Ulysses 100 at Hesburgh Libraries

by Aedín Ní Bhróithe Clements, Irish Studies Librarian

At Hesburgh Libraries, along with the Keough-Naughton Institute for Irish Studies, we look forward to participating in the worldwide celebration on February 2nd of the one hundredth anniversary of James Joyce’s Ulysses.

The very first copies of the first edition of Ulysses were received from the printer on Joyce’s fortieth birthday, February 2nd, 1922. Sylvia Beach, the publisher, delivered a copy to James Joyce on that day. 

Of the thousand copies printed in that first edition, almost one hundred are currently in U.S. libraries. Our copy will be on display in our exhibition room throughout the semester.

Parts of Joyce’s novel had earlier been published serially in America in The Little Review, a magazine edited by Margaret Anderson and Jane Heap. This came to the attention of the Society for the Suppression of Vice, and eventually the magazine had to cease publication of the novel and it was banned by the United States Post Office.

Joyce subsequently had difficulty finding a publisher, and Sylvia Beach, owner of Paris bookshop and lending library Shakespeare and Company, agreed to publish the book. Every detail along the way, from finding typists who would agree to type the text through distributing (sometimes smuggling) the book to readers, forms an interesting story. Much of the story is recounted in Noel Riley Fitch’s book, Sylvia Beach and the Lost Generation (1983).

Another great champion of Joyce’s writing was publisher Harriet Weaver, whose Egoist Press in England published a number of his works. Her edition of Ulysses was also published in 1922 and our copy is on display. 

Also in the display case is a magazine in which unauthorized episodes were published, alongside a printed copy of the protest, signed by 167 artists and writers, against this piracy.

In a separate case, we will exhibit a print by the late Irish artist David Lilburn – Eccles Street, from In Medias Res: The Ulysses Maps: A Dublin Odyssey. This print will be available for viewing through the month of February.

The Celebration

On Joyce’s 140th birthday, we will host a special event in the Hesburgh Library, with the Keough-Naughton Institute for Irish Studies.

Professor Barry McCrea will speak on ‘Joyce, Proust, Paris, 1922’, and the launch of the ‘100 Years of James Joyce’s Ulysses‘ exhibit will be complemented by a one-afternoon temporary display.

Further information on this event is available here: https://irishstudies.nd.edu/events/2022/02/02/celebration-100-years-of-james-joyces-ulysses/

Welcome to Spring 2022 in Rare Books & Special Collections

The University of Notre Dame, Hesburgh Libraries, Special Collections, and the COVID situation

Due to the spread of highly contagious variants of the COVID-19 virus, masks are currently required throughout the Hesburgh Library for all students, faculty, staff, and visitors, regardless of vaccination status. This applies to all Rare Books & Special Collections spaces.

All visitors to campus are required to wear masks inside campus buildings at all times until further notice. Up-to-date information regarding campus policies is provided at covid.nd.edu.

Upcoming Events: January and early February

Please join us for the following event being hosted in Rare Books and Special Collections:

Thursday, January 27 at 4:30pm | Italian Research Seminar: “Scales of Responsibility: The Dark Side of Italo Calvino” by Maria Anna Mariani (University of Chicago). Sponsored by the Center for Italian Studies.

Wednesday, February 2, from 3:30 pm to 5:00 pm | Celebration: 100 Years of James Joyce’s Ulysses: An event celebrating the centenary of James Joyce’s Ulysses will be hosted in Special Collections, with a display of Ulysses-themed treasures from the vault of the Hesburgh Library and the reading of short excerpts from Ulysses in several languages.

Spring Semester Exhibits

The spring exhibit will feature Medieval Bibles and biblical texts and is in celebration of the 75th anniversary of Notre Dame’s Medieval Institute. The exhibit, curated by David T. Gura, Ph.D., will open in January and run through the semester.

The spotlight exhibits for January and February will feature first editions of Joyce’s Ulysses and related items, in honor of the centenary of Ulysses publication.

Classes in Special Collections

Throughout the semester, curators teach sessions related to our holdings. If you’re interested in bringing your class or group to work with our curators and materials, please contact Special Collections.

Recent Acquisitions

Special Collections acquires new material throughout the year. Watch our blog for announcements about recent acquisitions.

Upcoming Events: December and early January

There are no events scheduled to be hosted in Rare Books and Special Collections in December 2021 or early January 2022.

