of type and bindings, and the overall production quality.


The exhibition Making and Unmaking Emancipation in Cuba and the United States is now open and will run through the fall semester.

Curator-led tours, open to the public, will be held noon–1:00pm on the following Fridays: September 1, 15 and 22; October 13 and 27 [tour on 10/27 cancelled], and November 17.

Tours of the exhibit may also be arranged for classes and other groups by contacting Rachel Bohlmann at (574) 631-1575 or Rachel.Bohlmann.2@nd.edu.


The September spotlight exhibits are Football and Community at Historically Black Colleges and Universities (August – December 2023) and Centering African American Writing in American Literature (August – September 2023).

RBSC will be closed Monday, September 4th,
for Labor Day.