Rare Books and Special Collections will remain open for our regular hours during Reading Days and Exams (Monday through Friday, 9:30am to 4:30pm). We welcome those looking for a quiet place to study.

The fall exhibit “Bound up with love…” The extraordinary legacy of Father John Zahm’s Dante Collection is now open and will run through the end of the semester. Public tours of the exhibit are offered every Wednesday at 12:15pm. Tours are also available for classes or other groups, including K-12 audiences, by request. No registration required and tours are free and open to the public.

The current spotlight exhibits are The Ferrell Manuscripts (August – December 2021) and A Limited Edition Photo Album of the Sistine Chapel (August – December 2021).


RBSC will be closed during Notre Dame’s Christmas & New Year’s Break,
December 23, 2021 – January 3, 2022.

We will resume regular hours
(Monday – Friday, 9:30am – 4:30pm)
on Tuesday, January 4, 2022.

Color Our Collections: Images from the Current Exhibit

Today’s coloring sheets come from our current exhibit, “Bound up with love…”: The extraordinary legacy of Father John Zahm’s Dante Collection. 2021 marks the 700th anniversary of the death of Dante Alighieri, recognized by Special Collections in this exhibit showcasing the preeminent Dante collection held by the University of Notre Dame and begun by Rev. John A. Zahm, CSC. The exhibit is curated by Tracy Bergstrom (Curator, Italian Studies and Dante Collection), Chiara Sbordoni (Adjunct Professor in Italian, Rome Global Gateway), and Demetrio Yocum (Senior Research Associate, Center for Italian Studies).

The exhibit is open to the public through December 17, 2021.

Upcoming Events: November and early December

Please join us for the following events being hosted in Rare Books and Special Collections:

Thursday, October 11 at 4:30pm | Dante in America, Session VI: “Recollecting Dante Collecting” by Christian Y. Dupont (Boston College), and “A Dante Museum Orbiting the Sun: Paul Laffoley’s Dantesphere Project” by Arielle Saiber (Bowdoin College).

The Dante in America lectures are sponsored by the Center for Italian Studies and the Devers Family Program in Dante Studies.

The fall exhibit “Bound up with love…” The extraordinary legacy of Father John Zahm’s Dante Collection is now open and will run through the end of the semester. Public tours of the exhibit are offered every Wednesday at 12:15pm. Tours are also available for classes or other groups, including K-12 audiences, by request. No registration required and tours are free and open to the public.

The current spotlight exhibits are The Ferrell Manuscripts (August – December 2021) and A Limited Edition Photo Album of the Sistine Chapel (August – December 2021).


RBSC is closed
Thursday and Friday during
Notre Dame’s Thanksgiving Break,
November 25 – 26
.

“Bound up with love…” Exhibiting the Extraordinary Legacy of Father Zahm

by Tracy Bergstrom, Curator, Zahm Dante and Early Italian Imprints Collection

This year marks the 700th anniversary of the death of Dante Alighieri, and people around the world are celebrating the milestone. In conjunction with this anniversary, our current exhibit showcases the preeminent Dante collection held by the University of Notre Dame. 

In the fall of 1902, Rev. John A. Zahm, CSC, negotiated the purchase of forty-eight important early print volumes of Dante Alighieri’s Divine Comedy on behalf of the University. The purchase marked a convergence of Zahm’s growing interest in the works of Dante with his efforts to transform Notre Dame into a modern university. Zahm’s purchase of these volumes afforded the University an extraordinary collection on Dante, including magnificent early printings such as that produced in Florence in 1481 displayed below. It also provided a substantial foundation on which to base subsequent collecting activities. 

Dante Alighieri, 1265-1321. La commedia. Florence: Nicolaus Laurentii, 1481.

This edition of Dante’s Comedy features commentary by the Florentine humanist and philosopher Cristoforo Landino (1425-1498). Landino’s was the most influential commentary to Dante’s poem during the Renaissance. Sandro Botticelli designed the iconographic visual program, which was executed in an unfinished series of woodcuts by Baccio Baldini.

In 1995, William and Katherine Devers funded an endowment to support teaching and research on Dante across the University, including the purchase of rare materials in support of the Zahm Dante Collection. Highlights of our recent acquisitions include rare printings of the three crowns (le tre corone) of Italian literature – Dante, Petrarch, and Boccaccio – as well as verse anthologies of poetry and other tools such as grammars and dictionaries that would have assisted 16th century readers of vernacular literature. 

Nicolò Liburnio, 1474-1557. Le tre fontane di messer Nicolo Liburnio: in tre libbri diuise, sopra la grammatica, et eloquenza di Dante, Petrarcha, et Boccaccio. Venice: Per Gregorio de Gregorii del 1526, nel mese di Febraio, (1527).

Alongside the first grammar books, the earliest lexicons made their appearance in the first decades of the 16th century and soon became very popular. Written as a manual for beginners, with mainly young people and women as the target audience, the goal of this volume was to teach how to write correctly in the vernacular. The three “fountains” of the title refer to the three crowns of Italian literature: Dante, Petrarch, and Boccaccio.

The title of this exhibit comes from the final canto of Dante’s Paradise, in which Dante has arrived at the conclusion of his journey and beholds a vision of the universe “bound up with love together in one volume.” Father Zahm read a canto from the Divine Comedy daily, and the themes of unity and promise encapsulated within this title seem apt when considering his early efforts to build such an extraordinary collection. 

This exhibit was curated by Tracy Bergstrom (Curator, Italian Studies and Dante Collection), Chiara Sbordoni (Adjunct Professor in Italian, Rome Global Gateway), and Demetrio Yocum (Senior Research Associate, Center for Italian Studies). This and other exhibits within the library are generously supported by the McBrien Special Collections Endowment.

The exhibit is on view from August 23 – December 17, 2021. Weekly free exhibit tours are offered on Wednesdays at 12:15pm in Rare Books & Special Collections. 

Upcoming Events: October and early November

Please join us for the following events being hosted in Rare Books and Special Collections:

Thursday, October 7 at 4:30pm | Dante in America, Session V: Dante, Jazz, and American Modernism” by Joseph Rosenberg (University of Notre Dame), and “‘Was Then Your Image Like the Image I See Now?’ Dante’s Face in America” by Kathleen Verduin (Hope College).

The Dante in America lectures are sponsored by the Center for Italian Studies and the Devers Family Program in Dante Studies.

Wednesday, October 13 at 3:45pm | “‘Bound with Love . . .’: The Extraordinary Legacy of the John A. Zahm, C.S.C., Dante Collection”, a panel discussion with Tracy Bergstrom, Theodore Cachey, and Margaret Meserve.

This panel discussion is part of the Founder’s Day series of events being held at the University Notre Dame on October 12-13, 2021.

The fall exhibit “Bound up with love…” The extraordinary legacy of Father John Zahm’s Dante Collection is now open and will run through the end of the semester. Public tours of the exhibit are offered every Wednesday at 12:15pm (except October 6). Tours are also available for classes or other groups, including K-12 audiences, by request. No registration required and tours are free and open to the public.

The current spotlight exhibits are The Ferrell Manuscripts (August – December 2021) and A Limited Edition Photo Album of the Sistine Chapel (August – October 2021).


RBSC is open regular hours during
Notre Dame’s Mid-Term Break,
October 18 – 22
.

Medieval Manuscripts from the Ferrell Collection on Exhibit

by David T. Gura, Ph.D., Curator, Ancient and Medieval Manuscripts

In October 2017, six medieval manuscripts were donated to the University of Notre Dame from the private collection of James E. and Elizabeth J. Ferrell. The manuscripts have been accessioned into their own fond: “Ferrell Manuscripts.” Through Mr. and Mrs. Ferrell’s generosity, the breadth of the University’s collection of medieval and renaissance manuscripts has been augmented significantly.

The collection’s best examples of Northern High and Late Medieval illumination now come from the Ferrell fond: a fully historiated, complete Parisian Bible from the Vie de St. Denis Atelier (Ferrell MS 1),  a masterfully painted Book of hours in Grisailles from the “Betremieu Group” (Ferrell MS 2), and a miniature of the Trinity (Ferrell MS 3) from the “Master of the First Prayer Book of Maximilian”—the collection’s sole example of trompe l’oeil  borders, which were perfected in Dutch manuscript painting.

Likewise, the gift also constitutes the collection’s most illustrative examples of Late Medieval Italian illumination: a cutting of John the Baptist painted by “The Second Master of the Antiphonary M of San Giorgio Maggiore” (Ferrell MS 4), and a leaf from an Office Book illuminated by the Franciscan friar, Fra Antonio da Monza (Ferrell MS 6). In addition to these examples of Italian painting, a tarot card depicting the biscione (serpent) of  the Visconti-Sforza family of Milan (Ferrell MS 5) provides a rare example of Trionfi cards popular among the Italian elite. 

The Ferrell Collection is on exhibit for the Fall Semester 2021 in Rare Books and Special Collections and is also available digitally.

The Ferrell Bible (Ferrell MS 1)
The Ferrell Bible was illuminated by the artisans of the Vie de St. Denis Atelier in Paris, ca. 1240. The Vie de St. Denis Atelier was among the most active paintshops from 1230–1250, to which over forty different manuscripts have been attributed. The atelier painted small and large Bibles, liturgical and devotional manuscripts, civil and canon law books, and institutional volumes such as the privileges of St.-Martin des Champs and the Libellus of St.-Denis. A diverse clientele acquired books from the atelier, which included local patrons like the cathedral, St.-Denis, St.-Martin des Champs, St.-Maur de Fossés, and a Carthusian house in Paris. Regionally, clients from Copmiègne, Rouen, Sens, and Châlon-sur-Marne also visited the atelier for books.

View the entire Ferrell Bible.

The Ferrell Hours (Ferrell MS 2)
The Ferrell Hours was produced in French Flanders in the later fifteenth century. The manuscript forms part of the “Betremieu” Group, a small group of books of hours which were made in Hainaut ca. 1460-1470. All miniatures in the Ferrell Hours were painted using the Grisaille technique. Quite rare and luxurious, the Grisaille technique uses only hues of gray.

View the complete Ferrell Hours.

Miniature of the Holy Trinity (Ferrell MS 3)
This miniature of the Trinity belongs to a group of manuscripts associated with the “Master of the First Prayer Book of Maximilian,” who was active ca. 1475-1515. The recto side was originally blank as the miniature was painted on the verso and imported–one of the hallmarks of Flemish origin. The borders are extremely well executed examples of the trompe l’oeil technique, which was perfected in Dutch manuscript painting. Ferrell MS 3 is Notre Dame’s only example of trompe l’oeil in a medieval manuscript.
Cutting from a choirbook (Ferrell MS 4)
The painter of this historiated initial featuring John the Baptist is known as “The Second Master of the Antiphonary M of San Giorgio Maggiore.” The long sobriquet derives from an antiphonary illuminated for San Giorgio Maggiore by Belbella da Pavia c. 1467–1470, to which our painter contributed four initials. “The Second Master of the Antiphonary M of San Giorgio Maggiore” was active in the Veneto and also contributed paintings to a well-known set of choirbooks for the Benedictine Abbey of San Sisto in Piacenza. 
Visconti-Sforza Tarot Card (Ferrell MS 5)
This tarot card depicts the biscione—a heraldic crowned serpent shown consuming a human child. The biscione was first associated with the Visconti of Milan (1277–1477). The motif became emblematic of the Duchy of Milan, and was then used in the heraldry of the Sforza family. The Sforzas ruled the Duchy of Milan (1450–1535) after the Visconti family.
Fragment of an Office Book illuminated by Fra Antonio da Monza (Ferrell MS 6)
Fra Antonio da Monza was a Franciscan friar and manuscript illuminator who was active in Italy ca. 1480-1505. Several liturgical books and miniatures have been attributed to him since he was identified, including this manuscript which had previously been attributed to Giovan Pietro Birago (ca. 1480-1490).

Upcoming Events: September and early October

Please join us for the following events being hosted in Rare Books and Special Collections:

Thursday, October 7 at 4:30pm | Dante in America, Session V: Dante, Jazz, and American Modernism” by Joseph Rosenberg (University of Notre Dame), and “‘Was Then Your Image Like the Image I See Now?’ Dante’s Face in America” by Kathleen Verduin (Hope College).

The Dante in America lectures are sponsored by the Center for Italian Studies and the Devers Family Program in Dante Studies.

The fall exhibit “Bound up with love…” The extraordinary legacy of Father John Zahm’s Dante Collection is now open and will run through the end of the semester.

The current spotlight exhibits are The Ferrell Manuscripts (August – December 2021) and A Limited Edition Photo Album of the Sistine Chapel (August – September 2021).


RBSC is closed Monday, September 6th,
for Labor Day.

Welcome Back! Fall 2021 in Special Collections

Rare Books and Special Collections welcomes students, faculty, staff, researchers, and visitors back to campus for Fall ’21! We want to let you know about a variety of things to watch for in the coming semester.

The University of Notre Dame, Hesburgh Libraries, Special Collections, and the current COVID situation

Due to the spread of highly contagious variants of the COVID-19 virus, and our inability to verify the vaccination status of those outside our highly vaccinated campus community, masks will be required (except when eating and drinking) of both vaccinated and unvaccinated faculty, staff, students, and visitors in some campus spaces during times when those spaces are generally open to the public. The first two floors of the Hesburgh Library (including Rare Books and Special Collections) are among the spaces where masks are required in public areas, including for those who are fully vaccinated.

Up-to-date information regarding campus policies is provided at covid.nd.edu, and a complete list of these campus spaces will be updated regularly here.

New Leadership at the Hesburgh Libraries

K. Matthew Dames

K. Matthew Dames, previously university librarian at Boston University, has been appointed the Edward H. Arnold University Librarian at the University of Notre Dame by University President Rev. John I. Jenkins, C.S.C., effective August 1. Dr. Dames succeeds Diane Parr Walker, who has retired after serving 10 years as librarian.

Read the full press report online.

Fall 2021 exhibit: “Bound up with love …” The extraordinary legacy of Father John Zahm’s Dante Collection

This year, the 700th anniversary of the death of Dante Alighieri, we are celebrating the legacy of the Zahm Dante Collection and the remarkable accumulation of rare Italian material acquired at the University of Notre Dame over the past century. 

Highlights of the exhibition include rare printings of the three crowns of Italian literature – Dante, Petrarch, and Boccaccio – as well as verse anthologies of poetry and other tools such as grammars and dictionaries that would have assisted 16th century readers of vernacular literature.

Fall 2021 Spotlight exhibit featuring the Ferrell Manuscripts

The Fall Spotlight Exhibit features six medieval manuscripts donated to the University of Notre Dame by James E. and Elizabeth J. Ferrell. The collection features a diverse group of manuscripts from the thirteenth through fifteenth century including a historiated Bible, book of hours, a tarot card, and illuminations. The Ferrell Collection can be discovered digitally.

Monthly rotating spotlight exhibits

Despite the challenges of the last academic year and thanks, in no small part, to the generosity of our donors, Special Collections’ holdings continued to grow. This spotlight exhibit celebrates one recent gift: the three-volume limited edition photo album of the Sistine Chapel. An anonymous donor presented this magnum opus to the Hesburgh Libraries in February 2021.

Drop in every month to see what new surprise awaits you in our monthly feature!

Special Collections’ Classes & Workshops

Throughout the semester, curators will teach sessions related to our holdings to undergraduate and graduate students from Notre Dame, Saint Mary’s College, and Holy Cross College. Curators may also be available to show special collections to visiting classes, from preschool through adults. If you would like to arrange a group visit and class with a curator, please contact Special Collections.

Archival Research Lab I: Locating Materials and Preparing to Go
Wednesday, October 6, 10:00am to 11:15am

Archival Research Lab II: Inside the Archive
Wednesday, October 13, 10:00am to 11:15am

This two-session workshop provides an introduction to advanced archival research. In session one, you will learn strategies for finding and evaluating relevant archival collections and steps you’ll need to consider before you go to an archive. In session two, you will “enter the archive,” completing the registration process and handling and examining different archival materials and formats. This workshop is designed to introduce those who have not previously done archival research to the world of archives and special collections, and also as a refresher and skill-building opportunity for those planning to visit archives again in the post-COVID environment.

Events

Fall 2021 Lecture Series: Dante in America — In commemoration of the 700th anniversary of Dante’s death, in 2021 the Center for Italian Studies and Devers Family Program in Dante Studies are hosting a series of lectures on the topic “Dante in America.” During the Fall Semester, the lectures are open to the public and will be held in person and streamed via Zoom, with the first lecture Thursday, September 2, 4:30pm to 6:30pm.

Learn more about the series. 

Recent Acquisitions

Special Collections acquires new material throughout the year. Watch our blog for announcements about recent acquisitions.